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Kora's Song and Dance
Sheetmusic to print
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Kora's Song and Dance
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.881254 Composed by Gary Powell Na…
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Concert Band - Level 5 - Digital Download SKU: A0.881254 Composed by Gary Powell Nash. Contemporary. Score and parts. 175 pages. Gary Powell Nash #4727399. Published by Gary Powell Nash (A0.881254). During the 2006-2007 academic year, Nash was fortunate to travel to Ghana, Spain and Vietnam. These experiences were quite profound and resulted in Nash composing new works that reflect those experiences. KORA’S SONG AND DANCE (2009) for symphonic wind ensemble is his first large ensemble composition written under this premise. Kora is a 21 stringed musical instrument from West Africa and KORA'S SONG AND DANCE is largely based on the tune Diabate’ by singer/songwriter Vieux Farke’ Toure’ of Mali. Diabate’ is also the name of well known kora musician, Toumani Diabate’ in which Toure’ dedicated the song to. KORA’S SONG AND DANCE uses melodies that are derived from the drone motif in Toure’s Diabate. Diabate’ is a medium tempo song with the drone motif occurring throughout and improvised melodies on top of the drone. KORA’S SONG AND DANCE begins with a slow introduction, featuring the alto sax and marimba. The rest of the ensemble gradually enters and builds to the end of the intro, transitioning to the next section by way of metric modulation. The next section builds with layers of instrumental textures, much like the intro and concludes with an English horn and piano duet. This particular pattern of musical events repeats, transitioning back to slow music, reminiscent of the intro and then ends big by going back to the faster tempo.
$80.00
73.14 €
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Concert band
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Gary Powell Nash
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Kora's Song and Dance
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Gary Powell Nash
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SheetMusicPlus
Guinean National Anthem for String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1517572 By Keith Terrett. By …
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String Orchestra - Level 3 - Digital Download SKU: A0.1517572 By Keith Terrett. By Original: Korofo Moussa, 1904 Modern: Fodéba Keïta, 1958. Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Praise & Worship,Traditional,World. 9 pages. Keith Terrett #1091734. Published by Keith Terrett (A0.1517572). Korofo Moussa's song:The music of the anthem is derived from a praise song for the late-1800s king of Labé, in Fouta Djallon, Alpha Yaya Diallo (or Alfa Yaya). Alpha Yaya is, along with Wassoulou Empire founder Samory Touré, considered central by Guineans to the foundation of the modern Guinean nation, in part because of his fierce attempts to resist colonisation.In 1904, Alpha Yaya was one of many traditional chiefs and kings summoned to a doctrinal conference with French colonists, who were still in the process of consolidating his territory.The chiefs each brought along a retinue for the journey; in Alpha Yaya's retinue was griot Korofo Moussa, from Kissidougou in the south of the country. Alpha Yaya arrived to the conference on its sixth day, and Korofo Moussa is said to have spontaneously improvised, along with his troupe of dancers and kora players, a praise song for Alpha Yaya after he arrived. The song began with the line Alpha Yaya, Mansa bè Manka (Alpha Yaya, mansas (kings) are not the same). According to Fodéba Isto Keira, former Minister of Youth, Sports and Culture, the performance took place in the building of the modern Directorate of the Judicial Police in the Kaloum sub-prefecture of Conakry.Korofo Moussa's air quickly became popular; it was sung and played by all the griots for the rest of the conference, and within a few days it was known throughout Conakry. Alpha Yaya's personal griot immediately trained to play the song. Upon the return of the kings and their retinues to their regions, it spread throughout the country.Modern anthem:Upon approaching independence in 1958, the lyrics of Korofo Moussa's song were reworked and written in French by artist, choreographer and politician Fodéba Keïta and Jean Cellier for the national anthem of Guinea. Korofo Moussa's melody was retained for the anthem. According to Keira, Keïta used the solfège method when working with the music. Keira stated that the national anthem had to be inspired by something from Fouta Djallon for the sake of avoiding frustrations and preserving national unity.
$8.99
8.22 €
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Keith Terrett
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Guinean National Anthem for String Orchestra
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Keith Terrett
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SheetMusicPlus
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