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You've selected:
L'Almée
Sheetmusic to print
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David, Félicien : L'Almée (Collection Anacrouse)
Piano solo
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d…
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.<br><br>Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>En 1836, le compositeur Félicien David édite les « Mélodies orientales ». Elles comptent au total vingt et une pièces dont dix-huit ont été rééditées en 1845 sous le titre « Brises d'Orient » et trois autres sous le titre « Les Minarets ». Lorsqu'elles sortent, ces mélodies n'obtiennent pas un grand succès. Deux raisons peuvent l'expliquer. D'une part, un incendie détruit une partie des stocks de partitions imprimées. D'autre part, le public, qui avait aimé les « Orientales » du poète Victor Hugo et les « Pestiférés de Jaffa » du peintre Eugène Delacroix, ne semblait pas être attiré par l'orientalisme musical.<br>Les brises d'Orient possèdent la puissance des charmes orientaux plutôt doux. Le compositeur traduit à merveille l'atmosphère orientale en marquant les rythmes par des basses étonnantes.<br>Plus que des formes traditionnelles, ce qu'il faut retenir de ces pièces est le fait qu'elles racontent de belles histoires avec toujours une dynamique très réussie de passages lents et de passages vifs et rapides. `L'Almée` (danseuse égyptienne) en est un très bon exemple avec une introduction si lyrique que l'on s'attend à l'apparition d'une diva. Mais surprise, un développement harmonieux calme les esprits. Et jusqu'à la conclusion les reprises du thème très rythmé alternent avec ceux du développement lent.<br>Venez découvrir un compositeur digne des grands maîtres de peinture orientale. Cette pièce mérite d'être interprétée par tout pianiste amateur de la musique classique. Partition + Biographie + Notes sur l'oeuvre
3.30 €
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Piano solo
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David, Félicien
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L'Almée
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Note4Piano
The Palms (Les Rameaux)
Flute, Oboe, Clarinet, Bassoon
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1396344 Composed by Charles H. Gabriel and Jean Baptiste Faure. Arranged by E.L. Hipkiss. Christian,Religious. 9 pages. Edward L. HIpkiss #979719. Published by Edward L. HIpkiss (A0.1396344). Transcription/arrangement of Faure's famous Palm Sunday hymn. In a brass-friendly key. For brass sextet: 2 trumpets, French horn, 2 trombones/baritone, tuba.
$5.00
4.65 €
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Flute, Oboe, Clarinet, Bassoon
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Charles H
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The Palms
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Edward L. HIpkiss
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SheetMusicPlus
L-O-V-E
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1386289 By Natalie Cole. By Bert Ka…
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Easy Piano - Level 2 - Digital Download SKU: A0.1386289 By Natalie Cole. By Bert Kaempfert and Milt Gabler. Arranged by Matheus Viana. Broadway,Classical,Film/TV,Jazz,Musical/Show,Singer/Songwriter. Score. 2 pages. Matheus Viana #970210. Published by Matheus Viana (A0.1386289). This delightful piano solo arrangement of L-O-V-E is perfect for both beginners and intermediate players who want to add a touch of happiness and joy to their repertoire. Inspired by the iconic Nat King Cole version, it captures the essence of the song while remaining accessible for those new to the keys.Imagine filling your home with the warm sounds of this beloved classic, impressing your loved ones with your musical skills, or simply enjoying the calming and uplifting experience of playing a beautiful piece of music.Features:Easy-to-read sheet music: Clear notation and simple rhythms make it perfect for beginners.Intermediate challenges: Optional variations and embellishments add interest for more experienced players.Faithful to the original: Captures the spirit and melody of the Nat King Cole version.Uplifting and joyful: Perfect for any occasion, from weddings and Valentine's Day to quiet moments of reflection.Start your musical journey with this charming piano arrangement of L-O-V-E and experience the joy of playing!piano solo, L-O-V-E, Nat King Cole, easy piano, beginner friendly, intermediate piano, learn piano, sheet music, joy, happiness, love song, romantic piano, learn to play piano, piano lessons, beginner piano pieces, intermediate piano pieces, popular music, jazz piano, classic love songs, wedding music, Valentine's Day, romantic gift, date night music, relaxing music, uplifting music, feel good music, positive vibes, calming music, stress relief, music therapy, self-care, mindfulness, creativity, musical expression, share the love, spread joy, connect through music, inspire others.
$4.99
4.64 €
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Easy Piano
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Natalie Cole
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L-O-V-E
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Matheus Viana
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SheetMusicPlus
Placido Abela - Israel per Domenica delle Palme
Small Ensemble High Voice,Low Voice,Medium Voice,Organ - Level 3 - Digital Download SKU…
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Small Ensemble High Voice,Low Voice,Medium Voice,Organ - Level 3 - Digital Download SKU: A0.828737 Composed by Placido Abela. Arranged by Guido Menestrina. Christian,Classical. Score and parts. 6 pages. Guido Menestrina #1987519. Published by Guido Menestrina (A0.828737). Israel per Domenica delle Palme ridotto dal Canto Fermo a tre voci con Organo ad libitum dal P. D. Placido Abela Cassinese (1814-1876), trascritto da Guido Menestrina. Il Gloria Laus è l'inno a Cristo Re che entra in Gerusalemme. Eccone il testo completo e la traduzione: Glória, laus et honor tibi sit, Rex Christe, Redémptor : Cui puerÃle decus prompsit Hosánna pium. R/. Glória, laus. Israël es tu Rex, Davidis et Ãnclita proles : Nómine qui in Dómini, Rex benedÃcte, venis. R/. Glória, laus. CÅ“tus in excélsis te laudat caélicus omnis, Et mortális homo, et cuncta creáta simul. R/. Glória, laus. Plebs Hebraéa tibi cum palmis óbvia venit : Cum prece, voto, hymnis, ádsumus ecce tibi. R/. Glória, laus. Hi tibi passúro solvébant múnia laudis : Nos tibi regnánti pángimus ecce melos. R/. Glória, laus. Hi placuére tibi, pláceat devótio nostra: Rex bone, Rex clemens, cui bona cuncta placent. R/. Glória, laus. Traduzione: Gloria, lode e onore a te, Re Cristo Redentore, Al quale una schiera di fanciulli cantò l'Osanna devoto. R/. Gloria, lode. D'Israele tu sei il Re, di David la nobile prole; Tu che vieni, Re benedetto, nel nome del Signore. R/. Gloria, lode. Nel più alto dei cieli, ti loda tutta la schiera celeste; E l'uomo mortale insieme, e tutte le cose create. R/. Gloria, lode. Il popolo ebreo ti venne incontro con le palme; Eccoci dinanzi a te con la preghiera, il voto, gli inni. R/. Gloria, lode. A te che andavi alla tua passione essi pagavano il loro tributo di lode. Noi ora innalziamo i nostri canti a te che regni glorioso. R/. Gloria, lode. Essi ti furono graditi, gradisci la nostra devozione; Re buono, Re clemente al quale piace tutto ciò che è bene. R/. Gloria, lode. Segui lo spartito su Youtube/ Videoscore: https://youtu.be/Mjs6wtv50ys.
$4.99
4.64 €
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Placido Abela
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Placido Abela - Israel per Domenica delle Palme
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Guido Menestrina
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SheetMusicPlus
L'acchiappasogni
Piano solo
Piano Solo - Digital Download SKU: A0.976841 Composed by Monica Bergo. Baroque,Hall…
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Piano Solo - Digital Download SKU: A0.976841 Composed by Monica Bergo. Baroque,Halloween. Score. 4 pages. Monica Bergo #3236601. Published by Monica Bergo (A0.976841). 2017 Holiday Contest Entry L’ACCHIAPPASOGNI Sul mio pianoforte , accordi che non si armonizzano Sogni, come cenere, che piano poi svaniscono Chiudo questi occhi, sono stanca di combattere Non è sempre facile Bevo le mie lacrime Nel mio sogno è notte ed i miei passi che rimbombano Ombre di rimpianto che nel buio mi accarezzano Tu sei dietro me, il tuo respiro inquina l’aria mia Non ti ho ancora visto ma So che ti conosco già Sei l’acchiappasogni che forma non ha so che mi aspettavi e ora sono qua dai ,distruggili i sogni miei avanti, sfogati, da quanto lo vuoi? Frughi tra i pensieri miei Le insicurezze sfrutterai I punti deboli, le paure mie Son moltitudini Ma dimmi le tue Non temere Se la notte è scura e l’Acchiappasogni ti fa un po’ paura Non ti addormentare Non lo fare entrare Se sei sveglio i sogni tuoi Non potrà rubare Dormi e sogna mio malato amore dalle tue braccia mi vedrai svanire lui vive di tormento, si ciba di rimpianto, quando arriva tutti i sogni porta via col vento sento solo freddo e questo sogno mi dà i brividi la spensieratezza cede il posto all’inquietudine strani personaggi con le maschere impassibili sfilano davanti a me, rivoglio le mie favole, cerco tra la nebbia una strada , la mia retta via ma l’Acchiappasogni prende forma ed ha la faccia mia guardo il mio riflesso , in uno specchio ,e sono proprio io tutto acquista un senso e poi finalmente so chi sei io, un acchiappasogni che vive a metà sospesa in un limbo tra sogno e realtà e si confondono i sensi miei a chi appartengo mai? Rispondermi puoi? tengo il mio sogno stretto in mano un aquilone che vola lontano perché raggiungerlo io non vorrei ciò che desidero non finisce mai Non temere se la notte è scura Anime fluttuanti non fanno più paura Sei tu il solo nemico che devi evitare Se tutti i tuoi sogni vuoi realizzare Giro, giro tondo Non ho un posto nel mondo Non sono di nessuno e non inciampo nel cammino Ma basta un po’ di vento E affiora il mio tormento L’Acchiappasogni che lo sa Mi vuole sempre accanto… Monica Bergo
$3.99
3.71 €
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Piano solo
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Monica Bergo
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L'acchiappasogni
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Monica Bergo
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SheetMusicPlus
VIVALDI Antonio: Lasciera l’amata salma, aria from the opera ""Il Tigrane", - Voice and
Alto voice, Piano
Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868948 Composed by Anton…
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Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868948 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #5214247. Published by Really Good Music, LLC. (A0.868948). Lasciera l’amata salma is an aria from the opera La virtù trionfante dell’amore e dell’odio, ovvero Il Tigrane (1724), the second act of which was composed by Antonio VIVALDI (1678 – 1741). The aria has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students.It is available in the key of G major (B3 – F4) for low voice.
$5.95
5.53 €
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Alto voice, Piano
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Antonio VIVALDI
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VIVALDI Antonio: Lasciera l’amata salma, aria from the opera ""Il Tigrane", - Voice and
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Really Good Music, LLC.
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SheetMusicPlus
VIVALDI Antonio: Lasciera l’amata salma, aria from the opera ""Il Tigrane", - Voice and
Soprano voice
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868949 Composed by An…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.868949 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #5214243. Published by Really Good Music, LLC. (A0.868949). Lasciera l’amata salma is an aria from the opera La virtù trionfante dell’amore e dell’odio, ovvero Il Tigrane (1724), the second act of which was composed by Antonio VIVALDI (1678 – 1741). The aria has been realized from the score manuscript of the opera and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students.It is available in the original key of B flat major (D4 – Ab5) for high voice.
$5.95
5.53 €
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Soprano voice
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Antonio VIVALDI
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VIVALDI Antonio: Lasciera l’amata salma, aria from the opera ""Il Tigrane", - Voice and
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Really Good Music, LLC.
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SheetMusicPlus
Angels From the Realms of Glory - Sax Trio - lower
Woodwind Ensemble,Woodwind Trio Saxophone - Level 3 - Digital Download SKU: A0.721771
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Woodwind Ensemble,Woodwind Trio Saxophone - Level 3 - Digital Download SKU: A0.721771 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Christian,Christmas,Concert,Sacred. 4 pages. Music-Scores.com #5001917. Published by Music-Scores.com (A0.721771). Angels from the Realms of Glory - 2 Alto Saxes and Tenor Sax. Concert G (Altos E ma, Tenor A ma).Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$3.95
3.67 €
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Traditional
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Angels From the Realms of Glory - Sax Trio - lower
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Music-Scores.com
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SheetMusicPlus
Minecraft (Calm and Sweden) for simple piano
Easy Piano
Arranged by Alex E. Sheet Music Single. 4 pages. Published by L. Müller
Arranged by Alex E. Sheet Music Single. 4 pages. Published by L. Müller
$4.99
4.64 €
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Easy Piano
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Minecraft
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L. Müller
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SheetMusicPlus
Il Mare Calmo Della Sera
Large Ensemble Alto Saxophone,Cello,Clarinet,Flute,Guitar,Harp,High Voice,Orff Instrument,…
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Large Ensemble Alto Saxophone,Cello,Clarinet,Flute,Guitar,Harp,High Voice,Orff Instrument,Piano Accompaniment,Trumpet,Violin - Level 2 - Digital Download SKU: A0.758433 By Andrea Bocelli. By Gianpietro Felisatti and Zucchero. Arranged by Ester Alessandrini. Contemporary. Score and parts. 35 pages. Ester #4580855. Published by ester (A0.758433). adatto per gli studenti nei primi 3 anni di studio. Ho cercato di mantenere il suono originale e l'espressivitÃ
$19.00
17.66 €
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Andrea Bocelli
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Il Mare Calmo Della Sera
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ester
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SheetMusicPlus
Pequeña invención no. 10 الطريق إلى المسجد (Altariq 'iilaa almasjid = Camino a la Mezquita
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.958690 Composed by Juan Carlos Cort…
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Piano Solo - Level 5 - Digital Download SKU: A0.958690 Composed by Juan Carlos Cortés A. 20th Century,Instructional,Multicultural,Standards,World. Score. 2 pages. Juan Carlos Cortés Aguirre #5721395. Published by Juan Carlos Cortés Aguirre (A0.958690). Serie de 12 composiciones de carácter libre que no pretenden encajar en el estilo ortodoxo y puro del barroco, sino utilizar estos elementos musicales como simples ejercicios lúdicos para delite de quién lo compuso e inquietud de quién lo estudie. Se reitera siempre en todas las composiciones de esta serie, que: Aunque lo parezca, no se trata de emular al gran Juan Sebastián Bach; más bien, al componer en este estilo se rinde un tributo de eterna gratitud y admiración por la majestuosidad y Perfeccion de su obra, como lo han hecho multitud de músicos en el mundo a través de la historia.Series of 12 free-character compositions that do not intend to fit into the orthodox and pure style of the Baroque, but rather use these musical elements as simple playful exercises to delight those who composed it and the concern of those who study it. It is always reiterated in all the compositions in this series, that: Although it may seem so, it is not about emulating the great Juan Sebastián Bach; rather, when composing in this style a tribute of eternal gratitude and admiration for the majesty and Perfection of his work, as many musicians in the world have done throughout history.
$7.99
7.43 €
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Piano solo
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Juan Carlos Cortés A
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Pequeña invención no. 10 الطريق إلى المسجد
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Sarò come tu mi vuoi
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.976837 Composed by Monica Bergo. Sp…
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Piano Solo - Level 3 - Digital Download SKU: A0.976837 Composed by Monica Bergo. Spiritual. Score. 5 pages. Monica Bergo #3235497. Published by Monica Bergo (A0.976837). 2017 Holiday Contest Entry SARO’ COME TU MI VUOI Li riconoscerò fra milioni gli occhi tuoi Quando rinascerò nella vita che verrà Seguo una luce che sarà la più stravagante e brillerà Non più offuscata ormai Dal veleno che era in noi Ed abbracciandomi dirai così bella non sei stata mai Perché sarò di più Sempre più per gli occhi tuoi Avrò la forma che vorrai Sarò come tu mi penserai Che abbiamo avuto già troppe catene Se mi vuoi stella, brillerò Se mi vuoi sole, sorgo Se mi vuoi fuoco, brucerò Se mi vuoi luna, splendo E sarà smania, quasi un dolore E sarà gioia, sarà stupore E sarà tempo, non più prigione E sarà vita, nuova occasione Sarà l’unguento che cura e protegge Sarò la pioggia che calma la febbre E sarò il pianto, sarò il sollievo Sarò quel tempo perduto e ripreso Sei sempre lì Fermo in un angolo del cuore Mio giovane e sbandato amore Ma come ho fatto a sopravvivere, sorridere, qui senza di te Prega per questa donna fragile Sempre nascosta tra le favole Come un Pierrot che non può piangere Un’altra lacrima nasconderò E ti ricordi quelle nuvole Tante le forme che vedevi tu Ora le guardo , e vedo nuvole Non c’è magia se non ci sei tu Se mi vuoi fiore, sboccerò Se mi vuoi vento, soffio Mi vuoi farfalla, volerò Se mi vuoi cuore, batto Sarò quel tempo perduto e ripreso Sarò l’abbraccio strappato ed offeso Sarò quel sogno infranto e rinato Sarò la vita che ti hanno rubato Se vuoi farfalla sarò e volerò I miei colori su te poserò In 1000 modi inventarmi potrai Ma chiamami Amore E mi svelerai Sarò come tu mi vuoi Sarò la tela e tu il pittore Io sarò creta e tu scultore Sarò l’antidoto e il veleno una tempesta e il sereno sarò sarò un accordo al pianoforte questa esistenza oltre la morte sarò la notte che cala e ti inghiotte sarò lo specchio che abbaglia e riflette ma, se non ti incontrerò io morirò di nuovo….. e sarò proprio come mi vuoi…. Monica Bergo
$3.99
3.71 €
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Piano solo
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Monica Bergo
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Sarò come tu mi vuoi
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Monica Bergo
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SheetMusicPlus
Baritone Sax -LÁ NO CÉU-There in Heaven!
Saxophone (band part)
Baritone Saxophone Solo - Level 2 - Digital Download SKU: A0.1022123 Composed by ED…
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Baritone Saxophone Solo - Level 2 - Digital Download SKU: A0.1022123 Composed by EDIONISONI DE ALMEIDA VICENTE. Christian,Praise & Worship,Sacred. Individual part. 1 pages. EDIONISONI DE ALMEIDA VICENTE #6363307. Published by EDIONISONI DE ALMEIDA VICENTE (A0.1022123).
$1.99
1.85 €
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Saxophone (band part)
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EDIONISONI DE ALMEIDA VICENTE
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Baritone Sax -LÁ NO CÉU-There in Heaven!
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EDIONISONI DE ALMEIDA VICENTE
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SheetMusicPlus
Tomas Luis De Victoria - Pueri hebraeorum
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828733 Composed by Tomas L…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.828733 Composed by Tomas Luis de Victoria. Arranged by Guido Menestrina. Christian,Renaissance. Octavo. 4 pages. Guido Menestrina #1987435. Published by Guido Menestrina (A0.828733). Antifona della Domenica delle Palme a 4 voci del compositore tardorinascimentale nella trascrizione a cura di Guido Menestrina; mantenuta l'intonazione (e le chiavi) originali, dimezzato, com'è d'uso, il tempo. L'audio originale è del Coro de la Ciudad de Mendoza Youtube Videoscore/Videospartito: https://youtu.be/tIBQD_0jSK4.
$1.99
1.85 €
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Choral SATB
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Tomas Luis de Victoria
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Tomas Luis De Victoria - Pueri hebraeorum
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Guido Menestrina
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SheetMusicPlus
Jacques Leguerney: Élégie for medium voice and piano
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.533321 Composed by Musik Fab…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.533321 Composed by Musik Fabrik Music Publishing. 20th Century,Concert,Standards. Score. 5 pages. Musik Fabrik Music Publishing #2343119. Published by Musik Fabrik Music Publishing (A0.533321). A setting by Leguerney of a poem by Marceline Desbordes-Valmore. The range is Csharp3-Fsharp4Peut-être un jour sa voix tendre et voilée M'appellera sous de jeunes cyprès : Cachée alors au fond de la vallée, Plus heureuse que lui, j'entendrai ses regrets. Lentement, des coteaux je le verrai descendre ; Quand il croira ses pas et ses vœux superflus, Il pleurera ! ses pleurs rafraîchiront ma cendre; Enchaînée à ses pieds, je ne le fuirai plus. Je ne le fuirai plus ! je l'entendrai; mon âme, Brûlante autour de lui, voudra sécher ses pleurs ; Et ce timide accent, qui trahissait ma flamme, Il le reconnaîtra dans le doux bruit des fleurs. Oh ! qu'il trouve un rosier mourant et solitaire ! Qu'il y cherche mon souffle et l'attire en son sein ! Qu'il dise : « C'est pour moi qu'il a quitté la terre ; « Ses parfums sont à moi, ce n'est plus un larcin. » Qu'il dise : « Un jour à peine il a bordé la rive ; « Son vert tendre égayait le limpide miroir; « Et ses feuilles déjà , dans l'onde fugitive, « Tombent. Faible rosier, tu n'as pas vu le soir ! » Alors, peut-être, alors l'hirondelle endormie, À la voix d'un amant qui pleure son amie, S'échappera du sein des parfums précieux, Emportant sa prière et ses larmes aux cieux. Alors, rêvant aux biens que ce monde nous donne, il laissera tomber sur le froid monument Les rameaux affligés dont la gloire environne Son front triste et charmant. Alors je resterai seule, mais consolée, Les vents respecteront l'empreinte de ses pas. Déjà je voudrais être au fond de la vallée; Déjà je l'attendrais... Dieu ! s'il n'y venait pas !
$9.10
8.46 €
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Piano, Voice
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Musik Fabrik Music Publishing
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Jacques Leguerney: Élégie for medium voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Légua Tirana
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1423227 By Robson Almeida. By Luiz Gonzaga e Humberto Teixeira. Arranged by Robson Almeida. Chamber,Folk,Multicultural,World. 11 pages. Robson Almeida #1004523. Published by Robson Almeida (A0.1423227). Song from 1949 that represents the long distances that country people walked to the city of Juazeiro do Norte, in Ceará - Brazil, with the aim of paying off promises.
$5.00
4.65 €
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Saxophone Quartet: 4 saxophones
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Robson Almeida
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Légua Tirana
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Robson Almeida
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestra
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.24 €
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Orchestra
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Claude Debussy
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
San Lázaro - Guaracha Cubana por Celina González Zamora y Reutilio Domínguez Terrero
Piano solo
Piano Solo - Digital Download SKU: A0.958724 Composed by Celina González Zamora …
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Piano Solo - Digital Download SKU: A0.958724 Composed by Celina González Zamora y Reutilio DomÃnguez Terrero. Arranged by Juan Carlos Cortés A. Concert,Latin,Standards,Traditional. Score. 5 pages. Juan Carlos Cortés Aguirre #6116393. Published by Juan Carlos Cortés Aguirre (A0.958724). Transcripción para piano solo por:JUAN CARLOS CORTÉS A.De la Guaracha San Lázaro compuesta e interpretada por Celina González Zamora (Nueva Luisa, Jovellanos, Matanzas 16 de marzo de 1928 - La Habana 4 de febrero de 2015) y Reutilio DomÃnguez Terrero (Guantánamo 1921 - 1971)Celina y Reutilio rompen con una vieja separación que existÃa entre la música guajira y la música afro, establecen una nueva fusión donde la métrica, o sea, la décima hispánica y el estilo del punto guajiro, se mantienen, pero la letra se refiere a temas del patrimonio cultural del continente negro. La acogida del público se debe no solo a lo novedoso de la tonada sino quizá a varias otras razones. El dúo combinaba la restallante voz de Celina, como se la ha llamado, con el sonido producido por Reutilio, que parecÃa provenir no de una sino de dos o más guitarras. Vale la pena ahondar un poco sobre esto último. En los tradicionales dúos y trÃos de punto cubano y son montuno generalmente se utilizaban dos guitarras, o una guitarra y otro instrumento de cuerdas. Un músico tocaba la llamada guitarra prima, o sea, los tonos agudos, como es el caso de Miguel Matamoros en su trÃo, mientras que un segundo guitarrista ‘bordoneaba’, es decir, marcaba los tonos bajos, como hacÃa Rafael Cueto con sus famosos ‘tumbaos’ en el TrÃo Matamoros. Reutilio DomÃnguez reunÃa una desarrollada técnica, asà como dedos, muñeca y antebrazo supremamente flexibles que le permitÃan tocar la prima y bordonear al mismo tiempo, de manera que el dúo de Celina y Reutilio sonaba como un trÃo.VÃdeo You Tube Celina y Reutilio:https://www.youtube.com/watch?v=-mS0nW8HTzkTexto:San LázaroGuarancha por: Celina González Zamora y Reutilio DomÃnguez Terrero.Introducción:Babalú ayé mi mozo,babalú ayé ecua.Que Babalú ayé mi mozo,babalú aye ecua.Guaracha:Eh,eh, ecua,babalú ayé, ekua,Ecua, papa ecua,babalú ayé, ecua,Ecua, viejo ecua,babalú ayé, ecua,Ecua, papa ecua,babalú ayé, ecua,Que yo va subà y usted va bajá,con los zapato de chango te.De Chango te,mi chango ta,chango taito y obatalá.Ay, Babalú ayé,padre mÃo San Lazaro.Ay, padre mio aeh,padre mÃo San Lázaro.Ayudanos en nombre de Dios,padre mÃo San Lázaro.Ay, pero que sea de corazón,padre mÃo San Lázaro.Piano: Recitado:Ekua babalu aye,sacuapa asoñi,asujana papá,Eh...Son troni carará,Afilapa, osuo no pequeña toto.Piano: Guaracha:Chango te,de chango ta,chango taito y obatalá.Ay, babalú ayé,padre mÃo San Lázaro.Que yo quiero ser y un senserico,padre mÃo San Lázaro...Ay, pero que sea de corazónpadre mÃo San Lázaro...Que yo va subà y usted va bajá,con los zapato de chango te.De Chango te,de chango ta,chango taito de obatalá.
$7.99
7.43 €
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Piano solo
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Celina González Zamora y Reutilio DomÃnguez Terrero
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San Lázaro - Guaracha Cubana por Celina González Zamora y Reutilio Domínguez Terrero
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Concert and Contest Collection for Baritone T.C.
Saxhorn and Piano
Book with Online Media Baritone T.C. - Grade 3-4 SKU: HL.4002586 Solo Book with …
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Book with Online Media Baritone T.C. - Grade 3-4 SKU: HL.4002586 Solo Book with Online Media. Edited by H. Voxman. Concert Band Method. Rubank Book/Audio Products. Classical, Contest, Solos. Softcover Media Online. 24 pages. Published by Rubank Publications (HL.4002586). ISBN 9781423477259. UPC: 884088166120. 9.0x12.0x0.09 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each book offers a superb variety of solos customized for that instrument, and most state solo/ensemble contest lists include several solos from this collection. In addition to the solo book, this item includes online access to: � Full-performance and accompaniment-only audio tracks � PDF piano accompaniment - download and print only what you need � PLAYBACK A multi-function audio player that allows you to adjust tempo without changing pitch, change keys, and create practice loops - available exclusively from Hal Leonard. Online audio/media is accessed at halleonard.com/mylibrary Contents: Air Gai (Berlioz) � Andante and Allegro (Clérisse) � Andante from Concerto in Eb (Haydn) � Calm as the Night (C. Böhm) � Concertino (Ostransky) � Dedication (R. Strauss) � �légie (Duquesne) � L'Allegro (Koepke) � Morceau de Concours (Alary) � My Regards (Llewellyn) � Orientale (Barat) � Petite Pièce Concertante (Balay) � Premier Solo de Concours (Maniet) � Romance in Eb (Ostransky) � Sarabanda and Gavotta (Corelli) � Serenade (O. Böhme) Also available: � Solo Book - Bb Cornet/Trumpet or Baritone T.C. (HL04471730) � Solo Book - Baritone B.C. (HL04471750) � Piano Accompaniment Book (HL04471740) � Solo Book with Online Media - Baritone B.C. (HL04470007) � Solo Book with Online Media - Bb Cornet/Trumpet (HL04002518).
Song List: Calm As The Night (Still Wie Die Nacht) Air Gai (Berlioz) Andante and Allegro (Clerisse) Andante (Concerto In E Flat) Haydn Concertino (Ostransky) Elegie (Duquesne) L'allegro (Koepke) Morceau De Concours (Alary) Orientale (Barat) Prem.Solo De Concours (Maniet) Romance In E Flat (Ostransky) Petite Piece Concertante Sarabande And Gavotte, Op. 5 Andante And Allegro
$16.99
15.79 €
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Saxhorn and Piano
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Concert and Contest Collection for Baritone T.C.
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Rubank Publications
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SheetMusicPlus
Concert and Contest Collection - Trumpet/Cornet/Baritone (Trumpet/Cornet/Baritone T.C. Solo Part)
Bb Cornet, Trumpet, or Baritone T.C. - Solo Part Baritone T.C.; Cornet; Trumpet - Grade 3-…
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Bb Cornet, Trumpet, or Baritone T.C. - Solo Part Baritone T.C.; Cornet; Trumpet - Grade 3-4 SKU: HL.4471730 Solo Book Only - Bb Cornet, Trumpet or Baritone T.C.. Edited by Himie Voxman. Concert Band Method. Rubank Solo Collection. Classical, Contest, Solos. Softcover. 24 pages. Rubank Publications #RUBL294A. Published by Rubank Publications (HL.4471730). ISBN 9781423445531. UPC: 073999717303. 9.0x12.0x0.096 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. Also available: • Solo Book - Baritone B.C. (HL04471750) • Piano Accompaniment Book (HL04471740) • Solo Book with Online Media (Performance/Accompaniment Recordings (stream or download) and Printable Piano Accompaniments) - Cornet/Trumpet (HL04002518) • Solo Book with Online Media (Performance/Accompaniment Recordings (stream or download) and Printable Piano Accompaniments) - Baritone B.C. (HL04470007) • Solo Book with Online Media (Performance/Accompaniment Recordings (stream or download) and Printable Piano Accompaniments) - Baritone T.C. (HL04002586) Contents: Air Gai (Berlioz) • Andante and Allegro (Clérisse) • Andante from Concerto in Eb (Haydn) • Calm as the Night (C. Böhm) • Concertino (Ostransky) • Dedication (R. Strauss) • Élégie (Duquesne) • L'Allegro (Koepke) • Morceau de Concours (Alary) • My Regards (Llewellyn) • Orientale (Barat) • Petite Pièce Concertante (Balay) • Premier Solo de Concours (Maniet) • Romance in Eb (Ostransky) • Sarabanda and Gavotta (Corelli) • Serenade (O. Böhme).
Song List: Calm As The Night (Still Wie Die Nacht) Air Gai (Berlioz) Andante & Allegro (Clerisse) Andante (Concerto In E Flat) Haydn Concertino (Ostransky) Elegie (Duquesne) L'allegro (Koepke) Morceau De Concours (Alary) My Regards (Llewellyn) Orientale (Barat) Prem.Solo De Concours (Maniet) Romance In E Flat (Ostransky) Serenade,Op.22,No.1 (Bohme) Zueignung Petite Piece Concertante Sarabande And Gavotte, Op. 5 Andante And Allegro
$9.99
9.29 €
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Cornet
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Concert and Contest Collection - Trumpet/Cornet/Baritone
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Rubank Publications
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SheetMusicPlus
"Seis Almas" 6 brani per chitarra 5- Lisa e l'orizzonte
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1356404 Composed by Sisto Bernardo…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1356404 Composed by Sisto Bernardo Misticoni. Classical. Individual part. 2 pages. Sisto Bernardo Misticoni #939649. Published by Sisto Bernardo Misticoni (A0.1356404). Per alunni dei Licei ad indirizzo Musicale.
$7.00
6.51 €
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Guitar
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Sisto Bernardo Misticoni
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"Seis Almas" 6 brani per chitarra 5- Lisa e l'orizzonte
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Sisto Bernardo Misticoni
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SheetMusicPlus
Instruments (Downloadable)
Choral SATB
SATB choir (choir divisi) and piano - Moderately Difficult - Digital Download SKU: MQ.8…
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SATB choir (choir divisi) and piano - Moderately Difficult - Digital Download SKU: MQ.8711-E Composed by Scott Perkins. 23 pages. E. C. Schirmer Music Company - Digital #8711-E. Published by E. C. Schirmer Music Company - Digital (MQ.8711-E). English.Instruments, with texts by Madeleine L’Engle, was commissioned by the American Choral Directors Association, Eastern Division. The piece comprises two contrasting movements. “The Sky Is Strung With Glory†is fiery, energetic, and almost manic as the speaker attempts to describe music’s power and control. “Hold Me Against The Dark†is much more subdued and tranquil, featuring lush harmonies as the speaker describes her relationship to the vastness of music. The piece was premiered in 2018 by the ACDA East Honor Choir under the direction of David Fryling, with pianist Timothy Plambeck. Duration: 7:00.
$3.20
2.97 €
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Choral SATB
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Scott Perkins
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Instruments
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Fantaisie sur La Flûte enchantée” de Mozart
Cello, Piano
Cello and piano - intermediate to advanced - Digital Download SKU: S9.Q53290 Op.…
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Cello and piano - intermediate to advanced - Digital Download SKU: S9.Q53290 Op. 40. Composed by Auguste Joseph Franchomme. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 40. 16 pages. Schott Music - Digital #Q53290. Published by Schott Music - Digital (S9.Q53290). English • German.Auguste Joseph Franchomme was born in Lille on 10.4.1808; he died in Paris in 1884. One of his first cello teachers in Lille was Pierre Baumann, who also taught Edouard Lalo. Giving up the study of Law in favour of the cello, he studied with Jean-Henri Levasseur and Louis-Pierre Norblin from 1825 at the Paris Conservatoire. After that he played in various orchestras until he was eventually able to establish himself as a soloist and chamber musician in Paris. Together with violinist Jean-Delphin Alard he founded the Alard Quartet, one of the few string quartets of the time whose members were all professional musicians. Alongside his concert career, Franchomme was a popular and successful professor at the Conservatoire for almost forty years. His compositions include numerous pieces and studies for the cello, a cello concerto and many transcriptions. Franchomme was a close friend of Chopin: he also composed the cello part to Chopin’s Duo concertante and reworked the cello part for the Polonaise Brillante. Chopin dedicated his Cello Sonata op. 65 to Franchomme. Chopin’s influence is clearly recognisable in Franchomme’s work and particularly evident, for example, in his Étude in C# minor op. 35/11. In 1884 Franchomme was awarded the Légion d’honneur for his services to music. This Fantaisie based on themes from Mozart’s Magic Flute was published in 1873 (plate no. 20425).
$3.99
3.71 €
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Cello, Piano
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Auguste Joseph Franchomme
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he died in Paris in 1884
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Fantaisie sur La Flûte enchantée” de Mozart
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Schott Music - Digital
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SheetMusicPlus
COMPLETE Mixed Abilities Classroom Ensemble Pack AND Christmas Pack! Mega value bundle of the whole TWO series of music for classrooms and school ensembles
School Ensemble
Composed by Welsh trad., French Trad, L Mason, F. Gruber, J. Pierpont. Arranged by A…
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Composed by Welsh trad., French Trad, L Mason, F. Gruber, J. Pierpont. Arranged by Austin Ralphson. Blues, Funk Jazz, Classroom, General Instructional, Christmas. Score, Set of Parts. 973 pages. Published by Austin Ralphson
This pack contains over 900 pages of music for mixed ability ensembles. There are 4 original pieces and 5 Christmas pieces, as follows:<br> <br> <br> The Mixed Abilities School Ensemble Series<br> <br> Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising.<br> <br> Each piece has five different parts which are split into four ability levels as follows:<br> <br> A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity.<br> <br> This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows:<br> <br> Part 1 – melody / countermelody (alternates with Part 2)<br> <br> Part 2 – melody / countermelody (alternates with Part 1)<br> <br> Part 3 – accompaniment (synchronises with Part 4)<br> <br> Part 4 –accompaniment (synchronises with Part 3)<br> <br> Part 5 – bass line (independent)<br> <br> Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including:<br> <br> Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion.<br> <br> An ensemble using any combination of instruments (as is often found within schools) will work effectively as well.<br> <br> Example: A quintet might be selected as follows:<br> <br> 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone)<br> <br> The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players.<br> <br> Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities.<br> <br> This pack includes all four pieces in the series (volumes 1 and 2) as follows:<br> <br> BANANA BLUES is a 12-bar Blues piece<br> <br> CRAZY LATIN! has additional parts for Latin percussion commonly found in the classroom<br> <br> IT'S TIME FOR REGGAE! is a reggae piece<br> <br> FEEL THE FUNK brings funky, James Brown-esque rhythms into the classroom.<br> <br> Please listen to the mp3 file, which is an electronic example of a typical classroom setup.<br> <br> Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package with over 680 pages of music, representing a massive saving on individual purchase prices.<br> <br> <br> <br> 5 Christmas pieces:<br> <br> Each piece is arranged into 13 different parts which cater for the large majority of musicians within school. These include: <br> <br> * a variety of difficulties in C, B flat, E flat, higher octave for flutes and alto clef for violas <br> <br> * easy and standard bass parts in treble and bass clefs, and also in B flat and E flat for saxophones or brass band players <br> <br> * very easy violin and viola parts on open strings only <br> <br> * easy and standard piano parts <br> <br> * ukulele part in tab, chord patterns and chord letters <br> <br> * guitar part in tab, chord patterns and chord letters <br> <br> * general chord plan in chord letters <br> <br> Teachers / band leaders can select the parts which are most appropriate for their students. The music is intended to be repeated a number of times, with different parts coming in and out for each repeat to create variety.<br> <br> Printing and Copying<br> <br> The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.<br> <br> ** Also check out my Scales and Arpeggios Pack - excellent methods for learning scales and arpeggios at all levels (copy and paste into new tab) https://tinyurl.com/y8wl3qnq **
$39.99
37.17 €
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School Ensemble
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Welsh trad
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COMPLETE Mixed Abilities Classroom Ensemble Pack AND Christmas Pack! Mega value bundle of the whole TWO series of music for classrooms and school ensembles
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Austin Ralphson
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SheetMusicPlus
Etude in C, Le Couppey-Nolte
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte …
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Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99
3.71 €
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Piano solo
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Eric Paul Nolte and Felix Le Couppey
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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