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You've selected:
Juan Plaza
Sheetmusic to print
12 sheet music found
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1
Macarena - Pasodoble por Germán Amor y Juan Carlos Cortés A.
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.958822 Composed by Germán Amor y…
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Piano Solo - Level 4 - Digital Download SKU: A0.958822 Composed by Germán Amor y Juan Carlos Cortés A. Arranged by Juan Carlos Cortés A. Concert,Traditional,World. Score. 4 pages. Juan Carlos Cortés Aguirre #6873835. Published by Juan Carlos Cortés Aguirre (A0.958822). Pasodoble dedicado a la histórica Plaza de Toros La Macarena de la ciudad de MedellÃn. Con texto por: GERMÃN AMOR Música por:JUAN CARLOS CORTÉS A.MacarenaLetra por: Germán Amor.Música por: Juan Carlos Cortés A.INTRODUCCIÓN:Tardes de toros sin fin, como en España gloriosas,vistas en la Macarena, como si fuera en Madrid.Plaza de la Macarena, reina de la torerÃa,donde mató Juan Belmonte, mejor que en AndalucÃa.INTERLUDIO:Manuel RodrÃguez El monstruo, baño de sangre tú arena,en manoletinas maestras, que aún MedellÃn recuerda.TOQUE CAMBIO DE TERCIO:Tardes que jamás se fueron, las de Miguel DominguÃn,hasta Dios tras un buril, no se perdÃa faena.De Arruza guarda sus quiebres, del Cordobés su valor,pero tu orgullo más grande, se llama César Rincón.
$7.99
7.36 €
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Piano solo
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Germán Amor y Juan Carlos Cortés A
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Macarena - Pasodoble por Germán Amor y Juan Carlos Cortés A.
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
El César de los Ruedos - Pasodoble por Germán Amor y Juan Carlos Cortés A.
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.958824 Composed by Germán Amor y…
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Piano Solo - Level 4 - Digital Download SKU: A0.958824 Composed by Germán Amor y Juan Carlos Cortés A. Arranged by Juan Carlos Cortés A. Concert,Standards,Traditional,World. Score. 4 pages. Juan Carlos Cortés Aguirre #6873837. Published by Juan Carlos Cortés Aguirre (A0.958824). Pasodoble con texto por: GERMÃN AMOR Música por:JUAN CARLOS CORTÉS A.Dedicado al célebre torero colombiano César Rincón.El César de los ruedos.Pasodoble.Letra por: Germán AmorMúsica por: Juan Carlos Cortés A.INTRODUCCIÓN:Cesar Rincón: Tenemos fe en tú valor,el que tuvo Juan Belmonte para ser amo y señor.Cuando llegas a los ruedos, hasta el toro es sabedor,que va a ser su mejor tarde para morir con honor.¡Que salgan toros bien bravos, y toreros de cartel,para que vean tu estampa cual amo del redondel !Secas están las gargantas de gritar: ¡Olé por ti !;y una copla que te cantan, al verte torear asÃ.Desde el palco una mocita, está rezando por vos,y en su peineta y mantón,con claveles se ha bordado tú nombre en el corazón.Pañuelos blancos revisten, las plazas donde toreas,pidiendo a la presidencia, trofeos por tus faenas.César Rincón, maestro, maestro de gran valor,de Manolete eres sombra, ¡Y de Colombia el mejor !
$7.99
7.36 €
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Piano solo
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Germán Amor y Juan Carlos Cortés A
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El César de los Ruedos - Pasodoble por Germán Amor y Juan Carlos Cortés A.
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Mountain Peaks for Two Flutes
2 Flutes (duet)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1430029 Composed by Juan Plaz…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.1430029 Composed by Juan Plaza. Arranged by Editions Glenn Michael. Chamber,Classical,Latin. Score. 20 pages. Glenn Egner #1010643. Published by Glenn Egner (A0.1430029).
$9.99
9.2 €
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2 Flutes (duet)
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Juan Plaza
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Mountain Peaks for Two Flutes
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Glenn Egner
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SheetMusicPlus
Entradora [piano solo]
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.596546 Composed by Juan MarÃa So…
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Piano Solo - Level 4 - Digital Download SKU: A0.596546 Composed by Juan MarÃa Solare. 20th Century,Jazz,Latin,World. Score. 6 pages. Juan Maria Solare #4276305. Published by Juan Maria Solare (A0.596546). Entradora -- Milonga for solo piano, music by Juan MarÃa SolareComposed in Bremen, Germany, from 10 to 13 November 2018. Duration: around 2'15. Premiere by Juan MarÃa Solare on 8 January 2019 at the theatre of the university of Bremen (recital Neue -und alte- Innigkeit, New -and old- intimism). Video by the composer in his private Studio: https://www.youtube.com/watch?v=4f89TCd3di8About the title:- First of all, entradora is an adjective that can be applied to a femenine noun. (In Spanish you have different declinations for masculine and femenine adjectives). The masculine version is entrador.- Second, entradora can understood in this context as a substantivized adjective, i.e. a word that is actually an adjective, but is used as if it were a noun, like if I say Now I will play 'Entradora'. (for a scientific explanation check yor favorite English grammar book).- Third, entradora is a wink to Argentine composer Julián Plaza, who used one-word adjectives as title of several of his milongas and tangos, for instance Nocturna, DanzarÃn, Melancólico, Melancólica, Sensiblero, Nostálgico, Disonante, Dominguera, Expresivo, Futura, Instrumental, Juguetón, Paseandera, Payadora, Solemne, Temperamental - and possibly others that I am not aware of.- And fourth, the meaning of the word entradora in the coloquial Spanish of Argentina is this one: if applied to a person, is someone that easily makes friends, that wins the trust of the people very easily, who is very charming. I applied to an object (or to a melody) it means that it is easy to grasp, that you remember it immediately (as an earworm), that is accessible and uncomplicated. - Oh, there is a fifth point: are you native (or good) English speaker? After all this explanation do you come to an understandable translation of this word, Entradora? If yes, let me know! (http://juanmariasolare.com/contact.html)
$2.50
2.3 €
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Piano solo
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Juan MarÃa Solare
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Entradora [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Zwischen den Jahren [Piano Solo]
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.596544 Composed by Juan MarÃa So…
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Piano Solo - Level 3 - Digital Download SKU: A0.596544 Composed by Juan MarÃa Solare. 20th Century,Concert,Contemporary,Holiday. Score. 5 pages. Juan Maria Solare #3926873. Published by Juan Maria Solare (A0.596544). The German expression Zwischen den Jahren (literally Between the Years) refers to the last days of December (from Christmas) and the first days of January (up to Three King's Day). An English equivalent might be Boxing Week. This piece is called this way because it was composed ... between the years! Concretely, on 31 December 2009 and 1 January 2010 in the small village of Worpswede, North Germany. Musically, the piece is mostly based on major seventh chords with their fundamentals notes related by thirds. The harmony has also a Lydian flavor which becomes most obvious in the central section. Structurally, is roughly A-B-B-A, whereby the reappearance of a previous section is quite varied. Premiere by the composer: recital Neue Konsonanz, 16 January 2014, Theatersaal of the university of Bremen. Zwischen den Jahren is included in the composer's piano album Sombras blancas (White Shadows) and released through the German label Janus Music & Sound. Find it on Spotify: https://open.spotify.com/album/5ElRtKQhuaTyl8vKiyEyZv Interested in the sheet music? Find it on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/juan-maria-solare-sheet-music/3003582?aff_id=565049 Here is a video (Images: water fountain in the Plaza de Cataluña, Barcelona.)https://www.youtube.com/watch?v=SzK7kq5COv0#piano #classicalmusic #music #neoclassical #SombrasBlancas #ListenToThis #NowPlaying #musicvideo #newmusic #album #Barcelona #jeauxdeau #indie #Spotify #iTunes #Deezer #AppleMusic #GooglePlay #JuanMariaSolare #BoxingWeek
$2.00
1.84 €
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Piano solo
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Juan MarÃa Solare
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Sound
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Zwischen den Jahren [Piano Solo]
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Juan Maria Solare
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SheetMusicPlus
Fuga Criolla for Strings Orchestra
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download …
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.850028 Composed by Juan B. Plaza. Arranged by Roisber Narvaez. 20th Century. Score and parts. 31 pages. Roisber Narvaez #6077505. Published by Roisber Narvaez (A0.850028). Includes Score, Set of parts: Violin I, Violin II, Viola, Violoncello and Double Bass. In 1931 the Venezuelan composer Juan Bautista Plaza (1898-1965) wrote his famous Fuga Criolla for strings. Nineteen years later, in 1950, he wrote another fugue which he titled Romantic Fugue. At the end of this second work, he reunited his first fugue with the new one in a diptych, pointing out that both should be interpreted as a unit, the first part of which is the Romantic Fugue, to conclude with the more lively Fuga Criolla.
$39.99
36.84 €
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Juan B
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Fuga Criolla for Strings Orchestra
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Roisber Narvaez
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SheetMusicPlus
Entradora [piano 4 hands]
1 Piano, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.596575
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.596575 Composed by Juan MarÃa Solare. 20th Century,Jazz,World. Score and parts. 12 pages. Juan Maria Solare #4794271. Published by Juan Maria Solare (A0.596575). About the title: - First of all, entradora is an adjective that can be applied to a femenine noun. (In Spanish you have different declinations for masculine and femenine adjectives). The masculine version is entrador. - Second, entradora can be understood in this context as a substantivized adjective, i.e. a word that is actually an adjective, but is used as if it were a noun, like if I say Now I will play 'Entradora'. (for a more scientific explanation check yor favorite English grammar book). - Third, entradora is a wink to Argentine composer Julián Plaza, who used adjectives as one-word title of several of his milongas and tangos, for instance Nocturna, DanzarÃn, Melancólico, Melancólica, Sensiblero, Nostálgico, Disonante, Dominguera, Expresivo, Futura, Instrumental, Juguetón, Paseandera, Payadora, Solemne, Temperamental - and possibly others that I am not aware of. - And fourth, the meaning of the word entradora in the coloquial Spanish of Argentina is this one: if applied to a person, is someone that easily makes friends, that wins the trust of the people very easily, who is very charming. I applied to an object (or to a melody) it means that it is easy to grasp, that you remember it immediately (as an earworm), that is accessible and uncomplicated. - Oh, there is a fifth point: are you native (or good) English speaker? After all this explanation do you come to an understandable translation of this word, Entradora? If yes, let me know!The milonga Entradora was composed in Bremen, Germany, from 10 to 13 November 2018. Duration: around 2'15. Premiere by Juan MarÃa Solare on 8 January 2019 at the theatre of the university of Bremen (recital Neue -und alte- Innigkeit, New -and old- intimism). Second version: for 8 instruments. Premiere: Orquesta No TÃpica, 22 January 2019, theatre of the university of Bremen. Third version: for piano four hands. Bremen, 16 January 2019. Premiere: Selma Hande Gade and Juan MarÃa Solare, Bellapais Spring Music Festival, Kyrenia, Cyprus, 16 April 2019. Video by the composer in his private Studiohttps://www.youtube.com/watch?v=4f89TCd3di8 Entradora is dedicated to Gudrun Zelle.
$4.00
3.68 €
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1 Piano, 4 hands
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Juan MarÃa Solare
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Entradora [piano 4 hands]
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Juan Maria Solare
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SheetMusicPlus
La china de la mazorca. Por: Héctor Pedro Blomberg y Enrique Maciel.
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.958818 Composed by Héctor Pedro …
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Piano Solo - Level 3 - Digital Download SKU: A0.958818 Composed by Héctor Pedro Blomberg y Enrique Maciel. Arranged by Juan Carlos Cortés A. Concert,Patriotic,Standards,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6873665. Published by Juan Carlos Cortés Aguirre (A0.958818). Transcripción para piano solo por:JUAN CARLOS CORTÉS A.Basado en la versión vocalizada por el cantor argentino Ignacio Corsini acompañado con las guitarras de Armando Pagés, Rosendo Pesoa y Enrique Maciel.LA CHINA DE LA MAZORCA.Letra por Héctor Pedro Blomberg y música por Enrique Maciel.INTRODUCCIÓN:China de la mazorca,todos la llaman restauradora,porque ella lleva prendida al pecho,la flor de sangre de la divisa de Buenos Aires.¡Viva Rosas, pira santa! cantaban de corazón,y en los barrios los candombes, repetÃan la canción:¡Turulúlu, turulúlu! Oooh… ¡Turulúlu, turulúlu!! Oooh…¡Turulúlu, tururúlu! Oooh… ¡Turulúlu, turulúlu!INTERLUDIO:China de la mazorca,linda y arisca como ninguna;mala y hermosa, por ella ardÃan…Todos de celos allá en la plaza de los troperos.Al frente de una partida, se la veÃa pasar,y en la esquina de la patria,se escuchaba este cantar:¡Turulúlu, turulúlu! Oooh… ¡Turulúlu, turulúlu!! Oooh…¡Turulúlu, tururúlu! Oooh… ¡Turulúlu, turulúlu!China de la mazorca,todos la llaman restauradora,porque ella lleva prendida al pecho,la flor de sangre de la divisa…De Buenos Aires.
$7.99
7.36 €
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Piano solo
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Héctor Pedro Blomberg y Enrique Maciel
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La china de la mazorca. Por: Héctor Pedro Blomberg y Enrique Maciel.
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
El Currucha
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1019009 Composed by Juan B…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1019009 Composed by Juan Bautista Plaza. Arranged by Emanuel Tudare. 20th Century,Folk. Score and parts. 13 pages. Emanuel Tudare #6505901. Published by Emanuel Tudare (A0.1019009). For trio or percussion ensemble.
$12.99
11.97 €
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Juan Bautista Plaza
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El Currucha
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Emanuel Tudare
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SheetMusicPlus
Sendas De La Tarde
3 Saxophones (trio)
Saxophone Trio,Woodwind Ensemble Soprano Saxophone - Level 2 - Digital Download SKU: A0…
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Saxophone Trio,Woodwind Ensemble Soprano Saxophone - Level 2 - Digital Download SKU: A0.1048485 Composed by Juan Bautista Plaza. Arranged by Bernardo Bernal Hidalgo. 20th Century,Multicultural,World. 11 pages. Bernal #652899. Published by Bernal (A0.1048485). Sendas De La Tarde - for Soprano Sax Trio or Bb Clarinet Trio. Performance time: 2:00 minutes. www.facebook.com/aioniosmusical.
$12.99
11.97 €
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3 Saxophones (trio)
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Juan Bautista Plaza
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Sendas De La Tarde
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Bernal
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SheetMusicPlus
Zerzura [solo flute]
Flute
Flute Solo - Level 2 - Digital Download SKU: A0.596633 By Esperanza Domingo Gil and…
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Flute Solo - Level 2 - Digital Download SKU: A0.596633 By Esperanza Domingo Gil and Perancha Domingo Gil. By Juan MarÃa Solare. 20th Century,Instructional,New Age,Standards. Individual part. 5 pages. Juan Maria Solare #6661277. Published by Juan Maria Solare (A0.596633). Zerzura, for solo flute. Music by Juan MarÃa Solare. Zerzura (Arabic: زرزورة – the accentuation is therefore on the u: zerzúra) was a mythical city or oasis supposedly located deep in the desert west of the Nile River in what is now Egypt or Libya. In writings dating from the 13th century, there is mention of a city that is as white as a dove and it was called the Oasis of the small birds. The music of this flute solo has a certain Arabic character, hence its title. This piece was composed in Worpswede and Bremen on 17 and 25 August 2021. Duration: 3:30 Zerzura is dedicated to Esperanza Domingo Gil, who premiered it at the concert on 23 November 2021 at the theatre of the University of Bremen (Germany). Zerzura, by Juan MarÃa Solare, premiere by Esperanza Domingo Gil Zerzura, für Flöte solo. Musik von Juan MarÃa Solare. Zerzura (arabisch: زرزورة – die Betonung liegt dann auf dem u: zerzúra) war eine mythische Stadt oder Oase, die in der Wüste westlich des Nils im heutigen Ägypten oder Libyen gelegen haben soll. In Schriften aus dem 13. Jahrhundert wird eine Stadt erwähnt, die so weiß wie eine Taube ist und Oase der kleinen Vögel genannt wird. Die Musik dieses Flötensolos hat einen gewissen arabischen Charakter, daher der Titel. Dieses Stück entstand am 17. und 25. August 2021 in Worpswede und Bremen. Aufführungsdauer: 3:30 Zerzura ist Esperanza Domingo Gil gewidmet, die es beim Konzert am 23. November 2021 im Theater der Universität Bremen (Deutschland) uraufgeführt hat. Zerzura, by Juan MarÃa Solare, premiere by Esperanza Domingo Gil Zerzura, para flauta sola. Música de Juan MarÃa Solare. Zerzura (árabe: زرزورة – se acentúa entonces la u: zerzúra) era una ciudad u oasis mÃtico que se suponÃa emplazada en el desierto al oeste del rÃo Nilo en lo que hoy es Egipto o Libia. En escritos que datan del siglo XIII, se menciona de una ciudad que es blanca como una paloma y la llamaban Oasis de las pequeñas aves. La música de este solo de flauta tiene cierto carácter arábigo, de allà su tÃtulo. Obra compuesta en Worpswede y Bremen el 17 y 25 de agosto de 2021. Duración: 3:30. Zerzura está dedicada a Esperanza Domingo Gil, quien la estrenó en el concierto del 23 de noviembre de 2021 en el teatro de la Universidad de Bremen (Alemania). Zerzura, by Juan MarÃa Solare, premiere by Esperanza Domingo Gil  Palabras clave / keywords: Zerzura, flute music, música para flauta, música latinoamericana, música clásica latinoamericana, Juan MarÃa Solare, Esperanza Domingo Gil, Perancha, Universität Bremen, classical music, concierto en vivo, live concert, solo flute.
$2.20
2.03 €
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Flute
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Esperanza Domingo Gil and Perancha Domingo Gil
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Zerzura [solo flute]
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Juan Maria Solare
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SheetMusicPlus
Fandango de Huelva
Guitar
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditiona…
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 9 pages. Richard Hirsch #190297. Published by Richard Hirsch
A hard-hitting Flamenco guitar arrangement for Fandango de Huelva based on standard traditional themes. The Fandango de Huelva is a relatively fast and rhythmically strict Fandango compared to Fandangos from other regions in Andalusia (Granada, Ronda, Málaga, Almería) that are often slower and without a steady rhythm (sans mesure). Rhythmically, Fandango de Huelva consists of a repetition of a six beat phrase, that Flamencos refer to as a compás, with accents on the third and fifth beats (1 2 3 4 5 6). This is notated in the score as a repeated sequence of 4/4 and 2/4 measures with the first beat of the compás falling on the third beat of the first 4/4 measure. The first accented beat in the compás falls on the first beat of the following 2/4 measure and the second accented beat falls on the first beat of the 4/4 measure following. This asymmetrical distribution of accents in the phrase gives the Fandango a kind of choppy almost stop-and-go flow. Note the number of holds that occur in the melodic passages. These are signs of a feature of the Fandango that is used much more in the slower versions where the singer or guitarist can vary the rhythmic flow at will. The melodic passages in the piece are based on traditional songs for Fandango de Huelva, much as Brahms’ Hungarian Dances were based on traditional romani melodies from Hungary. The piece ends with a so-called Macho, a finale, in Verdiales, a fast Fandango rhythm from the region of Malaga. The Verdiales runs in standard 3/4 measures.I learned the Fandango de Huelva rhythm in my studies with Juan González “Triguito” in Madrid in the late 1960’s. I gathered further rhythmic and melodic material working with other Flamenco guitarists and singers, especially in El Mesón de la Guitarra just off the Plaza Mayor, during my years in Spain.The Fandango de Huelva is a fast and lively style (palo) of Flamenco with lots of good old-fashioned strumming (rasgueados) together with long continuous melodic passages. There is quite a bit of tapping on the face of guitar (golpes) in combination with the strumming and left hand legatos. Some passages are played with the thumb in alzapúa, meaning that the thumb strikes in triplets down, up, and down again in rapid sequence in combination with glopes. The alzapúa and tapping really add to the gitano-andalusian flavour of the piece. The last measures of the finale in abanico (fanning) rasqueado style are a powerful sendoff. Audiences have always enjoyed the positive spirit and energy that the Fandango de Huelva radiates.
$4.99
4.6 €
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Guitar
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Traditional
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Fandango de Huelva
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Richard Hirsch
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SheetMusicPlus
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