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You've selected:
La Petenera
Sheetmusic to print
4 sheet music found
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La Petenera
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Piano solo
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Flamenco
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Mateo Aguilar
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Mateo Aguilar
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La Petenera
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Mateo Aguilar
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SheetMusicPlus
By Mateo Aguilar. By Dominio Público. Arranged by Mateo Aguilar. Multicultural, World. Score. 2 pages. Published by Mateo Aguilar...
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By Mateo Aguilar. By Dominio Público. Arranged by Mateo Aguilar. Multicultural, World. Score. 2 pages. Published by Mateo Aguilar
$4.99
Seven Spanish Songs
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Piano, Voice
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INTERMEDIATE
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Martin Jeremy Richardson
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Seven Spanish Songs
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M J Richardson
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.996625 Composed by Martin Jeremy Richardson. Contemporary,World. Score. 44 pages. M J Richardson #...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.996625 Composed by Martin Jeremy Richardson. Contemporary,World. Score. 44 pages. M J Richardson #5307647. Published by M J Richardson (A0.996625). This collection of seven songs is inspired by Spanish folk and flamenco music. Each song is representative of a different style or genre, including dances, romances, work, and religious and songs. Spain has a long history of folk music dating back to the Middle Ages; a tradition that is still very much alive today. The music has been influenced by many different cultures over the centuries and has been the inspiration for musicians across the world.Songs1.Sevillanas are a type of folk song and associated dance for couples, originating in the nineteenth century. Today they are still very popular, particularly at fiestas and other social events.2.Cabaliño is a Galician work song about a young horse, arranged in the style of a flamenco tango.3. La Petenera is a combination of two songs in very different styles - a flamenco Petenera from AndalucÃa and a Mexican son huasteco, a genre that is noteworthy for its flamboyant and virtuoso violin parts.4. Saetas are religious songs that are performed at Easter (Semana Santa).5.There are many hundreds of versions of the old folk tale Gerineldo, telling the story of love between a Queen and her page boy. This Spanish/Jewish version is over 500 years old, from the time when the Moors ruled over much of the Iberian Peninsula.6.Villancico Asturiano is a traditional Christmas carol from Asturias, combined with a setting of a Christmas poem written in the seventeenth century by Robert Herrick for King Charles II of England.7.The lyrics from La Tarara are drawn from the poem of the same name by the Spanish poet Federico Lorca, who based his poem on a traditional children´s playground song. La Tarara is a mystical woman who dances around the countryside. The music in this version is in the style of a Tanguillo – a type of flamenco dance from Cadiz.
$9.99
Recuerdos de mi tierra - Cuarteto para Clarinetes
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Clarinet Quartet: 4 clarinets
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INTERMEDIATE/ADVANCED
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Everardo GarcÃa Vargas
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Recuerdos de mi tierra - Cuart
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Everardo GarcÃa Vargas
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1230360 Composed by Everardo GarcÃa Vargas. Chamber,Classical,Holiday,Multicul...
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Clarinet Quartet,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1230360 Composed by Everardo GarcÃa Vargas. Chamber,Classical,Holiday,Multicultural,Traditional,World. 19 pages. Everardo GarcÃa Vargas #826069. Published by Everardo GarcÃa Vargas (A0.1230360). Recuerdos de mi tierra - Cuarteto para ClarinetesEsta pieza evoca recuerdos de los años 90 cuando formaba parte de la Banda BASTLAM en la comunidad Mixe de Tlahuitoltepec, Oaxaca, México. Practicábamos el estilo Zapateado-Vals con solos y acompañamiento de banda. Cada instrumento tenÃa solos y tuttis únicos. En ese entonces, era innovador tocar como solista en un pueblo rico en cultura pero aislado y con limitado acceso a información y conocimientos formales de música. Prácticamente no existÃan bandas infantiles ni juveniles, por lo que la creación de la Banda Infantil-Juvenil-Bastlam fue uno de los primeros grandes proyectos impulsados por las autoridades municipales. Posteriormente, adoptaron el proyecto y continuaron formando bandas infantiles escalonadamente en dicha comunidad replicándose en otros pueblos y regiones de Oaxaca.El origen del zapateado es incierto. Se cree que proviene de las sevillanas, fandanguillos, bulerÃas y peteneras españolas, las cuales se fusionaron con elementos africanos. Sin embargo, fue en México donde este tipo de zapateado instrumental se arraigó y enriqueció en las bandas filarmónicas tradicionales de los pueblos oaxaqueños. El zapateado representa una fusión global entre culturas y sus representaciones. No existe ningún baile o forma musical completamente puro; todos son producto de mestizajes.
$44.50
Recuerdos de mi tierra - Dúo para Clarinetes
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2 Clarinets (duet)
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INTERMEDIATE/ADVANCED
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Everardo GarcÃa Vargas
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Recuerdos de mi tierra - Dúo
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Everardo GarcÃa Vargas
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SheetMusicPlus
Clarinet Duet Bass Clarinet - Level 4 - Digital Download SKU: A0.1240995 Composed by Everardo GarcÃa Vargas. Chamber,Classical,Holiday,Multicultural,T...
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Clarinet Duet Bass Clarinet - Level 4 - Digital Download SKU: A0.1240995 Composed by Everardo GarcÃa Vargas. Chamber,Classical,Holiday,Multicultural,Traditional,World. 2 scores. 13 pages. Everardo GarcÃa Vargas #836391. Published by Everardo GarcÃa Vargas (A0.1240995). Recuerdos de mi tierra - Dúo para ClarinetesEsta pieza evoca recuerdos de los años 90 cuando formaba parte de la Banda BASTLAM en la comunidad Mixe de Tlahuitoltepec, Oaxaca, México. Practicábamos el estilo Zapateado-Vals con solos y acompañamiento de banda. Cada instrumento tenÃa solos y tuttis únicos. En ese entonces, era innovador tocar como solista en un pueblo rico en cultura pero aislado y con limitado acceso a información y conocimientos formales de música. Prácticamente no existÃan bandas infantiles ni juveniles, por lo que la creación de la Banda Infantil-Juvenil-Bastlam fue uno de los primeros grandes proyectos impulsados por las autoridades municipales. Posteriormente, adoptaron el proyecto y continuaron formando bandas infantiles escalonadamente en dicha comunidad replicándose en otros pueblos y regiones de Oaxaca. El origen del zapateado es incierto. Se cree que proviene de las sevillanas, fandanguillos, bulerÃas y peteneras españolas, las cuales se fusionaron con elementos africanos. Sin embargo, fue en México donde este tipo de zapateado instrumental se arraigó y enriqueció en las bandas filarmónicas tradicionales de los pueblos oaxaqueños. El zapateado representa una fusión global entre culturas y sus representaciones. No existe ningún baile o forma musical completamente puro; todos son producto de mestizajes.
$24.00
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