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You've selected:
It Should Have Been Me
Sheetmusic to print
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It Should Have Been Me
Choral SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1026200 Composed by Landon…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1026200 Composed by Landon Reynolds. Christian,Sacred. Octavo. 12 pages. Landon Reynolds #5985105. Published by Landon Reynolds (A0.1026200). This is beautiful piece of music for Christian worship. It is accessible for all church choirs. It would be a great asset to any worship service during the year. .
$4.50
4.04 €
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Choral SATB
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Landon Reynolds
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It Should Have Been Me
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Landon Reynolds
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SheetMusicPlus
Can't Buy Me Love
C Instruments
C Instrument - Level 4 - Digital Download SKU: A0.1191999 By The Beatles. By John L…
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C Instrument - Level 4 - Digital Download SKU: A0.1191999 By The Beatles. By John Lennon and Paul McCartney. Arranged by John Fries. 20th Century,Film/TV,Pop,Rock,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #791503. Published by John Fries (A0.1191999). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Can't Buy Me Love is a song by the English rock band the Beatles that was released in March 1964 as the A-side of their sixth single. It was written by Paul McCartney and credited to the Lennon–McCartney partnership. The song was included on the group's album A Hard Day's Night and was featured in a scene in Richard Lester's film of the same title. The single topped charts in the United Kingdom, the United States, Australia, Ireland, New Zealand and Sweden. In the UK, it was the fourth highest selling single of the 1960s. The song's verse is a twelve-bar blues in structure, a formula that the Beatles seldom applied to their own material. When pressed by American journalists in 1966 to reveal the song's true meaning, McCartney stated: I think you can put any interpretation you want on anything, but when someone suggests that 'Can't Buy Me Love' is about a prostitute, I draw the line. He went on to say: The idea behind it was that all these material possessions are all very well, but they won't buy me what I really want. However, he was to comment later: It should have been 'Can Buy Me Love' when reflecting on the perks that money and fame had brought him.
$3.99
3.58 €
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C Instruments
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The Beatles
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Can't Buy Me Love
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John Fries
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SheetMusicPlus
Can't Buy Me Love
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1205900 By The Beatle…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1205900 By The Beatles. By John Lennon and Paul McCartney. Arranged by John Fries. 20th Century,Pop,Rock,Standards. Score. 2 pages. John Fries #804091. Published by John Fries (A0.1205900). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Can't Buy Me Love is a song by the English rock band the Beatles that was released in March 1964 as the A-side of their sixth single.  It was written by Paul McCartney and credited to the Lennon–McCartney partnership.  The song was included on the group's album A Hard Day's Night and was featured in a scene in Richard Lester's film of the same title. The single topped charts in the United Kingdom, the United States, Australia, Ireland, New Zealand and Sweden.  In the UK, it was the fourth highest selling single of the 1960s.  The song's verse is a twelve-bar blues in structure, a formula that the Beatles seldom applied to their own material.  When pressed by American journalists in 1966 to reveal the song's true meaning, McCartney stated: I think you can put any interpretation you want on anything, but when someone suggests that 'Can't Buy Me Love' is about a prostitute, I draw the line.  He went on to say: The idea behind it was that all these material possessions are all very well, but they won't buy me what I really want.  However, he was to comment later: It should have been 'Can Buy Me Love' when reflecting on the perks that money and fame had brought him.
$4.99
4.48 €
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Piano, Vocal and Guitar
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The Beatles
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Can't Buy Me Love
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John Fries
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SheetMusicPlus
When I Survey/ It Should Have Been Me
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1411755 Composed by Perry G …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1411755 Composed by Perry G Walp. Arranged by Perry G Walp. Christian,Praise & Worship,Religious. Score. 3 pages. Perry Walp #994034. Published by Perry Walp (A0.1411755).
$1.99
1.79 €
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Piano, Voice
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Perry G Walp
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When I Survey/ It Should Have Been Me
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Perry Walp
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SheetMusicPlus
You Found Me
C Instruments
C Instrument - Level 2 - Digital Download SKU: A0.842476 By The Fray. By Isaac Slad…
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C Instrument - Level 2 - Digital Download SKU: A0.842476 By The Fray. By Isaac Slade and Joseph King. Arranged by Ben Clapton. Rock. Lead Sheet / Fake Book. 3 pages. Ben Clapton #4597303. Published by Ben Clapton (A0.842476). You Found Me was released by American rock band The Fray in 2008. It was their third single to sell 2 million downloads in the US, and marked The Fray's first number one hit in Australia.This is a lead sheet for the song, which has the melody and lyrics, and guitar chords. The song is written in B, and it has capo chords at capo 4 to utilise open chords.From Wikipedia:In an interview, lead singer and pianist Isaac Slade expressed his meaning behind the lyrics of the song:'You Found Me' is such a great song you should really listen to it. I love it as if it were my own child. The heart ache, the let down that comes with life. Sometimes you're let down, sometimes you're the one who lets someone else down. It gets hard to know who you can trust, who you can count on. This song came out of a tough time, and I'm still right in the thick of it. There's some difficult circumstances my family and friends have been going through over the past year or so and it can be overwhelming. It wears on me. It demands so much of my faith to keep believing, keep hoping in the unseen. Sometimes the tunnel has a light at the end, but usually they just look black as night. This song is about that feeling, and the hope that I still have, buried deep in my chest.In another interview Isaac Slade declared that:I kept getting these phone calls from home – tragedy after tragedy... If there is some kind of Person in charge of this planet – are they sleeping? Smoking? Where are they? I just imagined running into God standing on a street corner like Bruce Springsteen, smoking a cigarette, and I'd have it out with Him.In a Reuters article about the album, Slade stated that the lyrics for You Found Me were written in 2007, and that the song asks about the problem of evil, why bad things happen to good people, after some of their friends and family went through very tough times.Many others say that the song represents the reason we cope with things and how abandonment plays a role in everyday life.
$4.99
4.48 €
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C Instruments
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The Fray
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You Found Me
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Ben Clapton
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SheetMusicPlus
Lean On Me
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.887547 By Club Nouveau. By Bill Wit…
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Easy Piano - Level 1 - Digital Download SKU: A0.887547 By Club Nouveau. By Bill Withers. Arranged by Nicholas Goulding. Soul. Score. 6 pages. Nicholas Goulding #3561053. Published by Nicholas Goulding (A0.887547). Bill Withers' 'Lean On Me' as arranged for easy piano duet. The easiest part is PRIMO (the performer sitting on the right side of the piano). The notation has been written in 'Middle C Position' for ease of reading, however please note the instruction to play all notes an octave higher than written.The SECONDO part, to be played as written with both staves in the bass, is made up of chords and simplified bass-lines. This part should be played gently to ensure that it doesn't overpower the melody of the PRIMO part.Overall, some rhythms have been simplified to make this more accessible to beginners.
$9.99
8.97 €
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Easy Piano
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Club Nouveau
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Lean On Me
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Nicholas Goulding
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SheetMusicPlus
He Has Paid The Price
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841542 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841542 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #3471339. Published by Andrew Mc Donald (Macka Records) (A0.841542). He has paid the price is about Jesus sacrificing Himself on the cross for me when it should have been me there. I was the sinner not Him but He chose to die so I might live. .
$4.99
4.48 €
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Piano, Voice
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Andrew Mc Donald
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He Has Paid The Price
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Andrew Mc Donald
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SheetMusicPlus
Take On Me
4 Bassoons
Bassoon Quartet,Woodwind Ensemble Contrabassoon - Level 5 - Digital Download SKU: A0.76…
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Bassoon Quartet,Woodwind Ensemble Contrabassoon - Level 5 - Digital Download SKU: A0.765044 By a-ha. By Magne Furuholmne and Pal Waaktaar. Arranged by Lori Archer Sutherland. Contemporary. 26 pages. Lori Archer Sutherland #4991035. Published by Lori Archer Sutherland (A0.765044). Rock out to the 80s with your bassoon section!As this is a rock song, no dynamics have been added and there are limited articulations. The ensemble may do as it sees fit for this genre.An optional part is included for contrabassoon (sub. for Bassoon 4). If used, Bassoon 3 should use the optional Bassoon 3 part.
$18.99
17.05 €
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4 Bassoons
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a-ha
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Take On Me
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Lori Archer Sutherland
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SheetMusicPlus
It Should Have Been Me by Gladys Knight & The Pips - Piano/Vocal/Guitar
Piano, Vocal and Guitar
Performed by: Gladys Knight & the Pips: It Should Have Been Me Digital Sheetmusic - in…
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Performed by: Gladys Knight & the Pips: It Should Have Been Me Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 3 pages -- Soul~~R & B~~Motown
$5.79
5.2 €
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Piano, Vocal and Guitar
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Gladys Knight & the Pips
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Piano/Vocal/Guitar
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Musicnotes
Take Me Home, Country Roads (Easy Piano)
Easy Piano
Piano Solo, Piano/Vocal/Chords, Easy Piano - Easy/Beginner - Digital Download By Jo…
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Piano Solo, Piano/Vocal/Chords, Easy Piano - Easy/Beginner - Digital Download By John Denver. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
Here’s how to play “Take Me Home, Country Roads” by John Denver on piano!<br> <br> With this easy piano sheet music, you can play “Country Roads” on piano.<br> <br> I created a more challenging arrangement as well - you can find it here: https://www.sheetmusicplus.com/title/21148082<br> <br> This here is an easy piano arrangement in the song’s original key of A major. It comes with a seperate system for the singer, the full lyrics and chords.<br> <br> However, the whole melody is included in the piano part as well, so it sounds great when played without any singing, too!<br> <br> Of course, you can use these piano sheets to accompany someone as well, or sing along yourself!<br> <br> In any case, it’s a “Take Me Home, Country Roads” piano version which is not too hard to play, and sounds fantastic.<br> <br> "Take Me Home, Country Roads" (also known as simply "Country Roads") first appeared on John Denver’s 1971 album "Poems, Prayers and Promises" and became one of his signature songs, as well as one of the most famous country songs of all time!<br> <br> Time to play some country music on piano!<br> <br> Here are the full lyrics to "Country Roads":<br> <br> "Almost heaven, West Virginia<br> Blue Ridge Mountains, Shenandoah River<br> Life is old there, older than the trees<br> Younger than the mountains, blowing like a breeze<br> Country roads, take me home<br> To the place I belong<br> West Virginia, mountain mama<br> Take me home, country roads<br> All my memories gather round her<br> Miner's lady, stranger to blue water<br> Dark and dusty, painted on the sky<br> Misty taste of moonshine, teardrop in my eye<br> Country roads, take me home<br> To the place I belong<br> West Virginia, mountain mama<br> Take me home, country roads<br> I hear her voice, in the morning hour she calls me<br> The radio reminds me of my home far away<br> And driving down the road I get a feeling<br> That I should have been home yesterday, yesterday<br> Country roads, take me home<br> To the place I belong<br> West Virginia, mountain mama<br> Take me home, country roads<br> Country roads, take me home<br> To the place I belong<br> West Virginia, mountain mama<br> Take me home, country roads<br> Take me home, down country roads<br> Take me home, down country roads"
$4.99
4.48 €
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Easy Piano
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John Denver
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Take Me Home, Country Roads
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Mario Stallbaumer
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SheetMusicPlus
Take Me Home, Country Roads
Piano, Voice
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By John Denver. Ar…
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By John Denver. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
Here’s how to play “Take Me Home, Country Roads” by John Denver on piano!<br> <br> With this piano sheet music, you can play “Country Roads” on piano.<br> <br> It’s a piano arrangement in the song’s original key of A major. It comes with a seperate system for the singer, the full lyrics and chords.<br> <br> However, the whole melody is included in the piano part as well, so it sounds great when played without any singing, too!<br> <br> Of course, you can use these piano sheets to accompany someone as well, or sing along yourself!<br> <br> In any case, it’s a “Take Me Home, Country Roads” piano version which is not too hard to play, and sounds fantastic.<br> <br> <br> <br> "Take Me Home, Country Roads" (also known as simply "Country Roads") first appeared on John Denver’s 1971 album "Poems, Prayers and Promises" and became one of his signature songs, as well as one of the most famous country songs of all time!<br> <br> <br> <br> Time to play some country music on piano!<br> <br> <br> <br> Here are the full lyrics to "Country Roads":<br> <br> <br> “Almost heaven, West Virginia<br> <br> Blue Ridge Mountains, Shenandoah River<br> <br> Life is old there, older than the trees<br> <br> Younger than the mountains, blowing like a breeze<br> <br> Country roads, take me home<br> <br> To the place I belong<br> <br> West Virginia, mountain mama<br> <br> Take me home, country roads<br> <br> All my memories gather round her<br> <br> Miner's lady, stranger to blue water<br> <br> Dark and dusty, painted on the sky<br> <br> Misty taste of moonshine, teardrop in my eye<br> <br> Country roads, take me home<br> <br> To the place I belong<br> <br> West Virginia, mountain mama<br> <br> Take me home, country roads<br> <br> I hear her voice, in the morning hour she calls me<br> <br> The radio reminds me of my home far away<br> <br> And driving down the road I get a feeling<br> <br> That I should have been home yesterday, yesterday<br> <br> Country roads, take me home<br> <br> To the place I belong<br> <br> West Virginia, mountain mama<br> <br> Take me home, country roads<br> <br> Country roads, take me home<br> <br> To the place I belong<br> <br> West Virginia, mountain mama<br> <br> Take me home, country roads<br> <br> Take me home, down country roads<br> <br> Take me home, down country roads”
$4.99
4.48 €
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Piano, Voice
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John Denver
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Take Me Home, Country Roads
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Mario Stallbaumer
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SheetMusicPlus
Five Songs for Soprano - Song-Cycle, Op. 14
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1314982 Composed by William …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1314982 Composed by William Kersten. Classical,Opera,Romantic Period. Score. 23 pages. William Kersten #903730. Published by William Kersten (A0.1314982). Inspired by the Victorian and Romantic poetry of Christina Rossetti, Anne Bronte, Thomas Hood and Thomas Beddoes, the Five songs form a cycle of joy, sadness, love, death and exultation.  The music is scored in two versions: Normal Vocal Range and Wide Vocal Range.1. A Birthday Christina Rossetti (1830-1894) My heart is like a singing bird Whose nest is in a watered shoot; My heart is like an apple-tree Whose boughs are bent with thick-set fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these Because my love is come to me. Raise me a dais of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs-de-lys; Because the birthday of my life Is come, my love is come to me. 2. Echo Christina RossettiCome to me in the silence of the night; Come in the speaking silence of a dream; Come with soft rounded cheeks and eyes as bright As sunlight on a stream; Come back in tears, Oh memory, hope, love of finished years. Oh dream how sweet, too sweet, too bitter sweet, Whose wakening should have been in Paradise, Where souls brimfull of love abide and meet; Where thirsting longing eyes Watch the slow door That opening, letting in, lets out no more. Yet come to me in dreams, that I may live My very life again though cold in death - Come back to me in dreams, that I may give Pulse for pulse, breath for breath: Speak low, lean low, As long ago, my love, how long ago. 3. There is dew...â€Thomas Hood (1799-1845)There is dew for the flowret And honey for the bee, And bowers for the wild bird, And love for you and me. There are tears for the many And pleasures for the few; But let the world pass on, dear, There's love for me and you. 4. We do lie beneath the grass...â€Thomas Beddoes (1803-1849) We do lie beneath the grass In the moonlight, in the shade Of the yew-tree. They that pass Hear us not. We are afraid They would envy our delight, in our graves by glow-worm night. Come follow us, and smile as we; We sail to the rock in the ancient waves, Where the snow falls by thousands into the sea, And the drowned and the shipwrecked have happy graves.  5. My soul is awakened...â€Â Anne Bronte (1820-1849)My soul is awakened, my spirit is soaring And carried aloft on the wings of the breeze, For above and around me the wild wind is roaring Arousing to rapture the earth and the seas. The long withered grass in the sunshine is glancing, The bare trees are tossing their branches on high, The dead leaves beneath them are merrily dancing The white clouds are scudding across the blue sky. I wish I could see how the ocean is lashing The foam of its billows to whirlwinds of spray, I wish I could see how its proud waves are dashing, And hear the wild roar of their thunder today.
$6.99
6.28 €
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Piano, Voice
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William Kersten
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Five Songs for Soprano - Song-Cycle, Op. 14
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William Kersten
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SheetMusicPlus
Yvonne Fair: It Should Have Been Me - voice, piano or guitar
Piano, Vocal and Guitar
Instantly printable sheet music by Yvonne Fair for voice, piano or guitar of MEDIUM skill …
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Instantly printable sheet music by Yvonne Fair for voice, piano or guitar of MEDIUM skill level. / soul
$5.97
5.36 €
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Piano, Vocal and Guitar
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Yvonne Fair
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Virtualsheetmusic
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
26.89 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
I'll Walk Alone
Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1351942…
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Horn,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1351942 By Dinah Shore. By Jule Styne and Sammy Cahn. Arranged by F. Leslie Smith. 20th Century,Jazz,Pop,Standards. 20 pages. Sweetwater Brass Press #936564. Published by Sweetwater Brass Press (A0.1351942). “I’ll Walk Alone†is a World War II era ballad whose poignant melody sounds as though it could have been written just yesterday.  First introduced in the 1944 movie Follow the Boys, it was hugely popular and has since been recorded by numerous artists.   Universal Pictures produced Follow the Boys in an effort to help boost morale for both overseas military and folks on the home front.  Despite being filled with stars and songs, critics tended to dismiss it as hokey and trite.  The exception was a scene in which Dinah Shore sang “I’ll Walk Alone.† Nominated for the Academy Award for Best Original Song, Ms. Shore’s follow-up Victor recording spent 20 weeks on the top ten Best Selling Records chart.  The song was used yet again in 1952 for another motion picture, With a Song in My Heart, the Jane Froman biographical film, and the melody eventually developed as a standard, particularly in the world of jazz.   Sammy Cahn’s lyrics for this song express the feelings and the promise of a woman who has been separated from her lover by the war.  She pledges that she will be true, that she will wait for him, and that “'till you're walking beside me, I'll walk alone.† Jule Styne’s melody is both plaintiff and simple. an eight-measure phrase, a repeat of the phrase, an eight-measure second phrase, then another repeat of the first phrase.   For this arrangement, the suggested tempo is a relatively slow, blues-like 72 bpm.  It features a tenor saxophone as lead and solo instrument accompanied by brass quintet.  A four-measure introduction opens the piece with Trumpet 1 playing melody and the other four brass providing background.  Following the intro, Tenor Sax plays its first three notes alone; the other instruments begin their accompaniment on measure 6.  Trumpet 1 is tacit during measures 6-11 but begins adding counterpoint in measure 12.     In performing this arrangement, brass instruments should ensure that, when the Sax plays, their volume as a group is under (i.e., softer than) the melody.  The exception begins at measure 36, when a crescendo leads to the quintet playing fortissimo.  During this section, the Tenor Sax plays a couple of responses.  At measures 43 a decrescendo lowers the brass volume back to its original soft accompaniment level.  The piece ends with brass recapping the introduction and Sax providing a final statement.   This piece, completed in 2023, consists of 57 measures, a little over three minutes in length.  Written in the key of G major, Tuba’s lowest note is a G below the staff.  Other than that, all notes are well within the normal playing range of each instrument.   The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
11.66 €
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Dinah Shore
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I'll Walk Alone
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Sweetwater Brass Press
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SheetMusicPlus
The Rainbow Connection
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: …
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1462712 By Carrie Hannah. By Kenny Ascher and Paul Williams. Arranged by Will Corbin. Children,Film/TV. 22 pages. Will Corbin #1041459. Published by Will Corbin (A0.1462712). Kermit the Frog (his creator, Jim Henson, was behind the curtain) sings this song at the beginning of 1979's The Muppet Movie. It would be nominated for an Oscar for best original song, which subsequent history would indicate it should have won. The honor went to It Goes Like It Goes from the soundtrack of Norma Rae, which hasn't been heard since. The Rainbow Connection, meanwhile, has been covered by just about every singer and group in the universe, just short of the metal rockers. This arrangement is a challenge, although the parts are not technically difficult. I've used stairstep constructions throughout, so a quintet has to be tight and precise to maintain a steady tempo. It ain't easy.It's scored for two trumpets, horn, baritone and tuba, but there's a trombone part included. If you need other instrumentation, please contact me at wilcor@aol.com.
$15.00
13.47 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Carrie Hannah
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The Rainbow Connection
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Will Corbin
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SheetMusicPlus
Aria Italia - organ solo
Organ
Organ - Level 2 - Digital Download SKU: A0.844375 Composed by Phil Beaman. 20th Cen…
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Organ - Level 2 - Digital Download SKU: A0.844375 Composed by Phil Beaman. 20th Century,Multicultural,Praise & Worship,World. Score. 3 pages. Phil Beaman #2930049. Published by Phil Beaman (A0.844375). I know, I should have been listening to the sermon. But I had just led the choir in one of those old modal chant tunes and it sparked an idea in me. So during the sermon I sat at the organ and sketched this piece out in the margins of the Sunday bulletin! It is a short piece for organ manuals fusing many different styles; minor melodies with an Alberti bass, then interludes with hints of West Indian rhythms. 3 pages, 2:30 minutes.
$3.99
3.58 €
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Organ
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Phil Beaman
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Aria Italia - organ solo
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Phil Beaman
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SheetMusicPlus
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-28E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.69 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
CASSANDRA'S VISION
Violin and Piano
Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704…
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Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00
4.49 €
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Violin and Piano
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Monica Bergo
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CASSANDRA'S VISION
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Moni Bergo
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SheetMusicPlus
The Be-Bop Range Book
Trumpet
Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. I…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.
$16.95
15.22 €
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Trumpet
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Eric Bolvin
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Air
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The Be-Bop Range Book
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ERIC V BOLVIN
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SheetMusicPlus
Do You Hear How Many You Are?
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1027467 Composed by Keane …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindrift Pages (A0.1027467). Do You Hear How Many You Are? for SATB choir was written in April and May of 2010. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes -Winner, 2010 Ars Nova Singers Colorado Composers Competition (Professional Division) -1st Prize, Warren County Summer Music School's Promising Young Composers Competition, 2014 Premiered June 3, 2011 in Boulder, CO by the Ars Nova Singers, Thomas Morgan-conductor PROJECT : ENCOREâ„¢ has found this work to be of exceptional merit. Its panel of internationally known conductors has selected this work for inclusion in its catalog of recommended choral music. Website: keanesouthard.instantencore.com.
$2.25
2.02 €
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Choral SATB
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Do You Hear How Many You Are?
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1027468 Composed by Keane Southar…
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Concert Band - Level 2 - Digital Download SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spindrift Pages (A0.1027468). Do You Hear How Many You Are? for Concert Band was originally written in April and May of 2010 for SATB choir. I made this concert band arrangement in 2012. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes Grade 2 -Finalist, 3rd International Frank Ticheli Competition -Premiered April 19 2013 by the Minot State University Symphonic Band, Devin Otto, conductor Website: keanesouthard.instantencore.com.
$85.00
76.31 €
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Concert band
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
BOISMORTIER SONATA IN D MINOR OPUS 7 No. 4 for flute or oboe, clarinet & bassoon or cello
Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.8…
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Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811719 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Graduation,Standards,Wedding. Score and parts. 22 pages. Piper Publications #5213745. Published by Piper Publications (A0.811719). The sonata is the first of a set of six published in Paris in 1725 by L’Auteur & Boivin ‘Avec Privilege du Roy.1725.’ The title page described them as ‘SONATES EN TRIO pour Trois Flûtes Transversieres sans Basse Par MR BOISMORTIER. OEVRE SEPTIÈME.’The publication consisted of a set of parts each with the title page followed by a copy of the Privilége granted by King Louis to Boismortier to print and sell his music.The fourth sonata has been arranged for flute or oboe, clarinet & bassoon or cello. The four movements are Doucement, Courante, Allemande and a pair of minuets. Players of intermediate standard and above will enjoy the independent part writing. Obvious mistakes and omissions have been corrected without comment, trills have been added where there is for e.g. a sequence where only the first trill has been indicated or a similar passage has a trill in that part or another part. The more modern tr has been substituted for + and the mordant used on shorter notes retained. The only dynamics included in the original are Doucement (softly) at the beginning of the first movement and Doux , an indication to play softly from bar/measure 49 to the end of the first movement, and none have been added. Players should feel free to add their own. For the arrangement some changes of register have been made to accommodate the ranges of the oboe and clarinet and additional slurs have been added (dashed lines). Players are free to retain the ‘feel’ of early eighteenth century style whilst playing modern instruments.The original publication used the, now defunct, soprano clef (with G on the bottom line of the stave) and this edition has been transcribed into the modern treble clef. In the eighteenth century it was quite usual for wind players to play several instruments. The use of the soprano clef would have made it easier to switch between flute and bassoon.
$12.00
10.77 €
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Joseph Bodin De Boismortier
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BOISMORTIER SONATA IN D MINOR OPUS 7 No. 4 for flute or oboe, clarinet & bassoon or cello
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Piper Publications
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SheetMusicPlus
BOISMORTIER SONATA No.1 in D MAJOR OPUS 7 No. 1 for flute, oboe & clarinet in A
Flute, Oboe, Clarinet (trio)
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A…
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Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.811700 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Standards. 24 pages. Piper Publications #4310185. Published by Piper Publications (A0.811700). The sonata is the first of a set of six published in Paris in 1725 by L’Auteur & Boivin ‘Avec Privilege du Roy.1725.’ The title page described them as ‘SONATES EN TRIO pour Trois Flûtes Transversieres sans Basse Par MR BOISMORTIER. OEVRE SEPTIÈME.’ The publication consisted of a set of parts each with the title page followed by a copy of the Privilége granted by King Louis to Boismortier to print and sell his music. There are 5 movements, Gravement, Allemande Gayment, lentement, Gavotte en rondeau & Gayment. Players of Intermediate standard will enjoy playing this music. Obvious mistakes and omissions have been corrected without comment, trills have been added where there is for e.g. a sequence where only the first trill has been indicated or a similar passage has a trill in that part or another part. The more modern tr has been substituted for + and the mordant used on shorter notes retained. No dynamics were included in the original and none have been added. Players should feel free to add their own. For the arrangement some changes of register have been made to accommodate the ranges of the oboe and clarinet and additional slurs have been added (dashed lines). Players are free to retain the ‘feel’ of early eighteenth century style whilst playing modern instruments. The original publication used the, now defunct, soprano clef (with G on the bottom line of the stave) and this edition has been transcribed into the modern treble clef. In the eighteenth century it was quite usual for wind players to play several instruments. The use of the soprano clef would have made it easier to switch between flute and bassoon.
$10.00
8.98 €
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Flute, Oboe, Clarinet (trio)
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Joseph Bodin De Boismortier
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BOISMORTIER SONATA No.1 in D MAJOR OPUS 7 No. 1 for flute, oboe & clarinet in A
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Piper Publications
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