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Just A Sittin
Sheetmusic to print
66 sheet music found
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51
Just A Kiss
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.902717 By Lady Antebellum. By C…
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Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.902717 By Lady Antebellum. By Charles Kelley, Dallas Davidson, Dave Haywood, and Hillary Scott. Arranged by Katherine James. Country. Score. 2 pages. Katherine James #6252781. Published by Katherine James (A0.902717). I've arranged this in Lead Sheet format which is especially valuable for sitting in at Jam sessions, for a vocalist to hand a rhythm section, a piano or guitar accompanist. This is a 2 page version starting in Bb minor, Includes the lyrics and chord changes, all in easy to read standard fake book font.
$6.99
6.35 €
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Piano, Vocal and Guitar
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Lady Antebellum
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Just A Kiss
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Katherine James
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SheetMusicPlus
(Sittin' On) The Dock Of The Bay
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.799110 By Otis Redding. By Otis Redding and Steve Cropper. Arranged by Dan Sanchez. Soul. Score and parts. 12 pages. Dan Sanchez #4766777. Published by Dan Sanchez (A0.799110). Say goodbye to page-turns with this arrangement of (Sittin' On) The Dock of The Bay for String Quartet. Using just two sheets of music, this can be placed in a single binder without the need of flipping pages. Score and parts are included here, with a 1st Violin cue line included on each part. This will really help keep the group together, especially if sight-reading. This arrangement of (Sittin' On) The Dock of the Bay can ALSO be performed as a String Trio, with the 2nd Violin part being optional.
$12.99
11.8 €
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String Quartet: 2 violins, viola, cello
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Otis Redding
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(Sittin' On) The Dock Of The Bay
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Dan Sanchez
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SheetMusicPlus
Just A Sittin' And A Rockin'
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1477517 By Joe Williams. By …
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1477517 By Joe Williams. By Billy Strayhorn, Charles Gaines, and Duke Ellington. Arranged by FRANCESCO FORGES. Contemporary,Folk,Jazz,Singer/Songwriter. Score. 2 pages. FRANCESCO FORGES #1054902. Published by FRANCESCO FORGES (A0.1477517). Arrangement for voice and piano.
$10.00
9.08 €
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Piano, Voice
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Joe Williams
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Just A Sittin' And A Rockin'
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FRANCESCO FORGES
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SheetMusicPlus
Just A Sittin' And A Rockin'
Choral TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.776421 By Joe Williams. By…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.776421 By Joe Williams. By Billy Strayhorn, Charles Gaines, and Duke Ellington. Arranged by Tom Gentry. Contemporary. Octavo. 5 pages. Tom Gentry #5809699. Published by Tom Gentry (A0.776421).
$4.50
4.09 €
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Choral TTBB
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Joe Williams
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Just A Sittin' And A Rockin'
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Tom Gentry
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SheetMusicPlus
Just A Sittin' And A Rockin'
Choral TTBB
Choral Choir,Choral,TTBB Chorus - Level 4 - Digital Download SKU: A0.1429358 By Joe…
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Choral Choir,Choral,TTBB Chorus - Level 4 - Digital Download SKU: A0.1429358 By Joe Williams. By Billy Strayhorn, Charles Gaines, and Duke Ellington. Arranged by Robert Rund. A Cappella,Barbershop,Jazz. 8 pages. Robert Rund #1010071. Published by Robert Rund (A0.1429358). TTBB acapella arrangement in the barbershop style.
$2.99
2.72 €
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Choral TTBB
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Joe Williams
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Just A Sittin' And A Rockin'
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Robert Rund
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SheetMusicPlus
SITTING ON THE FINISH LINE
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.991712 Composed by MICHAEL L…
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Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.991712 Composed by MICHAEL L. RICCIARDI. Arranged by TIMOTHY C. DORAN. 20th Century. Score and parts. 4 pages. Creative Horizons Music Publishers (ASCAP) #3064641. Published by Creative Horizons Music Publishers (ASCAP) (A0.991712). A THOUGHT PROVOKED BALLAD SUNG BY SINGING STAR BILLY MURPHY FROM THE ALBUM WITH JUST THE FAITH OF A MUSTARD SEED A YOUNG DREAMER HAS THIS THOUGHTFUL ADVICE TO HIS TEN YEAR OLD AFTER HE LOSES A BIG BASEBALL CHAMPIONSHIP.
$2.98
2.71 €
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Jazz Ensemble
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MICHAEL L
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SITTING ON THE FINISH LINE
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Creative Horizons Music Publishers
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SheetMusicPlus
A Night in June
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.10…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1031729 Composed by K.L. King. Arranged by James Cutter. Folk,Holiday,Instructional,Patriotic,Standards,Traditional. Score and parts. 11 pages. James Cutter #3536147. Published by James Cutter (A0.1031729). Karl King's best-known composition is his Barnum and Bailey's Favorite. In that march, he is able to conjure up a magnificent scene of the old circus tents -- all the aromas, all the sounds, all the sights, and, of course, the circus band. King in 'A Night in June' he transports you to a simpler time. With images of sitting on the porch at evening listening to the crickets sipping on ice tea and just enjoying life. This arrangement is for Woodwind Quintet; where the French Horn has the melody for the majority of the time. Usually in woodwind quintet settings French Horn plays a support role with the Flute or oboe playing the melody. In this arrangement the horn gets to shine. This is a great teaching piece for an advancing Woodwind Quintet. It does have some tricky key signatures for all of the parts but would make a great supplement to a summer music camp or music program looking to challenge a young ensemble.
$3.99
3.62 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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K
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A Night in June
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James Cutter
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SheetMusicPlus
Oh It's A Lovely War - Concert Band Score and Parts PDF
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.750891 Composed by J. P. Long and…
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Concert Band - Level 3 - Digital Download SKU: A0.750891 Composed by J. P. Long and Maurice Scott in 1917. Arranged by Brendan Elliget MAGA 537. Patriotic. Score and parts. 43 pages. BJE Music #4366396. Published by BJE Music (A0.750891). The song Oh! It's a Lovely War was written by J. P. Long and Maurice Scott in 1917.The lyrics of the first verse and the chorus are as follows:Up to your waist in water,Up to your eyes in slush -Using the kind of language,That makes the sergeant blush;Who wouldn't join the army?That's what we all inquire,Don't we pity the poor civilians sitting beside the fire.ChorusOh! Oh! Oh! it's a lovely war,Who wouldn't be a soldier eh?Oh! It's a shame to take the pay.As soon as reveille is goneWe feel just as heavy as lead,But we never get up till the sergeant bringsOur breakfast up to bedOh! Oh! Oh! it's a lovely war,What do we want with eggs and hamWhen we've got plum and apple jam?Form fours! Right turn!How shall we spend the money we earn?Oh! Oh! Oh! it's a lovely war.This is an arrangement for full Concert Band that could be used to accompany a sing-a-long of this World War 1 song's 3 verses and chorus. The MP3 plays only 2 verses with Chorus plus repeats. There are Horns in F and Eb, Basses in C, Eb and Bb as well as an optional Piano part (Not on the score).Grade = 3 Duration = 3:08 mins.
$25.00
22.7 €
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Concert band
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J
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Duration = 3:08 mins.
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Oh It's A Lovely War - Concert Band Score and Parts PDF
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BJE Music
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SheetMusicPlus
Loaves and Fishes, a sacred hymn
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1204591 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1204591 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #803058. Published by Kevin G. Pace (A0.1204591). A sacred hymn depicting the miracle of Jesus and the feeding of the 5000.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Jesus lifted up his eyes while sitting on a mount.There a multitude had come, where thousands was the count.Jesus asked of Philip then, “Whence shall we buy some bread?â€Feeding hungry souls was such a way the Master led.One small lad had barley loaves, just five that day were found.And small fishes, only two, were set upon the ground.“Bring them hither,†Jesus said, then blessed and brake the loaves.These became like manna there, this miracle to show.Jesus asked disciples close to share the scanty feast.Each did eat, not sparingly, ‘til all were filled and pleased.Then He called disciples there to gather what remained;Twelve full baskets still were left, all through the Savior’s Name.Jesus also fills our lives when we might have a lack.Needing aid we lend our best, then He gives as we act.Listening to all we pledge He takes each offering,Always giving more to us than what we humbly bring.Chorus:Granting needs and pure desires is what our Savior seeks.As He fills our daily cups, we aid his heartfelt plea.He will ever honor us by giving what we lack.This, this precious miracle, is what He gives us back.
$1.99
1.81 €
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Choral SATB
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Kevin G
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Loaves and Fishes, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
A Cup of Coffee
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.957997 By Helen Park. By Helen Park…
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Piano Solo - Level 3 - Digital Download SKU: A0.957997 By Helen Park. By Helen Park. Broadway,Classical,Contemporary,Film/TV,Multicultural,Musical/Show,World. Score. 6 pages. HELEN PARK #1984465. Published by HELEN PARK (A0.957997). Imagine sitting down at a beautiful cafe with a friend, or maybe a lover. No need to talk. Just looking into their eyes makes everything perfect.
$4.99
4.53 €
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Piano solo
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Helen Park
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A Cup of Coffee
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HELEN PARK
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SheetMusicPlus
A Train Through Yorkshire - for Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.971801 Composed by Britt Andrew B…
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Concert Band - Level 3 - Digital Download SKU: A0.971801 Composed by Britt Andrew Burns. Contemporary. Score and parts. 71 pages. Indie Classical Publications #1932369. Published by Indie Classical Publications (A0.971801). A TRAIN THROUGH YORKSHIRE is one of my earliest works for band. Composed in 2007, it was inspired by the train rides I took while studying abroad in Great Britain. The Yorkshire area is especially beautiful, and the music was inspired by my memory of sitting on a train with a tea in hand on a drizzly day. However, I was never fully satisfied with the work, as it felt incomplete. One reason was that I was rushed to meet a short deadline when composing this piece. It wasn't until the summer of 2018 that I decided to do it justice and revise it. This new and final version is a little shorter than the original and offers a better balanced orchestration. Level: grade 3+ (medium) Duration: About 5 minutes, 15 seconds
$25.00
22.7 €
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Concert band
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Britt Andrew Burns
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A Train Through Yorkshire - for Band
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Indie Classical Publications
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SheetMusicPlus
A Train Through Yorkshire - for Symphony Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.971821 Composed by Britt Andrew…
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Full Orchestra - Level 3 - Digital Download SKU: A0.971821 Composed by Britt Andrew Burns. Contemporary. Score and parts. 72 pages. Indie Classical Publications #3668479. Published by Indie Classical Publications (A0.971821). A TRAIN THROUGH YORKSHIRE was one of my earliest works for band. Composed in 2007, it was inspired by the train rides I took while studying abroad in Great Britain. The Yorkshire area is especially beautiful, and the music was inspired by my memory of sitting on a train with a tea in hand on a drizzly day. However, I was never fully satisfied with the work, as it felt incomplete. One reason was that I was rushed to meet a short deadline when composing this piece. It wasn't until the summer of 2018 that I decided to do it justice and revise it. I also felt like it deserved an orchestral version. This new and final version is a little shorter than the original and offers a better balanced orchestration. Level: grade 3+ (intermediate) ; Duration: About 5 minutes, 15 seconds
$30.00
27.25 €
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Orchestra
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Britt Andrew Burns
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A Train Through Yorkshire - for Symphony Orchestra
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Indie Classical Publications
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SheetMusicPlus
Just a Sittin' and a Rockin' by Oscar Peterson - Piano Solo
Piano solo
Performed by: Oscar Peterson: Just a Sittin' and a Rockin' Digital Sheetmusic - …
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Performed by: Oscar Peterson: Just a Sittin' and a Rockin' Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement does not contain lyrics), scoring: Instrumental Solo;Transcription, instruments: Piano; 6 pages -- Jazz~~Bop~~Jazz Standards~~Swing~~Instrumental Jazz~~Piano Jazz
$5.79
5.26 €
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Piano solo
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Oscar Peterson
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Piano Solo
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Musicnotes
In the Silence
French Horn and Piano
Horn & piano - Grade 4 - Digital Download SKU: IZ.IMS1512 Composed by Daniel Baldwi…
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Horn & piano - Grade 4 - Digital Download SKU: IZ.IMS1512 Composed by Daniel Baldwin. Score and Parts. 18 pages. Duration 10 minutes, 20 seconds. Imagine Music - Digital #IMS1512. Published by Imagine Music - Digital (IZ.IMS1512). 9 x 12 in inches.For Horn & Piano.By Daniel BaldwinIn the Silence for Euphonium and Band was commissioned by the Holcomb, KS, High School band (Paul White, director) in the winter of 2010. It was commissioned after the death of a recent graduate, Tanner Born, a euphonium player who participated in the band for all four years of high school. Tanner's parents funded the commission in his memory and asked that I not just make it a memorial piece, but a celebration of his life. Tanner was an avid bowler (illustrated in the rhythmic and celebratory middle section), golfer, and band member.In the Silence is by turns beautiful and contemplative, as well as dark and dramatic, framing an enjoyable and rhythmic affirmation of life. The piece was premiered on Tuesday, May 10, 2011 by the Holcomb High School band, Jim Krohn conducting, with Travis Keller as the euphonium soloist. I had the distinct honor of sitting in Tanner's chair and playing euphonium with the band at the premiere.It was just around a year earlier that Tanner had started attending the church in Garden City where I was choir director in 2009. I was introduced to him and remember a kind face. It was a surreal experience when I was reminded of that introduction after the premiere.You never know where life will take you and how our lives can be intertwined with the lives of others without even being aware of it. It was a wonderful reminder to me that with just a simple twist of fate, the smallest of moments can lead to some of the most powerful moments in our lives.
$15.00
13.62 €
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French Horn and Piano
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Daniel Baldwin
In the Silence for Euphonium and Band was commissioned by the Holcomb, KS, High School band
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Daniel Baldwin
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In the Silence
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Imagine Music - Digital
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SheetMusicPlus
The Polliwog (Tadpole)
Choral 2-part
Choral Choir (SA) - Level 1 - Digital Download SKU: A0.510166 Composed by words and…
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Choral Choir (SA) - Level 1 - Digital Download SKU: A0.510166 Composed by words and music by Glyn Lehmann. Children,Contemporary. Octavo. 5 pages. Glyn Lehmann #3507863. Published by Glyn Lehmann (A0.510166). There's a strange creature lurking down at the waterhole!Some say it has no arms or legs, just a long tail and a big head. Others say it has long legs, a stumpy tail and big bulgy eyes. Sounds scary! Are you brave enough to find out for yourself?A fun song for children between 5 and 9 years. They will learn about the polliwog (here's a clue; it's usually called a tadpole, ssh!). Along the way there's a subtle message about facing fears and finding things out for yourself.For 2-parts (easy) or unison.The Polliwogwords and music by Glyn LehmannCHORUSHave you ever seen a polliwogHiding in the water underneath a logLurking in the shadowsGrowing every dayI hope I never see a polliwog!No I never want to see a polliwog!Verse 1Someone said they saw a polliwogDown at the waterhole chasing a dogIt had no arms and it had no legsA long swishy tail and a great big headCHORUSVerse 2Someone said they saw a polliwogDown at the waterhole chasing a dogIt had two arms and two short legsA short stumpy tail and a great big headCHORUSVerse 3Someone said they saw a polliwogDown at the waterhole chasing a dogIt had a round body and two long legsAnd big bulgy eyes on the top of its head Coda AI began to wonder about the polliwogWhy was it changing, could it chase a dog?Although I was frightenedI must be brave I really want to see a polliwogYes I really want to see a polliwog!Coda BDown at the waterhole with my dogI went looking for the polliwogWaiting by the water sitting on a logUp jumped a little green frog(spoken) And it chased my dog! Woof!© 2013 Glyn Lehmann
$1.99
1.81 €
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Choral 2-part
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words and music by Glyn Lehmann
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The Polliwog
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Glyn Lehmann
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SheetMusicPlus
Parallel Tracks
Piano Quartet: piano, violin, viola, cello
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
18.15 €
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Piano Quartet: piano, violin, viola, cello
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
MY FATHER’S FAVORITE HYMNS Piano/Vocal Arrangements-full book
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.877827 Composed by Deborah Johnson,…
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Jazz Combo - Level 3 - Digital Download SKU: A0.877827 Composed by Deborah Johnson, Various Public Domain. Arranged by DJWorks Music. A Cappella,Christian,Contemporary,Easter,Sacred. Score and parts. 99 pages. Deborah Johnson #4309241. Published by Deborah Johnson (A0.877827). Full book of twelve contemporary arrangements of timeless favorites, including two new hymns by Deborah Johnson. These are piano-based instrumentals and vocals with vocal and orchestral accompaniment. This 99-page book (including cover and table of contents) also includes a beautiful title page for each song with a brief history and lyrics for the two new hymns. The piano transcriptions are completely written out, including the chords and vocal parts. Several have secondary piano parts included. Also available are individual song downloads and some of the MP3 accompaniment tracks.Album notes: My Father’s Favorite Hymns is dedicated to my mom and dad. I have memories of being on the front row of church as a little girl, singing as loud as I could. The album is a tribute to my parents who raised my sisters and I to love God, our country and our families. As many musicians do, I got my start in the church, playing the piano for the Children’s church at the age of 10. It didn’t take long before I started sitting at a 9’ Steinway opposite an incredible organist who changed keys as often as a woman changes her clothes. I fell in love with the simplicity of the hymns and with the many fun arrangements that were possible. The lyrics of some of these hymns have been ingrained in my soul and have brought me comfort, deepened my faith, and have taught me that when all is said and done, the Truth and Faithfulness of God are what will carry me through.If you’re searching for: Christian music, inspirational music or church hymns, consider My Father’s Favorite Hymns. Songs include: Tell Me the Old Old Story; Just a Closer Walk with Thee; Great is Thy Faithfulness; Immortal Invisible; Amazing Grace/It is Well; Your Truth it Stands; Glory to His Name; Stand Up for Jesus/Leaning on the Everlasting Arms; In the Garden; Were You There when they Crucified my Lord? (acapella); What a Friend we Have in Jesus; You are Faithful, You are Lord. Separate song downloads also available, where you can hear and preview each selection.From the album up for a 2012 GRAMMY Award®: My Father’s Favorite Hymns, available on Amazon (https://www.amazon.com/music/player/albums/B008O86FQI) or on the website (https://DJWorksMusic.com/products) by Deborah Johnson. You can hear selections of each song on either of those sites, as well as purchase the album. Video playlist at: http://youtu.be/srvbPkI4eKM?list=PLE49F87AC9C76AE49. There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, available on Amazon as well as a spiral-bound print version of this music book. Check out http://www.djworksmusic.com/fathershymns/For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com
$28.50
25.88 €
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Jazz combo
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Deborah Johnson, Various Public Domain
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Just a Closer Walk with Thee
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MY FATHER’S FAVORITE HYMNS Piano/Vocal Arrangements-full book
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Deborah Johnson
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SheetMusicPlus
Reflections on the Water
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.997625 By Aaron M Booth. By Aaron M…
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Piano Solo - Level 2 - Digital Download SKU: A0.997625 By Aaron M Booth. By Aaron M Booth. Arranged by Aaron M Booth. Contemporary. Score. 3 pages. Aaron Booth #603274. Published by Aaron Booth (A0.997625). This early intermediate piano solo piece paints a picture of a sitting by a calm stream and just staring into the water while reflecting on days gone by. This piece, although with it's simple melodies, finds its musical expression in its tranquilness.
$7.99
7.26 €
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Piano solo
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Aaron M Booth
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Reflections on the Water
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Aaron Booth
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SheetMusicPlus
(Everything I Do) I Do It For You
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.835245 By Bryan Adams. By Bryan Ada…
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Piano Solo - Level 3 - Digital Download SKU: A0.835245 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Claudio Porstmann. Contemporary,Pop. Score. 4 pages. Claudio Porstmann #4992617. Published by Claudio Porstmann (A0.835245). This piece is essentially the same as my advanced version of this beautiful movie theme song by Bryan Adams, but without all the frills. It is less complicated with more straight-forward melodic lines, while still retaining the character and mood of the piece. It has also been transposed from D-flat maj. to D maj. making it all that much easier to play, but still sounding very similar to the original. An ideal piece for the intermediate player who doesn´t want to spend a whole lot of time practicing, but just enjoys sitting down at the piano and playing a tune.
$4.99
4.53 €
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Piano solo
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Bryan Adams
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(Everything I Do) I Do It For You
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Claudio Porstmann
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SheetMusicPlus
Saints Alive: Aging to Perfection
Choral SATB
SATB choir - Easy - Digital Download SKU: LX.45-1107L An SATB musical for Senior…
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SATB choir - Easy - Digital Download SKU: LX.45-1107L An SATB musical for Senior Choir. Composed by Bob Woolley and Paul Taylor. Choral Cantatas. 88 pages. Lorenz Publishing - Digital Sheet Music #e45/1107L. Published by Lorenz Publishing - Digital Sheet Music (LX.45-1107L). UPC: 000308059595.A follow-up to the popular Saints Alive and Saints Alive in Prime Time, this cleverly named sequel has a similar humorous tone and light, fun melodies. The optimistic text artfully set to easy-to-sing songs brings an uplifting message of staying active and living later years in the likeness and spirit of the Lord. A sure hit with your senior choir, this original work will give the pillars of your church a chance to shine and to be recognized for all they have done and continue to do. Performance time:30-35 minutes.
Song List: Aging to Perfection Great Day Just to Be Like Him Love the Lord Your God Mama Always Said Peculiar Situations Sitting in the Boat The Fast Lane of Life With Great Joy
$10.95
9.94 €
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Choral SATB
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Bob Woolley and Paul Taylor
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Saints Alive: Aging to Perfection
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Old-Time Favorites for Fiddle and Mandolin
Fiddle and mandolin - Intermediate-Advanced - Digital Download SKU: M0.30225BCDEB C…
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Fiddle and mandolin - Intermediate-Advanced - Digital Download SKU: M0.30225BCDEB Composed by Dan Levenson. Solos and Duets. Strings. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30225BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30225BCDEB). ISBN 9781619114562. 8.75x11.75 inches.You asked for it and you got it! More tunes to play at festivals and jams or just sittin' at home with a friend or two. 62 more tunes with both basic and advanced standard notation lines with suggested chords as well as a mandolin tablature line to get you going in the right direction and playing these old-time favorites .As in Old-Time Festival Tunes for Fiddle and Mandolin  you will find some of the tunes to be straightforward while others promise to be genuine finger twisters! The book revisits some of the author's old favorites and some time-tested standards. The accompanying online audio includes each tune on both fiddle and mandolin. There is also a clawhammer banjo companion to this book titled Old-Time Favorites for Clawhammer Banjo which shares the same basic standard notation line in this volume.
$22.99
20.88 €
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Dan Levenson
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Old-Time Favorites for Fiddle and Mandolin
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.62 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Happy Place
Choral 2-part
Choral Choir (SA) - Level 3 - Digital Download SKU: A0.873034 Composed by Sally Whi…
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Choral Choir (SA) - Level 3 - Digital Download SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0.873034). Composer’s Note - Happy PlaceI’m a lesbian who came-of-age/came-out in the mid 1990s, which means I caught the tail end of those lesbian stereotypes you used to hear about. It made me feel like I’d never inherited The Lesbian Gene. I was never one of the herbal tea sipping, yoga loving, hemp textiles wearing, hippie happy clappy campers of that time. I had girlfriends who were and I tried to humour them sometimes but it was always a strain.I had this one girlfriend who made me go camping once, a gathering with her hippie pagan friends. It was all inoffensive enough, I was having a very nice time sitting in the shade reading my book. Rather stupidly, I made the mistake of letting someone rope me into a thing called D​rumming The Boundary​. They thought I’d be good at it, being a professional musician. I thought it would probably please my girlfriend if I got involved, so I agreed to go along.To my surprise, the drums they’d set up were great instruments, some really top quality djembes that you’d be paying some good money for, so I made the rash assumption that the leader of this activity actually knew what she was doing. We were instructed to start drumming a h​eartbeat​ together, whereupon I discovered that these are people who couldn’t even play a plain old crotchet beat in ensemble. But they seemed to think they were playing in time, swooning and swaying and closing their eyes to ‘feel’ the music. It was starting to make me giggle. These were presumably the same lesbians I’d seen out in Sydney nightclubs who couldn’t dance in time with an electronic beat that repeatedly hits you over the head with its obviousness?! Once I’d had that thought, I couldn’t help my giggle becoming a full-blown guffaw. The dreadlocked hempy lady in charge glared at me, telling me I needed to relax into really f​eeling the heartbeat. ​Could she not see that it was because my whole body was shaking with hysterical laughter at their arhythmic playing? Honestly...I guess I just really don’t like hippies. There, I said it out loud. I tried, I tried really hard, but I just prefer my city life. It’s my ​Happy Place.​-- Sally Whitwell
$1.99
1.81 €
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Choral 2-part
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Sally Whitwell
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Happy Place
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Sally Whitwell
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SheetMusicPlus
On That Cross (Piano part ONLY)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
1.81 €
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
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