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Languid - Wind Quartet
Sheetmusic to print
10 sheet music found
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1
Languid
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String Quartet: 2 violins, viola, cello
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Contemporary
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Jonathan Maywood
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Languid
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Jonathan Maywood
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Digital Download SKU: A0.1008028 Composed by Jonathan Maywood. 20th Century,Contemporary. ...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Digital Download SKU: A0.1008028 Composed by Jonathan Maywood. 20th Century,Contemporary. Score and parts. 4 pages. Jonathan Maywood #4594761. Published by Jonathan Maywood (A0.1008028). This is a contemporary piece written from Cubase (electronica DAC). Its slow, and cerebral, with a strong emphasis on harmony, rather than melody. .
$2.99
String Quartet No. 1
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Finale
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String Quartet No. 1
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Michael Bleiweiss Music
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SheetMusicPlus
Strings Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1208695 By Finale. By Michael Bleiweiss. 20th Century,Chamber,Classical. Full Performance...
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Strings Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1208695 By Finale. By Michael Bleiweiss. 20th Century,Chamber,Classical. Full Performance. Duration 843. Michael Bleiweiss Music #806792. Published by Michael Bleiweiss Music (A0.1208695). This is a string quartet in three movements:Mvt. 1 - a haunting A theme with energetic development and a lyrical B theme.Mvt. 2 - a mellow, languid section in loose 12-tone form.Mvt. 3 - an modernist, energetic A theme with a lyrical B theme.Running Time:Â 14:00The sheet music is available at:https://www.SheetMusicPlus.com/title/string-quartet-no-1-score-plus-parts-digital-sheet-music/21695549.
$14.00
Nimrod from the Engima Variations for Trombone Quartet
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Brass Quartet: 4 trombones
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ADVANCED
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Classical
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Edward Elgar
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Ralph Sauer
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Nimrod from the Engima Variati
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792553 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Contemporary,Romantic...
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792553 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Contemporary,Romantic Period. Score and parts. 7 pages. Gordon Cherry #5008527. Published by Gordon Cherry (A0.792553). Nimrod, the ninth variation from Elgar's masterpiece Op. 36, Enigma Variations (1898-99) is one of the most recognized works in the classical repertoire. There are so many adjectives to describe this piece of genius: stately, majestic, serious, solemn, moving, noble, languid, stoic, enduring and sublime. There are few works in the repertoire that bring forth such strong emotions as this work, which is often performed for funerals and for Memorial Day / Remembrance Day services. Mr. Sauer's arrangement is dedicated to the memory of the late Milt Stevens. This arrangement of 3-4 minutes in length is appropriate for an advanced performer on the top part and is of moderate difficultly for the rest.
$22.50
Quartet No. 3
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Benjamin Godard
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Robert Rainford
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Quartet No. 3
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Forton Music - Digital
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SheetMusicPlus
2fl. afl. bfl - Intermediate-Advanced - Digital Download SKU: F2.FM582 Composed by Benjamin Godard. Arranged by Robert Rainford. Flute Quartet - 2 Flutes...
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2fl. afl. bfl - Intermediate-Advanced - Digital Download SKU: F2.FM582 Composed by Benjamin Godard. Arranged by Robert Rainford. Flute Quartet - 2 Flutes, Alto Flute, Bass Flute. Score and parts. 86 pages. Forton Music - Digital #FM582. Published by Forton Music - Digital (F2.FM582). ISBN 9790570484812.This is an arrangement of Godard's third and final string quartet for flute quartet. It was originally published in 1893 towards the end of the composers life, and shows us all the traits of late romantic French chamber music. The first movement is lyrical and flowing, with rich chords and unexpected harmonic twists. The second movement is languid and dreamy, featuring a soaring bass flute solo in the middle of the movement. The third is almost like a minuet, featuring a florid melody in the first flute supported by the other instruments, and the final movement uses driving triplets and rhythmic unison passages to create urgency and excitement. Surely the pinnacle of chamber music, quartets give the players a chance to interact on the most intimate level with the other players and the audience. Knowing when to bring your line to the fore or when to support another player, how to duet with another musician, and how to work with your fellow players to allow the music to flower is possibly the ultimate expression of musicianship. This quartet allows flautists access to this experience, and also gives a new insight into a composer who's works have unjustifiably fallen out of favour.
$17.95
String Quartet No 4 (Score)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Contemporary
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Colin Bayliss
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String Quartet No 4
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938385 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 33 pages...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.938385 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 33 pages. Colin Bayliss #6135. Published by Colin Bayliss (A0.938385). This work was written between January and March 1997. It has thirteen short continuous movements, one for each note of the tone row and a resolution of the row into an adagio movement in C major. The movements are written in a time signature beginning with one beat to a bar and ending in 13 beats to a bar until the final section of the last movement. The number of bars for each movement is in multiples of 13, then 14 and onwards to 25. The harmonic language is dictated by the combinations of notes in the original row combining with a row with its inversions and retrogrades begun from the first note of each new section. The sections may be briefly summarised as follows:- 1. Adagio A basic statement of the row with its inversion and retrograde 2. Con brio A rhythmic miniature scherzo and trio 3. Allegretto Dynamic contrasts using pizzicato and glissando 4. Andante piacevole e mesto Aduet between the violins with accompaniment from the viola and 'cello 5. Agitato An atmospheric spiccato section interrupted by foot-stamping 6. Andante languido A barcarolle-like section with passages of col legno 7. Allegro A rhythmic section contrasted by passages in harmonics 8. Tempo di tango presto The tango is apt to slip into many of the composer's pieces, even where nominally 12-tone, and is never remotely serious! 9. Andante pastorale Another atmospheric section but more relaxed 10. Allegro molto A scherzando section using rhythmic retrogrades 11. Allegretto The music begins to pull into feeling of tonality around C 12. Allegro moderato This process continues with tremolandi and glissandi searching for the way to a diatonic C major 13. Molto adagio - adagietto The last traces of atonality are wiped away and the work ends in an unashamed sense of quiet triumph The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ For this 4th quartet see: https://itunes.apple.com/us/album/colin-bayliss-string-quartet/id585288847.
$8.00
Quartet No. 3
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Benjamin Godard
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Robert Rainford
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Quartet No. 3
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Forton Music - Digital
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SheetMusicPlus
2cl. cl/acl. Bcl. - Advanced - Digital Download SKU: F2.FM584 Composed by Benjamin Godard. Arranged by Robert Rainford. A clarinet quartet arrangement of...
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2cl. cl/acl. Bcl. - Advanced - Digital Download SKU: F2.FM584 Composed by Benjamin Godard. Arranged by Robert Rainford. A clarinet quartet arrangement of this quartet. Score and parts. 101 pages. Forton Music - Digital #FM584. Published by Forton Music - Digital (F2.FM584). ISBN 9790570484836.This is an arrangement of Godard's third and final string quartet for clarinet quartet. It was originally published in 1893 towards the end of the composers life, and shows us all the traits of late romantic French chamber music. The first movement is lyrical and flowing, with rich chords and unexpected harmonic twists. The second movement is languid and dreamy, featuring a soaring bass clarinet solo in the middle of the movement. The third is almost like a minuet, featuring a florid melody in the first clarinet supported by the other instruments, and the final movement uses driving triplets and rhythmic unison passages to create urgency and excitement.
$20.95
Brass Quartet - A Foregone Conclusion
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Brass ensemble
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ADVANCED
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Mike Lyons
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Brass Quartet - A Foregone Con
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.767318 Composed by Mike Lyons. Concert,Contemporary. Score and parts. 46 pages. Lyons Music Services ...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.767318 Composed by Mike Lyons. Concert,Contemporary. Score and parts. 46 pages. Lyons Music Services #3465944. Published by Lyons Music Services (A0.767318). This is a brand new work for brass quartet, using brass band instrumentation: Cornet (doubling Flugelhorn), Tenor Horn, Baritone Horn and Euphonium.It was written as a submission for a new brass quartet (A4 Brass Quartet) comprising musicians from the RNCM, but didn't get selected. Each movement is based on the ensemble's name and contains a pun on A4. Each movement also has fourths involved in it somewhere.The first movement is called Aforethought (because it contains my initial ideas) and it uses a mixture of tonal and quartal harmonies. Melodies and harmony are based around fourths and fifths. It requires all players to be able to flutter-tongue. After the opening fanfare, there is a march-like melody on the cornet, accompanied by the rest of the ensemble. This is followed by a contrasting tune using intervals of a fourth. These ideas are developed over several keys until the first march-like melody returns. The fanfare idea closes the movement.The second movement is called Aforementioned. It takes its ideas from the first movement, but gives them a bluesy style. The cornet player changes to the flugelhorn for this movement which has a beautiful languid melody. The horn shares some of the glory towards the end.The third and final movement is called Aphorhythm (A4 rhythm) and is in 7/8 time. The jerky little melody plays with the pulse of the 7/8 and smoothly morphs into a steadier 'middle 8' section before reprising the opening music.Altogether, this is an enjoyable and exciting piece for brass quartet..
$25.00
Brass Quintet - Three Pastoral Sketches
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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Contemporary
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Ly...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
Sleepwalk (instrumental Version)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Rock
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Santo & Johnny
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Sarah Cellobat Chaffee
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Sleepwalk
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1036584 By Santo & Johnny. By Ann Farina, John Farina, and Santo Fa...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1036584 By Santo & Johnny. By Ann Farina, John Farina, and Santo Farina. Arranged by Sarah Cellobat Chaffee. Pop,Rock. 13 pages. Sarah Cellobat Chaffee #641589. Published by Sarah Cellobat Chaffee (A0.1036584). Written, recorded, and released in 1959 by brothers Santo and Johnny Farina, Sleep Walk reached the top of the Billboard charts that year and has been popular ever since. A staple of the steel-guitar surf rock era, the beautiful instrumental ballad was later covered by a number of other artists, influenced a number of other songs, and even inspired Stephen King to write a screenplay! Originally written for a proposal, this string quartet arrangement brings to life the languid melodies, beautiful harmonies and countermelodies, and laid-back surf rock groove of the original for a chart that's just as much fun to play as it is to listen to. Rated intermediate; there are a handful of high notes and syncopated rhythms in the v1 part, but overall this will be playable for students and easily sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
I Drove All Night
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Choral SSAA
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INTERMEDIATE
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Pop music
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Celine Dion
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Karen Ivana
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I Drove All Night
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Karen Ivana
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1080820 By Celine Dion. By Billy Steinberg and Tom Kelly. Arranged by Karen Ivana. Pop. Octavo. ...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1080820 By Celine Dion. By Billy Steinberg and Tom Kelly. Arranged by Karen Ivana. Pop. Octavo. 6 pages. Karen Ivana #685063. Published by Karen Ivana (A0.1080820). Passionate song originally written for Roy Orbison. This version is a slower and more gentle version than others, and conveys a languid sense of tiredness; after all, they did drive all night! Arranged for four part a cappella women's choir, or quartet.
$1.99
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