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It Starts With A Dream
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You've selected:
It Starts With A Dream
SheetMusicPlus
Sheetmusic to print
37 sheet music found
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26
It Starts With A Dream (from Mrs Henderson Presents)
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Piano, Voice
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Broadway
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George Fenton and Simon Chambe
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It Starts With A Dream
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Hal Leonard - Digital
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SheetMusicPlus
Digital Download SKU: HX.454779 Composed by George Fenton and Simon Chamberlain. Musical/Show. Piano Vocal. 6 pages. Published by Hal Leonard - Digital (...
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Digital Download SKU: HX.454779 Composed by George Fenton and Simon Chamberlain. Musical/Show. Piano Vocal. 6 pages. Published by Hal Leonard - Digital (HX.454779).
$4.99
Music for Toys & Dreams
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Greg Bartholomew
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Music for Toys & Dreams
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Burke & Bagley
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute - Level 3 - Digital Download SKU: A0.787340 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards...
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Small Ensemble Cello,Clarinet,Flute - Level 3 - Digital Download SKU: A0.787340 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 18 pages. Burke & Bagley #2807579. Published by Burke & Bagley (A0.787340). Music for Toys & Dreams was commissioned by the Farrelly Ensemble for their performance at the 2016 Unbound Flute Festival in Brisbane, Australia. With a childlike simplicity, the piece evokes music heard while napping, as we drift in and out of dreams, with melodies interrupted and fragments of distant stories interwoven. Each instrument becomes the child's voice for a toy, sometimes telling its own story, sometimes reacting to another toy's story, and sometimes enacting a story jointly with the other toys. It starts with the toys waking up, or with a child picking up different toys and introducing them to us. Initially the child is animating the toys, and then the toys begin to animate themselves within the child's dreams.Duration: ca. 6 minutes.
$14.99
Once Upon A Dream
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Walt Disney
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Children
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Jack Lawrence and Sammy Fain
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George Bruns, Bob Coil
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Once Upon A Dream
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Polished Brass
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SheetMusicPlus
Brass Ensemble Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1138940 Composed by Jack Lawrence and Sammy Fain. Arranged by George ...
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Brass Ensemble Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1138940 Composed by Jack Lawrence and Sammy Fain. Arranged by George Bruns, Bob Coil. 20th Century,Children,Classical,Film/TV,Wedding. Score and parts. 18 pages. Polished Brass #739235. Published by Polished Brass (A0.1138940). This arrangement for brass quintet starts with the theme as adapted for the Disney film by George Bruns and then transitions to a setting that reflects the orchestral version by Tchaikovsky. The range is moderate except for the trombone, in which the melody ascends to c2 briefly. The notes are queued in the second trumpet if the range is not secure for the trombonist. Since this piece is often used in weddings, it may need to be shortened, so cadence points have been indicated in the parts for optional endings. The animated film “Sleeping Beauty†was released by Disney Studios in 1959, with the voice of Princess Aurora being sung by Mary Costa. In the Ballet, the waltz is No. 6 in Act 1. The arranger, Bob Coil, is a graduate of the University of Cincinnati College-Conservatory of music, where he studied bass trombone with Betty Glover. Dr. Coil is the leader of the Bones of Cincinnatus trombone ensemble and the Polished Brass quintet in Cincinnati, OH.
$14.99
You Stepped Out Of A Dream
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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Nacio Herb Brown
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Kirk Schmidt
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You Stepped Out Of A Dream
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Kirk Schmidt
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1008460 Composed by Nacio Herb Brown. Arranged by Kirk Schmidt. Contemporary. Score and ...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1008460 Composed by Nacio Herb Brown. Arranged by Kirk Schmidt. Contemporary. Score and parts. 34 pages. Kirk Schmidt #4812279. Published by Kirk Schmidt (A0.1008460). This starts off with a taste of Also sprach Zarathustra in the intro which is played IN TIME to avoid confusion.It's a Latin feel until the end when JUST THE DRUMMER has an Afro-Cuban 'Double-Time' feel.Also, 4-bars into Letter 'D' we morph into a 4/4 swing for a short time, returning back to a Latin at Letter 'E'.In both instances, I have given the drummer instructions to start a little early to give a hint to the full band.
$50.00
An Elegy for Hopes and Dreams
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Piano Trio: piano, violin, cello
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INTERMEDIATE/ADVANCED
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William Heath
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An Elegy for Hopes and Dreams
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William Heath
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. ...
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Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #742526. Published by William Heath (A0.1142148). A Piano Trio, written for the Leeds University Union Music Society Winter Concert Series. Performed by the Hughes Trio featuring Christopher Hughes (Piano), Amy Howe (Violin), and Nikki Kemp (Cello) Programme Notes: This is a rather melodramatic piece that follows the Five Stages of Grief. I first sketched the piece for string quartet after an absolutely horrific interview at the Royal Northern College of Music. Feeling disheartened and dejected, I got home and messily scribbled on some manuscript paper An Elegy for Hopes and Dreams, and started writing this extremely over-dramatic and self-indulgent piece. I had abandoned this piece for an entire year before reviving it and writing the whole piece in just over a week and a half, now reimagined for Piano Trio. The piece starts with an atonal representation of grief before quickly moving into an upbeat Denial section which features a sort of fragile and manic sense of repression as a theme that initially sounds upbeat quickly unravels with whole-tone scales and chromatic movement. A representation of Anger is then seen with the whole trio playing the same melody with a jarring Bb in the harmony. The denial and anger sections repeat and regress before abruptly moving to a Bargaining section in which the original theme, ominously played in the lower piano and cello registers, is juxtaposed with a conjunct, major variation of the same theme in the violin. The Depression section takes the form of a cello solo as I find it to be one of the most emotive and expressive instruments and I take inspiration from Elgar's Cello Concerto, which I angstily listened to on the flight home from my aforementioned interview. A lilting and lamenting cello solo is contrasted with an atonal, aimless piano accompaniment which reflects the topic of depression. The bargaining theme reprises slightly with both strings performing the major variation before leading to the final climax. The Acceptance section sees the principal theme finally fully resolved in a major mode and with diatonic harmony. This is an expressive section as the whole trio plays the same melody with very simple yet emotive harmonic accompaniment underneath. Here the depression theme pairs with the principal theme coming to a final resolution. For individual parts for performance please contact owhcomposer@gmail.com.
$27.99
Mayabono Biharini Horini | A Tagore Song | in C
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Piano, Vocal and Guitar
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EASY
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Sir Rabindranath Tagore
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Riddhi Sanyal
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Mayabono Biharini Horini | A T
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Riddhi Sanyal
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.999162 Composed by Sir Rabindranath Tagore. Arranged by Riddhi Sanyal. Contemporary,Country...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.999162 Composed by Sir Rabindranath Tagore. Arranged by Riddhi Sanyal. Contemporary,Country,Pop,World. Score. 4 pages. Riddhi Sanyal #5771073. Published by Riddhi Sanyal (A0.999162). Learn the Tagore Song ‘Mayabono Biharini Horini’ in Sheet Music (Staff Notation) with Lyrics & Chords in Scale C which is ideal for sing or to play at Piano, Guitar, Ukulele, Flute, Harmonica etc (any instruments which can be tuned in Scale C) and even in Orchestra or Duet Chorus. Lyrics (English Transliteration of Original Bengali Lyrics) are Chord Symbols are provided.Instruments in Recorded Music File: Song Played in Flute & Ukulele for the lead song and Piano for Chords. Piano Bass Clef is given with Chord symbol. About The Song: This is the song to call a deer that comes into dreams. Some of the lines to too touchy like I shall only touch it's soul with the melody of my flute. This is one of the popular songs on Rhythm and Dance. Hope you will enjoy singing & playing at your comfortable instrument. This song is on beating pattern 4/4.Raga: This song follows the Raga Yaman Kalyan for most of the verses.Song Structure: This song has 2 Antara (s). The second Antara starts with the verse called Sanchari. After every Antara, it’s general practice to play the Bandish for 1 or 2 times. Whole song is divided into Bowing (Flute) & Stroke (Ex - Piano, Guitar, Ukulele) instruments, but that verse is played in chorus. Same idea can be applied while singing in male & female voice in Chorus. Chords Used: C, F, G, D, Dm as suitable.
$5.99
Piece for George
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Concert band
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EASY
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Contemporary
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Caryn Pretorius
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Piece for George
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Caryn Pretorius
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.999086 Composed by Caryn Pretorius. Contemporary. Score and parts. 24 pages. Caryn Pretorius #5799707. ...
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Concert Band - Level 2 - Digital Download SKU: A0.999086 Composed by Caryn Pretorius. Contemporary. Score and parts. 24 pages. Caryn Pretorius #5799707. Published by Caryn Pretorius (A0.999086). Piece for GeorgeMusic by Caryn PretoriusThis piece is a reflection of someone who is dreaming of better times in the midst of the Corona virus pandemic.You can hear that it starts with a first section that sounds dreamlike and it changes to contrasting sections which indicates the different types of emotions that one might feel during trying times.This is a custom piece for an beginner/intermediate band.
$20.50
O Little Town of Bethlehem traditional SSAA A Cappella
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Phillips Brooks and Lewis H Re
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Connie Boss
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O Little Town of Bethlehem tra
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Connie Boss
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SheetMusicPlus
Small Ensemble Alto Voice,Soprano voice - Level 2 - Digital Download SKU: A0.1513101 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie B...
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Small Ensemble Alto Voice,Soprano voice - Level 2 - Digital Download SKU: A0.1513101 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. Christian,Christmas. 6 pages. Connie Boss #1087984. Published by Connie Boss (A0.1513101). This version has an optional beginning. I have choir humming for the first three measure. There is a soloist that starts singing after that. The optional part is to not play the piano until half way through the verse. There is accompaniment if you prefer. . It is for SSAA voices. I have also added additions to each verse that is different than the original with new lyrics and music. It adds a little bit to this iconic song. For any questions or requests, email cdboss@cvalley.netLyrics below:O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go byYet in thy dark streets shinethThe everlasting lightThe hopes and fears of all the yearsAre met in Thee tonightShepherds watching o’re their flocksSaw a light star downThen they noticed that it’s lightLit up a little townFor Christ is born of MaryAnd, gathered all aboveWhile mortals sleep, the angels keepTheir watch of wondering loveO morning stars, togetherProclaim the Holy birthAnd praises sing to God the KingAnd peace to men on earthShepherds followed the bright starAnd they were so amazedPeople gathered all aroundSinging hymns of praiseO Holy Child of BethlehemDescend to us, we prayCast out our sin and enter inBe born for us todayWe hear the Christmas angelsThe great glad tidings tellO come to us, abide with usOur Lord EmmanuelIn a stable was a childBorn for all to seeHis mother always by His sideThe newborn Prince of peaceO little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go by.
$5.99
Si Pilimon
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Choral SATB
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EASY
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Filipino Folk Song
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Dave Pingkian Lacquio
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Si Pilimon
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Dave Lacquio
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.1029220 Composed by Filipino Folk Song. Arranged by Dave Pingkian Lacquio. Folk,World. Octavo. ...
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Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.1029220 Composed by Filipino Folk Song. Arranged by Dave Pingkian Lacquio. Folk,World. Octavo. 10 pages. Dave Lacquio #4766849. Published by Dave Lacquio (A0.1029220). The popular Filipino folk song entitled Si Pilimon was given a wide variety of styles in this chorale arrangement. It starts with a soft and solemn introduction which mimics the drunken Pilimon day dreaming like in a flashback of what happened before he was drunken. It is actually an easy piece to teach to beginning singers.
$4.99
Brass Quintet - Three Pastoral Sketches
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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Contemporary
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Ly...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
What You'd Call A Dream
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Choral TTBB
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INTERMEDIATE
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Broadway
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Craig Carnelia
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Mike Bierschenk
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What You'd Call A Dream
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Mike Bierschenk
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1424028 Composed by Craig Carnelia. Arranged by Mike Bierschenk. Broadway,Musical/Sh...
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Choral Choir,Choral,TTBB Chorus - Level 3 - Digital Download SKU: A0.1424028 Composed by Craig Carnelia. Arranged by Mike Bierschenk. Broadway,Musical/Show. 18 pages. Mike Bierschenk #1002103. Published by Mike Bierschenk (A0.1424028). This TTBB arrangement (1 baritone solo, optional violin) starts out quiet and meditative, but eventually swells into a triumphant celebration of the joy of standing in the sun on a grassy baseball field playing a good game. Simple polyphony ornaments the clarity of Carnelia's melody without overwhelming it.
$1.99
One Sows for the Benefit of Another Age - Orchestra
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Orchestra
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ADVANCED
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Contemporary
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Pu...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
I Don’t Want to Play in Your Yard: Trumpet Feature
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Brass Quartet
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INTERMEDIATE/ADVANCED
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H
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F
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I Don’t Want to Play in Your
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comed...
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).      Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,†published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.†One announced, “You can’t play in our yard.†The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.      The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.†But “in sweet dreams of childhood†we still remember the controversy of the yard.      This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary†then transitions to ¾ for the remainder of the piece.      Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.      Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$7.95
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
O Little Town of Bethlehem - Strings quartet and Piano
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Christmas
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Phillips Brooks and Lewis H Re
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Connie Boss
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O Little Town of Bethlehem - S
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Connie Boss
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SheetMusicPlus
Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1324502 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. Ch...
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Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1324502 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. Children,Christian,Holiday,Religious. 21 pages. Connie Boss #912700. Published by Connie Boss (A0.1324502). This version starts with just strings.  It is for Strings quartet and piano. Parts are included with this purchase. I have also added additions to each verse that is different than the original with new lyrics and music. It adds a little bit to this iconic song. I have other arrangements of this song on sale here as well including choir pieces. This can be played without the piano accompaniment if desired.For any questions or requests, email cdboss@cvalley.netLyrics below:O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go byYet in thy dark streets shinethThe everlasting lightThe hopes and fears of all the yearsAre met in Thee tonight Shepherds watching o’re their flocksSaw a light star downThen they noticed that it’s lightLit up a little townFor Christ is born of MaryAnd, gathered all aboveWhile mortals sleep, the angels keepTheir watch of wondering loveO morning stars, togetherProclaim the Holy birthAnd praises sing to God the KingAnd peace to men on earthShepherds followed the bright starAnd they were so amazedPeople gathered all aroundSinging hymns of praiseO Holy Child of BethlehemDescend to us, we prayCast out our sin and enter inBe born for us todayWe hear the Christmas angelsThe great glad tidings tellO come to us, abide with usOur Lord Emmanuel In a stable was a childBorn for all to seeHis mother always by His sideThe newborn Prince of peaceO little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go by.
$7.99
The Battle of Kresvia
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Choral SATB
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INTERMEDIATE
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Lydia J
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The Battle of Kresvia
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Lydia J. Wede
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1028613 Composed by Lydia J. Wede. A Cappella. Octavo. 12 pages. Lydia J. Wede #3591703. Publish...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1028613 Composed by Lydia J. Wede. A Cappella. Octavo. 12 pages. Lydia J. Wede #3591703. Published by Lydia J. Wede (A0.1028613). The Battle of Kresvia is an a capella choral piece that tells the story of several knights going to fight in a mythical battle. There are several phases throughout this song. It starts out with a recurring melody of the soldiers marching, then the knights pause to dream about what they will encounter. However, all of their dreams turn to nightmares when they realize the mortal terror they will encounter. The warriors drearily march until their commander riles the troops and raises their morale. We continue the journey with the troop until the battle begins. The knights fight on to victory! Sorry for the bad audio, email me at lydiawede@gmail.com for any questions or assistance.
$4.50
Waltz No. 2 (2022)
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Piano solo
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ADVANCED
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Gerald W
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Waltz No. 2
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Gerald W. Gabbard
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1431985 Composed by Gerald W. Gabbard. 21st Century. Score. 3 pages. Gerald W. Gabbard #1012463. Publishe...
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Piano Solo - Level 5 - Digital Download SKU: A0.1431985 Composed by Gerald W. Gabbard. 21st Century. Score. 3 pages. Gerald W. Gabbard #1012463. Published by Gerald W. Gabbard (A0.1431985). This is the second of eight waltzes I composed between September 2020 and April 2024. This was the second waltz I wrote, and the second during the COVID-19 pandemic. It is a gentle piece with a sense of a dream-like dance. The form is A-B-A'-A-Coda. It starts off in D and centers around the key of D, until the end, when the Coda transports the listener to an ending in G. Think of it like the dancers in the dream disappearing from sight.Regarding articulation: I use tenuto and accent + tenuto marks frequently in my compositions. I tend to use them mostly as indications for the melody and/or notes that should be emphasized or brought out. I never intend the accent + tenuto to be harsh, but it should be stronger than the tenuto alone.I intend to have a collection of all eight waltzes available for sale in addition to individual pieces. The available recording on Arrange Me and Sheet Music Plus is an export from Finale – not a live performance. Note, Finale did not keep the tempo consistent throughout. Do not slow down in the B section staring in mm. 13.I hope you enjoy playing this piece!Gerald Gabbard.
$4.99
The Children's Journey (Five Piano Pieces from The Little Lyric Suite)
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Piano solo
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INTERMEDIATE/ADVANCED
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Rocco Di Pietro
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The Children's Journey
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Rocco Di Pietro
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1290932 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Score. 14 pages. Rocco ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1290932 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. Score. 14 pages. Rocco Di Pietro #881617. Published by Rocco Di Pietro (A0.1290932). “The emotion it seems roused in children when they are left alone in the darkis not dread, but desire. An overwhelming and fearful longing for the one whocan bring them solace for an apparent loss of self in the absence of the visible world.The light becomes both a beacon and a being, a summons and a response, illuminatingthe darkness that is a prelude to sleep, which is next door to the next world.â€~ J. Lord ~I. The PlaygroundThe child’s journey starts in a toxic playground at home.II. Roaming Among the CuckoosThe child roams among cuckoos, who make their nests in other creatures’homes. He knows this well, with his plethora of step dads.III. First Loss, Inner FlightThe child experiences his first loss, and goes into inner flight.IV. A Curious StoryThe actual awaited long journey of the child begins. A very curious storyindeed. V. Hospitality Dream (About Strange Lands and Peoples)At last, the child arrives with his dream of hospitality among strange landsand peoples, and is met with a rude, if not deadly, awakening.
$12.00
O Little Town of Bethlehem traditional SSAA and Piano
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Phillips Brooks and Lewis H Re
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Connie Boss
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O Little Town of Bethlehem tra
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Connie Boss
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SheetMusicPlus
Small Ensemble Alto Voice,Piano Accompaniment,Soprano voice - Level 2 - Digital Download SKU: A0.1513097 Composed by Phillips Brooks and Lewis H Redner. ...
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Small Ensemble Alto Voice,Piano Accompaniment,Soprano voice - Level 2 - Digital Download SKU: A0.1513097 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. Christian,Christmas. 9 pages. Connie Boss #1087980. Published by Connie Boss (A0.1513097). This version has an optional beginning. I have choir humming for the first three measure. There is a soloist that starts singing after that. The optional part is to not play the piano until half way through the verse. There is accompaniment if you prefer. You can hear on the mp3 how it sounds being a cappella until then. It is for SSAA voices. I have also added additions to each verse that is different than the original with new lyrics and music. It adds a little bit to this iconic song. For any questions or requests, email cdboss@cvalley.netLyrics below:O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go byYet in thy dark streets shinethThe everlasting lightThe hopes and fears of all the yearsAre met in Thee tonightShepherds watching o’re their flocksSaw a light star downThen they noticed that it’s lightLit up a little townFor Christ is born of MaryAnd, gathered all aboveWhile mortals sleep, the angels keepTheir watch of wondering loveO morning stars, togetherProclaim the Holy birthAnd praises sing to God the KingAnd peace to men on earthShepherds followed the bright starAnd they were so amazedPeople gathered all aroundSinging hymns of praiseO Holy Child of BethlehemDescend to us, we prayCast out our sin and enter inBe born for us todayWe hear the Christmas angelsThe great glad tidings tellO come to us, abide with usOur Lord Emmanuel In a stable was a childBorn for all to seeHis mother always by His sideThe newborn Prince of peace O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go by.
$5.99
O Little Town of Bethlehem - SATB and Piano
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Choral SATB
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INTERMEDIATE
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Christmas
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Phillips Brooks and Lewis H Re
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Connie Boss
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O Little Town of Bethlehem - S
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Piano Accompaniment,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.1318498 Composed by Phillips Brooks and Lewis H ...
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Alto Voice,Bass Voice,Piano Accompaniment,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.1318498 Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. Christian,Christmas,Holiday. 10 pages. Connie Boss #907165. Published by Connie Boss (A0.1318498). This version has an optional beginning. I have choir humming for the first three measure. There is a soloist that starts singing after that. The optional part is to not play the piano until half way through the verse. There is accompaniment if you prefer. You can hear on the mp3 how it sounds being a cappella until then. It is for SATB voices. I have also added additions to each verse that is different than the original with new lyrics and music. It adds a little bit to this iconic song. For any questions or requests, email cdboss@cvalley.netLyrics below:O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go byYet in thy dark streets shinethThe everlasting lightThe hopes and fears of all the yearsAre met in Thee tonight Shepherds watching o’re their flocksSaw a light star downThen they noticed that it’s lightLit up a little townFor Christ is born of MaryAnd, gathered all aboveWhile mortals sleep, the angels keepTheir watch of wondering loveO morning stars, togetherProclaim the Holy birthAnd praises sing to God the KingAnd peace to men on earth Shepherds followed the bright starAnd they were so amazedPeople gathered all aroundSinging hymns of praiseO Holy Child of BethlehemDescend to us, we prayCast out our sin and enter inBe born for us todayWe hear the Christmas angelsThe great glad tidings tellO come to us, abide with usOur Lord Emmanuel In a stable was a childBorn for all to seeHis mother always by His sideThe newborn Prince of peace O little town of BethlehemHow still we see Thee lieAbove Thy deep and dreamless sleepThe silent stars go by.
$7.99
The Monk's Turned Topsy-Turvy
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Clarinet Ensemble
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INTERMEDIATE/ADVANCED
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Lori Archer Sutherland
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The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.764956 Composed by Lori Archer S...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.764956 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. 50 pages. Lori Archer Sutherland #4597193. Published by Lori Archer Sutherland (A0.764956). For clarinet choir (Eb, 4 Bb, Alto, Bass, Eb Contra, Bb Contra. Alternate Bb parts included for Eb and Alto. Basset horn part included (doubles Alto)).You may print multiple parts as needed for your ensemble.The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.Also available for concert band (S0.708971)
$25.00
The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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SheetMusicPlus
Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer ...
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Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804263. Published by Lori Archer Sutherland (A0.1071177). The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.
$1.99
You Go To My Head
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C Instruments
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ADVANCED
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Haven Gillespie and John Frede
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John Fries
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You Go To My Head
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John Fries
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SheetMusicPlus
C Instrument - Level 5 - Digital Download SKU: A0.499788 Composed by Haven Gillespie and John Frederick Coots. Arranged by John Fries. 20th Century,Jazz,...
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C Instrument - Level 5 - Digital Download SKU: A0.499788 Composed by Haven Gillespie and John Frederick Coots. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113081. Published by John Fries (A0.499788). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. You Go to My Head is a 1938 popular song composed by J. Fred Coots with lyrics by Haven Gillespie. Numerous versions of the song have been recorded, and it has since become a pop and jazz standard. Alec Wilder terms Coots' melody a minor masterpiece. According to Ted Gioia, “’You Go to my Head’ is an intricately constructed affair with plenty of harmonic movement. The song starts in a major key, but from the second bar onward, Mr. Coots seems intent on creating a feverish dream quality tending more to the minor mode. The release builds on the drama, and the final restatement holds some surprises as well. The piece would be noteworthy even if it lacked such an exquisite coda, but those last eight bars convey a sense of resigned closure to the song that fittingly matches the resolution of the lyrics.
$3.99
You Go To My Head
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Piano, Vocal and Guitar
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INTERMEDIATE/ADVANCED
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Jazz
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Haven Gillespie and John Frede
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John Fries
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You Go To My Head
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1197519 Composed by Haven Gillespie and John Frederick Coots. Arranged by John Fries. 20th ...
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1197519 Composed by Haven Gillespie and John Frederick Coots. Arranged by John Fries. 20th Century,Instructional,Jazz,Standards. Score. 2 pages. John Fries #796693. Published by John Fries (A0.1197519). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. You Go to My Head is a 1938 popular song composed by J. Fred Coots with lyrics by Haven Gillespie. Numerous versions of the song have been recorded, and it has since become a pop and jazz standard. Alec Wilder terms Coots' melody a minor masterpiece. According to Ted Gioia, “’You Go to my Head’ is an intricately constructed affair with plenty of harmonic movement. The song starts in a major key, but from the second bar onward, Mr. Coots seems intent on creating a feverish dream quality tending more to the minor mode. The release builds on the drama, and the final restatement holds some surprises as well. The piece would be noteworthy even if it lacked such an exquisite coda, but those last eight bars convey a sense of resigned closure to the song that fittingly matches the resolution of the lyrics.
$4.99
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