Let's Get Growing Sheet Music to download and print

Let's Get Growing

Let's Get Growing Choral 2-part

Choral Choir (SA) - Level 1 - Digital Download SKU: A0.940505 Composed by Roselie E…(+)

Choral Choir (SA) - Level 1 - Digital Download SKU: A0.940505 Composed by Roselie Everson & NoÃ«l Ferguson. Children,Musical/Show. Octavo. 84 pages. Jeff Batdorf #6526705. Published by Jeff Batdorf (A0.940505). LETâ€™S GET GROWING tells the story of Norman Borlaug, who won the Nobel Peace Prize, the Congressional Gold Medal and the Presidential Medal of Freedom, one of only five people in our history who have been so honored. An agricultural scientist, he devoted his life to feeding a hungry world. This musical traces Borlaugâ€™s fascinating life of accomplishment from his boyhood near Cresco, Iowa to the Mexican State of Sonoma, where he developed wheat strains that ultimately saved billions of lives from starvation throughout the world. Written by a music teacher who understands time and resource limitations, this musical provides a user-friendly script, easy music for young voices, complete piano/vocal score, reproducible vocal parts, and additional resources for further exploration of Dr. Borlaugâ€™s life and work.
$29.95 27.16 € #Choral 2-part #Roselie Everson & NoÃ«l Ferguson #Let's Get Growing #Jeff Batdorf #SheetMusicPlus

#Let's Get Growing

Please, Please, Please, Let Me Get What I Want

#Please, Please, Please, Let Me Get What I Want

Choral Choir (SA) - Level 2 - Digital Download SKU: A0.891216 Composed by Wolfgang Amadeus Mozart. Arranged by Gunnar Madsen, Laurie Betts Hughes. Children,Classical,Contemporary. Octavo. 14 pages. Dandelion Music Press #3106871. Published by Dandelion Music Press (A0.891216). If you are looking to lighten your concert, to program real music, or a piece with rapid text delivery satisfying to mid-level treble choirs and treble community choirs, bring this hilarious 3 minute piece to your outstanding accompanist-pianist and your developing ensemble. Debuted for choir during an educational outreach concert for children with families, Mozart's At the Window is also an effective selection or encore for a Mozart concert, or standing on its own. Piece features lots of vocal doubling and is fully supported by a pianistic reduction-- this piece shines with an amazing accompanist.The choral arranger writes: After getting absolutely sick of the inane music I'd been playing for my young children in the car, I was elated to discover Gunnar Madsen's CD I'm Growing featuring Mozart's At the Window. The kids were delighted with this funny song about some naughty kid, and my husband and I were delighted with the enormous improvement of musical quality in our vehicle. It was shortly thereafter that this choral arrangement was born.Gunnar writes: In my first music theory class in college, the teacher and the students were recalling the silly ways they'd been taught to remember classical melodies when they were young. One of them was for Mozart's 40th symphony (which I'd never heard) which consisted of Now Mozart's at the window - Let him in, Let him in, Let him in. What an ear-worm! For 25 years now I've dreamt of expanding that ditty into something more substantial, and now I'm proud to present the finished piece. I'm really going to get a kick of sending this one to my teacher!Also available in SATB voicingMusic abridged from W. A. Mozart's Symphony No.40 in G minor, K.550 IV. Allegro assai2017 Choral Contest EntryText and concept by Gunnar Madsen, ASCAP | http://www.gunnarspot.com/Arranged for choir by Laurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Choral Choir (SATB) - Digital Download SKU: A0.891208 Composed by Wolfgang Amadeus Mozart. Arranged by Gunnar Madsen, Laurie Betts Hughes. Children,Classical,Contemporary. Octavo. 18 pages. Dandelion Music Press #3106157. Published by Dandelion Music Press (A0.891208). If you are looking to lighten your concert, to program real music, or a piece with rapid text delivery satisfying to mid-level HS choirs and community choirs with adult choral beginners, bring this hilarious 3 minute piece to your outstanding accompanist-pianist and your developing ensemble. Debuted for choir during an educational outreach concert for children with families, Mozart's At the Window is also an effective selection or encore for a Mozart concert, or standing on its own. Piece features lots of vocal doubling and is fully supported by a pianistic reduction-- this piece shines with an amazing accompanist.The choral arranger writes: After getting absolutely sick of the inane music I'd been playing for my young children in the car, I was elated to discover Gunnar Madsen's CD I'm Growing featuring Mozart's At the Window. The kids were delighted with this funny song about some naughty kid, and my husband and I were delighted with the enormous improvement of musical quality in our vehicle. It was shortly thereafter that this choral arrangement was born.Gunnar writes: In my first music theory class in college, the teacher and the students were recalling the silly ways they'd been taught to remember classical melodies when they were young. One of them was for Mozart's 40th symphony (which I'd never heard) which consisted of Now Mozart's at the window - Let him in, Let him in, Let him in. What an ear-worm! For 25 years now I've dreamt of expanding that ditty into something more substantial, and now I'm proud to present the finished piece. I'm really going to get a kick of sending this one to my teacher!Also available in Two-Part Treble voicing.Music abridged from W. A. Mozart's Symphony No.40 in G minor, K.550 IV. Allegro assai2017 Choral Contest EntryText and concept by Gunnar Madsen, ASCAP | http://www.gunnarspot.com/Arranged for choir by Laurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

My Dream Get Old Piano solo

Piano Solo - Level 3 - Digital Download SKU: A0.1028290 Composed by Felix Ventouras…(+)

Piano Solo - Level 3 - Digital Download SKU: A0.1028290 Composed by Felix Ventouras. 20th Century,Contemporary. Score. 7 pages. Chicago, TX Publishing #3454999. Published by Chicago, TX Publishing (A0.1028290). This piece is part of the original ballet Three Sisters originally premiered in Moscow in 2009. This piece represents the second act of Chekov's masterpiece, essentially capturing the spirit of dreaming to return home, but never reaching it. In the piece, a main melody returns three times, each time stronger than the last, which is representative of the dream growing stronger. The best thing to do is to make sure that your dream never fades away! Keep the dream alive!
$8.88 8.05 € #Piano solo #Felix Ventouras #My Dream Get Old #Chicago, TX Publishing #SheetMusicPlus

Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge

Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge Piano solo

Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…(+)

Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert Orledge
$10.35 9.38 € #Piano solo #Claude Debussy/Robert Orledge #Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge #Musik Fabrik Music Publishing #SheetMusicPlus

#Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1407711 By Aqua. By Claus Norreen, Johnny Pederson, Karsten Delgado, Lene Nystrom, Rene Dif, and Soren Rasted. Arranged by RIS. 20th Century,Contemporary,Disco,Film/TV,Pop. Score. 2 pages. RISsounds #990327. Published by RISsounds (A0.1407711). ðŸŽ¹ Calling all piano enthusiasts! ðŸŽ¶ Get ready to dive into the enchanting world of Barbie Girl by Aqua with our Easy Piano Sheet Music. Whether you're a beginner or a more advanced player, our sheet music is the perfect companion for unlocking the magic of this iconic pop hit.ðŸ” Designed with simplicity and clarity in mind, our sheet music features a clear notation of the melody on the staff for the right hand, ensuring that beginners can easily follow along and learn the catchy tune with ease. No more struggling to decipher complex musical notations!ðŸ’¡ But that's not all! Our sheet music also provides ample room for creativity and growth, especially for more advanced players. With the left hand left open for improvisation, you have the freedom to add your personal flair and style to the music, making each rendition uniquely yours.ðŸŒŸ Whether you're just starting your piano journey or looking to enhance your skills, our Easy Piano Lead Sheet Music for Barbie Girl offers something for everyone. So grab your piano and let's embark on a musical adventure together!ðŸŽµ Don't forget to check out our YouTube channel, Easy Piano Tutorials, for a step-by-step video tutorial to complement your sheet music experience. Hit the subscribe button and join our growing community of piano enthusiasts today! Happy playing! ðŸŽ¹âœ¨.

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1215070 Composed by Adrienne Inglis (ASCAP). 20th Century,A Cappella,Classical. Octavo. 30 pages. Adrienne Inglis (ASCAP) #811933. Published by Adrienne Inglis (ASCAP) (A0.1215070). Help fight the extinction crisis! Here's an important work for our times that's perfect for your nature/environmental program. It's an SATB (some divisi) a cappella choral piece with option soundscape, but stands alone with the singers making some nature sounds.Extinction by Adrienne Inglis (ASCAP)Soundscapes arranged by Seylon Stills in the audio sampleText : An Extinction by Kim Stafford (https://www.kimstaffordpoet.com) The poem â€œAn Extinctionâ€ Â© 2022 Kim Stafford is unpublished and used with permission. An Extinction by Kim Stafford Not just the creature gone, not just the tattered feathers, dry leaf pressed thin. Not just the rendering from memory, not just the lost-list growing longer, a shape and hue from the field guide fled, not just a name that meant a life, a syllable that once was teeming glory, one bright flurry shimmering the sun. No. No. No. Itâ€™s one name gone from our happiness, one breath lost from our respiration, one thread frayed from our salvation, one plank gone from the ark that carried us. Be the songbird now and testify. Be the butterfly hinge of gold. Be the one with open hands these wonders to behold. Donâ€™t let them fly. Be the songbird now and testify. Program note â€” Commissioned by Inversion Ensemble for its February 2023 Planet Home concert, Extinction sets the poem â€œAn Extinctionâ€ (2022) by Kim Stafford for SATB mixed chorus. The three stanzas of the poem get distinct musical treatment: the first some text-painting and dissonance, the second rhythmic parts underpinning canonic melodic lines, the third a rich chorale. During my work on this piece, I happened to be traveling by train. The pitches of the train whistle snuck their way into the score as a dissonant chord. A nature soundscape may sometimes accompany this piece, although the tongue click sounds create a bit of their own aural ecosystem. Drawing attention to the unfolding catastrophe of mass extinction, Extinction hopes to inspire humans to action to prevent further loss of species biodiversity.

Easy Piano - Level 1 - Digital Download SKU: A0.1457929 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by RIS. 21st Century,Contemporary,Pop,R & B,Singer/Songwriter. Score. 3 pages. RISsounds #1036923. Published by RISsounds (A0.1457929). 🎹 Easy Piano Tutorials – Lead Sheet Music for Everything I Wanted by Billie Eilish 🎹Excited to play Billie Eilish's Everything I Wanted on the piano? We’ve got you covered with our specially designed lead sheet music, perfect for pianists of all levels!✨ Why Our Lead Sheet Music is Great for You: Beginner-Friendly: The right hand melody is clearly written out on the staff, making it easy for beginners to follow along and play the main tune. Advanced Practice: For those more experienced, the left hand is left for you to improvise, allowing for creativity and personal expression in your playing. Learning and Growing: This format helps beginners get comfortable with the melody while offering a platform for more advanced players to develop their improvisation skills. Using our lead sheet music alongside our video tutorial ensures you have all the tools you need to master this beautiful song. Follow along with the video, practice with the sheet music, and enjoy the process of making music!🔔 Subscribe for more easy piano tutorials and sheet music👍 Like and Comment: Let us know how you're enjoying the sheet music and what songs you want next!Happy playing and happy practicing! 🎶#howtoplay #easypianotutorial #pianotutorialeasyslowbeginner #pianotutorialeasybeginner #billieeilish #everythingiwanted #pianotutorial #pianocover #pianolessons #learnpiano #beginnerpiano #pianomusic #pianosheetmusic #pianolove #pianoplayer #musiclessons #easypiano #pianopractice #pianobeginner #pianoteacher #pianoplaying #pianosongs #pianotips #pianolearning #onlinepianolessons #pianoforbeginners #pianotutorials #musicforbeginners #learntoplaypiano #pianist #pianolife #beginnerpianotutorial.

We're the Water in the Waves Choral SATB

SATB chorus & piano - Grade 3 - Digital Download SKU: IZ.VMW171 Composed by Angela …(+)

SATB chorus & piano - Grade 3 - Digital Download SKU: IZ.VMW171 Composed by Angela Salvaggione. Score. 11 pages. Imagine Music - Digital #VMW171. Published by Imagine Music - Digital (IZ.VMW171). 8.5 x 11 in inches.Musically, the text gives indication as to the style of each verse. The first verse's gentle, flowing feel is the comfort of knowing we've been walking a path together. The second verse, a bit stronger, with the full choir entering, builds this comfort and joy of common experience. The third verse, with its darker text, should also have a more misterioso feel, but don't let it drag. Our parting is approaching. The fourth verse should have a lighter, more sparkling feel, with streams and snowflakes and growing understanding that though what may seem final is not, merely a new way of being. The resoluteness of the fifth verse reflects the strength of knowing that the path we have shared together regardless of our proximity, and gives us strength and joy in knowing that our lives are bettered by our shared experiences. The coda, beginning in measure 95, brings us back to a more settled feel, as we are comforted by the memory of those shared experiences. By the final bars, we arrive at a restful state, comfortable knowing that though time has passed and circumstances have changed, we have been blessed by what we've experienced together.
$2.05 1.86 € #Choral SATB #the final bars, we arrive at a restful state, comfortable knowing that though time has passed and circumstances have changed, we have been blessed by what we've experienced together #Angela Salvaggione #We're the Water in the Waves #Imagine Music - Digital #SheetMusicPlus

Appassionato Chamber Orchestra

Chamber orchestra - Grade 3 - Digital Download SKU: IZ.OMS128 Composed by Peter Nos…(+)

Chamber orchestra - Grade 3 - Digital Download SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Published by Imagine Music - Digital (IZ.OMS128). 9 x 12 in inches.For Chamber Orchestra (Grade 3). By Peter Nostrand. Appassionato is a story about the struggle for love. While it was composed in a traditional ABA structure, there are many elements in this composition which are not at all traditional. As the piece awakens, the oboes and flutes seem innocent and coquettish. As orchestral participation grows, one has the sense of an entire field of rich colors growing before our very ears. Enter the piano. Simple, elegant and romantic. Softly supported by the strings, the piano issues an invitation to the winds. They respond cautiously, obviously curious to see what this charming piano has in mind. The strings express an opinion. It's not what the piano wants and he presses harder. The strings and winds question each other, back and forth with triplets. Who is this piano? The mid-section is an announcement by the strings that a love relationship may be in the cards. The piano replies with passion and tenderness.With eighth notes, the strings become entangled with the piano, counseling it, guiding it. The winds using triplets put their two cents on the table. They're not so sure. The piano makes a passionate plea; the strings are supportive. The piano and the winds have a conversation. They finally dance together. In the end,.Appassionato is a musical expression of the struggle over whether or not love is worth the risk Sometimes in conflict sometimes in harmony, the piano and winds do unite. Passion has won.
$30.00 27.2 € #Chamber Orchestra #Peter Nostrand #Peter Nostrand #the strings are supportive #Appassionato #Imagine Music - Digital #SheetMusicPlus

What it Means to Rise for Wind Symphony Concert band

Concert Band - Level 5 - Digital Download SKU: A0.1183110 Composed by Gabrielle Lir…(+)

Concert Band - Level 5 - Digital Download SKU: A0.1183110 Composed by Gabrielle Liriano. Classical,Contemporary. Score and parts. 100 pages. Art Haus Music Publishing #782832. Published by Art Haus Music Publishing (A0.1183110). This piece is about the messy path to growth and to becoming a new version of you. Itâ€™s about what it means to let go of everything you thought you knew, having it nearly destroy you and your identity before picking up the parts of a shattered, ripped up puzzle and putting something new and more beautiful together. This piece is about growing up and changing. Itâ€™s about having dared greatly with ones dreams, going into the jungle, and coming out the other side happy and safe and having proved that one is capable and able to take on the heavy obstacles of life.Instrumentation: Piccolo, Flute 1, Flute 2, Oboe, Bassoon, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Barirone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1, Horn in F 2, Trombone 1, Trombone 2, Euphonium, Tuba, Glockenspiel, Percussion: Cymbal, Snare, Bass DrumFormat: Transposed Score in Tabloid (11'' x 17'')Duration: Approx. 6 minutes & 50 seconds.
$150.00 136.01 € #Concert band #Gabrielle Liriano #50 seconds.
#What it Means to Rise for Wind Symphony #Art Haus Music Publishing #SheetMusicPlus

Guitar - Level 2 - Digital Download SKU: A0.1294451 By Harry Belafonte. By Irving Burgie. Arranged by Derek Hasted. Pop,Traditional. 39 pages. Derek Hasted #884839. Published by Derek Hasted (A0.1294451). JAMAICA FAREWELL - easy arrangement for 4 GUITARS/large ensembleFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes There are 3 ways to play my straightforward and accessible arrangement which comprises melody, countermelody, accompaniment and bass.1) For a mixed ability ensemble, simply play the intro (up to letter A), repeat 2 or more times from A to B, and then jump to E. The melody requires a little confidence up the neck, the other parts stay in first position - each part has a fixed role.2) If you play the full version, each of the 4 parts takes a verse of melody, countermelody, accompaniment and bass in turn.3) If you play the â€œ+ percussion effectsâ€ version, thereâ€™s a simple â€œdrum breakâ€ in the last two verses, and everyone has a chance to play the effects.For a larger ensemble, allocate parts from both arrangements - everything fits together!I hope you enjoy performing this well-known piece.This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6255501. Published by Frederick Naftel (A0.987079). My 2nd String Quartet was composed during the current Coronavirus pandemic and its style is definitely affected by this period. I would describe the music as a strong statement of mind. In complete contrast to my relatively straightforward 1st Quartet, which is in 4 movements, the present work is in one uninterrupted movement, divided into five parts, with an epilogue. The intervals of the major 7th and minor 2nd are a strong feature of the music, which contrasts intensely static passages, which are nevertheless uneasily tranquil, with furious and violent sections, often marked triple forte in certain passages. The opening Lento flows serenely but mysteriously as if awaiting some kind of resolution, using motifs rather than fully-fledged themes(of which there are very few). The viola makes an urgent and violent protest, later to be imitated by cello, as if to disrupt the serenity, until the second section bursts in with barely-controlled energy and fury. This Allegro feroce is strongly accented and relentless in its forward momentum, the tension manintained almost throughout until the music suddenly quietens down, pizzicato passages leading to the next section. The Adagio Sostenuto initially resembles plainsong, all four instruments in unison(muted) playing a smooth line which rises and falls, the dynamics remaining pp and senza vibrato. The line breaks into harmony based on the interval of a perfect 5th, eventually leading to a passage reminiscent of the very opening of the work. A brief crescendo leads to another quiet unison passage which becomes more fragmented and unsettled, first and second violins announcing an aggressive idea which becomes the initial impetus for the fourth section. This Presto Furioso is even more violently energetic than the second section and at one point, alternates between 3/8 and 4/8, making the music sound even more unsettled. This is music with a strong sense of purpose as well as absolute fury. After a very short scalic passage, the final section begins Grave and pp with a sustained unison C, growing in power with exaggerated vibrato to a series of crunching discords and a wildly disconcerting episode featuring swirling upper strings and impassioned cello solo. The music dies away to the Epilogue. The concluding part of the work calls for a recorded cello playing a pizzicato pedal, over which violins and viola play a series of overlapping (tonal) triads, giving the music a slightly warmer but still mysterious sound. The recorded celloâ€™s pedal notes slow down until a final powerful discord from the 4 instruments dies away, leaving the sighing motif of the very opening of the work to have the last word. This note may be reprinted in programmes with the following details: (c) 2020 Frederick Naftel

Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only Orchestra

Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…(+)

Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95 18.09 € #Orchestra #Claude Debussy/Robert Orledge #Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only # Musik Fabrik Music Publishing #SheetMusicPlus