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Just Add Music: 3rd Violin
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You've selected:
Just Add Music: 3rd Violin
Sheetmusic to print
11 sheet music found
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1
Just Add Music: 3rd Violin (Viola [TC])
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String Orchestra
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Just Add Music: 3rd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0017983_VN3 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017983_VN3. Published by...
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String Orchestra - Digital Download SKU: AX.00-PC-0017983_VN3 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017983_VN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017983_VN3). UPC: 038081547381.
$5.99
Monster Mash: 3rd Violin (Viola [TC])
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String Orchestra
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INTERMEDIATE
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Instructional
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Bobby Boris Pickett and Lenny
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Bob Phillips
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Monster Mash: 3rd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0015987_VN3 3rd Violin (Viola [TC]). Composed by Bobby Boris Pickett and Lenny Capizzi. Arranged...
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String Orchestra - Digital Download SKU: AX.00-PC-0015987_VN3 3rd Violin (Viola [TC]). Composed by Bobby Boris Pickett and Lenny Capizzi. Arranged by Bob Phillips. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015987_VN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015987_VN3). UPC: 038081459714.Yes! For the first time, just like the recording and in its entirety, here's The Mash for orchestra. With written-out narration, chorus parts for the string section or a choir, drumset, optional guitar, and piano, this one's ready for any bash. Add costumes, skits, and anything else the kids can think of to add excitement to your Halloween or pops concert. This is a great opportunity to invite that special guest to narrate. Correlates to Sound Innovations Book 2, Level 3.
$5.99
Dreams of Fireflies (On a Christmas Night): 3rd B-flat Clarinet
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Concert band
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Christmas
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Trans-Siberian Orchestra
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Bob Phillips and George Megaw
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Rock
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Dreams of Fireflies
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017418_C3 3rd B-flat Clarinet. By Trans-Siberian Orchestra. By Paul O'neill. Arranged by Bob Philli...
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Concert Band - Digital Download SKU: AX.00-PC-0017418_C3 3rd B-flat Clarinet. By Trans-Siberian Orchestra. By Paul O'neill. Arranged by Bob Phillips and George Megaw. Pop/Pock; Rock. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017418_C3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017418_C3). UPC: 038081515915.For the night is God's cathedral and the stars visit in dreams of fireflies. Let this arrangement from the Trans-Siberian Orchestra repertoire add a bit of holiday spice to your winter concert. This piece can be more authentically performed by adding the optional electric violin and electric guitar but can be played by concert band alone. Driving and energetic, just as you'd expect! (2:30).
$3.00
Dreams of Fireflies (On a Christmas Night): 3rd B-flat Trumpet
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Concert band
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Christmas
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Trans-Siberian Orchestra
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Bob Phillips and George Megaw
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Rock
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Dreams of Fireflies
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017418_T3 3rd B-flat Trumpet. By Trans-Siberian Orchestra. By Paul O'neill. Arranged by Bob Phillip...
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Concert Band - Digital Download SKU: AX.00-PC-0017418_T3 3rd B-flat Trumpet. By Trans-Siberian Orchestra. By Paul O'neill. Arranged by Bob Phillips and George Megaw. Pop/Pock; Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017418_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017418_T3). UPC: 038081515915.For the night is God's cathedral and the stars visit in dreams of fireflies. Let this arrangement from the Trans-Siberian Orchestra repertoire add a bit of holiday spice to your winter concert. This piece can be more authentically performed by adding the optional electric violin and electric guitar but can be played by concert band alone. Driving and energetic, just as you'd expect! (2:30).
$3.00
Dreams of Fireflies (On a Christmas Night): 3rd Trombone
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Concert band
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Christmas
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Trans-Siberian Orchestra
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Bob Phillips and George Megaw
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Rock
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Dreams of Fireflies
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017418_TN3 3rd Trombone. By Trans-Siberian Orchestra. By Paul O'neill. Arranged by Bob Phillips and...
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Concert Band - Digital Download SKU: AX.00-PC-0017418_TN3 3rd Trombone. By Trans-Siberian Orchestra. By Paul O'neill. Arranged by Bob Phillips and George Megaw. Pop/Pock; Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017418_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017418_TN3). UPC: 038081515915.For the night is God's cathedral and the stars visit in dreams of fireflies. Let this arrangement from the Trans-Siberian Orchestra repertoire add a bit of holiday spice to your winter concert. This piece can be more authentically performed by adding the optional electric violin and electric guitar but can be played by concert band alone. Driving and energetic, just as you'd expect! (2:30).
$3.00
Amadeus Grooves: 3rd Trombone
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Trombone (band part)
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Classical
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Wolfgang Amadeus Mozart
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Mike Lewis
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Amadeus Grooves: 3rd Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016173_TN3 3rd Trombone. Composed by Wolfgang Amadeus Mozart. Arranged by Mike Lewis. Classical. P...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016173_TN3 3rd Trombone. Composed by Wolfgang Amadeus Mozart. Arranged by Mike Lewis. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016173_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016173_TN3). UPC: 038081275604.Celebrate Mozart's 250th anniversary with a jazz chart! Mike Lewis arranged Mozart's 40th Symphony using a swing feel with no individual solos---just plenty of ensemble. The brass range is accessible, the rhythms are easy, and this chart bounces the melody back and forth between sections. Add the string players to this chart; check out the optional string parts for violin, viola, and cello plus all the regular optional wind parts.
$3.00
Amadeus Grooves: 3rd B-flat Trumpet
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Trumpet (band part)
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Classical
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Wolfgang Amadeus Mozart
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Mike Lewis
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Amadeus Grooves: 3rd B-flat Tr
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016173_T3 3rd B-flat Trumpet. Composed by Wolfgang Amadeus Mozart. Arranged by Mike Lewis. Classic...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016173_T3 3rd B-flat Trumpet. Composed by Wolfgang Amadeus Mozart. Arranged by Mike Lewis. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016173_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016173_T3). UPC: 038081275604.Celebrate Mozart's 250th anniversary with a jazz chart! Mike Lewis arranged Mozart's 40th Symphony using a swing feel with no individual solos---just plenty of ensemble. The brass range is accessible, the rhythms are easy, and this chart bounces the melody back and forth between sections. Add the string players to this chart; check out the optional string parts for violin, viola, and cello plus all the regular optional wind parts.
$3.00
THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS A
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Jazz Ensemble
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INTERMEDIATE
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Classical
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Joe Procopio These arrangement
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Johann Sebastian Bach
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Joe Procopio
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THE BACH JAZZ SONATA FROM THE
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JoeCopio Music LLC
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score ...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score and parts. 42 pages. JoeCopio Music LLC #2032001. Published by JoeCopio Music LLC (A0.876417). THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS Arr. By Joe Procopio These arrangements by Joe Procopio from J.S. Bach’s Flute/Violin Sonata II in Eb are special in many ways. Firstly, it fills the need for the very best in music combining the genres of both Classical and Jazz. In addition, it is also importantly unique because it may be performed by a variety of musicians. For example, the arrangement in C may be performed by 2 or more C Instruments including Flute, Piccolo, Oboe and Violin with a small band accompaniment (Piano, Guitar, Bass, and Drums - Guitar is optional). The work may also be performed with just the Piano and/or Guitar for accompaniment. What’s more, the Rhythm Track Accompaniment is available without the solo instruments adding to the already many attributes of this music that enhance its inherent genuine global appeal. This is critical because teachers, students and musicians worldwide are constantly seeking music of the highest quality that can be skillfully presented to the public while having, at the same time, built-in qualities both pleasing to the listener and the performer alike. Bach’s melodies have certainly stood the test of time and Jazz is without question internationally popular. That makes these arrangements truly worthy of attention from people, artists and publishers throughout the world. The composer personally has had great success with this work in many major concerts including its premier performance using a Flute Choir at a Civic Center Concert held in Syracuse, NY before several thousand people who triumphed the young musicians with a standing ovation. The melody by J.S. Bach used in this work is taken from the Bach-Gesellschaft Ausgabe Band 9 and 1 Kammermusik BWV 1031- known as the complete works of Johann Sebastian Bach which was published in 46 volumes from 1851-1899. A single volume was issued in 1926. The last surviving editor of the series died in 1928, and these volumes are now public domain worldwide. They are also held in acclaim because there are no articulation or expression marks in the Gesellshaft. Therefore, the articulation and expression marks written in these arrangements by the arranger are suggestions only. Musicians may perform the works in any manner best suited to the betterment of their own performance.
$5.99
Our House
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String Trio: violin, viola, cello
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INTERMEDIATE
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Crosby Stills Nash and Young
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Jen Mathers
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Our House
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Jen Mathers
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1231680 By Crosby Stills Nash and Young. By Graham Nash. Arranged by Jen Mathers. Fol...
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1231680 By Crosby Stills Nash and Young. By Graham Nash. Arranged by Jen Mathers. Folk,Rock,Wedding. 4 pages. Jen Mathers #827378. Published by Jen Mathers (A0.1231680). *Sheet music for string trio, with optional violin 2 or viola part.* Violin 2 and viola parts are identical except for clef.String quartet version available:  https://www.sheetmusicplus.com/title/21958410?aff_id=71233The video shown is the cello quartet version (available here: https://www.sheetmusicplus.com/title/21959863?aff_id=712331), which is very similar but with the 1st part written one octave lower. Classic rock - this trio version includes 2 of the original 3-part harmony in the upper strings (generally playing in thirds). Cello plays the bass line throughout, except adds in some of the 3rd harmony voice in the final chorus. The middle voice plays the first verse, then Violin I takes over.My string arrangements are faithful to the original song, with ample rehearsal letters, minimal bowings, and only minor adjustments to pop melodies to facilitate playing and sightreading. Parts are error-free, tested and enjoyed by professional musicians at weddings and private events.
$15.99
A Million Dreams
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Concert band
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INTERMEDIATE
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Broadway
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Pink
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Musiscorz
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A Million Dreams
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Musiscorz
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1363534 By Pink. By Benj Pasek and Justin Paul. Arranged by Musiscorz. Broadway,Musical/Show,Pop. 133 p...
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Concert Band - Level 3 - Digital Download SKU: A0.1363534 By Pink. By Benj Pasek and Justin Paul. Arranged by Musiscorz. Broadway,Musical/Show,Pop. 133 pages. Musiscorz #947941. Published by Musiscorz (A0.1363534). The classic song from The Greatest Showman arranged for Concert Band or ensemble that allows the opportunity to add strings and 3 Keyboards to a standard Concert Band setup. I have added some hand held percussion to the Vibraphone and Timpani which adds some depth. The Drum Kit part gives this song some a great groove and we are having fun rehearsing it at the moment. In addition, there are parts for Strings as we are preparing for a Tour which combines a Sinfonia and Junior concert band making a big sound. The keyboard parts have the chords written and notation for both approaches and I arranged a shortened version for our House Music Competition and it worked really well. The arrangement works without the 2nd or 3rd parts as the piano picks up the harmonies along with the strings. Sheet music parts include: A3 Sized Full Score Flute 1&2 Oboe 1&2 Clarinet 1,2&3 Bassoon Alto Sax 1&2 Tenor Saxophone Baritone Saxophone French Horn 1&2 Trumpet 1,2&3 Baritone in Bb 1 Baritone 2 (doubles Trombone 1) Trombone 1&2 Tuba Electric Organ Piano Keyboard Strings Violin 1&2 Viola Cello Bass Drums Vibraphone Timps Triangle Shaker Tambourine.
$50.00
Oscillation
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Contemporary
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contrast, the string quartet h
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Jeremy Hart
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Oscillation
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Jeremy Graham Hart
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score ...
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Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pages. Jeremy Graham Hart #6590413. Published by Jeremy Graham Hart (A0.1028192). Oscillation began as an experiment in coordination of a melody and harmony which are based on different means of organization. To this end, the clarinet is treated separately from the string quartet. The clarinet melody is constructed by means of limited interval usage. In mm.1–3 it can be observed that the melodic intervals are strictly limited to the use of a major 2nd/minor 7th or a major 6th/minor 3rd. By contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key. In addition, despite the proliferation of non-chord tones and transitionary passages in the string quartets’ music, the stable harmonies are written to have fairly parsimonious motion between them (if one were to reduce out the NCTs etc.) The coordination of these two separate logics is done by the selection of anchor-pitches for the melodic phrases. For example, the melodic phrase in mm.4–7 oscillates around the pitch of G natural (transposed in the score), which it shares with the F major/minor 7th chord that is heard as the harmonic goal of the strings in m.7. The teleology of the work can largely be traced in its melodic construction. Its opening phrase of mm.1–3 is anchored on G natural and ends on a C sharp, a tritone above the anchor, to simulate a half-cadence effect. The second phrase of mm.4–7 is still written on G natural but it ends on G as well, forming the authentic cadence and establishing a basic period as well as the work’s first theme. This is followed by second period which represents a dominant relationship to the first. The phrase at mm.10–13.2 is a rather extended utterance in comparison to the first two and is anchored on D natural. This is followed by 4-stage call and response across the ensemble (excluding the second violin) that leads the first section to a close at m.16 on a C diminished triad. Melodically, the first section is characterised by its limited used of a major 2nd/minor 7th or a major 6th/minor 3rd interval. At m.17, the second section follows much the same process as the first, using anchor pitches as a means of coordination and formal definition, and alternating soloistic clarinet playing with activated harmonies in the strings. The primary difference is in the character of the second section’s theme with regards to its rhythmic profile as well as its intervallic content. Namely, these are limited to the use of a minor 3rd or minor 2nd and their inversions. The second section draws to a close at m.32, returning to the tonic harmony of the key. With the first and second sections complete, the work now proceeds into a developmental section. Mm.33–84 largely consists of development of the two themes by manipulation of intervallic content as well as adjusting the placement of the thematic material withing the accompanimental context. This does include juxtaposition of the two themes (though one typicall becomes integrated into to accompaniment) as can be seen between the violin and viola at m.39. Variety is heightened by the introduction of episodic material such as the secondary melody performed by the clarinet at mm.40–41. The Lento section starting at m.53 introduces further rhythmic and metric adjustment of the thematic content. A varied recapitulation occurs at mm.85–113 and is followed by a coda at mm.114–131.
$19.95
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