Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
1
Digital
Sheet Music
93
Sheet Music
Books
17
Music
Equipment
1
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
21
PIANO & KEYBOARDS
Piano solo
11
Easy Piano
2
Piano, Voice
1
Piano Accompaniment
1
GUITARS
VOICE
Choral SATB
2
Low voice, Piano
1
Alto voice, Piano
1
Tenor voice
1
Mezzo-Soprano voice, Piano
1
WOODWIND
Saxophone
6
2 Saxophones (duet)
4
2 Clarinets, Piano
2
Oboe, Piano (duet)
2
Alto Saxophone and Piano
2
Baritone Saxophone, Piano
2
Tenor Saxophone and Piano
2
Clarinet Quartet: 4 clarinets
2
Soprano Saxophone and Piano
2
Clarinet
1
Clarinet and Piano
1
2 Oboes (duet)
1
2 Clarinets (duet)
1
Flute Quintet : 5 flutes
1
Flute, Clarinet and Bassoon.
1
Flute and Piano
1
2 Flutes (duet)
1
Bass Clarinet, Piano
1
Instrumentations suivantes
Retracter
WOODBRASS
Tuba and Piano
1
2 French horns (duet)
1
French Horn and Piano
1
Trumpet, Piano
1
2 Trumpets (duet)
1
Brass quartet : 2 trumpets, trombone, tuba
1
Euphonium, Piano (duet)
1
Instrumentations suivantes
Retracter
STRINGS
2 Violas (duet)
1
2 Violins (duet)
1
Harp
1
2 Cellos (duet)
1
String Quartet: 2 violins, viola, cello
1
Violin and Piano
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Orchestra
1
Brass ensemble
1
Chamber Orchestra
1
OTHERS
You've selected:
Libre Intermediate
Sheetmusic to print
93 sheet music found
<
1
26
51
76
Luna Libre
5 saxophones (S/AAATBar) - intermediate - Digital Download SKU: S9.Q41641 Composed …
(+)
5 saxophones (S/AAATBar) - intermediate - Digital Download SKU: S9.Q41641 Composed by Rupert Hechensteiner. This edition: score and parts. Downloadable, Score and parts. Advance Music GmbH - Digital #Q41641. Published by Advance Music GmbH - Digital (S9.Q41641). A swinging saxophone quintet by Rupert Hechensteiner. Set like a rondo with an arpeggio motif in minor mode, the main theme in the tenor saxophone is followed by an alto saxophone solo (ad lib.). The composition is completed by drawing on the tenor theme and by a short cheerful ending.
$18.99
17.22 €
#
Rupert Hechensteiner
#
Luna Libre
#
Advance Music GmbH - Digital
#
SheetMusicPlus
Piano solo
5.99 €
#
Piano solo
#
Michel Berger
#
Tomplay
Piano solo
5.99 €
#
Piano solo
#
Michel Berger
#
Tomplay
Piano solo
5.99 €
#
Piano solo
#
Michel Berger
#
Tomplay
Piano solo
5.99 €
#
Piano solo
#
Michel Berger
#
Tomplay
Saxophone
5.99 €
#
Saxophone
#
Michel Berger
#
Tomplay
Saxophone
5.99 €
#
Saxophone
#
Michel Berger
#
Tomplay
Saxophone
5.99 €
#
Saxophone
#
Michel Berger
#
Tomplay
Saxophone
5.99 €
#
Saxophone
#
Michel Berger
#
Tomplay
Saxophone
5.99 €
#
Saxophone
#
Michel Berger
#
Tomplay
Saxophone
5.99 €
#
Saxophone
#
Michel Berger
#
Tomplay
The Royale Harpist
Harp
Harp - Intermediate - Digital Download Arranged by Therese Honey. Renaissance, Early …
(+)
Harp - Intermediate - Digital Download Arranged by Therese Honey. Renaissance, Early Music, European, Celtic. 63 pages. Published by Afghan Press Music for the Harp
Medieval and Renaissance Airs, Songs and Dances. The left hand uses open harmonies and single notes.<br> <br> Table of Contents:<br> <br> Medieval<br> <br> Alle, psallite, Alleluya Anonymous (England, 13th c.)<br> Cuncti simus Libre Vermell (Spain, 14th c.)<br> Dansse Real Anonymous (France, 13th c.)<br> Edi be thu, Heven-Queene Anonymous (England, 13th c.)<br> Kalenda Maya Raimbaut de Vaqueiras (France, 12th c.)<br> Non sofre - CSM #159 Cantigas de Santa Maria (Spain, 13th c.)<br> Ondas do mar de Vigo - Martin Codax (Spain, 13th c.)<br> Ondas do mar de Vigo - Estampie – Therese Honey<br> Salterello – Anonymouns (Italy, 14th c.)<br> Santa Maria amar CMS #7 - Cantigas de Santa Maria (Spain, 13th c.)<br> Santa Maria, strella do dia CMS #100 - Cantigas de Santa Maria (Spain, 13th c.)<br> Stella splendens – Libre Vermell (Spain, 14th c.)<br> <br> <br> Renaissance<br> Branle de Cheveaux Thoinot Arbeau (France, 1589)<br> Branle d’Escosse Thoinot Arbeau (France, 1589)<br> Branle de la Torche Michael Praetorius (Germany, 1612)<br> Complaint John Dowland (England, 16th c.)<br> Jhon Come Kisse Me Noue Anon. (Scotland, 17th c.)<br> Joy to the Personne of My Love Skene Manuscript (Scotland, 17th c.)<br> Ladie Laiton’s Alman John Dowland (England, 16th c.)<br> L’espagnoletta Francisque Caroubel (France, 16th c.)<br> Nonesuch Playford Collection (England, 17th c.)<br> Mr. Dowland’s Midnight John Dowland (England, 16th c.)<br> Round Battle Galliard John Dowland (England, 16th c.)
$17.00
15.41 €
#
Harp
#
The Royale Harpist
#
Afghan Press Music for the Harp
#
SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestra
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
(+)
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
18.09 €
#
Orchestra
#
Claude Debussy/Robert Orledge
#
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. Romantic Period, Impressionistic, Repertoire, Recital. Score. 6 pages. Published by Musik Fabrik Music Publishing
Recorded by Nicolas Horvath on Grand Piano records (GP822)<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwall and that “Isolde of the White Hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.<br> <br> The idea of a Tristan that restored its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was ‘not very lyrical and many passages do not exactly “invite” music‘, he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.<br> <br> Unfortunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> <br> Robert Orledge
$10.35
9.38 €
#
Piano solo
#
Claude Debussy/Robert Orledge
#
Claude Debussy: Prléude à L'Histoire de Tristan for solo piano, completed by Robert Orledge
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
El Murciélago - Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet Quartet - Intermediate - Digital Download Composed by Johann Strauss. Arra…
(+)
Clarinet Quartet - Intermediate - Digital Download Composed by Johann Strauss. Arranged by Juan A. Perez. Classical Period, Christmas. Score, Set of Parts. 22 pages. Published by Juan A. Perez
Arrangement for clarinet quartet of El Murciélago, composed by Johann Strauss. The original literary source for Die Fledermaus was Das Gefängnis (The Prison), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, Le Réveillon, loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and Le Réveillon later formed the basis for the 1926 silent film So This Is Paris, directed by Ernst Lubitsch.
$10.00
9.07 €
#
Clarinet Quartet: 4 clarinets
#
Johann Strauss
#
El Murciélago - Clarinet Quartet
#
Juan A. Perez
#
SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) - D MAJOR VERSION
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764…
(+)
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Trancribed by Flavio Regis Cunha. Baroque Period, Early Music, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.
'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Boréades?, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, Ólafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$7.99
7.24 €
#
Piano solo
#
Jean-Philippe Rameau
#
Rameau: Les Boréades: "The Arts and the Hours" for Piano
#
Flavio Regis Cunha
#
SheetMusicPlus
Les Indes Galantes - Les Sauvages
String Quartet: 2 violins, viola, cello
Violin, Viola, Cello, Double Bass - Advanced Intermediate - Digital Download Composed by…
(+)
Violin, Viola, Cello, Double Bass - Advanced Intermediate - Digital Download Composed by Jean Phillipe Rameau. Baroque Period, Repertoire, European, Easter, Recital. Score, Set of Parts. 9 pages. Published by Arte Nova Music Lab
Les Indes Galantes (French: "The Amorous Indies") is an opera by Jean-Philippe Rameau with a libretto by Louis Fuzelier. It takes the form of an opéra-ballet with a prologue and (in its final form) four entrées (acts). Following an allegorical prologue, the four entrées have distinct and separate plots, but are unified by the theme of love in exotic places (The Ottoman Empire, Peru, Persia, and North America). The most famous pieces from the work, Danse des Sauvages and the final Chaconne, come from the final entrée (Les sauvages).
The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette.
The Sauvages: The stage shows a grove in a forest in America, on the borders of the French and Spanish colonies, where the ceremony of the Peace Pipe is about to be celebrated
Adario, a Native American, is in love with Zima, daughter of a native chief, but he fears the rivalry of the Spaniard Don Alvar and the Frenchman Damon (Air: Rivaux des mes exploits, rivaux des mes amours). The Europeans plead with Zima for her love, but she says Damon is too fickle and Alvar is too jealous; she prefers the natural love shown by Adario (Air: Sur nos bords l'amour vole) and the couple vow to marry (Duet: Hymen, viens nous unir d'une chaîne éternelle). The act ends with the Europeans joining the natives in the ceremony of peace (Chorus: Forêts paisibles).
Taken fromhttps://en.wikipedia.org/wiki/Les_Indes_galantes
$25.00
22.67 €
#
String Quartet: 2 violins, viola, cello
#
Jean Phillipe Rameau
#
Les Indes Galantes - Les Sauvages
#
Arte Nova Music Lab
#
SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) Db MAJOR R*E*CORD VERSION
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
(+)
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.<br> <br> <br> <br> https://youtu.be/qTwqBVt2Clw
$7.99
7.24 €
#
Piano solo
#
Jean-Philippe Rameau
#
Rameau: Les Boréades: "The Arts and the Hours" for Piano
#
Flavio Regis Cunha
#
SheetMusicPlus
Kupelwieser Waltz (from Waltz in G-flat major, D.Anh.I/14) EASY VERSION in G Major for PIANO SOLO
Easy Piano
Piano Solo, Easy Piano - Early Intermediate - Digital Download Composed by Franz Schu…
(+)
Piano Solo, Easy Piano - Early Intermediate - Digital Download Composed by Franz Schubert (1797-1828). Arranged by Flavio Regis Cunha. Romantic Period, Valentine's Day, Wedding, Graduation, Recital. Score. 4 pages. Published by Flavio Regis Cunha
Here we offer a beautiful arrangement for easy piano transposed to G Major from the original key in G flat major by Richard Straus. You and your audience will love playing this piece.<br> <br> <br> <br> Leopold Kupelweiser was the son of Johann Baptist Georg Kilian Kupelwieser (1760–1813), co-owner of a factory that produced tableware. His talents were recognized at an early age by the sculptor Franz Anton von Zauner and by the time he was twelve, he was already attending the Academy of Fine Arts, Vienna.<br> <br> His brother was the theatrical director Joseph Kupelwieser, who wrote the libretto for Schubert's opera Fierrabras. With his brother, Joseph, he was a member of the "Schubertianern" (friends of Franz Schubert), a group that often got together for summers at the Schloss Atzenbrugg, west of Vienna. In 1826, Leopold married Maria Johanna Evangelista Augustina Stephania Theodora Lutz, an occasion which was marked by Schubert's composition, the "Kupelwieser Waltz" (never written down, but passed along by the family and later transcribed by Richard Strauss).
$4.49
4.07 €
#
Easy Piano
#
Franz Schubert (1797-1828)
#
Kupelwieser Waltz
#
Flavio Regis Cunha
#
SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C# MAJOR VERSION
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
(+)
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Renaissance, Wedding, Graduation, Recital. Score. 12 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$7.99
7.24 €
#
Piano solo
#
Jean-Philippe Rameau
#
Rameau: Les Boréades: "The Arts and the Hours" for Piano
#
Flavio Regis Cunha
#
SheetMusicPlus
La Gran Vía - Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet Quartet - Advanced Intermediate - Digital Download Composed by Federico Chue…
(+)
Clarinet Quartet - Advanced Intermediate - Digital Download Composed by Federico Chueca y Joaquín Valverde. Arranged by Juan A. Perez. Opera. Score, Set of Parts. 39 pages. Published by Juan A. Perez
Arrangement of the zarzuela composed by Federico Chueca and Joaquín Valverde, with a libretto by Felipe Pérez y González. It was premiered at the Felipe Theater in Madrid on July 2, 1886.
$24.00
21.76 €
#
Clarinet Quartet: 4 clarinets
#
Federico Chueca y Joaquín Valverde
#
La Gran Vía - Clarinet Quartet
#
Juan A. Perez
#
SheetMusicPlus
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C MAJOR VERSION
Piano solo
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1…
(+)
Piano Solo - Intermediate - Digital Download Composed by Jean-Philippe Rameau (1683-1764). Arranged by Transcribed and arranged by Flavio Regis Cunha. Baroque Period, Early Music, Funeral, Graduation, Recital. Score. 9 pages. Published by Flavio Regis Cunha
Les Boréades is a tragédie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706–1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Boréades are the descendants of Boréas.<br> <br> <br> 'The Arts and The Hours' interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
$7.99
7.24 €
#
Piano solo
#
Jean-Philippe Rameau
#
Rameau: Les Boréades: "The Arts and the Hours" for Piano
#
Flavio Regis Cunha
#
SheetMusicPlus
I Am Worth Nothing, a micro-opera for soprano, mezzo, bass, and piano
Bass Voice,Mezzo-Soprano Voice,Piano - Level 4 - Digital Download SKU: A0.1457162 B…
(+)
Bass Voice,Mezzo-Soprano Voice,Piano - Level 4 - Digital Download SKU: A0.1457162 By Libretto by Lisa Kay Adam. By Adrienne Inglis (ASCAP). 21st Century,Chamber,Classical,Multicultural,Opera,World. 24 pages. Adrienne Inglis (ASCAP) #1036203. Published by Adrienne Inglis (ASCAP) (A0.1457162). Powerful and dramatic Native American micro-opera, 10-11 minutes, for three singers and piano, simple stagingI am worth nothing (2022)Micro-opera for soprano, mezzo, bass, and pianoLibretto — “I am worth nothing — Pīntci nakāmmam axām,” poem by Lisa Kay Adam from her book xuāi: mission, house, village, town, published in 2018 by Lamar University Literary Press, used with permissionDuration 10-11 minutesDifficulty 4 intermediate/advancedLanguage — English and Coahuilteco3 Mar 2024 — One Ounce Opera presents the micro-opera I am worth nothing during its 6th Annual Fresh Squeezed Ounce of Opera, Austin, Texas — watch here:https://youtu.be/2Aau7V7vJcE?feature=shared
$5.99
5.43 €
#
Libretto by Lisa Kay Adam
#
I Am Worth Nothing, a micro-opera for soprano, mezzo, bass, and piano
#
Adrienne Inglis
#
SheetMusicPlus
Grand Potpourri Brillant, Op. 98
Guitar - Digital Download SKU: BQ.979-0-50179-027-2 Composed by Charles Blum. Edite…
(+)
Guitar - Digital Download SKU: BQ.979-0-50179-027-2 Composed by Charles Blum. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. Opus 98. 24 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-027-2). ISBN 9790501790272.Actor, singer, director, librettist and composer Charles Blum took the Grand Opera themes of Auber's 'La Muette de Portici as the basis of this extended medley of tunes from the opera in this Grand Potpourri Brillant for guitar solo. Listed as being of moderate difficulty it is a substantial work of immense charm and beauty that will test the skills of the guitarist up to an intermediate advanced level.
$11.95
10.84 €
#
Charles Blum
#
Grand Potpourri Brillant, Op. 98
#
Bisel Classics - Digital
#
SheetMusicPlus
Spirals in the Sky
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1260605 Composed by Martha Hill Dun…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1260605 Composed by Martha Hill Duncan. 21st Century,Classical,Contemporary. Score. 27 pages. Abundant Silence #853798. Published by Abundant Silence (A0.1260605). SPIRALS IN THE SKY, BY MARTHA HILL DUNCANFOR SOLO PIANO, LATE INTERMEDIATE, 21 PAGES.....................................In this whimsical marriage of astronomy and music, my husband,  astrophysicist, Dr. Martin Duncan and I have combined our talents to celebrate the beauty of the night sky and the magic of music. M.H. DuncanMartha Hill Duncan’s passion for music started early, inspired by her mother, who sang and played the piano by ear. Martha was a member of the first graduating class of the Houston High School for Performing and Visual Arts and earned a Bachelor of Music degree in Composition from the University of Texas at Austin.Her piano works have been inspired, at least in part, by her long-time career as a piano teacher and some of these pieces, as well as her art songs, appear in educational publications and syllabi. Piano collection titles include The Sunken Garden, Isla Vista Suite, Precipitations, Angular Measures, Limestone Etchings, Rainy Days and Cottage Days. Since moving from the United States to Canada, many of her compositions have been inspired by Canadian landscapes and texts. In January 2014, her youth opera, Searching the Painted Sky, with poet/librettist Janet Windeler Ryan, was premiered at the National Opera Association Convention in New York City. She was named a finalist for the 2020 Louis Applebaum Award.A former piano examiner for the Royal Conservatory of Music, she is also a founding member of Red Leaf Pianoworks, a self-publishing composers’ collective. Originally from Houston, Texas, Martha and her husband Martin have lived in Kingston, Ontario since 1988. She also conducts the women’s choir She Sings! and has two grown children and two granddaughters. To explore more of her music, please visit www.marthahillduncan.comDr. Martin Duncan was born in London, England and was raised in Montreal, Canada. As a child, his biggest question was, “What would happen if...?†His first experiments involved creating foul-smelling concoctions with his chemistry set in hisparents’ basement. He survived and went on to complete an Honours Physics degree at McGill University, followed by graduate degrees in astronomy at the Universities of Toronto and Texas at Austin. Post-doctoral research was performed at Cornell University, the University of Toronto and the University of California, Santa Cruz. In 1988, he became a professor of astronomy and physics at Queen’s University in Kingston, Ontario.In his academic career he has co-authored over 120 scientific papers, which have been cited over 8,000 times. He has presented numerous invited talks at international scientific conferences and has been the guest speaker at many public lectures. His research has ranged from the study of black holes to simulations of the formation and orbital evolution of planets and comets. He is best known for the prediction of the existence of a disk of small icy bodies beyond Neptune, which he and his colleagues called the Kuiper Belt. In 1996, the International Astronomical Union named Asteroid 6115 “martinduncan†in honor of his contributions to planetary dynamics.
$19.50
17.68 €
#
Piano solo
#
Martha Hill Duncan
#
Spirals in the Sky
#
Abundant Silence
#
SheetMusicPlus
<
1
26
51
76
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
