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You've selected:
Let It Be- lap harp
Sheetmusic to print
16 sheet music found
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1
Let It Be, Advanced Arrangement for Zither / Lap Harp
Harp
Zither, Lap Harp - Advanced Intermediate - Digital Download By Kris Allen, The Beatles. …
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Zither, Lap Harp - Advanced Intermediate - Digital Download By Kris Allen, The Beatles. Individual Part. 1 pages. Published by Debbie Center
This is my advanced arrangement of the Beatles' "Let It Be". I had to get very creative with repeat sections for this piece. You'll find optional harmony notes that you can pluck, adding beautiful chords instead of just the single note melody. However, you can just play the melody notes, if you prefer. Be sure to watch my video on YouTube, where I teach you how to play this piece. .
$4.99
4.59 €
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Harp
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Kris Allen, The Beatles
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Let It Be, Advanced Arrangement for Zither / Lap Harp
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Debbie Center
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SheetMusicPlus
Let It Be by The Beatles - Double Strung Harp Solo
Harp
Harp - Intermediate - Digital Download By The Beatles. Arranged by Tracie Lin. Indivi…
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Harp - Intermediate - Digital Download By The Beatles. Arranged by Tracie Lin. Individual Part, Sheet Music Single, Solo Part. 6 pages. Published by Tracie Lin
This arrangement is for double strung harp solo. There are 2 versions provided: key of C and key of G. The key of C works well on double strung floor harps and lowest note is G (1.5 octaves below middle C). The key of G is suitable for double strung lap harps. There are 2 preset levers and one mid-song lever change required.
$4.99
4.59 €
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Harp
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The Beatles
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Let It Be by The Beatles - Double Strung Harp Solo
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Tracie Lin
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SheetMusicPlus
How Great Thou Art EASY HARP • Lap Harp • Celtic • Lever • Harpsicle • Aklot • Small Harps
Harp
Harp - Level 1 - Digital Download SKU: A0.1393293 Composed by Stuart Hine. Arranged…
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Harp - Level 1 - Digital Download SKU: A0.1393293 Composed by Stuart Hine. Arranged by The Hobby Harpist. Christian,Film/TV,Instructional,Praise & Worship,Traditional. Score. 2 pages. Trish Boril #976775. Published by Trish Boril (A0.1393293). This is a simplified, easy harp arrangement of the beloved hymn, How Great Thou Art. It is written with single notes in each hand. No lever changes. Can easily be adapted for small harps of 15 strings or more. It is in the key of C. Playable on all harps, lever harps, pedal harps, Fireside Harps, Waring Harps, Dusty Strings, Thormalen, Lyon and Healy, Camac Harps, Musicmakers, Salvi Harps, Blevins, Emerald Harps, Celtic harps, Folk harps, Heartland Harps, Lewis Creek, Marini Made Harps, Mountain Glen, Rees harps, Stoney End, Triplett Harps, Venus harps, and more! Arranged by Trish Boril for The Hobby Harpist.
$3.99
3.67 €
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Harp
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Stuart Hine
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How Great Thou Art EASY HARP • Lap Harp • Celtic • Lever • Harpsicle • Aklot • Small Harps
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Trish Boril
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SheetMusicPlus
Lily Pad Leap - fun solo for all harps
Harp
Harp - Level 1 - Digital Download SKU: A0.862049 Composed by Rebekah Lanier. Childr…
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Harp - Level 1 - Digital Download SKU: A0.862049 Composed by Rebekah Lanier. Children,Concert,Contemporary,Instructional,Standards. Score. 2 pages. Muletown Music #3484251. Published by Muletown Music (A0.862049). Lily Pad Leap is a fun solo for beginner harpists, and it can be played on any harp, including lap harps that have a range of two octaves. Rebekah Lanier wrote this piece for one of her students to play at a recital.It is in 4/4, the key of C, and it uses quarter notes and half notes, played with fingers 1 and 2. The range of the piece is from 4th octave C to 2nd octave C.To view a complete list of arrangements and original compositions by Rebekah Lanier, visit http://bit.ly/Catalog-RebekahLanier-SheetMusicFor information about online harp or piano lessons with Rebekah, visit www.midtownmusicacademy.com
$3.50
3.22 €
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Harp
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Rebekah Lanier
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Lily Pad Leap - fun solo for all harps
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Muletown Music
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SheetMusicPlus
The King's Minstrel - solo for beginner harpists
Harp
Harp - Level 1 - Digital Download SKU: A0.862053 Composed by Rebekah Lanier. 20th C…
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Harp - Level 1 - Digital Download SKU: A0.862053 Composed by Rebekah Lanier. 20th Century,Celtic,Concert,Renaissance,Standards. Score. 2 pages. Muletown Music #3684113. Published by Muletown Music (A0.862053). Written specifically for beginning students, The King's Minstrel is an imaginative solo that is written in a Celtic style. It can be played on any size harp, including lap harps with a range of two octaves.It is in 3/4, the key of C, and it uses quarter notes, half notes, and dotted half notes, played with fingers 1, 2, and 3. The range of the piece is from 4th octave C (Middle C) to 2nd octave C.To view a complete list of arrangements and original compositions by Rebekah Lanier, visit http://bit.ly/Catalog-RebekahLanier-SheetMusicFor information about online harp or piano lessons with Rebekah, visit www.midtownmusicacademy.com
$4.50
4.14 €
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Harp
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Rebekah Lanier
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The King's Minstrel - solo for beginner harpists
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Muletown Music
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SheetMusicPlus
Let It Be- lap harp
Harp
By The Beatles. Arranged by Debbie Vinick. Solo Part. 2 pages. Published by Debbie V…
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By The Beatles. Arranged by Debbie Vinick. Solo Part. 2 pages. Published by Debbie Vinick
$4.99
4.59 €
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Harp
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The Beatles
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Let It Be- lap harp
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Debbie Vinick
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SheetMusicPlus
Deck the Halls, for Easy Harp Solo
Harp
Harp - Level 1 - Digital Download SKU: A0.541071 Composed by Ancient Welsh Carol. A…
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Harp - Level 1 - Digital Download SKU: A0.541071 Composed by Ancient Welsh Carol. Arranged by Cindy Blevins. Christmas. Score. 3 pages. Cindy Blevins #3098391. Published by Cindy Blevins (A0.541071). This is an arrangement for easy harp. It is lap harp friendly. The music is two pages and includes chord symbols. It is from my harp book Easy Favorites, Seasonal.Keep in mind that easy means different things to different people. When I do easy arrangements, I generally make them less notey and simplify melodies and rhythms where appropriate. Let the music sample be your guide! The Sheet Music Plus Item # for the book Easy Favorites, Seasonal is S0.315993.
$4.99
4.59 €
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Harp
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Ancient Welsh Carol
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Deck the Halls, for Easy Harp Solo
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Cindy Blevins
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SheetMusicPlus
Ding Dong! Merrily on High, Easy Harp Solo
Harp
Harp - Level 1 - Digital Download SKU: A0.541072 Composed by French carol. Arranged…
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Harp - Level 1 - Digital Download SKU: A0.541072 Composed by French carol. Arranged by Cindy Blevins. Christmas. Score. 3 pages. Cindy Blevins #3098393. Published by Cindy Blevins (A0.541072). This is an arrangement for easy harp. It is lap harp friendly. The music is two pages and includes chord symbols. It is from my harp book Easy Favorites, Seasonal.Keep in mind that easy means different things to different people. When I do easy arrangements, I generally make them less notey and simplify melodies and rhythms where appropriate. Let the music sample be your guide! The Sheet Music Plus Item # for the book Easy Favorites, Seasonal is S0.315993.
$4.99
4.59 €
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Harp
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French carol
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Ding Dong! Merrily on High, Easy Harp Solo
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Cindy Blevins
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SheetMusicPlus
Let It Snow! Let It Snow! Let It Snow!
Harp and Piano
Harp,Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.544785 By Lady…
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Harp,Instrumental Duet,Keyboard - Level 3 - Digital Download SKU: A0.544785 By Lady Antebellum. By Jule Styne. Arranged by Cindy Blevins. Contemporary. 9 pages. Cindy Blevins #3911747. Published by Cindy Blevins (A0.544785). This arrangement is designed to be playable and enjoyable. The piano and harp parts are two pages each. The harp part is lap harp friendly but can be played on any size of harp.
$4.99
4.59 €
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Harp and Piano
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Lady Antebellum
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Let It Snow! Let It Snow! Let It Snow!
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Cindy Blevins
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SheetMusicPlus
Lap Harp Christmas Collection - 12 and 15 strings harp
Harp
Harp - Level 1 - Digital Download SKU: A0.945661 Composed by Various. Arranged by C…
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Harp - Level 1 - Digital Download SKU: A0.945661 Composed by Various. Arranged by Corinna Wong. Christmas,Multicultural,Praise & Worship,World. Score. 33 pages. Corinna Wong #5990461. Published by Corinna Wong (A0.945661). 15 Christmas Songs for a 12 string harp range from F4 - C6, no lever needed.  Also can play on 15 - 47 string harps.  Beginners level.  With English and Chinese lyrics.  Please read Corinna's Note before playing.  Song list is on the cover page as shown in the picture.  Designs are kept in the basic for easy printing, to save ink and the environment.  Black and white colour only.  Total 32 pages.  Watch the complete book playlist: https://youtube.com/playlist?list=PLN6AxqQh_RVTNSCjS5kuxKEpJ0qH_GyeDSong list:Angels we have heard on high  https://youtu.be/asd2_1GGkWYAway in a manger  https://youtu.be/uVyt3NlS7TEAway in a manger  https://youtu.be/NhreMPsiYcUDeck the halls  https://youtu.be/vKCDzcmuVNsDing dong merrily on high  https://youtu.be/8Bj2tOwZZ6wHark! The herald angels sing  https://youtu.be/UxjB5k-L-OIIt came upon ht midnight clear  https://youtu.be/XYnXiJh-ro8Jingle bells  https://youtu.be/kUg8Tal-JGMJoy to the world  https://youtu.be/9CUuQyfnXigO come, all ye faithful  https://youtu.be/TGkp_gaximIO holy night  https://youtu.be/bRO-pquYu9ISilent night  https://youtu.be/p_cu201-Fg8The first Noel https://youtu.be/DFVn1icP_GsWe wish you a merry Christmas https://youtu.be/OCaZUV8xyigWhat child is this?  https://youtu.be/oUSDsb9mFpc
$19.99
18.41 €
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Harp
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Various
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Lap Harp Christmas Collection - 12 and 15 strings harp
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Corinna Wong
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SheetMusicPlus
Rudolph The Red-nosed Reindeer
Harp
Harp - Level 1 - Digital Download SKU: A0.862056 By John Denver. By David Leslie Fr…
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Harp - Level 1 - Digital Download SKU: A0.862056 By John Denver. By David Leslie Froggatt, Jane Barnes, and Johnny Marks. Arranged by Rebekah Lanier. Rock. Score. 3 pages. Muletown Music #5002115. Published by Muletown Music (A0.862056). Rudolph the Red-Nosed Reindeer is a fun addition to any harpist's Christmas repertoire! This solo is suitable for late beginner harpists, and it can be played on any harp, including lap harps with a range of two octaves. This arrangement is in 4/4, the key of C, and it uses eighth notes, quarter notes, half notes, and whole notes. Fingerings are provided, and the range is only 2 octaves, from 4th octave C to 2nd octave C (with a few optional notes if your harp has them). There are no accidentals. Lyrics are included, as well as a couple of fun glisses!To view a complete list of arrangements and original compositions by Rebekah Lanier, visit http://bit.ly/Catalog-RebekahLanier-SheetMusicFor information about online harp or piano lessons with Rebekah, visit www.midtownmusicacademy.com
$5.49
5.06 €
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Harp
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John Denver
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Rudolph The Red-nosed Reindeer
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Muletown Music
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SheetMusicPlus
Don't Stop Believin' (Journey) for Double-strung Harp
Harp
By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Publis…
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By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson
Your audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.<br> <br> This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.<br> <br> Range and key: F major (one flat). 23x2 strings. C below middle C through D.<br> Lever changes: None.<br> <br> Good for: Weddings, parties, performance, therapeutic settings.<br> <br> Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.<br> <br> Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.<br> <br> Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf<br> <br> Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.<br> <br> Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.<br> <br> Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.<br> <br> Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin
$6.99
6.44 €
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Harp
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Journey
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Don't Stop Believin'
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SheetMusicPlus
Old French Song
Harp
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
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Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
$4.99
4.59 €
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Harp
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Pyotr Ilich Tchaikovsky
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Old French Song
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Luis Anjos Teixeira
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SheetMusicPlus
The City In the Sea: Choral Tone Poem
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanle…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
5.16 €
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Choral SATB
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Stanley M Hoffman
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The City In the Sea: Choral Tone Poem
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stanleymhoffman.com
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SheetMusicPlus
Pie Jesu
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1464007 Composed by Juliette Mari…
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Concert Band - Level 4 - Digital Download SKU: A0.1464007 Composed by Juliette Marie Olga (Lili) Boulanger. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,Religious,Romantic Period,World. 42 pages. John Ivor Holland #1042718. Published by John Ivor Holland (A0.1464007). Marie-Juliette Olga Lili Boulanger (21 August 1893 – 15 March 1918) was a French composer; her older sister was the noted composer and composition teacher Nadia Boulanger. As a child prodigy born in Paris, Boulanger's talent was apparent at a very young age; at the age of two, she was already singing melodies by ear. Her parents, both of whom were musicians, encouraged their daughter's musical education. In 1912, Boulanger competed in the Prix de Rome but during her performance she collapsed from illness. She returned in 1913 at the age of 19 to win the composition prize for her cantata 'Faust et Hélène', becoming the first woman to win the prize. Boulanger grew up in a time of musical transition and her music fits easily into what was becoming defined as a post-Romantic style. She finished this 'Pie Jesu' (1918) towards the end of her life, but the first of Lili Boulanger's sketches for the Pie Jesu are to be found in a composition book she used between 1909 and 1913. Scholars such as biographer Léonie Rosenstiel and Olivia Mattis speculate that Boulanger intended to write a complete Requiem Mass but did not live to complete it. This arrangement has been created from the original solo voice, string quartet, harp and organ for modern concert band as part of an ongoing project to bring more works by women into the worldwide repertoire.
$59.99
55.24 €
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Concert band
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Juliette Marie Olga
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Pie Jesu
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John Ivor Holland
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SheetMusicPlus
Spy Plane
Bass guitar
Bass Guitar TAB - Level 2 - Digital Download SKU: A0.1471949 By Tracy Dean McCallum…
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Bass Guitar TAB - Level 2 - Digital Download SKU: A0.1471949 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. 20th Century,Jazz,Rock. Score. 1 pages. Tracy Dean McCallum #1049582. Published by Tracy Dean McCallum (A0.1471949). https://tracymccallum.com Spy Plane: A Groovy Bass Odyssey Strap on your headphones and prepare for takeoff, because this bass transcription of Spy Plane is about to take you on a funky, high-altitude mission. The groove is undeniably cool, a blend of tight pocket playing and adventurous improvisation. Gear Up: The bass line lays down a solid foundation with a picked eighth-note pattern. Imagine a sleek spy plane cruising steadily at altitude. The root notes likely shift between the E and A strings, outlining the chords with a focus on the lower register. Think of it as the pilot navigating through different airspaces. Throughout the song, there are gonna be some syncopated accents thrown in. These are like the plane making sharp maneuvers, adding surprise and a touch of swagger to the groove. Into the Danger Zone: As the song progresses, the bass line breaks free from the simple pattern. Get ready for some walking bass lines that weave through the chords, creating a sense of urgency and intrigue. Think of the pilot dodging enemy radar or chasing a target through a maze of clouds. Lock On! The coolest part of the transcription might be the use of effects. A touch of wah-wah can simulate the plane breaking the sound barrier, while some octaver adds a growling, mechanical feel, like the whirring of powerful engines. Mission Complete: The ending brings the bass line back to earth with a flourish. Perhaps a descending chromatic line to depict the plane landing safely, or a series of funky slides for a more playful touch. This is just a roadmap, pilot! Feel free to add your own improvisational flourishes, double stops to mimic dogfights, or slap techniques for some extra punch. The sky's the limit (or rather, the atmosphere) with this Spy Plane bass transcription. Ready to take flight? Grab your bass and get groovin'!
$4.44
4.09 €
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Bass guitar
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Tracy Dean McCallum
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Spy Plane
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Tracy Dean McCallum
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SheetMusicPlus
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