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Sullivan: Overture to "H.M.S. Pinafore" - wind quintet
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Composed by Sir Arthur Seymour Sullivan (1842-1900). Arranged by Ray Thompson. Opera, …
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Composed by Sir Arthur Seymour Sullivan (1842-1900). Arranged by Ray Thompson. Opera, Musicals, Repertoire. Score, Set of Parts. 14 pages. Published by RayThompsonMusic
H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical theatre piece up to that time. H.M.S. Pinafore was Gilbert and Sullivan's fourth operatic collaboration and their first international sensation.<br> <br> Arranged wind quintet.
$14.95
13.78 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Sir Arthur Seymour Sullivan
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Sullivan: Overture to "H.M.S. Pinafore" - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Sullivan: Overture to "H.M.S. Pinafore" - symphonic wind
Large Ensemble - Level 3 - Digital Download SKU: A0.553910 Composed by Sir Arthur S…
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Large Ensemble - Level 3 - Digital Download SKU: A0.553910 Composed by Sir Arthur Seymour Sullivan. Arranged by Ray Thompson. 20th Century,Broadway,Musical/Show,Opera,Standards. Score and parts. 33 pages. RayThompsonMusic #6083851. Published by RayThompsonMusic (A0.553910). H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical theatre piece up to that time. H.M.S. Pinafore was Gilbert and Sullivan's fourth operatic collaboration and their first international sensation.Arranged for double wind quintet and bass. Flute 2 has the fun piccolo part!
$19.95
18.39 €
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Sir Arthur Seymour Sullivan
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Sullivan: Overture to "H.M.S. Pinafore" - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
H.M.S. Pinafore (Selection From Arthur Sullivan's Comic Opera)
Piano solo
Piano - Digital Download SKU: LV.10902 Composed by Sir Arthur Seymour Sullivan. Arr…
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Piano - Digital Download SKU: LV.10902 Composed by Sir Arthur Seymour Sullivan. Arranged by John Philip Sousa. Lester S. Levy Collection. 12 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10902). Stoddart's Musical Library. Instrumental & Vocal for Piano & Organ. Opera Series. H.M.S. Pinafore (Selection From Arthur Sullivan's Comic Opera). Selected by Sep. Winner. Arr. by J.P. Sousa. Published 1879 by J.M. Stoddart & Co., 727 Chestnut Street in Philadelphia. Composition of sectional [quotes tunes from operetta] with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano solo
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Sir Arthur Seymour Sullivan
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H.M.S. Pinafore
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Gloire Alléluia, Il Est Vivant!
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1399094 By CHOIR. By …
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1399094 By CHOIR. By Dan Bradley. Arranged by Dan Bradley. Christian,Easter,Praise & Worship,Religious,Spiritual. Score. 3 pages. Mare Dan Music #982388. Published by Mare Dan Music (A0.1399094). En Francais Gloire Alléluia, Il Est Vivant! available also in Spanish Gloria Aleluya, ¡Está Vivo! and in english Glory Hallelujah He is Alive. Also available as solo, two parts, SAB and SATB. He Is Alive is perfect for Easter and Easter Season tells the story of the Women at the Tomb, The Road to Emmaus, Doubting Thomas. Come to one conclusion: He Is Alive! The music has a Hebrew modality and uses rhythms like a hora. Fun and dramatic to sing and based on solid scriptures. Can provide many wonderful lessons in Faith.Il Est Vivant est parfait pour la période de Pâques et raconte l'histoire des femmes au tombeau, du chemin d'Emmaüs et de Thomas le Douteux. Une seule conclusion s'impose : Il est vivant ! Cette chanson est également disponible en Solo, Two Part, SAB et SATB, ainsi qu'en espagnol : Gloria Aleluya, Esta Vivo ! et en français : Gloire Alléluia, Il Est Vivant.La musique a une modalité hébraïque et utilise des rythmes comme la hora. Le chant est amusant et dramatique et repose sur des écritures solides. Elle peut offrir de merveilleuses leçons de foi.
$2.49
2.29 €
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Piano, Vocal and Guitar
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CHOIR
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Gloire Alléluia, Il Est Vivant!
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Mare Dan Music
#
SheetMusicPlus
Gloire Alléluia, Il Est Vivant!
Choral 2-part
Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.1399600 By French…
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Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.1399600 By French. By Dan Bradley. Christian,Easter,Praise & Worship,Religious,Sacred. 6 pages. Mare Dan Music #982892. Published by Mare Dan Music (A0.1399600). En Francais Gloire Alléluia, Il Est Vivant! available also in Spanish: Gloria Aleluya, ¡Está Vivo! and in English: Glory Hallelujah He is Alive. Also available as solo, two parts, SAB and SATB. He Is Alive is perfect for Easter and Easter Season tells the story of the Women at the Tomb, The Road to Emmaus, Doubting Thomas. They all come to one conclusion: He Is Alive! The music has a Hebrew modality and uses rhythms like a hora. Fun and dramatic to sing and based on solid scriptures. Can provide many wonderful lessons in Faith.Il Est Vivant est parfait pour la période de Pâques et raconte l'histoire des femmes au tombeau, du chemin d'Emmaüs et de Thomas le Douteux. Une seule conclusion s'impose : Il est vivant ! Cette chanson est également disponible en Solo, Two Part, SAB et SATB, ainsi qu'en espagnol : Gloria Aleluya, Esta Vivo ! et en français : Gloire Alléluia, Il Est Vivant.La musique a une modalité hébraïque et utilise des rythmes comme la hora. Le chant est amusant et dramatique et repose sur des écritures solides. Elle peut offrir de merveilleuses leçons de foi.
$2.49
2.29 €
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Choral 2-part
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French
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Gloire Alléluia, Il Est Vivant!
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Mare Dan Music
#
SheetMusicPlus
Gloire Alléluia, Il Est Vivant!
Choral 3-part
Choral Choir,Choral (SAB) - Level 1 - Digital Download SKU: A0.1399651 By French. B…
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Choral Choir,Choral (SAB) - Level 1 - Digital Download SKU: A0.1399651 By French. By Dan Bradley. Christian,Easter,Praise & Worship,Religious,Spiritual. 7 pages. Mare Dan Music #982926. Published by Mare Dan Music (A0.1399651). En Francais Gloire Alléluia, Il Est Vivant! available also in Spanish Gloria Aleluya, ¡Está Vivo! and in english Glory Hallelujah He is Alive. Also available as solo, two parts, SAB and SATB. He Is Alive is perfect for Easter and Easter Season tells the story of the Women at the Tomb, The Road to Emmaus, Doubting Thomas. Come to one conclusion: He Is Alive! The music has a Hebrew modality and uses rhythms like a hora. Fun and dramatic to sing and based on solid scriptures. Can provide many wonderful lessons in Faith.Il Est Vivant est parfait pour la période de Pâques et raconte l'histoire des femmes au tombeau, du chemin d'Emmaüs et de Thomas le Douteux. Une seule conclusion s'impose : Il est vivant ! Cette chanson est également disponible en Solo, Two Part, SAB et SATB, ainsi qu'en espagnol : Gloria Aleluya, Esta Vivo ! et en français : Gloire Alléluia, Il Est Vivant.La musique a une modalité hébraïque et utilise des rythmes comme la hora. Le chant est amusant et dramatique et repose sur des écritures solides. Elle peut offrir de merveilleuses leçons de foi.
$2.49
2.29 €
#
Choral 3-part
#
French
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Gloire Alléluia, Il Est Vivant!
#
Mare Dan Music
#
SheetMusicPlus
Gloire Alléluia, Il Est Vivant!
Choral SATB
Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.1399734 By French. …
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Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.1399734 By French. By Dan Bradley. Christian,Easter,Praise & Worship,Religious,Spiritual. 8 pages. Mare Dan Music #983007. Published by Mare Dan Music (A0.1399734). En Francais Gloire Alléluia, Il Est Vivant! available also in Spanish: Gloria Aleluya, ¡Está Vivo! and in English: Glory Hallelujah He is Alive. Also available as solo, two parts, SAB and SATB. He Is Alive is perfect for Easter and Easter Season tells the story of the Women at the Tomb, The Road to Emmaus, Doubting Thomas. They all come to one conclusion: He Is Alive! The music has a Hebrew modality and uses rhythms like a hora. Fun and dramatic to sing and based on solid scriptures. Can provide many wonderful lessons in Faith.Il Est Vivant est parfait pour la période de Pâques et raconte l'histoire des femmes au tombeau, du chemin d'Emmaüs et de Thomas le Douteux. Une seule conclusion s'impose : Il est vivant ! Cette chanson est également disponible en Solo, Two Part, SAB et SATB, ainsi qu'en espagnol : Gloria Aleluya, Esta Vivo ! et en français : Gloire Alléluia, Il Est Vivant.La musique a une modalité hébraïque et utilise des rythmes comme la hora. Le chant est amusant et dramatique et repose sur des écritures solides. Elle peut offrir de merveilleuses leçons de foi.
$2.49
2.29 €
#
Choral SATB
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French
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Gloire Alléluia, Il Est Vivant!
#
Mare Dan Music
#
SheetMusicPlus
Jehkin Iivana
Piano solo
Piano - difficult - Digital Download SKU: S9.Q6551 Sonata for Piano. Compose…
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Piano - difficult - Digital Download SKU: S9.Q6551 Sonata for Piano. Composed by Olli Mustonen. This edition: Sheet music. Downloadable. Duration 15 minutes. Schott Music - Digital #Q6551. Published by Schott Music - Digital (S9.Q6551). Jehkin Iivana, ursprünglich für Gitarre komponiert, entführt den Hörer in die sagenhafte Welt finnischer Mythen und Epen, als tapfere Helden die Geschicke des Nordlands führten und ein Volk von Zauberern die endlosen Wälder durchstreifte. Benannt ist das Stück nach Jehkin Iivana. Iivana (1843-1911) war einer der letzten großen Vertreter des traditionsreichen Runengesangs und ein Meister im Spiel der Kantele. So faszinierend, wie Mustonen den Klang des finnischen Nationalinstruments von der Gitarre nachempfinden lässt, so eindrucksvoll und größer dimensioniert wirkt die Klavierfassung. Sie schafft dadurch eine Atmosphäre, die den Zauber mythischer Welten greifbar nahe erscheinen lässt.
$17.99
16.58 €
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Piano solo
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Olli Mustonen
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Jehkin Iivana
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Schott Music - Digital
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SheetMusicPlus
Pinafore Medley (from "H.M.S. Pinafore")
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1046244 Composed by…
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Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1046244 Composed by Arthur S. Sullivan (1842–1900). Arranged by Richard Giszczak. Classical,Opera,Romantic Period. Individual part. 12 pages. Singing Winds Music Company #650746. Published by Singing Winds Music Company (A0.1046244). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. The music comes from the operetta H.M.S. Pinafore by Gilbert & Sullivan. The medley contains the songs: We Sail the Ocean Blue, I'm Called Little Buttercup, A Maiden Fair to See, and I Am the Captain of the Pinafore.
$3.00
2.76 €
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Arthur S
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Pinafore Medley
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Singing Winds Music Company
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SheetMusicPlus
H.M.S. Pinafore: A Choral Salute
Choral SATB
Chorus - Digital Download SKU: AX.00-PO-0002857 H.M.S. Pinafore: A Choral Salute…
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Chorus - Digital Download SKU: AX.00-PO-0002857 H.M.S. Pinafore: A Choral Salute - SATB. Composed by Sir Arthur Seymour Sullivan and W.S. Gilbert. Arranged by Philip Kern. Secular Choral. 25 pages. Alfred Music - Digital Sheet Music #00-PO-0002857. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002857). UPC: 038081142968.A rousing choral medley from one of Gilbert & Sullivan's most famous operettas that's perfect for today's choirs. Includes three mixed choir numbers and one each for the women (Never Mind the Why and Wherefore) and men (We Sail the Ocean Blue). Piano accompaniment has been especially adapted from the original score and remains true to the orchestral accompaniment.Movement and Staging; Recorded Acc. Available.
$4.25
3.92 €
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Choral SATB
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Sir Arthur Seymour Sullivan and W
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Recorded Acc. Available.
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H.M.S. Pinafore: A Choral Salute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Sullivan-I'm called little buttercup,from H.M.S. Pinafore,in G Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.676457 Composed by Sullivan,…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.676457 Composed by Sullivan,Arthur. Arranged by Open Cloud. Classical,Romantic Period. Score. 7 pages. Open Cloud #6709531. Published by Open Cloud (A0.676457). This product is a digital sheet music in PDF format. The music was composed by Sullivan (Sullivan,Arthur), 1842-1900,for Voice and Piano, published by More Sheet Music Press.
$5.99
5.52 €
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Piano, Voice
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Sullivan,Arthur
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Sullivan-I'm called little buttercup,from H.M.S. Pinafore,in G Major
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Open Cloud
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SheetMusicPlus
Sullivan-I'm called little buttercup,from H.M.S. Pinafore,in C Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.676448 Composed by Sullivan,…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.676448 Composed by Sullivan,Arthu. Arranged by Open Cloud. Classical,Romantic Period. Score. 7 pages. Open Cloud #6708699. Published by Open Cloud (A0.676448). This product is a digital sheet music in PDF format. The music was composed by Sullivan (Sullivan,Arthu), 1842-1900,for Voice and Piano, published by More Sheet Music Press.
$5.99
5.52 €
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Piano, Voice
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Sullivan,Arthu
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Sullivan-I'm called little buttercup,from H.M.S. Pinafore,in C Major
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Open Cloud
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SheetMusicPlus
Sullivan-I'm called little buttercup,from H.M.S. Pinafore,in D flat Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.676450 Composed by Sullivan,…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.676450 Composed by Sullivan,Arthu. Arranged by Open Cloud. Classical,Romantic Period. Score. 7 pages. Open Cloud #6708703. Published by Open Cloud (A0.676450). This product is a digital sheet music in PDF format. The music was composed by Sullivan (Sullivan,Arthu), 1842-1900,for Voice and Piano, published by More Sheet Music Press.
$5.99
5.52 €
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Piano, Voice
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Sullivan,Arthu
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Sullivan-I'm called little buttercup,from H.M.S. Pinafore,in D flat Major
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Open Cloud
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SheetMusicPlus
Sullivan-I'm called little buttercup,from H.M.S. Pinafore,in E Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.676453 Composed by Sullivan,…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.676453 Composed by Sullivan,Arthur. Arranged by Open Cloud. Classical,Romantic Period. Score. 7 pages. Open Cloud #6709513. Published by Open Cloud (A0.676453). This product is a digital sheet music in PDF format. The music was composed by Sullivan (Sullivan,Arthur), 1842-1900,for Voice and Piano, published by More Sheet Music Press.
$5.99
5.52 €
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Piano, Voice
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Sullivan,Arthur
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Sullivan-I'm called little buttercup,from H.M.S. Pinafore,in E Major
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Open Cloud
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SheetMusicPlus
Sullivan-I'm called little buttercup,from H.M.S. Pinafore,in F Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.676455 Composed by Sullivan,…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.676455 Composed by Sullivan,Arthur. Arranged by Open Cloud. Classical,Romantic Period. Score. 7 pages. Open Cloud #6709525. Published by Open Cloud (A0.676455). This product is a digital sheet music in PDF format. The music was composed by Sullivan (Sullivan,Arthur), 1842-1900,for Voice and Piano, published by More Sheet Music Press.
$5.99
5.52 €
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Piano, Voice
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Sullivan,Arthur
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Sullivan-I'm called little buttercup,from H.M.S. Pinafore,in F Major
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Open Cloud
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SheetMusicPlus
Sullivan-I'm called little buttercup,from H.M.S. Pinafore,in E flat Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.676452 Composed by Sullivan,…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.676452 Composed by Sullivan,Arthur. Arranged by Open Cloud. Classical,Romantic Period. Score. 7 pages. Open Cloud #6709511. Published by Open Cloud (A0.676452). This product is a digital sheet music in PDF format. The music was composed by Sullivan (Sullivan,Arthur), 1842-1900,for Voice and Piano, published by More Sheet Music Press.
$5.99
5.52 €
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Piano, Voice
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Sullivan,Arthur
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Sullivan-I'm called little buttercup,from H.M.S. Pinafore,in E flat Major
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Open Cloud
#
SheetMusicPlus
Sullivan-I'm called little buttercup,from H.M.S. Pinafore,in D Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.676449 Composed by Sullivan,…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.676449 Composed by Sullivan,Arthu. Arranged by Open Cloud. Classical,Romantic Period. Score. 7 pages. Open Cloud #6708701. Published by Open Cloud (A0.676449). This product is a digital sheet music in PDF format. The music was composed by Sullivan (Sullivan,Arthu), 1842-1900,for Voice and Piano, published by More Sheet Music Press.
$5.99
5.52 €
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Piano, Voice
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Sullivan,Arthu
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Sullivan-I'm called little buttercup,from H.M.S. Pinafore,in D Major
#
Open Cloud
#
SheetMusicPlus
Sullivan-I'm called little buttercup,from H.M.S. Pinafore,in G flat Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.676456 Composed by Sullivan,…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.676456 Composed by Sullivan,Arthur. Arranged by Open Cloud. Classical,Romantic Period. Score. 7 pages. Open Cloud #6709527. Published by Open Cloud (A0.676456). This product is a digital sheet music in PDF format. The music was composed by Sullivan (Sullivan,Arthur), 1842-1900,for Voice and Piano, published by More Sheet Music Press.
$5.99
5.52 €
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Piano, Voice
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Sullivan,Arthur
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Sullivan-I'm called little buttercup,from H.M.S. Pinafore,in G flat Major
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Open Cloud
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SheetMusicPlus
Sullivan: The Lost Chord for French Horn & Piano
French Horn and Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthu…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.84 €
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French Horn and Piano
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Cello & Piano
Cello, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seym…
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Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.84 €
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Cello, Piano
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for Cello & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Alto Clarinet & Piano
Clarinet
E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549450 Composed by Sir A…
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E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497161. Published by jmsgu3 (A0.549450). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.84 €
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Clarinet
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for Alto Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Clarinet & Piano
Clarinet and Piano
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir A…
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494745. Published by jmsgu3 (A0.549444). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.84 €
#
Clarinet and Piano
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Euphonium & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur …
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.84 €
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Euphonium, Piano (duet)
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Bass Clarinet & Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Art…
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.84 €
#
Bass Clarinet, Piano
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Sir Arthur Seymour Sullivan
#
dynamic control
#
Sullivan: The Lost Chord for Bass Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Trombone & Piano
Trombone and Piano
Piano,Trombone - Level 4 - Digital Download SKU: A0.549458 Composed by Sir Arthur S…
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Piano,Trombone - Level 4 - Digital Download SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497267. Published by jmsgu3 (A0.549458). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.84 €
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Trombone and Piano
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for Trombone & Piano
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jmsgu3
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SheetMusicPlus
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