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Keys to the Northern Pass
Sheetmusic to print
11 sheet music found
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1
Keys to the Northern Pass
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1005078 Composed by Tim Yarham.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1005078 Composed by Tim Yarham. 20th Century,Contemporary. Score and parts. 209 pages. True Art is Angsty #4885629. Published by True Art is Angsty (A0.1005078). Keys to the Northern Pass (30'45) was inspired by the sounds and history of the Cairns region, in Far North Queensland. From the city to the reef, to the beaches where the rainforest meets the sand, a world to itself.
$25.00
22.74 €
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Orchestra
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Tim Yarham
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Keys to the Northern Pass
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True Art is Angsty
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SheetMusicPlus
Crossing Yangguang Pass for solo piano
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.926739 Composed by Yuan-Chen Li. Co…
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Piano Solo - Level 5 - Digital Download SKU: A0.926739 Composed by Yuan-Chen Li. Contemporary,Standards,World. Score. 5 pages. Yuan-Chen Li #6866369. Published by Yuan-Chen Li (A0.926739). Yangguan Pass is the common theme running through three pieces for solo piano, written for students of beginner, intermediate, and intermediate/advance levels: Dancing at Yangguan Pass, Farewell at Yangguan, and Crossing Yangguan Pass. It takes students to explore formal design, such as the unconventional proportion of phrasal structure, means of introduction, and ending. Inspired by the guqin music and poetry of Yangguan Pass, the piano solo works enrich the expression of the old pentatonic tune with wide ranges of meters, rhythms, keys, or registers, which are essential to Chinese traditional music and contemporary music. CMTNC (Chinese Music Teachers Association of Northern California) Commission Series is a collection of musical works for a set of twelve pieces for violin, piano, cello, and clarinet (three pieces for each instrument written for beginner, intermediate, and intermediate/advanced students; with or without piano accompaniment). Through this series, student performers and their audiences are reminded of life experiences through the reminiscence and creative process of classic Chinese music literature and well-known folksongs.
$5.99
5.45 €
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Piano solo
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Yuan-Chen Li
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#
Crossing Yangguang Pass for solo piano
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Yuan-Chen Li
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SheetMusicPlus
Dancing at Yangguan Pass for solo piano
Piano solo
Piano Solo - Level 1 - Digital Download SKU: A0.926737 Composed by Yuan-Chen Li. Co…
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Piano Solo - Level 1 - Digital Download SKU: A0.926737 Composed by Yuan-Chen Li. Contemporary,World. Score. 4 pages. Yuan-Chen Li #6866359. Published by Yuan-Chen Li (A0.926737). Yangguan Pass is the common theme running through three pieces for solo piano, written for students of beginner, intermediate, and intermediate/advance levels: Dancing at Yangguan Pass, Farewell at Yangguan, and Crossing Yangguan Pass. It takes students to explore formal design, such as the unconventional proportion of phrasal structure, means of introduction, and ending. Inspired by the guqin music and poetry of Yangguan Pass, the piano solo works enrich the expression of the old pentatonic tune with wide ranges of meters, rhythms, keys, or registers, which are essential to Chinese traditional music and contemporary music. CMTNC (Chinese Music Teachers Association of Northern California) Commission Series is a collection of musical works for a set of twelve pieces for violin, piano, cello, and clarinet (three pieces for each instrument written for beginner, intermediate, and intermediate/advanced students; with or without piano accompaniment). Through this series, student performers and their audiences are reminded of life experiences through the reminiscence and creative process of classic Chinese music literature and well-known folksongs.
$4.99
4.54 €
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Piano solo
#
Yuan-Chen Li
#
#
Dancing at Yangguan Pass for solo piano
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Yuan-Chen Li
#
SheetMusicPlus
PIANO SONATA
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1477723 Composed by Aaron Robinson.…
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Piano Solo - Level 5 - Digital Download SKU: A0.1477723 Composed by Aaron Robinson. 20th Century,Classical. Score. 55 pages. Music at Immanuel #1055103. Published by Music at Immanuel (A0.1477723). Dedicated to pianist Eric Xi Xin Liang, PIANO SONATA by American composer Aaron Robinson is a programmatic work on a monumental scale. Composed in four movements representing four areas of Maine: Machigonne (Portland), Down East, Malaga Island and Katahdin, each paints a detailed portrait of a specific time and place in the State’s history. Its compositional structure draws heavily on the sights and sounds associated with each region while weaving original themes throughout. Mimesis is used to represent the native calls of the indigenous birds found within the state, such as the phoebe, bobolink and the pileated woodpecker; while hymns, songs and sea shanties are incorporated to represent various time periods. Movement I - MACHIGONNE - Native Americans originally named what is today the Portland peninsula of Maine “Machigonne”, which translates “Great Neck”. The movement quotes several sacred and ritual songs of the Passamaquoddy Tribe of Maine. The struggle between centuries of habitation by the native peoples of the area is represented by the arrival of early settlers and illustrated by juxtaposing hymn tunes and dance music of the past eras.Movement II - DOWN EAST - is the eastern coastal area of the state closely associated with the French territory of Acadia. Replete with historic sea shanties and tunes, the sound of tolling ship and buoy bells, lighthouse fog horns, and ocean winds are intertwined to create a high-spirited journey which culminates in the familiar Shaker tune from Alfred, Maine.Movement III - MALAGA ISLAND - Today an uninhabited reserve, Malaga Island was once the home to an interracial community dating from the 1860s to 1911, when its residents were forcibly evicted by the State. The opening theme represents the remnants of the island in its present state; haunted by the memories and unsettling muted solitude of the past and its historical injustice. A peaceful hymn depicting simpler times becomes slowly unraveled, erupting in a traumatic chaos that is never resolved. A ghostly refrain can be heard in the distance as the movement concludes.Movement IV - KATAHDIN - Mount Katahdin (“Catahdrin”), called “Great Mountain” by the Penobscot Native Americans, is located within the Northeast Piscataquis County, the northern terminus of the Appalachian Trail. The grandeur of its majesty is portrayed by the original themes depicting epic rising and falling passages traversing over centuries. Native Americans believed the mountain to be the home of the storm god Pamola (a place to be avoided), which is characterized by ever-changing major and minor keys within the often times turbulent motifs. The sonata ends in a tonal key: bringing the atonality and discordant change of the work and its representation as a whole to a final resolve.PIANO SONATA lasts approximately 25 minutes.
$9.99
9.09 €
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Piano solo
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Aaron Robinson
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PIANO SONATA
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Music at Immanuel
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SheetMusicPlus
Cassiopeia
Piano solo
Piano Solo - Digital Download SKU: A0.507272 Composed by Heather Cattanach. 20th Ce…
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Piano Solo - Digital Download SKU: A0.507272 Composed by Heather Cattanach. 20th Century,Children,Contemporary,Instructional. Score. 3 pages. Published by Heather Cattanach (A0.507272). Vain Queen Cassiopeia boasted that her beauty surpassed that of the Nereids (sea nymphs). Poseidon, angered, sent a sea monster to destroy her land. King Cepheus and Queen Cassiopeia chained their daughter Andromeda to a rock as a sacrifice to the sea monster to appease Poseidon. Luckily, Perseus heroically rescued Andromeda. Cassiopeia’s punishment for her vanity was to spend all of eternity on her throne in the sky, half the year hanging upside down. The 5-star W shape of her throne can be seen in the northern hemisphere sky. You can draw Ws or Ms as per bars 1, 2, 31 and 32 wherever her theme recurs, if you like. This piece is written in Locrian mode, creating a dissonant, dark and unstable mood. This Intermediate Piano Solo is from “88 Constellations†a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano). Performance Time 1 1/2 minutes. 2 pages. A nice recital set could include Cassiopeia, Andromeda, Cepheus, Perseus and Cetus. (General Instructional, 21st Century, Modern, Repertoire, Recital, Modal).
$3.99
3.63 €
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Piano solo
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Heather Cattanach
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Cassiopeia
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Heather Cattanach
#
SheetMusicPlus
Almost May Lead Sheet
C Instruments
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi…
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
2.72 €
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C Instruments
#
Heidi Savoie
#
Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
Almost May for Piano Solo
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi S…
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Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99
3.63 €
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Piano solo
#
Heidi Savoie
#
Almost May for Piano Solo
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Heidi Savoie
#
SheetMusicPlus
Almost May Score and Parts
String Quartet: 2 violins, viola, cello
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Dow…
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
22.73 €
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String Quartet: 2 violins, viola, cello
#
Heidi Savoie
#
Almost May Score and Parts
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Heidi Savoie
#
SheetMusicPlus
Taurus
Piano solo
Piano Solo - Digital Download SKU: A0.507455 Composed by Heather Cattanach. 20th Ce…
(+)
Piano Solo - Digital Download SKU: A0.507455 Composed by Heather Cattanach. 20th Century,Classical,Contemporary,Instructional. Score. 10 pages. Published by Heather Cattanach (A0.507455). Taurus is an Advanced Piano Solo with three contrasting movements, from “88 Constellations†a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano). Skills required include hand crossing and fast scale passages. One of the 48 constellations catalogued by Ptolemy, Taurus the bull is very ancient, having been depicted in cave paintings at Lascaux from c. 15000 BC. In Greek myth, Zeus appeared as a white bull with golden horns to Europa. In the northern hemisphere Taurus is visible in winter and early spring. His orange eye is the star Aldebaran. Performance Time 5 minutes. 9 pages. (General Instructional, Modern, 21st Century, Repertoire, Recital, Zodiac).
$7.99
7.27 €
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Piano solo
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Heather Cattanach
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Taurus
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Heather Cattanach
#
SheetMusicPlus
Farewell at Yangguan for solo piano
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.926738 Composed by Yuan-Chen Li. Co…
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.926738 Composed by Yuan-Chen Li. Contemporary,Standards,World. Score. 4 pages. Yuan-Chen Li #6866367. Published by Yuan-Chen Li (A0.926738). Yangguan Pass is the common theme running through three pieces for solo piano, written for students of beginner, intermediate, and intermediate/advance levels: Dancing at Yangguan Pass, Farewell at Yangguan, and Crossing Yangguan Pass. It takes students to explore formal design, such as the unconventional proportion of phrasal structure, means of introduction, and ending. Inspired by the guqin music and poetry of Yangguan Pass, the piano solo works enrich the expression of the old pentatonic tune with wide ranges of meters, rhythms, keys, or registers, which are essential to Chinese traditional music and contemporary music. CMTNC (Chinese Music Teachers Association of Northern California) Commission Series is a collection of musical works for a set of twelve pieces for violin, piano, cello, and clarinet (three pieces for each instrument written for beginner, intermediate, and intermediate/advanced students; with or without piano accompaniment). Through this series, student performers and their audiences are reminded of life experiences through the reminiscence and creative process of classic Chinese music literature and well-known folksongs.
$4.99
4.54 €
#
Piano solo
#
Yuan-Chen Li
#
#
Farewell at Yangguan for solo piano
#
Yuan-Chen Li
#
SheetMusicPlus
A Seaside View Piano Solo Songbook
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1358413 By Suzanne Herman. By Suzan…
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Piano Solo - Level 4 - Digital Download SKU: A0.1358413 By Suzanne Herman. By Suzanne Herman. Classical,Contemporary,Contest,Festival,New Age. Score. 52 pages. Suzanne Herman Music #942862. Published by Suzanne Herman Music (A0.1358413). The west coast of Florida, in the Tampa Bay area, has beautiful, vast beaches with powdery white sand and amazing sunsets. The beach at the northern point of Anna Maria Island, a local barrior island, is incredibly natural and pristine. It is where the Gulf of Maxico meets Tampa Bay. This spectacular panorama, with its changing moods and coastal wildlife, is the setting for the music of the songbook and album, A Seaside View.This exquisite collection of ten original solo piano compositions consists of soothing and relaxing moods, as well as spirited drive and excitement. Fingering, phrasing, dynamics, and metronome markings are clearly visible, making this songbook excellent teaching material and providing beautiful recital pieces. Suzanne Herman brings a wealth of musical and personal experience to her music, which is expressive, beautiful, a joy to listen to, and very satisfying to play. The compositions of A Seaside View provide a variety of major and minor keys, contemporary harmonies, interesting rhythms including 5/8 meter, use of the entire keyboard, 32nd note passages, wonderful dynamic variation, and mesmerizing melodies.A Seaside View can be found worldwide on all major listening platforms including Spotify, Pandora, Apple Music, SoundCloud, etc.For more information about Suzanne Herman:WebsiteFacebookInstagramYouTube ChannelRegister for Newsletter
$18.99
17.27 €
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Piano solo
#
Suzanne Herman
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A Seaside View Piano Solo Songbook
#
Suzanne Herman Music
#
SheetMusicPlus
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