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PIANO & KEYBOARDS
Piano Quartet: piano, violin, viola, cello
1
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VOICE
WOODWIND
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Brass quartet : 2 trumpets, trombone, tuba
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String Quartet: 2 violins, viola, cello
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Late Night Hang - Saxophone Quartet
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1
A Night In Tunisia
String Quartet: 2 violins, viola, cello
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download …
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.746989 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5820835. Published by Keith Terrett (A0.746989). A great sounding arrangement of A Night in Tunisia, your String Orchestra will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
13.85 €
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String Quartet: 2 violins, viola, cello
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Dizzy Gillespie
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Charleston Times part 1
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1195784 Composed…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1195784 Composed by Hanley Macdonald, Mack /Johnson, Donaldson/Kahn. Arranged by Des McNutty. Broadway,Classical,Jazz,Musical/Show,Standards,Wedding. Score and parts. 46 pages. Des Press #794950. Published by Des Press (A0.1195784). Original arrangements for String Quartet (Back Home Again in) Indiana (Hanley/MacDonald) The Charleston (Mack/Johnson) I Wonder Where My Baby Is Tonight (Donaldson/Kahn) Arranged by Des McNutty Charleston Times was first punished by Chugnut Press in 2000 and distributed by SJ Music, following the long-winded and arduous challenges of obtaining licences from various copyright-owners by snail-post. Arrangeme has simplified this process considerably! Thanks! The notes are unchanged; only the layout has been revised. This much-demanded re-issue marks 100 years of that iconic dance, The Charleston, from the Broadway show Runnin' Wild (1923), which entered the public domain in 2019. Indiana and I Wonder Where My Baby Is Tonight are staples of the 1920's canon. These original arrangements are not based on previously-existing versions, although Indiana is mashed up with interpolations of a well-known work from the late 18th-century.... The level is on the easier side of “advancedâ€; quickly rehearsed by professional quartets and an accessible challenge for experienced students.
$12.99
12 €
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String Quartet: 2 violins, viola, cello
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Hanley Macdonald, Mack /Johnson, Donaldson/Kahn
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Charleston Times part 1
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Des Press
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SheetMusicPlus
Morango ... almost a tango, full score
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869118 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. Thomas Oboe Lee #1914305. Published by Thomas Oboe Lee (A0.869118). Morango ... almost a tango (1983) is the most popular piece of music from my portfolio of over 150 works!!! It is amazing that the work was conceived thirty years ago!!! Originally, it was just a 32-bar jazz tune I performed every Sunday night with the Moon Unit at the 1369 Jazz Club in Cambridge, Massachusetts, 1980-1984. The string quartet version, although written for the Kronos Quartet, was premiered at Concert X by the Composers in Red Sneakers in Sanders Theater, Cambridge, Massachusetts, on July 21, 1983. The Red Sneakers String Quartet comprised of Thal Aylward, Melissa Howe, Frank Grimes and Sandy Kiefer. Richard Buell reported in the Boston Globe a few days later that the doleful Morango ... almost a tango got a lot of mileage out of a stubborn, almost unchanging cello line and the elaborations above it. The original program note read, Last summer in Vermont I met Gustavo Moretto, an Argentine composer, who taught me the finer and more beautiful aspects of the Tango. In my modest way, as someone looking in from the outside, I created Morango ... almost a tango - a bastardized version of the 'real thing.' Morango ... is also intrinsically connected to Kate Moran, a sometimes painter ... to whom it is dedicated. The work is played con sordino throughout. I hope the sirens next door don't intrude too much. But then again, John Cage would be delighted. Eventually, the Kronos got around to performing it on tour in Europe in 1986. When they played it as an encore in Italy at the American Academy in Rome, Mya Tannenbaum of the Corriere Della Sera wrote, Non sono mancati i bis. Un richiamo al sex appeal del vecchio tango da parte di un giovane «premio Roma», Tom Lee. Soon after, back in the States, the Kronos performed it at the Brooklyn Academy of Music in New York. John Rockwell wrote in the New York Times, ... a soulfully beautiful score by Thomas Oboe Lee. Three months later the Kronos recorded it on their Nonesuch CD, White Man Sleeps. Many other string quartets, both here and abroad, have since added the work to their repertory. The Lydian String Quartet, especially, have taken the work on their concert tours in the United States, Europe and the former Soviet Union. It appears on a CD recorded by the Lyds in Moscow on MCA Classics. As interest in the work grew, other ensembles have requested arrangements of Morango ... There are now three other versions of the work: one for big band jazz ensemble by Ken Schaphorst, another for string orchestra commissioned by Aram Gharabekian and Sinfonova, and the third for violin and piano commissioned by the Paul Chou-Paul Salerni Duo. Of the string orchestra version, Richard Dyer of the Boston Globe wrote, Lee's piece, Morango ... almost a tango, is a transcription of atmospheric and elegant music originally composed for string quartet; it is as sultry as Faith Domergue in a film noir, and it steams. Audio link: https://thomasoboelee.bandcamp.com/album/morango-almost-a-tango-1983Video link: https://youtu.be/Ksd9mDtRSBU
$9.99
9.23 €
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String Quartet: 2 violins, viola, cello
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Thomas Oboe Lee
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Morango ... almost a tango, full score
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Thomas Oboe Lee
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SheetMusicPlus
Love Of My Life
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.526092 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 17 pages. Sarah Cellobat Chaffee #4758857. Published by Sarah Cellobat Chaffee (A0.526092). Love Of My Life, from Queen's 1975 album A Night At The Opera, was originally written by Freddie Mercury for his ex-fiance Mary Austin. Notable for showcasing Mercury's familiarity with classical music, particularly Chopin and Beethoven, the song became a live-performance hit and was later adapted for the stage. This is an arrangement of the original studio version, and the classical influences are very apparent - it almost sounds like an andante movement from a Mozart or Beethoven quartet! Filled with beautiful lush four-part harmonies, interconnected counterpoint, sweeping melodic lines, and unexpected chord changes, this chart is not difficult to play but will have a major impact on your audience! Rated intermediate - this will be easily sightreadable by professionals and playable for students (keep an eye out for the occasional brief time signature change). Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$16.99
15.7 €
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String Quartet: 2 violins, viola, cello
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Queen
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Love Of My Life
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Sarah Cellobat Chaffee
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SheetMusicPlus
Have Thine Own Way Lord (Brass Quintet
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855036
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855036 Composed by George C. Stebbins(1846-1943). Arranged by Joseph Pugh. Christian,Concert,Sacred,Standards. Score and parts. 9 pages. Joseph Pugh #6079133. Published by Joseph Pugh (A0.855036). In 1902, Adelaide A. Pollard was hoping to go to Africa as a missionary but found herself unable to raise the needed funds to make the journey. Greatly discouraged, she attended a prayer service one evening and as she sat there, she overheard an elderly woman say It really doesn't matter what you do with us, Lord, just have your own way with our lives. The elderly woman inspired Pollard and she contemplated the story of the potter from Jeremiah 18:3 and, upon her return home that evening, wrote all four stanzas before retiring for the night. Five years later George Stebbins wrote a tune titled Adelaide to accompany the text. - Wikipedia This Brass Quintet arrangement by Joseph Pugh changes the time signature from 9/4 to 3/4 for easier readability.
$19.99
18.47 €
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Brass quartet : 2 trumpets, trombone, tuba
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George C
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Have Thine Own Way Lord
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Joseph Pugh
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SheetMusicPlus
Parallel Tracks
Piano Quartet: piano, violin, viola, cello
Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728…
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Piano Quartet Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1404728 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 57 pages. Max Frank Music #987795. Published by Max Frank Music (A0.1404728). “Parallel Tracks†was primarily inspired by a ten day train trip, from the heart of Virginia to the far west and back. It is not necessarily a narrative of that journey. Rather, it is a collage of sensations, taking in the sounds, smells, tastes, and feelings of the voyage. Much like the views through the train windows, the musical vistas of this work change rapidly. There are rolling fertile plains, deep river valleys, and jagged mountainous peaks. The train passes through some of the nations’s larg- est cities and some of its tiniest bergs, crosses some of the oldest and newest mountain ranges in the country. There are tunnels and trestles, forests, farms, and prairies. It is incredibly calm yet delightfully exciting.There is something elegant about spending an extended period crossing the country in an Amtrak roomette. On such trains as the Cardinal, the Empire Builder, the Coast Starlight, and the Califor- nia Zephyr, it feels as if one is stepping into the past. Nothing is rushed. Fine dining, spectacular views, riveting conversations with strangers. The grandeur of the mighty stations, such as Union Station in Chicago. And the humble beauty of the smaller stops like Staunton, Virginia, my starting and ending point.The perpetual motion of train travel is unique. The movement can feel smooth at times and bone rattling just a few minutes later. It can be a quiet purr or the sound of grating metal. And yet the gentle sway can envelop one like a blanket, enticing deep sleep throughout the night. Waking to pastries and coffee while rolling across the countryside is divine. And elegant.“Parallel Tracks†begins with a sound of forward motion put forth by the piano. Smooth and easy. Plucked strings ride on top of the steady piano pad as the chain of cars passes effortlessly through fields. As the cello presents the first theme, a more strident feeling is revealed and explored, driv- ing the engine toward its dramatic destinations. The first climax gives way to a playful scherzo-like section, the elegance of the journey on full display. The return of the first theme at a more majestic tempo announces that the voyage’s terminus is near.The parallel tracks on which a train glides are always a fixed distance and never cross. The parallel tracks of life are not so bound by mathematics. There is something more fluid when the tracks are allowed to cross. The string section and the piano each create their own track in this composition, frequently squaring off. At times it is if they are on the same train but sitting in opposite directions and on the opposite side of the car. There are moments that even sound as if they are proceeding at two different speeds. But their tracks are never too divergent, never really out of sync. And both arrive at the final stop together.
$19.99
18.47 €
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Piano Quartet: piano, violin, viola, cello
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Terry Vosbein
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Parallel Tracks
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Max Frank Music
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SheetMusicPlus
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