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You've selected:
Lament of the Rain--piano solo
Sheetmusic to print
6 sheet music found
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Lament of the Rain--harp solo
Instrumental Solo,Lever Harp - Level 2 - Digital Download SKU: A0.1450510 By Beka W…
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Instrumental Solo,Lever Harp - Level 2 - Digital Download SKU: A0.1450510 By Beka Wilson. By Beka Wilson. Arranged by Beka Wilson. Celtic,Contemporary,Irish,Medieval. Individual part. 3 pages. Beka Wilson #1030196. Published by Beka Wilson (A0.1450510). Lament of the Rain is a calm, melancholy piece ideal for background music or an easy recital piece. It features no lever changes and a small note range so it can be played on large or small harps. Length: Approximately 4:20Level: intermediate (no brackets)
$7.99
7.37 €
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Beka Wilson
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Lament of the Rain--harp solo
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Beka Wilson
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SheetMusicPlus
The Shadow of the Falling Lead - Score Only
String Orchestra
String Orchestra - Level 5 - Digital Download SKU: A0.1350504 By Apostolos Paraskev…
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String Orchestra - Level 5 - Digital Download SKU: A0.1350504 By Apostolos Paraskevas. By Apostolos Paraskevas. 21st Century,Contemporary,Multicultural,World. 30 pages. Silver Sickle Publications #935314. Published by Silver Sickle Publications (A0.1350504). In the echoes of history, where the ravages of war leave indelible scars on the fabric of humanity, there emerges a haunting melody that seeks to articulate the unspeakable pain and devastation wrought by the shadow of falling lead. The Shadow of the Falling Lead is a musical composition born out of a deep and poignant reflection on the profound impact of bombing during wartime.As the symphony unfolds, it endeavors to traverse the emotional landscape of those whose lives have been forever altered by the relentless rain of destruction. Each note serves as an empathetic brushstroke, painting the canvas of despair with the hues of sorrow, resilience, and the human spirit's enduring will to survive.The title itself evokes the grim reality of warfare, where the shadow of falling lead becomes an ominous specter, casting darkness over the lives it touches. This composition seeks to transcend the boundaries of language, inviting listeners to immerse themselves in the somber beauty of the music and connect with the shared humanity that unites us all.As we embark on this musical journey, may The Shadow of the Falling Lead serve as a solemn reminder of the cost of conflict and the imperative to strive for a world where the echoes of such devastation become but distant memories, replaced by the harmonious chords of peace and understanding.A solo violin ends this journey as a mother lamenting for her lost children. Â
$25.00
23.05 €
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String Orchestra
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Apostolos Paraskevas
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The Shadow of the Falling Lead - Score Only
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Silver Sickle Publications
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SheetMusicPlus
Heartwood Lament (Opus 676) Instrumental Solo
Tenor Recorder
Recorder Solo,Tenor Recorder - Level 4 - Digital Download SKU: A0.1151804 Composed …
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Recorder Solo,Tenor Recorder - Level 4 - Digital Download SKU: A0.1151804 Composed by Daniel Hay. 20th Century,Contemporary,Multicultural,World. Individual part. 2 pages. Daniel Hay Music #752007. Published by Daniel Hay Music (A0.1151804). The composer says, There is a tragic story lurking behind Heartwood Lament. It is floating in my brain, in a language I can't understand, but it would be a true tragedy if I left the music buried in my mind. It had to come out. This piece is for treble instruments. The lowest note of the main piece is F4 so is playable in most instrumental ranges. It has an alternate extended ending that requires instruments that can play lower, to C4. The mp3 file sample is voiced as Tenor Recorder.
$2.99
2.76 €
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Tenor Recorder
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Daniel Hay
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Heartwood Lament
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Daniel Hay Music
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SheetMusicPlus
Madonna of Silence
Trombone and orchestra - Digital Download SKU: S9.Q51844 A drama for trombone an…
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Trombone and orchestra - Digital Download SKU: S9.Q51844 A drama for trombone and orchestra. Composed by John Casken. This edition: study score. Concerto - Trombone - Art - Michelangelo - painting - Tondo Doni - Madonna Doni - The Holy Family - Madonna - Catholic - Orthodox - Church - Bible - Religion - Religious - Christian - Christianity - Holy - Mary - Contemplation - Woman - drama. Music Of Our Time. Downloadable, Study score. Duration 24 minutes. Schott Music - Digital #Q51844. Published by Schott Music - Digital (S9.Q51844). Madonna of Silence is far from the quiet piece implied by the title. Indeed, it reflects the inner turbulence of Michelangelo’s extraordinary drawing Madonna del Silenzio on which the work is based. Michelangelo’s drawing has informed every aspect of my new work, which I have decided not to call trombone concerto, but a drama for trombone and orchestra. The trombone takes on many roles: at the start it represents the quiet, inner voice of the Madonna as she gazes in contemplation at the child, later singing a hymn and, towards the end of the work, lamentations. Both soloist and orchestra are equally engaged in the unfolding drama of a scene brimming with unease and premonitions. John Casken0.2.ca.2.bcl.2.cbsn-4.0.0.0-timp.3perc(mar, vib, crot, tub bells, tam-t, lg Javanese gong, Chinese cym, sizzle cymbal, tuned gong, bell plate, cowbell, Japanese singling bowl, 2 bongos, s.d., b.d., hi-hat, wdblks, rain stick, shaker, guiro, frusta)-str.
$28.99
26.73 €
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John Casken
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Madonna of Silence
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Schott Music - Digital
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
92.19 €
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Orchestra
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 19 (Songs 487-513)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156207 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156207 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 41 pages. Socrates Arvanitakis #756521. Published by Socrates Arvanitakis (A0.1156207). This is the nineteenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 19 (Songs 487-513)Jovial Young Sailor (the)Joy of SpringtimeJoys of MaryJoys of Mary (the nine)Juda’s LandJust as the Tide was FlowingKeach i’ the Creel (the)Keel Row (the)Keeper (the)Kelvin GroveKeys of CanterburyKing and the TinkerKing Herod and the CockKing PharimKingston Volunteers (the)Kitty of ColeraineKnife in the Window (the)Knight and the Shepherd’s Daughter (the)La PiqueLady Franklin's Lament (Lord Franklin)Lady Maisrey 1Lady Maisrey 2Lady Maisrey 3Lady Maisrey 4Lake of ColphinLambkin.
$25.00
23.05 €
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Traditional/Anonymous
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Folk Songs For Classical Guitar - Volume 19
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Socrates Arvanitakis
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SheetMusicPlus
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