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It Had to Be You: Baritone T.C.
Sheetmusic to print
17 sheet music found
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1
It Had to Be You: Baritone T.C.
Saxhorn / baritone b.c. (band part)
By Isham Jones. Arranged by Mike Lewis. For Jazz Ensemble. Instructional. Part. 1 pages. P…
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By Isham Jones. Arranged by Mike Lewis. For Jazz Ensemble. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00
2.75 €
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Saxhorn / baritone b.c. (band part)
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Isham Jones
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It Had to Be You: Baritone T.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
It Had to Be You: Baritone T.C.
Saxhorn / baritone b.c. (band part)
By Isham Jones. Arranged by Tom Davis. For Jazz Ensemble. Instructional. Part. 4 pages. Pu…
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By Isham Jones. Arranged by Tom Davis. For Jazz Ensemble. Instructional. Part. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.00
2.75 €
#
Saxhorn / baritone b.c. (band part)
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Isham Jones
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It Had to Be You: Baritone T.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hause…
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Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.59 €
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet
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Slide Ride
#
SheetMusicPlus
Do You Want to Know a Secret?: (wp) Baritone T.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0014911_WPBTC1 (wp) Baritone T.C.
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Concert Band - Digital Download SKU: AX.00-PC-0014911_WPBTC1 (wp) Baritone T.C.. By The Beatles. By John Lennon and Paul McCartney. Arranged by Victor López. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014911_wpBTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014911_WPBTC1). UPC: 038081419732.The Beatles, the band that changed everything, continue to influence the music industry today. Easily forgotten as the monster hit that it was, the song was a delicate and melodic ingredient that had a definite place in making up the Beatlemania of 1964. Originally included on their Please Please Me album, now arranged for beginning band, this Victor LA3pez rendition of Do You Want to Know a Secret will be a sure hit with both your audience and students alike.
$3.00
2.75 €
#
Concert band
#
The Beatles
#
Do You Want to Know a Secret?:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Frosty's Caribbean Holiday: Baritone T.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0014700_BTC1 Baritone T.C.. Co…
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Concert Band - Digital Download SKU: AX.00-PC-0014700_BTC1 Baritone T.C.. Composed by Jack Rollins and Steve Nelson. Arranged by Ralph Ford. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014700_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014700_BTC1). UPC: 654979066026.Don't worry . . . .he won't melt. The classic holiday character, Frosty on the beach in the Caribbean. I suppose it had best be a short vacation! It's a delightful twist to spice up your holiday program. (1:38).
$3.00
2.75 €
#
Concert band
#
Jack Rollins and Steve Nelson
#
Frosty's Caribbean Holiday: Baritone T.C.
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 C…
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Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.59 €
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
#
Slide Ride
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
Saxophone (band part)
Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Jos…
(+)
Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published by Slide Ride (A0.784333). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.59 €
#
Saxophone (band part)
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
#
Slide Ride
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Saxophone Quartet (AATB or SATB)
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.784345 Composed by Joshua Hauser. Instructional. 110 pages. Slide Ride #5288699. Published by Slide Ride (A0.784345). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$12.50
11.48 €
#
Saxophone Quartet: 4 saxophones
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Saxophone Quartet
#
Slide Ride
#
SheetMusicPlus
Donut Etudes v5 - Scale Duets for 2 Euphoniums or Baritones in Treble Clef
Instrumental Duet Euphonium,Instrumental Duet - Digital Download SKU: A0.784315 Com…
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Instrumental Duet Euphonium,Instrumental Duet - Digital Download SKU: A0.784315 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570015. Published by Slide Ride (A0.784315).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!  I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like. • Choose a tempo • Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves to expand the set.  Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
9.18 €
#
Joshua Hauser
#
Donut Etudes v5 - Scale Duets for 2 Euphoniums or Baritones in Treble Clef
#
Slide Ride
#
SheetMusicPlus
It Had to Be You: 3rd Baritone T.C.
Saxhorn / baritone b.c. (band part)
By Isham Jones. Arranged by Tom Davis. For Jazz Ensemble. Instructional. Part. 4 pages. Pu…
(+)
By Isham Jones. Arranged by Tom Davis. For Jazz Ensemble. Instructional. Part. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.00
2.75 €
#
Saxhorn / baritone b.c. (band part)
#
Isham Jones
#
It Had to Be You: 3rd Baritone T.C.
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
It Had to Be You: 2nd Baritone T.C.
Saxhorn / baritone b.c. (band part)
By Isham Jones. Arranged by Tom Davis. For Jazz Ensemble. Instructional. Part. 4 pages. Pu…
(+)
By Isham Jones. Arranged by Tom Davis. For Jazz Ensemble. Instructional. Part. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.00
2.75 €
#
Saxhorn / baritone b.c. (band part)
#
Isham Jones
#
It Had to Be You: 2nd Baritone T.C.
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Frosty's Caribbean Holiday: Baritone B.C.
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0014700_BBC1 Baritone B.C.. Co…
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Concert Band - Digital Download SKU: AX.00-PC-0014700_BBC1 Baritone B.C.. Composed by Jack Rollins and Steve Nelson. Arranged by Ralph Ford. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014700_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014700_BBC1). UPC: 654979066026.Don't worry . . . .he won't melt. The classic holiday character, Frosty on the beach in the Caribbean. I suppose it had best be a short vacation! It's a delightful twist to spice up your holiday program. (1:38).
$3.00
2.75 €
#
Concert band
#
Jack Rollins and Steve Nelson
#
Frosty's Caribbean Holiday: Baritone B.C.
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
The Fairest of the Fair for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.722745 Composed by John Philip Sousa. Arranged by Jari A. Villanueva. Folk,Holiday,Patriotic,Romantic Period. Score and parts. 29 pages. JV MUSIC #3414623. Published by JV MUSIC (A0.722745). The Fairest of the Fair March for Brass Quintet and Optional DrumsBy John Philip Sousa Arranged by Jari VillanuevaScore 2 Trumpets in BbHorn in FTromboneTubaOptional DrumsSubstitute parts for Eb Horn and Baritone T.C .providedThe Fairest of the Fair (1908) by John Philip Sousa was composed for the annual Boston Food Fair of 1908 and is claimed that the memory of a pretty girl he had seen at an earlier fair inspired the composition. Sousa composed The Fairest of the Fair intending his Band to perform it at the annual Boston Food Fair in the fall of 1908. It is the only work of any kind that he composed that year and one of only a handful of compositions that he wrote between 1906 and 1910. He apparently completed it in New York during the summer, as the final page of the original score was signed John Philip Sousa, Camp Comfort, Saranac Lake, Adirondack, New York, July 8, 1908.The march almost missed its premier at the Boston Food Fair. Because of an oversight the music, which Sousa had written and scored out, did not have individual parts written out for the performers. This was discovered the day before the performance. The new composition had received much advanced publicity and it would have been an embarrassment to Sousa not to have it performed. The band’s copyist, Louis Morris, rose to the occasion and on the train to Boston stayed up and copied out the parts so the band could premier the work as advertised on September 28, 1908. In the morning when Sousa found out Morris was working all night he instructed him to finish the work and get some rest. Morris missed the concert and the premier but found an extra $50 in his next paycheck.Published by JV MUSIC Baltimore MD www.jvmusic.net https://youtu.be/KeE5dMnrevU
$15.00
13.77 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
John Philip Sousa Arranged by Jari VillanuevaScore
2 Trumpets in Bb
Horn in F
Trombone
Tuba
Optional Drums
Substitute parts for Eb Horn and Baritone T
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John Philip Sousa
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The Fairest of the Fair for Brass Quintet
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JV MUSIC
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SheetMusicPlus
Hammer To Fall
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1426763 By Queen. By Brian May. A…
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Concert Band - Level 3 - Digital Download SKU: A0.1426763 By Queen. By Brian May. Arranged by Lorenzo Bocci. Pop,Rock. 107 pages. Lorenzo Bocci #1007467. Published by Lorenzo Bocci (A0.1426763). HAMMER TO FALL performed by Queenfor Concert Band - Grade 3 - Digital Download Composed by Brian May. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 3'35''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Electronic Snare), Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Hammer to Fall is a 1984 song by the British rock band Queen. Written by guitarist Brian May, the song is the eighth track on their 1984 album The Works. It was the fourth and final single to be released from that album. The song harks back to the old roots of the band, being built around a hard angular and muscular riff. The song peaked at number 3 in South Africa, and 13 in the UK Singles Chart. It was featured in the film Highlander, a movie for which the band had composed tie-in songs. Hammer to Fall was the third song the band performed at Live Aid in 1985.Subscribe to my YouTube Channel to stay updated on new releases.
$99.00
90.91 €
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Concert band
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Queen
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Brian May
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Hammer To Fall
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Lorenzo Bocci
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SheetMusicPlus
Andaluza
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.976737 Composed by Manuel de Fall…
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Concert Band - Level 3 - Digital Download SKU: A0.976737 Composed by Manuel de Falla. Arranged by Robert Myers. 20th Century,Folk,World. Score and parts. 113 pages. WheatMyer Music #6621545. Published by WheatMyer Music (A0.976737). Andaluza, taken from Manuel de Falla’s piano suite Cuatro Piezas Españolas, is aimed at the mainstream high school band in the United States at the grade 4 level. Boisterous tuttis, intimate solos, and passionate melodies make for an engaging excursion into Spanish folk music that allows students to explore the adventurous harmonies of de Falla's impressionistic vocabulary. The variety of colors and energy in the modern concert band amplify the life, drama, and humanity de Falla poured into his piano version. Andaluza will thus prove a thrill for both performers and audience as it celebrates this life, drama, and humanity.Soprano Sax is called for on an expressive solo but is fully cued in oboe. The absence of this instrument need not prevent an integral performance of the music.Optional parts are provided for Eb Clarinet, Treble Clef Baritone, and Double Bass for those bands having these available.View a full preview score of Andaluza at my website (wheatmyermusic.com/product/andaluza) or drop an email and I'll provide a pdf of the score for your perusal.Andaluza is the fourth member of Manuel de Falla’s Cuatro Piezas Españolas for solo piano first published in 1909. My imagination runs wild contemplating what may be pictured in de Falla’s music. It certainly seems to be a civic gathering: perhaps a wedding, a baptism, a dedication, or a feast taking place in the civic square of perhaps on a hacienda. There are scenes that may be dancing, speeches, passionate sonnets, arguments, celebrations, all ending in a lingering mysterious question with a tinge of hopefulness. Whatever Falla may have have had in mind it is full of life, drama, and humanity.I first became aware of de Falla’s work, particularly Andaluza, in the summer of 2021 during an online orchestration seminar. Each of Cuatro Piezas’s movements expresses Spanish folk music idioms through an impressionistic lens reflecting Debussy’s influence on de Falla. Andaluza immediately struck me as music that would shine in the realm of the concert band. It was a joy to explore de Falla’s music, transforming the implications of the piano stylings into the nuances and colors available to the modern wind ensemble. It was just as much if not more challenging to develop this arrangement than creating my own original music typically proves to be. But it was so rewarding to have done so and I hope you find the rewards of listening just as much worth your effort.Robert MyersS.D.G.INSTRUMENTATION:PiccoloFlute 1, 2OboeBassoon 1,2Bb Clarinet 1, 2Bb Bass ClarinetBb Soprano SaxophoneEb Alto Saxophone 1, 2Bb Tenor SaxophoneEb Baritone SaxophoneBb Trumpet 1, 2, 3Horn in F 1, 2, 3, 4Trombone 1, 2Bass TromboneEuphonium TubaTimpani (4) Mallets: Xylophone, Glockenspiel, Vibraphone, MarimbaPercussion 1: Almglocken/Cowbell, Suspended Cymbal, Marimba, Snare Drum, Glockenspiel, Triangle, XylophonePercussion 2: Hand Cymbals, Suspended Cymbals, Snare Drum, Bongos, Mark TreePercussion 3: Tambourine, Castanets, Hand Cymbals, Rainstick, Gong, Tam, TamPercussion 4: Bass Drum, Suspended Cymbal, Gong, Tam Tam, WoodblocksOptional Parts: Eb Clarinet; Baritone T.C. 1, 2; Double Bass
$75.00
68.87 €
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Concert band
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Manuel de Falla
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Baritone T.C. 1, 2
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Andaluza
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WheatMyer Music
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SheetMusicPlus
A Fistful Of Dollars
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1403955 By Ennio Morricone. By En…
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Concert Band - Level 2 - Digital Download SKU: A0.1403955 By Ennio Morricone. By Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. 63 pages. Lorenzo Bocci #987080. Published by Lorenzo Bocci (A0.1403955). A FISTFUL OF DOLLARS (Per un pugno di dollari) From A Fistful Of Dollarsfor Solo Trumpet and Concert Band (with Fanfare Band parts) - Grade 3 - Digital Download Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. For Solo Trumpet and Concert Band. With optional Choir (SATB). Score and parts. With Fanfare Band parts. Duration 1'49''. Published by Lorenzo Bocci.Instrumentation:Full Score, Bb Solo Trumpet, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Double Bass, Timpani, Percussion 1 (Bass Drum, Cymbals), Percussion 2 (Snare Drum, Castanets), Guitar, Choir (SATB) (Opt.).Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.A Fistful of Dollars (Per un pugno di dollari) is a film directed by Sergio Leone and starring Clint Eastwood in his first leading role, alongside Gian Maria Volonté, Marianne Koch, Wolfgang Lukschy, Sieghardt Rupp, José Calvo, Antonio Prieto and Joseph Egger. Released in Italy in 1964 and in the United States in 1967, the film initiated the popularity of the spaghetti Western genre. It was followed by For a Few Dollars More and The Good, the Bad and the Ugly, both also starring Eastwood. Collectively, the films are known as the Dollars Trilogy, or the Man with No Name Trilogy. The film's music was written by Ennio Morricone. Sergio Leone requested Morricone to write a theme that would be similar to Dimitri Tiomkin's El Degüello (used in Rio Bravo). Although the two themes are similar, Morricone stated that he used a lullaby that he had composed previously, and developed the theme from that. The song is characterized by a famous trumpet solo, played by the Apulian Michele Lacerenza; it was also released on 45 rpm by RCA Italiana and was one of the best-selling records of the year.Subscribe to my YouTube Channel to stay updated on new releases.
$89.00
81.73 €
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Concert band
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Ennio Morricone
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Ennio Morricone
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A Fistful Of Dollars
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Lorenzo Bocci
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.71 €
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Brass quartet : 2 trumpets, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
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