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You've selected:
Letters to a Young Poet
SheetMusicPlus
Sheetmusic to print
6 sheet music found
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Letters to a Young Poet (2013) for violin and guitar
Violin, Guitar (duet)
Instrumental Duet Guitar,Instrumental Duet,Violin - Digital Download SKU: A0.934202…
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Instrumental Duet Guitar,Instrumental Duet,Violin - Digital Download SKU: A0.934202 Composed by Mark Zanter. Contemporary. Score and parts. 17 pages. MJIC Music Publishing (ASCAP) #3130857. Published by MJIC Music Publishing (ASCAP) (A0.934202). Letters to a Young Poet (2013)
$10.00
9.14 €
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Violin, Guitar (duet)
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Mark Zanter
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Letters to a Young Poet
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MJIC Music Publishing
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SheetMusicPlus
LETTERS FROM A POET IN ITALY (Complete Song Cycle) Mvts 1-4 Soprano and Piano
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1081918 By Performance of Ei…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1081918 By Performance of Eighteen in Italy by Marsha Anderson , Francis Osentowski, Piano. By Francis Osentowski, DMA University of North Texas, Jerry McElveen, Texts. Arranged by Original composition. Contemporary,Contest,Festival,Instructional,Opera. Score. 29 pages. Francis Osentowski #686049. Published by Francis Osentowski (A0.1081918). LETTERS FROM A POET IN ITALY is a song cycle for soprano and soprano. This site includes of all four songs: 1. Eighteen in Italy 2. Caregiver 3. Colosseum 4. DAVID The cycle is my setting of poems by Jerry McElveen, my friend and an awesome poet and professor at Richland College. Jerry wrote several poems during a tour of Italy made up of a group of faculty and spouses. On our last day in Rome...he surprised everyone by performing his new works. The minute he started reading I knew this would be a great text to set to music. This cycle has been performed often in the DFW Tx. area...first by Marsha Anderson, my colleague at North Lake College and later by the young soprano Erin Acorn. Marsha earned a living in Italy for over 20 years as an opera singer and taught me lots of valuable details about the substiles of composing for this vocal style. You can hear her beautiful voice on recordings we made at a performance in the concert hall at UTA Arlington. In retrospect, I like the tempos to relax more than these recordings, so the vocal lines have more time to breath. The cycle also received a positive review by the famous music critic for the Dallas Morning News, Scott Cantrell. Thank you to Scott! I kept the vocal lines away from extreme high and low pitches...and several singers have told me the voice lines are very comfortable for them. Singable by professionals AND young sopranos.
$15.99
14.62 €
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Piano, Voice
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Performance of Eighteen in Italy by Marsha Anderson , Francis Osentowski, Piano
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LETTERS FROM A POET IN ITALY
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Francis Osentowski
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SheetMusicPlus
EIGHTEEN IN ITALY Movement I, Letters from a Poet in Italy
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1081893 By Francis Osentowsk…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1081893 By Francis Osentowski, music Jerry McElveen, text. By Francis Osentowski, DMA University of North Texas. Arranged by Original composition. Contemporary,Contest,Festival,Instructional,Multicultural,Opera,World. Score. 7 pages. Francis Osentowski #686005. Published by Francis Osentowski (A0.1081893). Eighteen in Italy is song one of a four-part song cycle. 1. Eighteen in Italy 2. Caregiver 3. Colosseum 4. David. The beautiful poems by former Richland College Professor, Jerry McElveen describes a tour of Italy by a group of faculty and families. In a beautiful ballroom in Rome on the last day of the tour, Jerry surprised all of us by reciting poems he had created during the tour. When he began presenting his texts...I immediately knew those words were perfect for a musical setting! Our pieces have been performed often throughout the DFW area. Marsha Anderson is a North Lake College faculty member who was an opera singer in Italy for decades and later taught a student credit trip to Italy. You will her perform at University of Texas Arlington with me at the piano. I now think each of the songs should slow down a few clicks to breath more for the singer. The talented young soprano, Erin Alcorn performed the cycle more recently and both performer and my music received excellent reviews from the Dallas Morning News music critic, Scott Cantrell. Several performers have told me that the songs are very comfortable to perform, and the music is suitable for young singers. All four songs are available to purchase at this site.
$5.99
5.48 €
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Piano, Voice
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Francis Osentowski, music Jerry McElveen, text
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EIGHTEEN IN ITALY Movement I, Letters from a Poet in Italy
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Francis Osentowski
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SheetMusicPlus
Lament and dream (2013)
Orchestra
Full Orchestra - Digital Download SKU: A0.934195 Composed by Mark Zanter. Contempor…
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Full Orchestra - Digital Download SKU: A0.934195 Composed by Mark Zanter. Contemporary. Score and parts. 32 pages. MJIC Music Publishing (ASCAP) #3130801. Published by MJIC Music Publishing (ASCAP) (A0.934195). Lament and dream for piano, percussion, and strings (2013) was commissioned for my Navona records CD release entitled Letters to a Young Poet. The work is 12:00-13:00 minutes in duration and is suitable for a college level orchestra. The work was awarded special distinction for the Rudolph Nissim prize.
$12.00
10.97 €
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Orchestra
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Mark Zanter
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Lament and dream
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MJIC Music Publishing
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SheetMusicPlus
Northwest Passage (Downloadable Piano/Choral Score)
Choral SATB
SATB choir, wind quintet and string quartet or piano - Medium - Digital Download SKU: M…
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SATB choir, wind quintet and string quartet or piano - Medium - Digital Download SKU: MQ.1.3438-E Composed by Z. Randall Stroope. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Score & instrument part. 24 pages. Duration 8 minutes, 25 seconds. Galaxy Music Corporation - Digital #1.3438-E. Published by Galaxy Music Corporation - Digital (MQ.1.3438-E). English.Northwest Passage is a set of “poetic landscapes†that reflects on three elements of the great Northwest of the United States—rivers, mountains, and prairies. Each sonic reflection (movement) combines to form a larger image, not unlike someone standing on a vista and seeing rivers, mountains, and prairies—each distinct, but part of one vast expanse.The work is scored for two versions: mixed chorus and piano, or mixed chorus, wind quintet, and string quartet. The harmonic vocabulary of the work maintains an uncomplicated, transparent (“organicâ€) approach in describing nature. The melodic vocabulary immediately pulls the listener's eye to the image, and rhythm is used as the underlying spark that is subtly ever changing and unpredictable. These three poetic landscapes should be performed without applause between movements.1. A Willow by the River|William Carlos Williams was a medical practitioner, pediatrician, and an avid writer. He wrote short stories, novels, plays, critical essays and, of course, poetry. The subjects of his writing were often “local†images, and he preferred to see the world “as it is,†without unnecessary trappings or “airs.†He was an important mentor to many younger poets of his day. “Willow Poem†(A Willow by the River) has no rhyme scheme but is comprised of fourteen individual lines. The willow is the focus of the poem (by its title and content) and how it never changes but will always “be.†The river represents, among other things, life quickly moving by and in a constant state of motion.2. Mountains|Marjorie Seiffert (who often used the pseudonyms Elijah Hay or Angela Cypher) led an incredibly full and balanced life. College introduced her to a world beyond her domestic and civic life and, as a result, she wanted to experience self-empowerment and independence. She prided herself in being a spouse, mother and maintaining a full slate of professional appearances and commissions for writing. Her poetry is vivid, keenly “visual,†and full of fast-paced, tightly woven ideas. “Mountain trails†(Mountains) was written at Glacier Park, Montana in September 1917.3. The Prairie|John Hay was an American statesman who was personal assistant to Abraham Lincoln. He also served as U. S. Secretary of State and Ambassador to Great Britain. He was a cultivated man of letters and wrote poetry which was straightforward in design and delivery. Nature was often the subject of his creative output. -Z. Randall StroopeDuration: 8:25Instrumental Parts packet includes: Flute, Oboe, Clarinet, Horn, Bassoon, Strings (1-1-1-1).
$3.20
2.93 €
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Choral SATB
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Z
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Northwest Passage
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Rhapsody for Concert Band
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. …
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Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
18.28 €
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Concert band
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July 16th, Clara noted in her diary that Brahms speaks only in monosyllables
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
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