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It is based on plainsong.
Sheetmusic to print
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1
O Come, O Come, Emmanuel
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1277135 Composed by 15th Century Fr…
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Piano Solo - Level 5 - Digital Download SKU: A0.1277135 Composed by 15th Century French Melody. Arranged by Judith L. Maggs. Advent,Christian,Christmas,Religious,Sacred. Score. 5 pages. Maggs #868823. Published by Maggs (A0.1277135). The origins of this beautiful hymn tune go back to 15th century France. It is based on plainsong. O Come, O Come, Emmanuel is a beautiful hymn sung and played during the season of Advent in many churches. This arrangement, in the key of E minor, is thoughtful and flowing. It is quite easily played by an advanced level pianist.This arrangement is also available in my collection: “Advent at the Piano,†which includes 8 piano arrangements for Advent and is available on this site.
$2.99
2.76 €
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Piano solo
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15th Century French Melody
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O Come, O Come, Emmanuel
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Maggs
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SheetMusicPlus
Fantasy on "O Come, O Come Emmanuel"
Organ
Organ - Level 3 - Digital Download SKU: A0.923860 Composed by 15th century plainson…
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Organ - Level 3 - Digital Download SKU: A0.923860 Composed by 15th century plainsong melody and Unknown. Arranged by Matthew F. Walicke. Baroque,Christmas,Classical,Renaissance,World. Score. 7 pages. Matthew F. Walicke #5743219. Published by Matthew F. Walicke (A0.923860). A bold and surprising advent prelude, Fantasy on 'O Come, O Come Emmanuel' based on the 15th century chant, features opportunities to show off your organ's solo stops and chimes and welcome in the season of Advent. Starting with a plaintive solo section (with optional chimes), the song bursts into a fast and fun Renaissance inspired dance with alternating meters, and finally ends with a Baroque styled waltz and fanfare. A versatile work, this piece is great as a diverse prelude that starts meditative and ends with celebration, and it's big finish makes for an excellent closer as well. Great for the first or last weeks of Advent or even Christmas!
$5.95
5.5 €
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Organ
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15th century plainsong melody and Unknown
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Fantasy on "O Come, O Come Emmanuel"
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Matthew F. Walicke
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SheetMusicPlus
Parce Domine
Choral SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.934920 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.934920 Composed by Merula Music. Contemporary,Easter,Renaissance,Sacred. Octavo. 12 pages. Merula Music #6707799. Published by Merula Music (A0.934920). A highly canonic Neo-Renaissance composition for double choir (SSAATTBB). It is based on plainsong.
$3.50
3.23 €
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Choral SATB
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Merula Music
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It is based on plainsong.
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Parce Domine
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Merula Music
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SheetMusicPlus
Newcastle Mass
Choral 3-part
Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.878852 Composed by David Ba…
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Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.878852 Composed by David Banney. Classical,Contemporary,Sacred. Octavo. 16 pages. David Banney #6353707. Published by David Banney (A0.878852). The Newcastle Mass, is based on plainsong melodies for the Sanctus and Agnus Dei, and original melodies inspired by plainsong for the Kyrie and Gloria. The Kyrie and Agnus Dei are for unison voices, while the other movements are for SAB, all with a rich organ (or piano) accompaniment. It was composed to be performed as part of a workshop about Renaissance choral music.
$3.99
3.68 €
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Choral 3-part
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David Banney
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Newcastle Mass
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David Banney
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SheetMusicPlus
Five French Masters
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1475437 Composed by Chris North. Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1052989. Published by Danetre Music (A0.1475437). A Suite for British Style Brass Band. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required. A super work to add to your repertoire as a concert or contest item. This title has already been played by a number of bands in various competitions, and was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK.
$59.99
55.4 €
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Five French Masters
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1467794 Composed by Chris North. Contemporary,Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1046092. Published by Danetre Music (A0.1467794). A Suite for British Style Brass Band which was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required.
$59.99
55.4 €
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Salve Regina
Organ
Organ - intermediate - Digital Download SKU: S9.Q22734 Composed by Naji Hakim. This…
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Organ - intermediate - Digital Download SKU: S9.Q22734 Composed by Naji Hakim. This edition: Sheet music. 'Salve Regina', a paraphrase of the Gregorian chant, was created in June 2004. Downloadable. Schott Music - Digital #Q22734. Published by Schott Music - Digital (S9.Q22734). Naji Hakim, born in Beirut in 1955, is counted among the most important of present-day organists and organ composers. He studied organ with Jean Langlais at the Conservatoire National Supérieur de Musique in Paris, was organist at Sacré-Cœur in Paris from 1985-93 and then succeeded Olivier Messiaen as organist at the Église de la Trinité. He gives concerts throughout the world, works as a professor at the Conservatoire de Musique in Boulogne, and holds a visiting professorship at the RoyalAcademy in London.In his organ works, Naji Hakim often draws his thematic material from the Gregorian chant, thesaurus of the Roman Catholic Church, which is regarded as essential part of the liturgy even by Vatican II. This paraphrase of the antiphon to the virgin, 'Salve Regina', is based on the plainsong theme (solemn tone). The Gregorian line is unchanged; it evolves slowly above an expressive harmony. The text of the prayer is underlined by the meditative, soft and peaceful character.
$11.99
11.07 €
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Organ
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Naji Hakim
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Salve Regina
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Schott Music - Digital
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SheetMusicPlus
Salve Regina
Violin, Organ
Violin and organ - intermediate - Digital Download SKU: S9.Q18882 Composed by Naji …
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Violin and organ - intermediate - Digital Download SKU: S9.Q18882 Composed by Naji Hakim. This edition: Sheet music. Violin Library. 'Salve Regina', a paraphrase of the Gregorian chant, was created in June 2004. Downloadable. Duration 5:30. Schott Music - Digital #Q18882. Published by Schott Music - Digital (S9.Q18882). Naji Hakim, born in Beirut in 1955, is counted among the most important of present-day organists and organ composers. He studied organ with Jean Langlais at the Conservatoire National Supérieur de Musique in Paris, was organist at Sacré-Cœur in Paris from 1985-93 and then succeeded Olivier Messiaen as organist at the Église de la Trinité. He gives concerts throughout the world, works as a professor at the Conservatoire de Musique in Boulogne, and holds a visiting professorship at the RoyalAcademy in London.In his organ works, Naji Hakim often draws his thematic material from the Gregorian chant, thesaurus of the Roman Catholic Church, which is regarded as essential part of the liturgy even by Vatican II. This paraphrase of the antiphon to the virgin, 'Salve Regina', is based on the plainsong theme (solemn tone). The Gregorian line is unchanged; it evolves slowly above an expressive harmony. The text of the prayer is underlined by the meditative, soft and peaceful character.
$13.99
12.92 €
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Violin, Organ
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Naji Hakim
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Salve Regina
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Schott Music - Digital
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SheetMusicPlus
Dies Irae Dodecaphonic
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1029561 Composed by Peter Daniel Kl…
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Piano Solo - Level 5 - Digital Download SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Published by Peter Daniel Klein (A0.1029561). This musical piece is comprised of two twelve-tone rows, atonal music based on synthetic scales unique to each composition, which are based on medieval plainsong chants whose systemization was begun by Pope Gregory I during the sixth century AD. A simple explanation of this composition is that it is the world's oldest notated music combined with modern 20th-century music theory that eschews traditional melody and harmony for synthetic scales unique to each composition. The music is complex and dissonant, although the conversion of the two plainsong chants to twelve-tone rows retains a semblance of a tonal center at given points throughout. Still, the entire piece of music is that same melody utilized harmonically: just forward, backward, upside-down, backward and upside-down, rhythmically altered, transposed, displaced up or down, or split into smaller cells and then reprocessed in the same way mentioned above. I have also borrowed the Baroque Period techniques of the two-part invention and four-voice fugue combined with serial musical techniques that may offend the average listener's traditional musical sensibilities but make logical structural sense. I used the Dies Irae (The Day of Wrath) and Tuba Mirum (The Last Trumpet Call). The authorship of the chants has been attributed to many saints from Gregory to Thomas of Celano but probably evolved from early Jewish psalmody carried forward by the earliest Jewish converts to Christianity, which further developed into trochaic metered poetry by successive monks. It was set to memorized plainsong heralding back, in part, to Jewish worship. The text of the Dies Irae is very similar to Zephaniah 1:16​. The last trumpet call that raises the dead in Christ is comparable to the Apostle Paul's account written in his first epistle to the Corinthians Chapter 15 and first epistle to the Thessalonians Chapter 4. The two epistles may, or may not, be related to the Final of the Seven Trumpets bringing God's Judgement on the earth spoken of in Revelation 11. The relationship of the trumpet mentioned in the epistles to those written about in Revelation divides theologians, but I digress into unrelated matters. Despite the modern theory, the music is still movingly visceral because of its conceptually descriptive nature. It is full of aural symbolism following the Dies Irae and the Tuba Mirum, making it a type of program music ala Hector Berlioz of the Romantic Period. The music is, therefore, genuinely eclectic because it has blended qualities of several musical periods. The final section of the video explains the symbolism. The music difficulty is virtuosic, extremely taxing to play.
$5.99
5.53 €
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Piano solo
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Peter Daniel Klein
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Dies Irae Dodecaphonic
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Peter Daniel Klein
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SheetMusicPlus
UBI CARITAS
Choral SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.917612 Composed by Will Ta…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.917612 Composed by Will Taylor. Easter,Praise & Worship,Sacred. Octavo. 3 pages. Will Taylor's Music #5024845. Published by Will Taylor's Music (A0.917612). This is a new setting of a well known latin text suitable for Maundy Thursday. It is loosely based on the plainsong and the introduction, (which may be any solo voice) should be sung in that style, overlapping with the organ part. .
$1.99
1.84 €
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Choral SATB
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Will Taylor
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UBI CARITAS
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Will Taylor's Music
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SheetMusicPlus
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