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Largo Law
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You've selected:
Largo Law
Sheetmusic to print
6 sheet music found
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1
Imbrae lachrymarum largo (An Echo)
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Piano, Voice
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Classical
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Henry Lawes
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Early Music Scores
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Imbrae lachrymarum largo
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Early Music Scores
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SheetMusicPlus
Vocal Solo,Voice - Digital Download SKU: A0.1093579 Composed by Henry Lawes. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #697650...
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Vocal Solo,Voice - Digital Download SKU: A0.1093579 Composed by Henry Lawes. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #697650. Published by Early Music Scores (A0.1093579). Voice and continuo: Composed by Henry Lawes (1596-1662). From British Library, Add. MS. 53723, f.139v-140r. Baroque period. Edited by Felipe Dias. 2 pages.
$5.99
Largo Law
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Allan Herbie Jones
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Largo Law
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Allan H. Jones
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SheetMusicPlus
Alto Recorder,Bass Recorder,Descant Recorder,Soprano Recorder,Tenor Recorder - Level 2 - Digital Download SKU: A0.1073893 Composed by Allan Herbie Jones....
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Alto Recorder,Bass Recorder,Descant Recorder,Soprano Recorder,Tenor Recorder - Level 2 - Digital Download SKU: A0.1073893 Composed by Allan Herbie Jones. 20th Century,Classical,Traditional. Recorder Ensemble. 16 pages. Allan H. Jones #678148. Published by Allan H. Jones (A0.1073893). A lovely melody depicting the famous hill in Fife.
$18.00
Guitar Sonata No. 7 in D minor homage to Blind Willie Johnson
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Guitar
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ADVANCED
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Contemporary
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Jeremiah Lawson
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Guitar Sonata No. 7 in D minor
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.985329 Composed by Jeremiah Lawson. Contemporary. Individual part. 21 pages. Jeremiah Lawson #6063881. P...
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Solo Guitar - Level 5 - Digital Download SKU: A0.985329 Composed by Jeremiah Lawson. Contemporary. Individual part. 21 pages. Jeremiah Lawson #6063881. Published by Jeremiah Lawson (A0.985329). This guitar sonata is a four-movement work in open D tuning throughout. The performance time is between 17 to 18 minutes. I worked on this sonata from 2016 through 2019 as an homage to Blind Willie Johnson. The movements are as follows.I. Andante (a fugue in triple counterpoint)II. ScherzoIII. Largo trionfante (a ragtime sonata whose recapitulation leads seamlessly into)IV. Variations on Restoration from William Walker's Southern HarmonyThe work is written in cumulative setting after the model of Charles Ives but in a Haydnesque homage to not just Blind Willie Johnson but also with musical tributes to Stevie Wonder, Bach (the triple counterpoint), Louis Armstrong and Lil Harden. The fourth movement is a bravura set of variations on the shape note hymn Restoration that is the foundation of the entire sonata, using bottleneck technique throughout as an homage to Blind Willie Johnson.Owing to the use of bottleneck technique and the open D tuning throughout this is a pretty tough sonata to play but it's fun to play and I've filmed myself playing through it to demonstrate its practicality in performance.
$9.95
Guitar Sonata No. 4 in E minor
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Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Jeremiah Lawson
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Guitar Sonata No. 4 in E minor
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.985330 Composed by Jeremiah Lawson. Contemporary. Individual part. 11 pages. Jeremiah Lawson #6357829. P...
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Solo Guitar - Level 4 - Digital Download SKU: A0.985330 Composed by Jeremiah Lawson. Contemporary. Individual part. 11 pages. Jeremiah Lawson #6357829. Published by Jeremiah Lawson (A0.985330). This is a four-movement sonata. The opening sonata form and the finale are based on the inversion and prime forms of a single gesture which saturates the sonata overall in a variety of obvious and disguised forms. The tone and style is mainly Haydn by way of Beethoven's Op. 111 piano sonata with interrupting allusions to Nikita Koshkin and Portishead sneaking in at different points of the sonata. The four movements are as follows:I. Adagio-Andante agitatoII. ScherzoIII. AndanteIV. Largoa complete performance can be viewed herehttps://youtu.be/iQBCHkA6fyk
$9.95
Partituras - 50 Melodias com cifra - Livro 1
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Israel Pessoa
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Israel Pessoa
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Partituras - 50 Melodias com c
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Israel Pessoa
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SheetMusicPlus
Acoustic Guitar,Alto Flute,C Instrument,Digital Keyboard,Electric Violin,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1150803 By Israel P...
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Acoustic Guitar,Alto Flute,C Instrument,Digital Keyboard,Electric Violin,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1150803 By Israel Pessoa. By Diversos. Arranged by Israel Pessoa. 20th Century,Broadway,Country,Film/TV,Folk,Musical/Show. Score and individual part. 60 pages. Israel Pessoa #750986. Published by Israel Pessoa (A0.1150803). Livro com 50 partituras. Melodias com cifra das principais musicas tocadas nos eventos em geral. Para você que quer começar ou expandir seu repertório. Todas as partituras foram escritas e revisadas com extremo cuidado para que você possar baixar e tocar. 1. 93 Millions Miles - Jason Mraz 2. A Million Dreams - The Greatest Showman Cast 3. A Thousand Years - Christina Perri 4. A Whole New World - Aladin 5. Ain't No Mountain High Enough - Marvin Gaye 6. All of me - John Legend 7. Baby Shark 8. Bela História - Vocal Livre 9. Braveheart - Coração Valente 10. Can You Feel The Love Tonight - Elton John 11. Can't help falling in love - Elvis Presley 12. Can't Stop The Feeling! - Justin Timberlake 13. Ciclo - Jorge Vercillo 14. Circle of life - Elton John 15. Desde o primeiro sim - Bruna Karla 16. Do Seu Lado - Jota Quest 17. Eu o Espero Voltar - DiscÃpulos 18. Every Breath You Take - The Police 19. Glória Aleluia! Sinto Jesus - Nayara Yamamoto 20. Hallelujah - Leonard Cohen 21. Happier - Marsmello 22. Happy - Pharrell Williams 23. Heaven - Bryan Adams 24. Herdeiros do Futuro - Toquinho 25. Home - Gabrielle Aplin 26. Hope - Grand Chase 27. I Smile - Kirk Franklin 28. I'll be there for you - Friends 29. InesquecÃvel - Sandy & Junior 30. Lugar Secreto - Gabriela Rocha 31. MaiS Perto, Meu Deus, de TI! - Lawell Manson 32. Make You Feel My Love - Adele 33. Marcha Nupcial - Mendelssohn 34. Nada é por acaso - Sandy e Junior 35. Não Te Largo, Não Te Troco - Melim 36. Nossa Senhora - Roberto Carlos 37. Obrigado Deus - Henrique e Juliano 38. Perfect - Ed. Sheeran 39. Photograph - Ed Sheeran 40. Santo EspÃrito - Laura Souguellis 41. Seremos um - Mariana Aguiar 42. Tà ESCRITO - Grupo Revelação 43. Thank tou for loving Me - Bon Jovi 44. Theme Of Prontera - Ragnarok 45. Um Presente de Deus - Sérgio SAAS 46. Você - Elaine Martins 47. Way Maker - Paul McClure 48. Xo - John Mayer 49. You'll Be In My Heart - Phil Collins 50. Your Song - Elton John.
$10.00
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
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