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You've selected:
Koechlin
CLASSICAL - BAROQUE - ROMANTIC
Sheetmusic to print
13 sheet music found
<
1
KOECHLIN: La pêche, Op. 8 no. 1 (transposed to F major)
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.539428 Composed by Charles Koechlin. A…
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Piano,Vocal,Voice - Digital Download SKU: A0.539428 Composed by Charles Koechlin. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 5 pages. AST Publications, LLC #5896479. Published by AST Publications, LLC (A0.539428). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
9.09 €
#
Piano, Voice
#
Charles Koechlin
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KOECHLIN: La pêche, Op. 8 no. 1
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AST Publications, LLC
#
SheetMusicPlus
KOECHLIN: Si tu le veux, Op. 5 no. 5 (transposed to A-flat major)
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.1309841 Composed by Charles Koechlin. …
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Piano,Vocal,Voice - Digital Download SKU: A0.1309841 Composed by Charles Koechlin. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 5 pages. AST Publications, LLC #898989. Published by AST Publications, LLC (A0.1309841). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
9.09 €
#
Piano, Voice
#
Charles Koechlin
#
KOECHLIN: Si tu le veux, Op. 5 no. 5
#
AST Publications, LLC
#
SheetMusicPlus
KOECHLIN: Si tu le veux, Op. 5 no. 5 (transposed to D major, bass clef)
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.538655 Composed by Charles Koechlin. A…
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Piano,Vocal,Voice - Digital Download SKU: A0.538655 Composed by Charles Koechlin. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 6 pages. AST Publications, LLC #4608169. Published by AST Publications, LLC (A0.538655). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
9.09 €
#
Piano, Voice
#
Charles Koechlin
#
KOECHLIN: Si tu le veux, Op. 5 no. 5
#
AST Publications, LLC
#
SheetMusicPlus
KOECHLIN: Si tu le veux, Op. 5 no. 5 (transposed to A major)
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.1309840 Composed by Charles Koechlin. …
(+)
Piano,Vocal,Voice - Digital Download SKU: A0.1309840 Composed by Charles Koechlin. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 5 pages. AST Publications, LLC #898988. Published by AST Publications, LLC (A0.1309840). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
9.09 €
#
Piano, Voice
#
Charles Koechlin
#
KOECHLIN: Si tu le veux, Op. 5 no. 5
#
AST Publications, LLC
#
SheetMusicPlus
KOECHLIN: Si tu le veux, Op. 5 no. 5 (transposed to F-sharp major)
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.1309845 Composed by Charles Koechlin. …
(+)
Piano,Vocal,Voice - Digital Download SKU: A0.1309845 Composed by Charles Koechlin. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 5 pages. AST Publications, LLC #898993. Published by AST Publications, LLC (A0.1309845). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
9.09 €
#
Piano, Voice
#
Charles Koechlin
#
KOECHLIN: Si tu le veux, Op. 5 no. 5
#
AST Publications, LLC
#
SheetMusicPlus
Charles Koechlin: Esquisse (Sketch) - piano solo
Piano solo
Instantly printable sheet music by Charles Koechlin for piano solo of MEDIUM skill level. …
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Instantly printable sheet music by Charles Koechlin for piano solo of MEDIUM skill level. / classical,french
$6.97
6.34 €
#
Piano solo
#
Charles Koechlin
#
Virtualsheetmusic
Charles Koechlin: Le portrait de Daisy Hamilton, Op. 140 - clarinet & piano
Clarinet and Piano
Instantly printable sheet music by Charles Koechlin for clarinet & piano of HIGH skill…
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Instantly printable sheet music by Charles Koechlin for clarinet & piano of HIGH skill level. Contents: Schott Clarinet Library, Original Pieces / classical
$5.99
5.45 €
#
Clarinet and Piano
#
Charles Koechlin
#
Virtualsheetmusic
Gabriel Fauré : Fantaisie for Flute and Piano op. 79 , Arranged for Flute and string Orchestra
Flute and Piano
Chamber Orchestra - Level 4 - Digital Download SKU: A0.772375 Composed by Gabriel F…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.772375 Composed by Gabriel Faure. Arranged by Amir Awad. Concert,Romantic Period,Standards. Score and parts. 49 pages. Amir Awad #3506351. Published by Amir Awad (A0.772375). This piece is originally composed by Gabriel Fauré for Flute and piano , and it is arranged for Flute and String OrchestraThis elegant solo has some beautiful melodic lines and is Impressionistic in form and harmony. An excellent teaching piece to emphasize phrasing and musicality, or a great programming choice when a lovely lyrical moment is needed!This famous work is dedicated to Paul Taffanel, often called the father of the modern French school of the flute. He was a busy man, active at the Opéra de Paris, in the Conservatoire concerts, as the leader of the Orchestre de la Société des Instruments à Vent, and, from 1893, as a professor at the Conservatoire. Fauré was appointed professor of composition there in 1896, and it was almost inevitable that Taffanel should ask him, in the spring of 1898, to write a sight-reading piece (the Morceau de lecture) and a concours composition for the July examinations. Fauré decided to pass the orchestration of his incidental music for Maeterlinck's play Pelléas et Mélisande, on which he had been feverishly working, to his pupil Charles Koechlin, so he could get to grips with the concours piece. The Fantaisie for flute and piano occupied him from the beginning of June until at least mid-July.The piece opens with an E-minor sicilienne of great charm, but soon gets to a C-major Allegro filled with lightning-fast pyrotechnics. Writing to Koechlin, Fauré complained:I am drowned in the Taffanel and plunged up to my neck in scales, arpeggios, and staccati! I have already perpetrated 104 bars of this irksome torture The first performance of the Fantaisie was given by the concours winner, Gaston Blanquart, on July 28, 1898.
$5.00
4.55 €
#
Flute and Piano
#
Gabriel Faure
#
Gabriel Fauré : Fantaisie for Flute and Piano op. 79 , Arranged for Flute and string Orchestra
#
Amir Awad
#
SheetMusicPlus
Si tu le veux, Op. 5 no. 5 (D major)
Piano, Voice
Composed by Charles Koechlin (1867-1950). Romantic Period. Score. 7 pages. Published by AS…
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Composed by Charles Koechlin (1867-1950). Romantic Period. Score. 7 pages. Published by AST Publications (S0.262213). - Score - Romantic Period - AST Publications
$9.99
9.09 €
#
Piano, Voice
#
Charles Koechlin
#
Si tu le veux, Op. 5 no. 5
#
AST Publications
#
SheetMusicPlus
Si tu le veux, Op. 5 no. 5 (E major)
Piano, Voice
Composed by Charles Koechlin (1867-1950). Romantic Period. Score. 7 pages. Published by AS…
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Composed by Charles Koechlin (1867-1950). Romantic Period. Score. 7 pages. Published by AST Publications (S0.205973). - Score - Romantic Period - AST Publications
$9.99
9.09 €
#
Piano, Voice
#
Charles Koechlin
#
Si tu le veux, Op. 5 no. 5
#
AST Publications
#
SheetMusicPlus
Selected Organ Works
Organ
Composed by Charles Koechlin (1867-1950). France - organ - organ music. Downloadable. …
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Composed by Charles Koechlin (1867-1950). France - organ - organ music. Downloadable. Schott Music - Digital #Q575496. Published by Schott Music - Digital
$21.99
20 €
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Organ
#
Charles Koechlin (1867-1950)
#
Selected Organ Works
#
Schott Music - Digital
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.43 €
#
Piano solo
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.43 €
#
Piano solo
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
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