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Le jour
Sheetmusic to print
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726
CC115ORC - Laisse-moi être ce jour dans ta vie
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1167924 By Carl Van Pevenage. B…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1167924 By Carl Van Pevenage. By Carl Van Pevenage. Arranged by Carl Van Pevenage. 20th Century,Broadway,Film/TV,Multicultural,Musical/Show,Romantic Period,World. Score and parts. 95 pages. Carl Van Pevenage #768280. Published by Carl Van Pevenage (A0.1167924). After 15 years finally the Orchestra version is ready. A relief! I hope you enjoy it. The verses and the intermezzo are made based on a poem by Yoan Letend which with a few changes fits on the notes. The chorus has no lyrics.  **************************************** Ce jour dans ta vie Lorsque le jour se lève, doucementTu t’éveilles de ton long sommeilTu ouvres ta fenêtre en regardantLe monde se réveiller grâce à l’éclat du soleilAlors, c’est un nouveau matin pour toiEt tu espères que tes rêves vont se réaliserEn préparant ton cartable, tu penses déjà À tout ce qui te fait vivre et aimerPuis peut être, tu perds un peu de tempsÀ écouter dehors le chants des fleurs et des oiseauxEt à cet instant tu réalises que tout est importantMême si ce ne sont que des reflets dans l’eauLe monde bascule trop vers la violenceQue les gens ne savent plus vivre en paixIls enchaînent à des fers l’enfanceMais toi tu ne dois avoir aucun regretDu fond de mon esprit, j’écris ces motsJ’espère qu’ils résonneront plus vite que le sonJ’ai demandé sa plume à mon pierrotPour écrire un hymne que l’on chante à l’unissonC’est un peu de moi qui s’envoleAvec un zeste de folie et surtout de magieAlors comme la fleur a sa corolleLaisse moi être ce jour dans ta vieYoan Letend
$19.99
18.28 €
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Orchestra
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Carl Van Pevenage
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CC115ORC - Laisse-moi être ce jour dans ta vie
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Carl Van Pevenage
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SheetMusicPlus
Le jour s'est levé (Voice Jean-Louis Aubert, Piano comp. and Orchestra)
Piano solo
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5.99 €
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Piano solo
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Téléphone
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Tomplay
Le jour s'est levé (Intermediate Level, Solo Piano)
Piano solo
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5.99 €
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Piano solo
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Téléphone
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Tomplay
Le jour s'est levé (Easy/Intermediate Level, Solo Piano)
Piano solo
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Piano solo
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Téléphone
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Tomplay
Le jour s'est levé
Voice solo
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Voice solo
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Téléphone
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Tomplay
Le jour s'est levé (Very Easy Level, Solo Piano)
Piano solo
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5.99 €
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Piano solo
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Téléphone
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Tomplay
Le jour s'est levé (Intermediate Level, with Orchestra)
Piano solo
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5.99 €
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Piano solo
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Téléphone
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Tomplay
Le jour s'est levé (Advanced Level, Solo Piano)
Piano solo
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5.99 €
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Piano solo
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Téléphone
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Tomplay
Le jour s'est levé (Beginner Level, Solo Piano)
Piano solo
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5.99 €
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Piano solo
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Téléphone
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Tomplay
Le jour s'est levé (Advanced Level, with Orchestra)
Piano solo
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Piano solo
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Téléphone
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Tomplay
Le jour s'est levé (Easy Level, Solo Piano)
Piano solo
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5.99 €
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Piano solo
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Téléphone
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Tomplay
Le jour s'est levé (Easy/Intermediate Level, with Orchestra)
Piano solo
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5.99 €
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Piano solo
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Téléphone
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Tomplay
Le jour s'est levé (Beginner Level, with Orchestra)
Piano solo
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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5.99 €
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Piano solo
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Téléphone
#
Tomplay
Le jour s'est levé (Very Easy Level, with Orchestra)
Piano solo
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Piano solo
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Téléphone
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Tomplay
Le jour s'est levé (Easy Level, with Orchestra)
Piano solo
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5.99 €
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Piano solo
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Téléphone
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Tomplay
FAUVY – Le Jour Que Je Suis Né | Voice & Violin | PDF
Instrumental Duet,Medium Voice,Violin - Level 5 - Digital Download SKU: A0.1458166 …
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Instrumental Duet,Medium Voice,Violin - Level 5 - Digital Download SKU: A0.1458166 Composed by Maël Fauvy. Classical,Contemporary,Traditional. 8 pages. Mfp Éditions #1037140. Published by Mfp Éditions (A0.1458166). Composition & Fingerings: Maël FauvyText: Traditional AcadianLevel: Advanced – Cycles III & higherDuo for Violin and Mezzo/Tenor on a traditional Acadian melody — 8 pagesLe Jour Que Je Suis Né is a work for violin and voice based on a traditional Acadian drinking song. The writing encourages performers to confront each other through the juxtaposition of contemporary (for the violin) and traditional (for singing) musical aesthetics but also two contradictory interpretations of the text: one simple and cheerful, the other more cerebral and dark.
$30.00
27.44 €
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Maël Fauvy
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FAUVY – Le Jour Que Je Suis Né | Voice & Violin | PDF
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Mfp Éditions
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SheetMusicPlus
Le soldat
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1299471 By Tresor Otshudi. By T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1299471 By Tresor Otshudi. By Tresor Otshudi. Christian,Classical,Contemporary. Score and Parts. 30 pages. Tresor Otshudi #889345. Published by Tresor Otshudi (A0.1299471). Le soldat est une pièce composée particulièrement pour le jour du souvenir (le 11 novembre).La composition de cette pièce est pour une chorale soprano, alto, tenor (SAT) et un orchestre.Voici la liste des instruments de la pièce: Chorale (SAT) Flute Clarinette Sib Saxophone alto Mib Saxophone tenor Sib Trompette Sib Trombone Violon Guitare Piano Partition pour le directeur Le Soldat is a piece composed particularly for Remembrance Day on November 11.The composition of this piece is for a soprano, alto, tenor (SAT) chorale and an orchestra.Here is the list of instruments in the piece:Choir (SAT)FluteBb ClarinetEb alto saxophoneBb tenor saxophoneBb TrumpetTromboneViolinGuitarPianoScore for the director.
$87.87
80.36 €
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Orchestra
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Tresor Otshudi
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Le soldat
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Tresor Otshudi
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SheetMusicPlus
Le Taulier
Harp
Lever Harp - Level 2 - Digital Download SKU: A0.1455787 By Brigitte Bonin. By Brigi…
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Lever Harp - Level 2 - Digital Download SKU: A0.1455787 By Brigitte Bonin. By Brigitte Bonin. Folk,Singer/Songwriter. Score. 3 pages. Brigitte Bonin #1034885. Published by Brigitte Bonin (A0.1455787). Here are the score of Le Taulier It's a late beginner piece with the left hand playing always in the same order the bass part and the right hand having a little more fun. I play this piece on a 38 strings harp tuned in Eb, the lowest note is B0 and the highest is D6. But music is not rigid, you can adapt it to your harp (and send me a video I want to see !!) Advices :- for the A and C : as you repeat the measure, to avoid buzzing, place fingers 432 and then 1, not the 4 fingers at once.- don't worry about the original tempo, if you play it without singing it, you can accelerate, but if you also learn the singing part, 132 is optimum.Note : it's a love song, you will know that you're playing it well when you'll feel love playing it ;) Lyrics (french)Il m’a dit au revoir Ce vieux briscard Il a dit au revoirRaconte pas d’histoiresOn a vécu tous les joursSur le fil de l’amourOn a vécu tous ces joursOn s’aimera toujoursT’as régies ma vieMon cœur est mes enviesTu m’as apprisL’alchimie Le Taulier Loge et nourritContre un peu d’or
$4.99
4.56 €
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Harp
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Brigitte Bonin
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Le Taulier
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Brigitte Bonin
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SheetMusicPlus
Élégie
Guitar
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.61 €
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Guitar
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Francis Bebey
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Le clocher à jour
Cello
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2.99 €
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Cello
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Traditionnel
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Tomplay
Le Premier Jour De Bonheur. Opera-Comique d'Auber Polka Mazurka Pour Piano
Piano solo
Piano - Digital Download SKU: LV.9380 Composed by Jean-Baptiste Arban. Portraits, B…
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Piano - Digital Download SKU: LV.9380 Composed by Jean-Baptiste Arban. Portraits, Ballerinas, Costumes, Dancing. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9380). Le Premier Jour De Bonheur. Opera-Comique d'Auber Polka Mazurka Pour Piano. Par Arban, Chef d'Orchestre des Concerts du Casino. Published [n.d.] by Leon Escudier, Editeur, Rue de Choiseul, 21 in Paris. Composition of sectional with piano instrumentation. Subject headings for this piece include Portraits, Ballerinas, Costumes, Dancing. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Piano solo
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Jean-Baptiste Arban
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Le Premier Jour De Bonheur. Opera-Comique d'Auber Polka Mazurka Pour Piano
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Le Paon-du-Jour
Chamber Music & Piano Accompaniment Flute, Piano - Grade 2 - Digital Download SKU: FX.F…
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Chamber Music & Piano Accompaniment Flute, Piano - Grade 2 - Digital Download SKU: FX.FX073431 Composed by Cecilia Royer-Cardona. Original Composition. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX073431. Published by FLEX Editions - Digital Sheet Music (FX.FX073431). The butterfly called Paon-du-Jour is often seen on the butterfly trees in our regions. It is graceful and beautiful, but like other butterflies, has a very short life... thus a smooth end with the few last wing flapping. - Cecilia ROYER-CARDONA ; A piece to be played for exams from 2 years of instrument practice ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 2; Duration: 1 mn 55 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Cecilia ROYER-CARDONA;.
$5.95
5.44 €
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Cecilia Royer-Cardona
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Le Paon-du-Jour
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Laissez Entrer Le Soleil
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1309797 Composed by Arthur Mac De…
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Concert Band - Level 3 - Digital Download SKU: A0.1309797 Composed by Arthur Mac Dermot, Bertrand Castelli, Gerome Ragni, Jacques Lanzman, and James Rado. Arranged by Benoit BARRAIL. 20th Century,Broadway,Musical/Show,Pop,Rock. 55 pages. Benoît Barrail #898963. Published by Benoît Barrail (A0.1309797). For 2-part choir and concert bandAll parts of the choir are doubled in the instrumental parts. Hair is a rock musical by James Rado and Gerome Ragni (lyrics) and Galt MacDermot (music) created off-Broadway, in a cellar in Greenwich Village, in October 1967 and then played on Broadway at the Public Theater from April 1968 for four years without interruption. The New York Times said: It's finally the first musical that speaks to today. A product of the hippie counterculture and sexual revolution of the 1960s, some of his songs, inspired by New Age theory, became anthems of the peace movements against the Vietnam War. After a first export to London, the French version was created in Paris at the Théâtre de la Porte-Saint-Martin on May 30, 1969, its naked scenes causing a real scandal. The song Laissez entrer le soleil (Let the sunshine in) was performed by Julien Clerc during this French creation.Toutes les parties de chœur sont doublées à l’orchestre. Hair est une comédie musicale rock de James Rado et Gerome Ragni (paroles) et de Galt MacDermot (musique) créée «off-Broadway», dans une cave de Greenwich village, en octobre 1967 puis jouée à Broadway au Public Theater à partir d'avril 1968 pendant quatre ans sans interruption. Le New-York Times dit: « C'est enfin la première comédie musicale qui parle d'aujourd'hui ». Produit de la contre-culture hippie et de la révolution sexuelle des années 1960, certaines de ses chansons, inspirées de la théorie du New Age, sont devenues des hymnes des mouvements pacifistes contre la guerre du Viêt Nam. Après une première exportation à Londres, la version française est créée à Paris au théâtre de la Porte-Saint-Martin le 30 mai 1969, ses scènes dénudées provoquent un véritable scandale. La Chanson Laissez entrer le soleil fut interprétée par Julien Clerc lors de cette création française.
$54.99
50.29 €
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Concert band
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Arthur Mac Dermot, Bertrand Castelli, Gerome Ragni, Jacques Lanzman, and James Rado
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Laissez Entrer Le Soleil
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Benoît Barrail
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SheetMusicPlus
The Parting Before the Battle- Ní neart go cur le chéile (There is no strength without unity)
Choral TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.942885 Composed by James W…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.942885 Composed by James W. Knox. Contemporary. Octavo. 21 pages. Knox Music #6383215. Published by Knox Music (A0.942885). THE PARTING BEFORE THE BATTLE was written by Thomas Moore (1779-1852) an Irish writer, poet and lyricist celebrated for his Irish Melodies. He is best remembered for the lyrics of The Minstrel Boy and The Last Rose of Summer and one of the first recognized champions of freedom in Ireland. As an impressionable young man with a quick Irish temper, the execution of a close college friend during the United Irishmen's Rebellion aroused in Moore a patriotic fervor that provided his greatest literary inspiration. Thomas Moore's best known work included a brilliant biographical masterpiece taken from the confidential memoirs of Lord Byron. His own Memoirs, Journal, and Correspondence are an invaluable social record of life in England and Ireland during the first half of the nineteenth century. James W. Knox, composer, depicts a battle of the brave Irish men and women who have courageously fought against those who seek destruction. The chorus should sing with great boldness and display a sense of honorable pride. To create a dramatic affect, James also used Erse or Gaelic with an ancient proverb, Nà neart go cur le chéile. (There is no strength without unity.) This text is used throughout the piece in addition to the poem. The proverb is set to the melody of Dies irae , which is a famous Gregorian chant dating back to the 13th century and is found as part of the Latin sequence in the Requiem. .
$3.50
3.2 €
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Choral TTBB
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James W
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The Parting Before the Battle- Ní neart go cur le chéile
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Knox Music
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SheetMusicPlus
Guilmant Offertoire sur le Noel- Flute and Organ
Flute, Organ (duet)
Instrumental Duet Flute,Instrumental Duet,Organ - Level 4 - Digital Download SKU: A0.75…
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Instrumental Duet Flute,Instrumental Duet,Organ - Level 4 - Digital Download SKU: A0.753486 Composed by Felix Alexandre Guilmant. Arranged by Christina Harmon. Wedding. Score and parts. 13 pages. Christina Harmon #6189533. Published by Christina Harmon (A0.753486). Offertoire sur le Noel: Nuit sombre, ton ombre vaut les plus beaux jours, (Dark night, your shadow is worth the most beautiful days). Scored for Flute and Organ.
$8.00
7.32 €
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Flute, Organ (duet)
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Felix Alexandre Guilmant
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Guilmant Offertoire sur le Noel- Flute and Organ
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Christina Harmon
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SheetMusicPlus
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