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Jacques Leguerney: String Quartet in D for two violins, viola and cello
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95
34.79 €
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String Quartet: 2 violins, viola, cello
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quartet in D for two violins, viola and cello
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jacques Leguerney: De L'Abîme Profond for soprano, baritone and piano
Vocal duet, Piano
Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.534403 Composed b…
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Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.534403 Composed by Jacques Leguerney. 20th Century,Christian,Concert,Sacred,Standards. 15 pages. Musik Fabrik Music Publishing #3457407. Published by Musik Fabrik Music Publishing (A0.534403). This is one of two duets that Leguerney wrote for Geneviève Touraine and her brother, the famous French baritone Gérard Souzay. It was completed on 21 January 1950. The first performance, with Souzay and Touraine, was 21 June 1950 in the Parisian Salle Gaveau with Jacqueline Robin (Bonneau) at the piano. Previously unpublished, De l’abîme profond, was first recorded by soprano Danielle Borst and baritone Philippe Huttenlocher with Mary Dibbern at the piano. This was for the CD 50-9618, 28 Mélodies issued by Claves Records-Radio Suisse Romande: Espace 2 in 1996. The recording was recognized with the Grand Prix du Disque de l’Académie Charles Cros. The US premiere performance was by soprano Jill Pearon and baritone David Pittman-Jennings, accompanied by Mary Dibbern, during a recital at the Crane School of Music, SUNY-Potsdam, New York, 23 October 2007. The vocal range for the soprano line is C1-G#2 and for the baritone line is B-F1. The text’s poet, Jean de La Céppède (1550-1622), was born in Marseille and spent most of his life working as a lawyer and magistrate in Aix–en–Provence. His principal work, Théorèmes, consists of 515 sonnets dealing with the life of Jesus Christ and the “sacred mysteries of our redemption.†La Céppède’s poem is a translation of a psalm by David from the Old Testament of the Bible. Leguerney also set a psalm of David for medium voice and chamber orchestra, which was premiered by Gérard Souzay in 1954. This orchestral Psaume LXII de David is also published by Musik Fabrik. The French author Jean Roy, reviewing this duet in Le Monde de la Musique (January, 1997), wrote: “There is a grandeur and a dramatic sentiment that surpasses [a] work that one might dismiss as minor.†For a detailed discussion of the music and both a word-by-word English translation and International Phonetic Alphabet transcription of the French text, see The Songs of Jacques Leguerney: A Guide for Study and Performance by Mary Dibbern, Carol Kimball and Patrick Choukroun. Series VOX MUSICAE: The Voice, Vocal Pedagogy, and Song. General Editor : Kathleen L. Wilson. New York: Pendragon Press, 2001. 
$12.95
11.57 €
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Vocal duet, Piano
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Jacques Leguerney
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Jacques Leguerney: De L'Abîme Profond for soprano, baritone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Galop Infernal (Can-can) (MEDIUM PIANO) Orpheus in the Underworld [Jacques Offenbach]
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1276456 By Jacques Offenbach. By Ja…
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Piano Solo - Level 3 - Digital Download SKU: A0.1276456 By Jacques Offenbach. By Jacques Offenbach. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 1 pages. Darek #868180. Published by Darek (A0.1276456). Galop Infernal (Can-can) (MEDIUM PIANO) Orpheus in the Underworld [Jacques Offenbach]Intermediate arrangement for pianists of Galop Infernal (Can-can) Orpheus in the Underworld by Jacques Offenbach. Intermediate version for pianists | Intermediate piano arrangement | Intermediate Version | Intermediate Piano Sheet Music Classical Music | Romantic Period | Intermediate arrangement | Piano | Keyboard | For Intermediate Pianists. Included: Fingering, articulation, dynamics and video YouTube tutorial. Embark on a captivating musical journey with meticulously crafted piano sheet music for Galop Infernal (Can-can) from Jacques Offenbach's beloved masterpiece, Orpheus in the Underworld. Immerse yourself in the vivacious melodies of this iconic composition, thoughtfully arranged for intermediate pianists seeking an exhilarating challenge. Transport yourself to the enchanting soundscape of the 19th century as you delve into this timeless piece. With meticulous fingering, articulation, and dynamics markings, each note takes on a life of its own, allowing you to infuse your interpretation with depth and expression. This arrangement bridges the gap between proficiency and virtuosity, enabling you to capture the essence of the era. Elevate your practice sessions with the accompanying YouTube tutorial, revealing the intricacies and nuances of the composition. Whether seated at a piano or exploring on other instruments, the infectious energy of this captivating song transcends time and resonates with musicians of all backgrounds. Join me in celebrating the art of musical expression, as you honor Offenbach's legacy through an interpretation that captures the brilliance of his era. Ignite your passion for music and showcase your talents with this intermediate-level arrangement that promises both growth and enjoyment. Keywords: Galop Infernal, Can-can, Orpheus in the Underworld, Jacques Offenbach, intermediate pianists, piano sheet music, fingering, articulation, dynamics, YouTube tutorial, captivating song, musical expression, 19th-century music, exhilarating challenge, interpretation, essence, virtuosity.
$2.00
1.79 €
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Piano solo
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Jacques Offenbach
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Galop Infernal
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Darek
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SheetMusicPlus
Frere Jacques (easy recorder duet)
2 Recorders (duet)
Recorder Duet Recorder - Level 1 - Digital Download SKU: A0.733880 By Traditional. …
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Recorder Duet Recorder - Level 1 - Digital Download SKU: A0.733880 By Traditional. By Traditional. Arranged by R. Salvario. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 4 pages. Brambilla-Morris Press #342064. Published by Brambilla-Morris Press (A0.733880). Easy version for beginners. Score and parts available. Students can exchange parts on repeats.
$1.99
1.78 €
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2 Recorders (duet)
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Traditional
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Frere Jacques
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Brambilla-Morris Press
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SheetMusicPlus
Frere Jacques (easy flute duet)
2 Flutes (duet)
Flute Duet Flute - Level 1 - Digital Download SKU: A0.733878 By Traditional. By Tra…
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Flute Duet Flute - Level 1 - Digital Download SKU: A0.733878 By Traditional. By Traditional. Arranged by R. Salvario. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 4 pages. Brambilla-Morris Press #342062. Published by Brambilla-Morris Press (A0.733878). Easy version for beginners. Score and parts available. Students can exchange parts on repeats.
$1.99
1.78 €
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2 Flutes (duet)
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Traditional
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Frere Jacques
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Brambilla-Morris Press
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SheetMusicPlus
Frere Jacques (easy trumpet duet)
2 Trumpets (duet)
Trumpet Duet Trumpet - Level 1 - Digital Download SKU: A0.733881 By Traditional. By…
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Trumpet Duet Trumpet - Level 1 - Digital Download SKU: A0.733881 By Traditional. By Traditional. Arranged by R. Salvario. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 4 pages. Brambilla-Morris Press #342065. Published by Brambilla-Morris Press (A0.733881). Easy version for beginners. Score and parts available. Students can exchange parts on repeats.
$1.99
1.78 €
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2 Trumpets (duet)
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Traditional
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Frere Jacques
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Brambilla-Morris Press
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SheetMusicPlus
Frere Jacques (easy violin duet)
2 Violins (duet)
Violin Duet Violin - Level 1 - Digital Download SKU: A0.741811 By Traditional. By T…
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Violin Duet Violin - Level 1 - Digital Download SKU: A0.741811 By Traditional. By Traditional. Arranged by R. Salvario. Children,Folk,Instructional,Multicultural,Traditional,World. 4 pages. Brambilla-Morris Press #349942. Published by Brambilla-Morris Press (A0.741811). Easy version for beginners. Score and parts available. Students can exchange parts on repeats.
$1.99
1.78 €
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2 Violins (duet)
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Traditional
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Frere Jacques
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Brambilla-Morris Press
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SheetMusicPlus
Frere Jacques (easy cello duet)
2 Cellos (duet)
Cello Duet Cello - Level 1 - Digital Download SKU: A0.733877 By Traditional. By Tra…
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Cello Duet Cello - Level 1 - Digital Download SKU: A0.733877 By Traditional. By Traditional. Arranged by R. Salvario. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 4 pages. Brambilla-Morris Press #342061. Published by Brambilla-Morris Press (A0.733877). Easy version for beginners. Score and parts available. Students can exchange parts on repeats.
$1.99
1.78 €
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2 Cellos (duet)
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Traditional
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Frere Jacques
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Brambilla-Morris Press
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SheetMusicPlus
Frere Jacques (easy piano)
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.733879 By Traditional. By Tradition…
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Easy Piano - Level 1 - Digital Download SKU: A0.733879 By Traditional. By Traditional. Arranged by R. Salvario. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 2 pages. Brambilla-Morris Press #342063. Published by Brambilla-Morris Press (A0.733879). Easy version for beginners.
$1.99
1.78 €
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Easy Piano
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Traditional
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Frere Jacques
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Brambilla-Morris Press
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SheetMusicPlus
Galop Infernal (Can-can) (LEAD SHEET) Orpheus in the Underworld [Jacques Offenbach]
C Instruments
C Instrument - Digital Download SKU: A0.1276500 By Jacques Offenbach. By Jacques Of…
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C Instrument - Digital Download SKU: A0.1276500 By Jacques Offenbach. By Jacques Offenbach. Arranged by Darek. 19th Century,Classical,Romantic Period. Lead Sheet / Fake Book. 2 pages. Darek #868213. Published by Darek (A0.1276500). Galop Infernal (Can-can) (LEAD SHEET) Orpheus in the Underworld [Jacques Offenbach]Lead Sheet arrangement of Galop Infernal (Can-can) Orpheus in the Underworld by Jacques Offenbach. For various instruments | Classical Music | Romantic Period | Piano | Keyboard | Guitar | Flute | Violin | Saxophone | Glockenspiel. Immerse yourself in the dynamic world of music with meticulously curated lead sheets for a diverse range of instruments, including Piano, Keyboard, Guitar, Flute, Violin, Saxophone, Glockenspiel, and more, featuring the iconic Galop Infernal (Can-can) from Jacques Offenbach's legendary work, Orpheus in the Underworld. Journey through the ages to the enchanting sounds of the 19th century as you explore this timeless piece, now available in a versatile format that caters to a wide array of musicians. Unleash your musical creativity with harmonious blends of melody and chords, designed to celebrate the essence of this masterpiece while accommodating various instrumental voices. This arrangement bridges the gap between proficiency and artistic interpretation, enabling players of all levels to capture the vibrancy of the era. Elevate your musical experience with the accompanying YouTube tutorial, thoughtfully crafted to illuminate the nuances and subtleties of the composition. Whether you're playing the piano, strumming a guitar, or embracing another instrument, the vivacious energy of this captivating song resonates across instruments and audiences alike. Join me in celebrating the universal language of music, as you share the essence of Offenbach's genius through a performance that unites musicians and listeners. Ignite your passion and explore the rich musical tapestry of the past with this versatile lead sheet arrangement. Keywords: Galop Infernal, Can-can, Orpheus in the Underworld, Jacques Offenbach, lead sheets, piano, keyboard, guitar, flute, violin, saxophone, glockenspiel, melody, chords, musical interpretation, 19th-century music, versatile format, artistic expression, captivating song, universal language, musical tapestry.
$6.00
5.36 €
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C Instruments
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Jacques Offenbach
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Galop Infernal
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Darek
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SheetMusicPlus
Jacques Leguerney: Première Sonate for piano and violin
Violin and Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.533318 Composed by Jacques Leguer…
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Piano,Violin - Level 5 - Digital Download SKU: A0.533318 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 71 pages. Musik Fabrik Music Publishing #2343095. Published by Musik Fabrik Music Publishing (A0.533318). Première Sonate pour piano et violonI. ModéréII. Assez lentIII. AniméIV. Bien allant, mais d'expression tranquilleJacques Leguerney began the composition of his First Sonata for Piano and Violin in 1926, shortly after beginning composition studies with Nadia Boulanger. She was reportedly quite enthusiastic about the natural talent of her new student, and offered to give him private lessons to supplement her analysis classes. Leguerney was already reticent about studying composition. In an interview in 1989, he remembered his feeling at that time, saying that I found that this was useless work. If one is gifted for music, one is capable of writing harmonies. instead, Leguerney showed his Sonata to the French composer Albert Roussel, who was renting an apartment on Avenue Wagram in a building next to that of the Leguerney family. Leguerneyremembered Roussel's apartment with its dark blue walls and gilded Indian statues! Roussel encouraged his efforts and said of the second theme of the first movement: I would have liked to have written that. (J'aurais été très content d'avoir écrit ça.)The first performance of the Sonata was given by the pianist Thérèse Cahen (1897-1944) and the violinist Hortense de Sampigny (? – 1970) in a private concert. The violinist was already a well-known concert artist. De Sampigny finished her studies at the Paris Conservatory in 1915, where she was in the class of Jules Boucherit. In 1918 she married the French author Auguste Bailly (1878-1967). From 1921, she was a member of the Trio Trillat, founded by the pianist Ennemond Trillat with the collaboration of cellist Jean Witkowski. The Trio was active in concerts and recordings in France and abroad for about thirty years. De Sampigny later taught at the Conservatory as assistant to René Benedetti. Thérèse Cahen had studied piano, harmony and counterpoint at the Schola Cantorum, where she obtained a Second Prize. She was a faithful friend and muse for Leguerney, and recruited many musicians for first performances of his vocal and chamber works. She was deported to Auschwitz on July 31, 1944, a few weeks before the Liberation of Paris. This edition of the Sonata was performed at a private concert in Vernon (France) in July 2011 by French violinist Marion Larigaudrie and pianist Mary Dibbern. It is based upon the autograph manuscript OL 23, on deposit at the Music Department of the Bibliothèque national in Paris.
$25.95
23.18 €
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Violin and Piano
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Jacques Leguerney
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Jacques Leguerney: Première Sonate for piano and violin
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jacques Leguerney: Fantaisie in g minor for piano
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.533316 Composed by Jacques Leguerne…
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Piano Solo - Level 5 - Digital Download SKU: A0.533316 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score. 37 pages. Musik Fabrik Music Publishing #2343073. Published by Musik Fabrik Music Publishing (A0.533316). Fantaisie en sol mineur pour pianoI. GraveII. ScherzandoIII. Bien allantDate de composition : 17 septembre 1945In 1945 Leguerney finished composition of the Fantaisie en sol mineur pour piano, written in three movements. He felt an â??extraordinary enthusiasmâ? for this piece, which he felt represented a departure from the current writing style for piano. He said in an interview with Patrick Choukroun in 1994 that â??I wanted to show that one could write lyrically for the piano. The piano music of Francis Poulenc lacked strength.â? The work was immediately performed in a private concert at the home of the Countess Jean de Polignac by the French pianist Monique Haas (1909-1987) in December 1945. The fact that she waschosen to perform Leguerneyâ??s Fantaisie is a key to the style of this work which Leguerney felt emulated the expressive force of Cesar Franckâ??s works. Haas was a distinguished concert artist, especially known for her performances of 20th century music, with which she toured worldwide. French pianists of her generation tried to avoid the excess of the â??romanticâ? school and strove for cleanness and precision with a warm tone color reflecting the influence of Alfred Cortot.Leguerney remembers that both Poulenc and Henri Sauguet were present at this private concert, but he noted that they did not comment about his piece. He felt it was obvious that his Fantaisie was â??far from the habitual level of piano musicâ? being composed at that time. These post-war years were Leguerneyâ??s most productive period. In addition to the Fantaisie, hecomposed the Sonatine pour violin et piano, the Quatuor à cordes, and many fine songs including the cycle Sept Poèmes de François Maynard. The 1940s finished with the composition of his first ballet, Endymion. The first public performance of the Fantaisie was given by Stéphane Petit-Jean in the Cloître Saint-Sauveur at the Festival of Aix-en-Provence on July 28, 1988 during a recital for Radio France that included songs of Leguerney interpreted by Nathalie Stutzmann. The concert was laterbroadcast as Une heure avec . . . Jacques Leguerney and also included the song cycles Sept Poèmes de François Maynard, La Nuit and Le Carnaval.The work is dedicated to Jean Fonda, the stage name of Jean-Pierre Fournier. He was the son of the famed French cellist Pierre Fournier. Before the performance at Aix-en-Provence, Leguerney showed the score of the Fantaisie to Fonda, who encouraged him to have it performed. It is possible that the dedication was made at this time.
$23.95
21.39 €
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Piano solo
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Jacques Leguerney
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Jacques Leguerney: Fantaisie in g minor for piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jacques Leguerney: Ballade for violin and piano
Violin and Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.533317 Composed by Jacques Leguer…
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Piano,Violin - Level 2 - Digital Download SKU: A0.533317 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 8 pages. Musik Fabrik Music Publishing #2343077. Published by Musik Fabrik Music Publishing (A0.533317). The Ballade pour violon et piano was composed in 1925, with the first performance on February 3 of that year in a concert given by Madame M. Chabrol and Monsieur Pierre Lacroix. Lacroix and Chabrol also played in the first performance of Leguerney’s Premier Trio pour piano, harpe et violon in 1924. The Ballade was played again in 1929 with Lily Lacroix at the piano and Pierre Lacroix, violin. This concert was private and at the home of Leguerney’s aunt, Suzanne Duros. The dedication reads : “To Pierre Lacroix and Lily Lacroix as an expression of my very sincere affection and of my thanks.â€
$9.10
8.13 €
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Violin and Piano
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Jacques Leguerney
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Jacques Leguerney: Ballade for violin and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Are You Sleeping? (Frére Jacques) (two string melody)
Guitar notes and tablatures
Guitar - Level 1 - Digital Download SKU: A0.1298225 Composed by Traditional. Arrang…
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Guitar - Level 1 - Digital Download SKU: A0.1298225 Composed by Traditional. Arranged by Danny Crocome. Children,Early Music,Film/TV,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #888202. Published by Danny Crocome Music (A0.1298225). This is a simple arrangement of Are You Sleeping (Frére Jacques) aimed at beginner guitarists. The melody is played using only the first 2 strings. Picking and fingering suggestions written in score, with chords and chord diagrams included for teacher accompaniment purposes. The arrangement also requires the student to slide from fret 7 to fret 9 (bars 9 and 11), and to use natural harmonics at the 12th fret to replicate the sound of bells ringing (bars 15 and 16). A good teaching piece for incorporating these expressive techniques into a guitarists repertoire. A gentle and fun way for beginner guitarists to learn how to play this well-known tune.
$4.49
4.01 €
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Guitar notes and tablatures
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Traditional
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Are You Sleeping?
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Danny Crocome Music
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SheetMusicPlus
Frère Jacques Rainbow coded music sheet
Guitar notes and tablatures
Guitar - Digital Download SKU: A0.993867 Composed by Public Domain. Arranged by iEd…
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Guitar - Digital Download SKU: A0.993867 Composed by Public Domain. Arranged by iEduArts Publishers. Children,World. Guitar Tab. 1 pages. IEduArts Publishers #4290363. Published by iEduArts Publishers (A0.993867). French popular traditional children song with simple melody, guitar chords and tabulations with artistic illustrations, great resource to start studying French and music. Great illustrations helps to develop expressive language with teacher help.
$3.99
3.56 €
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Guitar notes and tablatures
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Public Domain
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Frère Jacques Rainbow coded music sheet
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iEduArts Publishers
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SheetMusicPlus
Frère Jacques Melody + Guitar chords + Guitar TAB's
Guitar notes and tablatures
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 1 - Digital Download SKU: A0.9…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 1 - Digital Download SKU: A0.993868 Composed by Public Domain. Arranged by iEduArts Publishers. Children,Instructional,World. Score and parts. 1 pages. IEduArts Publishers #4290349. Published by iEduArts Publishers (A0.993868). French popular traditional children song with simple melody, guitar chords and tabulations with artistic illustrations, great resource to start studying French and music. Great illustrations helps to develop expressive language with teacher help.
$3.99
3.56 €
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Guitar notes and tablatures
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Public Domain
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Frère Jacques Melody + Guitar chords + Guitar TAB's
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iEduArts Publishers
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SheetMusicPlus
Around The World
Concert band
Concert Band - Level 1+ - Digital Download SKU: LX.BO258 Composed by James Swearing…
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Concert Band - Level 1+ - Digital Download SKU: LX.BO258 Composed by James Swearingen. ConPlus Series. Concert Band. 68 pages. Heritage Music Press #eBO258. Published by Heritage Music Press (LX.BO258). UPC: 000308007329.Grade 1+. Well-crafted medley of international folk tunes arranged by one today's most respected composers. Opens with the lively CARNIVAL OF VENICE and MEXICAN HAT DANCE, moves into a legato FRERE JACQUES, and closes with a tuneful RAKES OF MALLOW and the rousing AMERICAN PATROL. Your students will have a great time with this one!
Song List: American Patrol Carnival of Venice Frere Jacques Mexican Hat Dance Rakes Of Mallow
$35.00
31.26 €
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Concert band
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James Swearingen
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Around The World
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Heritage Music Press
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
34.79 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
34.79 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Christmas Bells are Ringing
Choral 2-part
2-part choir, Piano - Digital Download SKU: LX.15-1682H Composed by Douglas E. Wagn…
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2-part choir, Piano - Digital Download SKU: LX.15-1682H Composed by Douglas E. Wagner. Educational, Secular Christmas. Octavo. 12 pages. Heritage Music Press #e15/1682H. Published by Heritage Music Press (LX.15-1682H). UPC: 000308061307.Combine two popular rounds(Frere Jacques and Christmas Is Coming) with fresh new Christmas lyrics by Charlotte Lee; mix in a range of only an octave (C-C); add a brilliant accompaniment chock full of clever bell motives; and you have a surefire recipe for successful seasonal programming. Easy to learn, fun to perform, and an excellent teaching vehicle for introducing multiple parts.
$2.50
2.23 €
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Choral 2-part
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Douglas E
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Christmas Bells are Ringing
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Heritage Music Press
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SheetMusicPlus
Around the World...in About Three Minutes
Choral 3-part
3-part mixed choir, Piano - Digital Download SKU: LX.15-2001H Composed by Mark West…
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3-part mixed choir, Piano - Digital Download SKU: LX.15-2001H Composed by Mark Weston. Concert, Diversity Programming, Novelty. Octavo. 12 pages. Heritage Music Press #e15/2001H. Published by Heritage Music Press (LX.15-2001H). UPC: 000308103915.In this follow-up to his smash hit, Christmas...in About Three Minutes, Mark takes us on a west to east musical tour of 14 countries. This highly entertaining and educational work features international folk songs and traditional tunes in a variety of styles and is a terrific link to interdisciplinary studies. Included are: Chiapanecas (Mexico), De Colores (South America), The Galway Piper (Ireland), Early One Morning (England), Frere Jacques (France), The Bluebells of Scotland (Scotland), Ach, du lieber Augustin (Germany), Funiculi, Funicula! (Italy), Everybody Loves Saturday Night (Nigeria), Shalom Chaverim (Israel), Arirang (Korea), Suliram (Indonesia), Click Go the Shears (Australia), and America, the Beautiful (United States).
$2.50
2.23 €
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Choral 3-part
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Mark Weston
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Around the World...in About Three Minutes
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Heritage Music Press
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SheetMusicPlus
Can-Can
Saxophone ensemble
Composed by Jacques Offenbach (1819-1880). Arranged by Daniel Luther Graves. Published by …
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Composed by Jacques Offenbach (1819-1880). Arranged by Daniel Luther Graves. Published by Cimarron Music Press - Digital (CX.CM2691). - - - Cimarron Music Press - Digital
$18.00
16.08 €
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Saxophone ensemble
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Jacques Offenbach
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Can-Can
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Cimarron Music Press - Digital
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SheetMusicPlus
Can-Can
Brass Quintet: 2 trumpets, horn, trombone, tuba
Composed by Jacques Offenbach (1819-1880). Arranged by Daniel Luther Graves. Published by …
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Composed by Jacques Offenbach (1819-1880). Arranged by Daniel Luther Graves. Published by Cimarron Music Press - Digital (CX.CM2690). - - - Cimarron Music Press - Digital
$18.00
16.08 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Jacques Offenbach
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Can-Can
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Cimarron Music Press - Digital
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SheetMusicPlus
Air
Tuba and Piano
Tuba solo with piano - Digital Download SKU: CX.TEP10012 Composed by Jacques Davidt…
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Tuba solo with piano - Digital Download SKU: CX.TEP10012 Composed by Jacques Davidt Aubert. Arranged by Angelo Manzo. Score. 10 pages. Published by Tuba-Euphonium Press (CX.TEP10012).
$17.00
15.18 €
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Tuba and Piano
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Jacques Davidt Aubert
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Air
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Tuba-Euphonium Press
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SheetMusicPlus
Overture to Orpheus
2 Euphoniums and 2 Tubas
Tuba quartet (EETT) - Digital Download SKU: CX.CM2527 Composed by Jacques Offenbach…
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Tuba quartet (EETT) - Digital Download SKU: CX.CM2527 Composed by Jacques Offenbach. Arranged by Joseph DeRaad. 18 pages. Published by Cimarron Music Press - Digital (CX.CM2527).
$17.00
15.18 €
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2 Euphoniums and 2 Tubas
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Jacques Offenbach
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Overture to Orpheus
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Cimarron Music Press - Digital
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SheetMusicPlus
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