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You've selected:
La mer
SheetMusicPlus
Sheetmusic to print
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La Musica
Dulcimer
Dulcimer (Hammered) - Beginning-Intermediate - Digital Download Latin American Music …
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Dulcimer (Hammered) - Beginning-Intermediate - Digital Download Latin American Music Arranged for Hammered and Fretted Dulcimer. Composed by Bonnie Carol. Dulcimer: Hammered. Latin American. E-book. 80 pages. Mel Bay Publications - Digital Sheet Music #20433EB. Published by Mel Bay Publications - Digital Sheet Musi
ISBN 9781609745004.<br> <br> Author Bonnie Carol learned first hand about soulful Latin American music as she grew up along the Texas-Mexico border. In this book, she takes familiar and obscure Latin American tunes and pieces influenced by Latin music and arranges them for hammered dulcimer, and in some cases fretted dulcimer (with tablature) as well. She draws from a repertoire including Argentinean tangos, Andean panpipe music, Mexican mariachi music, Central American marimba music, and music of the Chicano culture of the Southwest.
$17.99
16.5 €
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Dulcimer
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Bonnie Carol
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La Musica
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Mel Bay Publications - Digital Sheet Musi
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SheetMusicPlus
Ob-la-di, Ob-la-da (duet)
2 Dulcimers (duet)
Mountain Dulcimer - Intermediate - Digital Download By The Beatles. Arranged by Elaine …
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Mountain Dulcimer - Intermediate - Digital Download By The Beatles. Arranged by Elaine and Larry Conger. Tablature. 4 pages. Published by Larry Conger/Dulcimerican Music
From The Beatles 1968 \"White Album\" this arrangement is intended for mountain dulcimer duet in 1-5-8 or DAD tuning. There is a part for standard dulcimer and bass dulcimer. The standard dulcimer makes use of a 1 fret. Don\'t have a bass dulcimer? A second standard dulcimer can easily play the bass part. Also, the standard dulcimer part can stand alone as a solo.
The arrangement is best suited for the intermediate level player with a working knowledge of three finger chords and chord-melody style. The biggest challenge to learning the piece will be understanding and playing the various syncopated rhythms found throughout the song.
Three pages. Both parts appear on the same page. Tablature, lyrics and guitar accompaniment chords are included.
$8.99
8.25 €
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2 Dulcimers (duet)
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The Beatles
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Ob-la-di, Ob-la-da
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SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Ange Flégier: L'Homme et La Mer for bass voice and piano
Low voice, Piano
Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533416 Composed by Ange …
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Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533416 Composed by Ange Flégier. Concert,Romantic Period,Standards. 12 pages. Musik Fabrik Music Publishing #2913395. Published by Musik Fabrik Music Publishing (A0.533416). A setting of a poem by Charles Baudelaire. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In C sharp minor Duration: aprox. 4 minutes 30 secondsHomme libre, toujours tu chériras la mer !La mer est ton miroir ; tu contemples ton âmeDans le déroulement infini de sa lame,Et ton esprit n’est pas un gouffre moins amer.Tu te plais à plonger au sein de ton image ;Tu l’embrasses des yeux et des bras, et ton coeurSe distrait quelquefois de sa propre rumeurAu bruit de cette plainte indomptable et sauvage.Vous êtes tous les deux ténébreux et discrets :Homme, nul n’a sondé le fond de tes abîmes ;Ô mer, nul ne connaît tes richesses intimes,Tant vous êtes jaloux de garder vos secrets !Et cependant voilà des siècles innombrablesQue vous vous combattez sans pitié ni remords,Tellement vous aimez le carnage et la mort,Ô lutteurs éternels, ô frères implacables !
$10.35
9.49 €
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Low voice, Piano
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Ange Flégier
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Ange Flégier: L'Homme et La Mer for bass voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
[Read] Par Devers La Mer
Flute
Flute Solo - Digital Download SKU: A0.952590 Composed by Thomas L. Read. Contempora…
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Flute Solo - Digital Download SKU: A0.952590 Composed by Thomas L. Read. Contemporary. Individual part. 10 pages. American Composers Alliance Inc. #4610455. Published by American Composers Alliance Inc. (A0.952590). Scored for solo flute - PDF download includes score.
$7.95
7.29 €
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Flute
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Thomas L
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[Read] Par Devers La Mer
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American Composers Alliance Inc.
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SheetMusicPlus
Petite Fille De La Mer
Guitar notes and tablatures
Guitar - Level 2 - Digital Download SKU: A0.556924 Composed by Evangelos Papathanas…
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Guitar - Level 2 - Digital Download SKU: A0.556924 Composed by Evangelos Papathanassiou. Arranged by PianoSheetNow. Contemporary. Guitar Tab. 5 pages. PianoSheetNow #6200367. Published by PianoSheetNow (A0.556924). La Petite Fille de la Mer (from L'Apocalypse des animaux) by Vangelis (Evangelos Odysseas PapathanassÃou).For Guitar solo. Early Intermediate.
$4.99
4.58 €
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Guitar notes and tablatures
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Evangelos Papathanassiou
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Petite Fille De La Mer
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PianoSheetNow
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SheetMusicPlus
Pres de la Mer, Opus 52
Piano solo
Piano solo - Digital Download SKU: BQ.979-0-50179-050-0 Composed by Anton Stepanovi…
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Piano solo - Digital Download SKU: BQ.979-0-50179-050-0 Composed by Anton Stepanovich Arensky. Edited by Jenni Pinnock. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. Opus 52. 52 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-050-0). ISBN 9790501790500.Arensky demonstrated his musical talent from a young age, composing his first works at the age of nine. 'Pres de la mer' a suite of six short pieces, was written later in his life, and captures the mood of the sea in six emotive, virtuosic scenes.
$14.95
13.71 €
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Piano solo
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Anton Stepanovich Arensky
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Pres de la Mer, Opus 52
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Bisel Classics - Digital
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SheetMusicPlus
chanson de la mer for Cello Solo
Cello
Cello Solo - Digital Download SKU: A0.745612 Composed by Tracey Craig McKibben. 20t…
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Cello Solo - Digital Download SKU: A0.745612 Composed by Tracey Craig McKibben. 20th Century,Concert. Individual part. 6 pages. Tracey Craig McKibben #2119487. Published by Tracey Craig McKibben (A0.745612). Chanson de la mer is a lyrical solo composed for the intermediate level cellist. Evoking the back and forth of waves on the shore, the haunting timbre of the cello expresses the beauty and dignity of the sea. For more information on current and upcoming arrangements, like my page on Facebook, TLC-Notes Music at www.facebook.com/TLCNotesMusic and visit my website at www.tlc-notes.com.
$4.50
4.13 €
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Cello
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Tracey Craig McKibben
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chanson de la mer for Cello Solo
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Tracey Craig McKibben
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SheetMusicPlus
chanson de la mer for Violin Solo
Violin and Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.745613 Composed by Tracey Craig M…
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Piano,Violin - Level 3 - Digital Download SKU: A0.745613 Composed by Tracey Craig McKibben. 20th Century,Concert,Standards. 6 pages. Tracey Craig McKibben #2119513. Published by Tracey Craig McKibben (A0.745613). Chanson de la mer is a lyrical solo composed for the intermediate level violinist. Evoking the back and forth of waves on the shore, this haunting melody expresses the beauty and dignity of the sea. For more information on current and upcoming arrangements, like my page on Facebook, TLC-Notes Music at www.facebook.com/TLCNotesMusic and visit my website at www.tlc-notes.com.
$4.50
4.13 €
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Violin and Piano
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Tracey Craig McKibben
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chanson de la mer for Violin Solo
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Tracey Craig McKibben
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SheetMusicPlus
" La Mer "
Concert band
Concert Band - Digital Download SKU: A0.1026734 Composed by Música de Albert Las…
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Concert Band - Digital Download SKU: A0.1026734 Composed by Música de Albert Lasry, Charles Trenet. Arranged by Transcrição de Daniel F. Paulo. Contemporary. Score and parts. 11 pages. MAESTRO DANI #6433541. Published by MAESTRO DANI (A0.1026734). La Mer. Music written and composed by Charles Trenet with the participation of producer Albert Lasry. This song was recorded on March 25, 1946 in France and was successfully played by many big bands around the world. It was also immortalized by Ray Connif. Here is a short transcript for Banda Symphonic
$10.00
9.17 €
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Concert band
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Música de Albert Lasry, Charles Trenet
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" La Mer "
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MAESTRO DANI
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SheetMusicPlus
La-bas, sur la Mer
Guitar & Violin - Grade 4+ - Digital Download SKU: R0.14518 La Lune et les Vague…
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Guitar & Violin - Grade 4+ - Digital Download SKU: R0.14518 La Lune et les Vagues / Vogue mon Voilier / Une Ile au Bout du Monde / Danse des Dauphins. Composed by Colette Mourey. Guitar & Violin. Score and parts. 36 pages. Duration 4'35. Editions Marc Reift - Digital #14518. Published by Editions Marc Reift - Digital (R0.14518).
$11.95
10.96 €
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Colette Mourey
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La-bas, sur la Mer
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Editions Marc Reift - Digital
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SheetMusicPlus
Op. 42, No. 3: Je ne saurais aimer autre que vous from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-18E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-18E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-18E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.75 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 42, No. 3: Je ne saurais aimer autre que vous from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Ballet de la Merlaison
Small Ensemble Cello,Harpsichord,Viola,Violin - Level 2 - Digital Download SKU: A0.7825…
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Small Ensemble Cello,Harpsichord,Viola,Violin - Level 2 - Digital Download SKU: A0.782500 Composed by King Louis XIII. Arranged by Tyler Merideth. Renaissance,Standards. Score and parts. 8 pages. Tyler Merideth #2341339. Published by Tyler Merideth (A0.782500). Originally written by King Louis XIII of France. This arrangement was for the reference in the play Three Musketeers arranged for strings and harpsichord.tylermerideth.com
$7.99
7.33 €
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King Louis XIII
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Ballet de la Merlaison
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Tyler Merideth
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SheetMusicPlus
Latin-American Folk Music for Classic Guitar
Guitar
Guitar - Intermediate - Advanced - Digital Download Composed by Guillermo Diego. Lati…
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Guitar - Intermediate - Advanced - Digital Download Composed by Guillermo Diego. Latin American. E-book. 36 pages. Mel Bay Publications - Digital Sheet Music #30826EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513455044.<br> <br> The presentation of this album marks a special event in classic guitar publishing! This anthology contains 11 truly representative examples of the folklore of Latin America, all highly revered folk songs considered jewels of the musical traditions of: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela and Mexico. Artfully arranged by the renowned Mexican composer and guitarist, Guillermo Diego, students and professionals alike will discover multiple items of interest and important technical challenges while learning some of the most popular Latin-American folk tunes. To facilitate dialog between teacher and student, rehearsal numbers have been added at key points of each arrangement; additionally, the guitarist will find a handful of pieces faithful to various Latin-American styles composed by Diego. Written in standard notation only for the intermediate to advanced classic guitarist, these arrangements will make delightful additions to recital and concert programs. La presentacion de este album es una buena nueva para la guitarra; se trata de la publicacion de una antologia sumamente representativa de obras pertenecientes al Folklore latinoamericano, piezas por demas apreciadas y consideradas joyas de la tradicion musical. La musica incluida en este album abarca los siguientes paises: Argentina, Bolivia, Colombia, Chile, Ecuador, Panama, Peru, Uruguay, Venezuela y Mexico. Los arreglos, realizados de forma artistica y amorosa fueron realizados bajo el tamiz y experiencia del reconocido compositor y guitarrista mexicano, Guillermo Diego. Tanto estudiantes como profesionales, encontraran multiples puntos de interes y retos tecnicos importantes al abordar piezas notables de la musica latinoamericana.Como un elemento extra y para lograr el estudio mas eficaz de estas obras entre profesor y alumno, cada pieza cuenta con Numeros de Ensayo; adicionalmente, el guitarrista encontrara un punado de piezas fieles a diversos estilos latinoamericanos compuestas por Diego. Musica Tradicional Latinoamericana para Guitarra de Concierto, sin duda, una novedad para el mundo de la guitarra que aportara a los programas de concierto deliciosos ejemplos de la musica de America Latina.
$12.99
11.91 €
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Guitar
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Guillermo Diego
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Latin-American Folk Music for Classic Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
La Mere Michel. Quadrille Drolatique
Piano solo
Piano - Digital Download SKU: LV.172 Composed by Henri Bohlman Sauzeau. Clothing & …
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Piano - Digital Download SKU: LV.172 Composed by Henri Bohlman Sauzeau. Clothing & dress, Caricatures, Cats, Aged persons. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.172). La Mere Michel. Quadrille Drolatique. (1) A Mon Beau Chateau; (2) La Mere Michel; (3) Les Papas, Les, Mamans Les Chandelles; (4) As-Tu Vu Jeannette Coutar et Mouchette; (5) Galop Danse Coupeurs De Bleu. Par Henri Bohlman Sauzeau. Published [n.d.] by A. Fiot, No. 196 Chesnut St. in Philadelphia. Composition of five da capo movements with piano instrumentation. Subject headings for this piece include Clothing & dress, Caricatures, Cats, Aged persons. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.49 €
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Piano solo
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Henri Bohlman Sauzeau
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(2) La Mere Michel
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La Mere Michel. Quadrille Drolatique
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
El Norte es una Quimera
Choral SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1399686 By Luis Fra…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1399686 By Luis Fragachan. By Luis Fragachan. Arranged by Dr. Ricardo José Romero Núñez. Pop. 3 pages. Ricardo José Romero Núñez #982961. Published by Ricardo José Romero Núñez (A0.1399686). Es un merengue cental Venezolano tipo jocoso que describe la contradicción del sueño americano.
$10.00
9.17 €
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Choral SATB
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Luis Fragachan
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El Norte es una Quimera
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Ricardo José Romero Núñez
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SheetMusicPlus
The Rains Of Castamere
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1112567 By Jackie Evancho. By George R.R. Martin and Ramin Djawadi. Arranged by Luis Turina and Nonamé Música. Celtic,Film/TV,Historic,Irish,Pop,Wedding. 10 pages. Nonamé Música #714572. Published by Nonamé Música (A0.1112567). (Spanish below) Since this mythical series premiered, it has appeared more and more in the events in which the Nonamé String Quartet participates with its main theme music. But as it progressed, we wanted to take a truly differential step forward. We use the music from the opening scene of the first episode of the fourth season (Two Swords) which leads inevitably into the traditional opening music, as Tywin melts Ice into Widow's Lament and Oathkeeper. We start with the Lannisters theme (the Rains of Castamere) on cello, later accompanied by viola. A general crescendo leaves us with the main theme, transcribed as best as possible from Ramin Djawadi's masterful header. The violin can do pizz on the last phrase, or not play it at all. Arrangement on a single page to facilitate its interpretation outdoors. Bowings and dynamics to facilitate a good sightreading. All set to recreate the Red Wedding in your performances! More Noname Music arrangements on our channel: Noname Music Desde que comenzó esta mÃtica serie, cada vez ha aparecido más en los eventos en los que el Cuarteto Nonamé participa la música de su cabecera. Pero según fue avanzando quisimos dar un paso adelante realmente diferencial. Utilizamos la música de la escena preliminar del primer capÃtulo de la cuarta temporada (Two Swords) que desemboca irremediablemente en la música de cabecera tradicional, mientras Tywin funde Hielo para convertirla en Lamento de Viuda y Guardajuramentos. Empezamos con el tema de los Lannister (las Lluvias de Castamere) en el cello luego acompañado por la viola. Un crescendo general nos deja con el tema principal, transcrito lo mejor posible de la magistral cabecera de Ramin Djawadi. El violÃn puede hacer pizz en la última frase, o no tocarla en absoluto. Arreglo en una sola página para facilitar su interpretación al aire libre. Arcos, digitaciones y matices para poder hacer una buena lectura a primera vista. ¡Todo listo para recrear la Boda Roja en vuestras actuaciones! Más arreglos de Nonamé en nuestro canal: Nonamé Música
$12.99
11.91 €
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String Quartet: 2 violins, viola, cello
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Jackie Evancho
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The Rains Of Castamere
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Nonamé Música
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SheetMusicPlus
La La Land: Choral Highlights (arr. Mark Brymer) (11-Piece Digital Pack)
Choral Instrumental Pak
Digital Download SKU: HX.417972 Arranged by Mark A. Brymer. This edition: scorch. F…
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Digital Download SKU: HX.417972 Arranged by Mark A. Brymer. This edition: scorch. Film/TV,Musical/Show. Choral Instrumental Pak. 5 pages. Duration 420. Hal Leonard - Digital #282031. Published by Hal Leonard - Digital (HX.417972).
Digital Pack includes
:
La La Land: Choral Highlights (arr. Mark Brymer) - Flute
La La Land: Choral Highlights (arr. Mark Brymer) - Clarinet
La La Land: Choral Highlights (arr. Mark Brymer) - Trumpet 1
La La Land: Choral Highlights (arr. Mark Brymer) - Trumpet 2
La La Land: Choral Highlights (arr. Mark Brymer) - Trombone
La La Land: Choral Highlights (arr. Mark Brymer) - Vibraphone
La La Land: Choral Highlights (arr. Mark Brymer) - Bass Trombone
La La Land: Choral Highlights (arr. Mark Brymer) - Synthesizer
La La Land: Choral Highlights (arr. Mark Brymer) - Guitar
La La Land: Choral Highlights (arr. Mark Brymer) - Bass
La La Land: Choral Highlights (arr. Mark Brymer) - Drums
$40.00
36.69 €
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Choral Instrumental Pak
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La La Land: Choral Highlights
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Hal Leonard - Digital
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SheetMusicPlus
Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-29E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-29E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 45, No. 18: La vie est une fleur from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-18E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-18E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-18E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-18E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 18: La vie est une fleur from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-36E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-34E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 45, No. 9: Si la pitié trouve en vous from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-09E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-09E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-09E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 9: Si la pitié trouve en vous from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 11: Comme la fleur discrète from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-35E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-35E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-35E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 11: Comme la fleur discrète from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
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