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Viola
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Musical course - Solfege
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You've selected:
Jazzy
Guitar
Sheetmusic to print
18 sheet music found
<
1
12 Simple Jazzy Studies
Guitar
By Jim Ferguson. For solo guitar. Level 2.5. 24 pages. Published by Les Productions d'OZ -…
(+)
By Jim Ferguson. For solo guitar. Level 2.5. 24 pages. Published by Les Productions d'OZ - Digital
$8.95
8.35 €
#
Guitar
#
Jim Ferguson
#
12 Simple Jazzy Studies
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Let's Play Blues
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1403399 By Plamen Petrov. By Plame…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1403399 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Jazz. Individual part. 3 pages. Plamen Petrov #986606. Published by Plamen Petrov (A0.1403399). In a blues mood. Jazzy.
$5.00
4.66 €
#
Guitar
#
Plamen Petrov
#
Let's Play Blues
#
Plamen Petrov
#
SheetMusicPlus
This Old Swing
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1392514 By Plamen Petrov. By Plame…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.1392514 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Jazz. Individual part. 4 pages. Plamen Petrov #976033. Published by Plamen Petrov (A0.1392514). Just jazzy relax.
$5.00
4.66 €
#
Guitar
#
Plamen Petrov
#
This Old Swing
#
Plamen Petrov
#
SheetMusicPlus
We Three Kings - Guitar Solo (Version 2)
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.944429 Composed by Traditional. Ar…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.944429 Composed by Traditional. Arranged by Tim Roberts. 20th Century,Christmas,Jazz. Individual part. 2 pages. Phretz del Oro Music #4799899. Published by Phretz del Oro Music (A0.944429). Arranged for finger-style, solo guitar with meter changes and jazzy harmony.
$3.99
3.72 €
#
Guitar
#
Traditional
#
We Three Kings - Guitar Solo
#
Phretz del Oro Music
#
SheetMusicPlus
How Sweet It Is (to Be Loved By You)
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.546097 By James Taylor. By Brian H…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.546097 By James Taylor. By Brian Holland, Edward Holland, and Lamont Dozier. Arranged by Steven Joseph. 20th Century,Hip-Hop,Pop,R & B,Standards,Wedding. Individual part. 3 pages. Steven Joseph #156205. Published by Steven Joseph (A0.546097). Upbeat and jazzy arrangement for solo guitar. Includes notation and TAB. Inspired by the classic recordings by Marvin Gaye and James Taylor, this arrangement works well at both slow and up-tempo speeds and is a sure-fire crowd pleaser.
$5.00
4.66 €
#
Guitar
#
James Taylor
#
How Sweet It Is
#
Steven Joseph
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.53 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
God Rest Ye Merry Gentlemen - Guitar Solo
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.944425 Composed by Traditional. Ar…
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.944425 Composed by Traditional. Arranged by Tim Roberts. Christmas,Classical,Jazz. Individual part. 2 pages. Phretz del Oro Music #4794621. Published by Phretz del Oro Music (A0.944425). Solo classical, finger-style arrangement. Plenty of jazzy, modern harmonies. Open, jazz waltz improvised section. Includes chord symbols.
$3.99
3.72 €
#
Guitar
#
Traditional
#
God Rest Ye Merry Gentlemen - Guitar Solo
#
Phretz del Oro Music
#
SheetMusicPlus
All Of Me
Guitar
Guitar - Level 3 - Digital Download SKU: A0.1300310 Composed by Gerald Marks and Se…
(+)
Guitar - Level 3 - Digital Download SKU: A0.1300310 Composed by Gerald Marks and Seymour Simons. Arranged by Gary Wolk. 20th Century,Jazz,Standards. 13 pages. Gary Wolk Music #890045. Published by Gary Wolk Music (A0.1300310). A fun and jazzy instrumental version of the standard arranged for Guitar Quartet.
$19.99
18.65 €
#
Guitar
#
Gerald Marks and Seymour Simons
#
All Of Me
#
Gary Wolk Music
#
SheetMusicPlus
12 Semi-Simple Jazzy Studies
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-2473 Composed by Jim Ferguson. Scor…
(+)
Guitar - Advanced - Digital Download SKU: ZZ.DZ-2473 Composed by Jim Ferguson. Score. 24 pages. Les Productions d'OZ - Digital #DZ 2473. Published by Les Productions d'OZ - Digital (ZZ.DZ-2473). ISBN 9782897373900.
$10.95
10.21 €
#
Guitar
#
Jim Ferguson
#
12 Semi-Simple Jazzy Studies
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.53 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.53 €
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Guitar
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Richard Strauss
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
"Suite for Joseph" for guitar solo
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.886738 Composed by Panagiotis Theo…
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Solo Guitar - Level 4 - Digital Download SKU: A0.886738 Composed by Panagiotis Theodossiou. 20th Century,Concert,Contemporary,Standards. Individual part. 11 pages. Panagiotis Theodossiou #6049981. Published by Panagiotis Theodossiou (A0.886738). Suite for Joseph for guitar solo op.82 (2020) A 6-part suite in neo-classical – neo-romantic and jazzy (Blues) style composed and dedicated to the American guitar soloist Joseph Ehrenpreis. Based on a series of notes derived from his letter name. The parts: I. Toccata (Allegro presciso) II. Ballade (L' istesso tempo - Alla breve) III. Startled but romantic (like a waltz, Allegro) IV. Reminiscence (Moderato) V. Funny Dance (L' istesso tempo) VI. Blues (Tempo di swing)
$12.00
11.19 €
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Guitar
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Panagiotis Theodossiou
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"Suite for Joseph" for guitar solo
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Panagiotis Theodossiou
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SheetMusicPlus
Jingle Bells - Guitar Solo
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.944427 Composed by James Pierpont.…
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Solo Guitar - Level 3 - Digital Download SKU: A0.944427 Composed by James Pierpont. Arranged by Tim Roberts. 20th Century,Christmas,Jazz. Individual part. 2 pages. Phretz del Oro Music #4799897. Published by Phretz del Oro Music (A0.944427). Arranged for finger-style, solo guitar with key changes and jazzy harmony.
$3.99
3.72 €
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Guitar
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James Pierpont
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Jingle Bells - Guitar Solo
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Phretz del Oro Music
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SheetMusicPlus
Invisible
Guitar
Solo Guitar - Digital Download SKU: A0.497898 By Jason Robert Taylor. By Jason Robe…
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Solo Guitar - Digital Download SKU: A0.497898 By Jason Robert Taylor. By Jason Robert Taylor. 20th Century,Classical,Contemporary,Jazz,New Age. Individual part. 3 pages. Published by October Dream Publishing (A0.497898). This piece written for my friend Kimie Kumazawa in 2016. The title refers to sometimes feeling like you're invisible. Despite the title, the piece has a jazzy, lively feel to it. It is a great piece to work on shifting positions.
$10.00
9.33 €
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Guitar
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Jason Robert Taylor
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Invisible
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October Dream Publishing
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SheetMusicPlus
Jazz Suite
Guitar
Guitar - Digital Download SKU: S9.Q5930 A jazzy Story. Composed by Pierre-Pa…
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Guitar - Digital Download SKU: S9.Q5930 A jazzy Story. Composed by Pierre-Paul Rudolph. This edition: Sheet music. Downloadable. Schott Music - Digital #Q5930. Published by Schott Music - Digital (S9.Q5930).
$11.99
11.18 €
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Guitar
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Pierre-Paul Rudolph
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Jazz Suite
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Schott Music - Digital
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.53 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Hark the Herald Angels Sing - Guitar Solo
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.944428 Composed by Felix Bartholdy…
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Solo Guitar - Level 3 - Digital Download SKU: A0.944428 Composed by Felix Bartholdy Mendelssohn. Arranged by Tim Roberts. 20th Century,Christmas,Jazz. Individual part. 1 pages. Phretz del Oro Music #4799895. Published by Phretz del Oro Music (A0.944428). Arranged for solo guitar in a chord melody style with jazzy harmonies.
$3.99
3.72 €
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Guitar
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Felix Bartholdy Mendelssohn
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Hark the Herald Angels Sing - Guitar Solo
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Phretz del Oro Music
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SheetMusicPlus
8 Swinging Xmas Carols for Guitar & Piano
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1315071 By Keith Terrett. By Vario…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1315071 By Keith Terrett. By Various. Arranged by Keith Terrett. 20th Century,Christmas,Holiday,Praise & Worship. Individual part. 31 pages. Keith Terrett #903814. Published by Keith Terrett (A0.1315071). An exciting arrangement of eight popular swinging xmas carols arranged for Guitar & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs..
$15.99
14.92 €
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Guitar
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Keith Terrett
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Piano
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8 Swinging Xmas Carols for Guitar & Piano
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Keith Terrett
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SheetMusicPlus
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