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Je vais t
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Michel Sardou: Je vais t'aimer
Piano, Vocal and Guitar
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Piano, Vocal and Guitar
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Michel Sardou: Je vais t'aimer
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Je vais t'aimer
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Quickpartitions
Michel Sardou : Je vais t'aimer
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Partitions piano d'accompagnement
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Michel Sardou
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Je vais t'aimer
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Noviscore
Michel Sardou : Je vais t'aimer
Piano solo
Partitions piano solo
Partitions piano solo
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Piano solo
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Michel Sardou
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Je vais t'aimer
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Noviscore
Michel Sardou : Je vais t'aimer
Piano solo
Partitions piano solo
Partitions piano solo
4.99 €
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Piano solo
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Michel Sardou
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Je vais t'aimer
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Noviscore
Michel Sardou : Je vais t'aimer
Piano solo
Partitions piano solo
Partitions piano solo
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Piano solo
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Michel Sardou
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Je vais t'aimer
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Noviscore
Michel Sardou : Je vais t'aimer
C Instruments
Instruments en Do
Instruments en Do
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C Instruments
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Michel Sardou
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Je vais t'aimer
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Noviscore
Michel Sardou : Je vais t'aimer
Bb Instruments
Instruments en Si bémol
Instruments en Si bémol
4.99 €
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Bb Instruments
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Michel Sardou
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Je vais t'aimer
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Noviscore
Michel Sardou : Je vais t'aimer
Eb Instruments
Instruments en Mi bémol
Instruments en Mi bémol
4.99 €
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Eb Instruments
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Michel Sardou
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Je vais t'aimer
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Noviscore
Michel Sardou: Je vais t'aimer
4.99 €
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Michel Sardou: Je vais t'aimer
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Je vais t'aimer
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Quickpartitions
PlayPopSongs: Je vais t'aimer
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PlayPopSongs: Je vais t'aimer
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Je vais t'aimer
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Quickpartitions
Illusions for clarinet and classical guitar (mp3)
Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1506742 By András Csáki (gui…
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Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1506742 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 278. David Warin Solomons #1082113. Published by David Warin Solomons (A0.1506742). Arrangement for clarinet and guitar of my setting of the poem Illusions by Bluma Finkelstein for her husband.The original words are:La nuità l`heure où l`obscure tranche du tempscouvre le jourEt appelle le sommeilLa nuit je m`en vais sur les mornes chemins de ma vieA la recherche des illusionsJe voudrais t`emmener hors de la terret`emporter loin sur l`océan paisible du rêvebarque solitaire s`arrachant à la pesanteursouffle mystérieuxperçant la nappe immobile du cielje voudrais t`emmener hors des âgeste lancer dans le ciel fuyantincessant effort de dépassementje voudrais t`emmener hors de l`espacesentir ton corps nutrembler doucement contre mon corpsdeux rayons de soleildeux caresses éternelles volées à Dieuje voudrais t`emmener hors du tempset mesurer mon amour en années lumière(c) Bluma Finkelstein[my English translation:]At night,when the dark slice of timecovers the dayand calls for slumberAt night I go down the gloomy paths of my lifein search of illusionI would like to take you away from the earthcarry you far away on the peaceful ocean of dreamssolitary boat breaking free from heavinessmysterious breath of windpiercing the motionless cloth of the skyI would like to take you away from the agescast you into the fleeing heavensceaseless endeavour to outdo myselfI would like to take you away from spacefeel your naked bodytrembling gently against minetwo sun-beamstwo eternal caresses stolen from GodI would like to take you away from timeand measure my love in light-years.
$5.00
4.53 €
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András Csáki
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Illusions for clarinet and classical guitar
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David Warin Solomons
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SheetMusicPlus
Illusions for clarinet and classical guitar
Clarinet, Guitar (duet)
Clarinet,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1495824 By D…
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Clarinet,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1495824 By David Warin Solomons. By David Warin Solomons. 21st Century,Contemporary. 11 pages. David Warin Solomons #1072355. Published by David Warin Solomons (A0.1495824). Arrangement for clarinet and guitar of my setting of the poem Illusionsby Bluma Finkelstein.The sound sample is an electronic preview (apart form the first few bars), but the video here shows the performance of the original song.The pdf file contains score and partsOriginal words:La nuità l`heure où l`obscure tranche du tempscouvre le jourEt appelle le sommeilLa nuit je m`en vais sur les mornes chemins de ma vieA la recherche des illusionsJe voudrais t`emmener hors de la terret`emporter loin sur l`océan paisible du rêvebarque solitaire s`arrachant à la pesanteursouffle mystérieuxperçant la nappe immobile du cielje voudrais t`emmener hors des âgeste lancer dans le ciel fuyantincessant effort de dépassementje voudrais t`emmener hors de l`espacesentir ton corps nutrembler doucement contre mon corpsdeux rayons de soleildeux caresses éternelles volées à Dieuje voudrais t`emmener hors du tempset mesurer mon amour en années lumière(c) Bluma Finkelstein[my English translation:]At night,when the dark slice of timecovers the dayand calls for slumberAt night I go down the gloomy paths of my lifein search of illusionI would like to take you away from the earthcarry you far away on the peaceful ocean of dreamssolitary boat breaking free from heavinessmysterious breath of windpiercing the motionless cloth of the skyI would like to take you away from the agescast you into the fleeing heavensceaseless endeavour to outdo myselfI would like to take you away from spacefeel your naked bodytrembling gently against minetwo sun-beamstwo eternal caresses stolen from GodI would like to take you away from timeand measure my love in light-years(c) David Warin Solomons.
$10.00
9.07 €
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Clarinet, Guitar (duet)
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David Warin Solomons
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Illusions for clarinet and classical guitar
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David Warin Solomons
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SheetMusicPlus
Illusions for bassoon and classical guitar
Guitar, Bassoon
Bassoon,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1496089 Compo…
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Bassoon,Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1496089 Composed by David Warin Solomons. 20th Century,Contemporary. 11 pages. David Warin Solomons #1072620. Published by David Warin Solomons (A0.1496089). Arrangement for bassoon and guitar of my setting of the poem Illusionsby Bluma Finkelstein.The sound sample is an electronic preview (apart from the first few bars, which come from the song recording).The video here shows the performance of the original song.The pdf file contains score and partsOriginal words:La nuità l`heure où l`obscure tranche du tempscouvre le jourEt appelle le sommeilLa nuit je m`en vais sur les mornes chemins de ma vieA la recherche des illusionsJe voudrais t`emmener hors de la terret`emporter loin sur l`océan paisible du rêvebarque solitaire s`arrachant à la pesanteursouffle mystérieuxperçant la nappe immobile du cielje voudrais t`emmener hors des âgeste lancer dans le ciel fuyantincessant effort de dépassementje voudrais t`emmener hors de l`espacesentir ton corps nutrembler doucement contre mon corpsdeux rayons de soleildeux caresses éternelles volées à Dieuje voudrais t`emmener hors du tempset mesurer mon amour en années lumière(c) Bluma Finkelstein[my English translation:]At night,when the dark slice of timecovers the dayand calls for slumberAt night I go down the gloomy paths of my lifein search of illusionI would like to take you away from the earthcarry you far away on the peaceful ocean of dreamssolitary boat breaking free from heavinessmysterious breath of windpiercing the motionless cloth of the skyI would like to take you away from the agescast you into the fleeing heavensceaseless endeavour to outdo myselfI would like to take you away from spacefeel your naked bodytrembling gently against minetwo sun-beamstwo eternal caresses stolen from GodI would like to take you away from timeand measure my love in light-years(c) David Warin Solomons
$10.00
9.07 €
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Guitar, Bassoon
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David Warin Solomons
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Illusions for bassoon and classical guitar
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David Warin Solomons
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SheetMusicPlus
Illusions (after the poem by Bluma Finkelstein) (mp3)
Alto Voice,Guitar - Level 3 - Digital Download SKU: A0.1310127 By David Warin Solom…
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Alto Voice,Guitar - Level 3 - Digital Download SKU: A0.1310127 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary,Singer/Songwriter. Full Performance. Duration 295. David Warin Solomons #899265. Published by David Warin Solomons (A0.1310127). Poem by Bluma Finkelsteinmusic composed and performed by David W Solomons(alto and guitar) - recently remastered by SoundopsThe English translation in brackets below is a fairly literal one for non-French speakersLa nuit à l'heure où l'obscure tranche du temps (At night, when the dark slice of time) couvre le jourEt appelle le sommeil(covers the dayand calls for slumber)La nuit je m'en vais sur les mornes chemins de ma vie(At night I go down the gloomy paths of my life)A la recherche des illusions(in search of illusions)Je voudrais t'emmener hors de la terre(I would like to take you away from the earth)t'emporter loin sur l'océan paisible du rêve(carry you far away on the peaceful ocean of dreams)barque solitaire s'arrachant a la pesanteur(solitary boat breaking free from gravity)souffle mystérieux(mysterious breath of wind)perçant la nappe immobile du ciel(piercing the motionless cloth of the sky)je voudrais t'emmener hors des âges(I would like to take you beyond the ages)te lancer dans le ciel fuyant(cast you into the fleeing heavens)incessant effort de dépassement(ceaseless endeavour to exceed ourselves)je voudrais t'emmener hors de l'espace(I would like to take you outside space)sentir ton corps nu(feel your naked body)trembler doucement contre mon corps(trembling gently against mine)deux rayons de soleil(two sunbeams) deux caresses éternelles volées à Dieu(two eternal caresses stolen from God)je voudrais t'emmener hors du temps(I would like to take you outside time)et mesurer mon amour en années lumière(and measure my love in light-years).
$5.00
4.53 €
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David Warin Solomons
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Illusions
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David Warin Solomons
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SheetMusicPlus
Op. 45, No. 2: Je te l’avais bien dit from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-02E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-02E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-02E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.72 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 2: Je te l’avais bien dit from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
I Walk with My Little Lantern
Flute
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
1.99 €
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Flute
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Traditionnel
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Tomplay
I Walk with My Little Lantern (accompaniment part)
Piano solo
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
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Piano solo
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Traditionnel
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Tomplay
Suite No. 1
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
9.93 €
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
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