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Life On Mars?
Sheetmusic to print
52 sheet music found
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Florentiner Marsch by Julius FuÄík
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1021847 Composed by Julius Fucik.…
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Concert Band - Level 4 - Digital Download SKU: A0.1021847 Composed by Julius Fucik. Arranged by Albert Schwarzmann. Romantic Period. Score and parts. 167 pages. Edition Schwalbe #6503111. Published by Edition Schwalbe (A0.1021847). Julius FuÄÃk (1872 - 1916) was a famous Austrian-Hungarian military bandmaster, who composed more than 400 pieces during his short lifetime. First of all he was known as a king of marches: His Florentiner March and Entry of the Gladiators had worldwide success, but also some of his overtures and waltzes became very popular. Originally titled La rosa di Toscana, this concert march was composed in 1907. This arrangement was commissioned by Wind Philharmonic Tyrol Austria and first performed at this orchestra's premier concert in 1997 in Innsbruck, Austria. It keeps the key of the orchestra version, while most band arrangements transpose a whole tone lower. A live recording of this piece by Wind Philharmonic Mozarteum Salzburg is included on the CD Schätze aus Alt-Österreich UMR22, Barcode 9120007611700 available at https://naxosdirekt.de/items/schatze-aus-alt-osterreich-558670 and on the CD Märsche UMR63, Barcode 9120007612127 available at https://naxosdirekt.de/items/marsche-557956
$93.90
86.57 €
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Concert band
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Julius Fucik
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Florentiner Marsch by Julius FuÄík
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Edition Schwalbe
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SheetMusicPlus
Ottinger Reiter Marsch (Clarinet and Bassoon Duet)
Clarinet, Bassoon (duet)
Instrumental Duet Bassoon,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: …
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Instrumental Duet Bassoon,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.956612 Composed by J Strauss II. Arranged by Catriona Melville-Mason. Concert,Romantic Period,Standards. Score and parts. 7 pages. C Melville-Mason #6477751. Published by C Melville-Mason (A0.956612). In his lifetime, Austrian composer Johann Strauss II (1825 – 1899) was dubbed ‘The Waltz King’, reflecting his prolific output of this type of dance music. He also composed polkas, quadrilles, marches, operettas and a ballet. During the 1848 upheavals in the Austrian Empire, Johann II opted to side with the revolutionaries. This allegiance had an adverse effect on his career, as well as deepening the rift between him and his father, so in due course Johann wrote several marches with titles that might encourage the establishment to forget his past pro-revolutionary sympathies. The Ottinger Reiter-Marsch was first published in 1850. Strauss claimed that the work had been commissioned for a regiment who specifically requested the dedication to General Franz von Ottinger. At the time, Ottinger was not very popular, largely because of his punitive attitude towards former revolutionaries.This arrangement for mixed woodwind duo of B-flat clarinet and bassoon is suitable for players of ABRSM Grade 4 - 5 standard and above.
$4.50
4.15 €
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Clarinet, Bassoon (duet)
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J Strauss II
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Ottinger Reiter Marsch
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C Melville-Mason
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SheetMusicPlus
Ottinger Reiter-Marsch (Flute & Clarinet Duet)
Flute, Clarinet (duet)
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0…
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Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.956621 Composed by J Strauss II. Arranged by Catriona Melville-Mason. Concert,Romantic Period,Standards. Score and parts. 7 pages. C Melville-Mason #6481195. Published by C Melville-Mason (A0.956621). An intermediate-level arrangement of a Strauss march, for mixed woodwind duet of flute and clarinet in B-flat.In his lifetime, Austrian composer Johann Strauss II (1825 – 1899) was dubbed ‘The Waltz King’, reflecting his prolific output of this type of dance music. He also composed polkas, quadrilles, marches, operettas and a ballet. During the 1848 upheavals in the Austrian Empire, Johann II opted to side with the revolutionaries. This allegiance had an adverse effect on his career, as well as deepening the rift between him and his father, so in due course Johann wrote several marches with titles that might encourage the establishment to forget his past pro-revolutionary sympathies. The Ottinger Reiter-Marsch was first published in 1850. Strauss claimed that the work had been commissioned for a regiment who specifically requested the dedication to General Franz von Ottinger. At the time, Ottinger was not very popular, largely because of his punitive attitude towards former revolutionaries.
$4.50
4.15 €
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Flute, Clarinet (duet)
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J Strauss II
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Ottinger Reiter-Marsch
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C Melville-Mason
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SheetMusicPlus
Ottinger Reiter-Marsch - Oboe (Flute) and Bassoon Duet
Instrumental Duet Bassoon,Flute,Instrumental Duet,Oboe - Level 3 - Digital Download SKU…
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Instrumental Duet Bassoon,Flute,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.956627 Composed by J Strauss II. Arranged by Catriona Melville-Mason. Concert,Romantic Period,Standards. Score and parts. 7 pages. C Melville-Mason #6487635. Published by C Melville-Mason (A0.956627). This arrangement of a Strauss march is intended for double reed duo of oboe and bassoon, but the upper part is also playable by flute.In his lifetime, Austrian composer Johann Strauss II (1825 – 1899) was dubbed ‘The Waltz King’, reflecting his prolific output of this type of dance music. He also composed polkas, quadrilles, marches, operettas and a ballet. During the 1848 upheavals in the Austrian Empire, Johann II opted to side with the revolutionaries. This allegiance had an adverse effect on his career, as well as deepening the rift between him and his father, so in due course Johann wrote several marches with titles that might encourage the establishment to forget his past pro-revolutionary sympathies. The Ottinger Reiter-Marsch was first published in 1850. Strauss claimed that the work had been commissioned for a regiment who specifically requested the dedication to General Franz von Ottinger. At the time, Ottinger was not very popular, largely because of his punitive attitude towards former revolutionaries.
$4.50
4.15 €
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J Strauss II
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Ottinger Reiter-Marsch - Oboe
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C Melville-Mason
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SheetMusicPlus
Nature Boy
Rhythm Section Voice (SATB divisi) - Level 4 - Digital Download SKU: A0.1360707 By …
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Rhythm Section Voice (SATB divisi) - Level 4 - Digital Download SKU: A0.1360707 By Nat King Cole. By Eden Ahbez. Arranged by Kerry Marsh. Contemporary,Jazz. Vocal Jazz Ensemble. 66 pages. Kerry Marsh #945208. Published by Kerry Marsh (A0.1360707). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a reduced price compared to the standard flat-fee ($75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the SkyTracks Mixer MINUS Chart package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation).The mixed ensemble version of a 2024 revision to one of Kerry's most popular arrangements, now with the floaty and mysterious opening section in tempo (rather than rubato, as in the original arrangement), supported by the rhythm section to keep the ensemble aligned, and with many updates to the rest of the arrangement and the notation. Inspired by Kurt Elling's recording from Live in Chicago, and featuring a soli section based largely on his scat solo, this chart has new life in the vocal jazz community with these long-needed quality-of-life improvements to help your students get the most out of their experience with this classic song with a great message.
$49.99
46.09 €
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Nat King Cole
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Nature Boy
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Kerry Marsh
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SheetMusicPlus
Orgelsinfonie No. 16
Organ
Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed b…
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Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
20.27 €
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Organ
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
The Munsters Theme
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1208594 Composed by Jack Marshall…
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Concert Band - Level 2 - Digital Download SKU: A0.1208594 Composed by Jack Marshall. Arranged by Kyle L. McKinzey. Contest,Festival,Film/TV,Holiday. Score and Parts. 42 pages. KyleMac Music #806702. Published by KyleMac Music (A0.1208594). THE MUNSTERS†was an American sitcom airing on CBS from 1964 to 1966. It depicted the home life of a family of benign monsters. The series was a satire of American suburban life, the wholesome television family fare of the era and traditional monster movies. The music, by Jack Marshall, was described by writer Jon Burlingame as a Bernard-Herrmannmeets-Duane-Eddy sound. This arrangement has fun bass lines, so they will enjoy this and need to work on it sounding creepy. Though not marked throughout, the bass line should be separated and emulate a picked electric bass articulation throughout. The rest of the winds is more suitable for 1st & 2nd-year players. Ex. The 2nd clarinets do not cross the break. The percussion is written for a drum set but can be separated as a traditional part for concert band. As usual, I have included plenty of percussion parts to go around. The tom part can be ad-libbed by a drumkit player if you go with that option. The part itself is optional but does help if splitting the drum part. There are three different mallet parts with the xylophone and marimba carrying the load. Bells can be optional. There are lots of sound effects in the accessories part. Ratchet, Cowbell, Vibra-slap, Tambourine, Whistle, Siren whistle. These can be easily substituted with what you have on hand. I hope your students and audiences (and you) have fun with this piece. I appreciate all comments, questions, and criticisms. KyleMac Music
$49.99
46.09 €
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Concert band
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Jack Marshall
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2nd-year players
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The Munsters Theme
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KyleMac Music
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SheetMusicPlus
Confident
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1458558 By Demi Lovato. By Demi Lovato, Ilya, Max Martin, and Savan Kotecha. Arranged by Alison Gillies. Contemporary,Film/TV,Pop,Rock. 16 pages. Quartetpad.com #1037488. Published by quartetpad.com (A0.1458558). Confident by Demi Lovato arranged for string quartet by Alison Gillies.This song was given a new lease of life in Bridgerton Season 3 by Archer Marsh. This arrangement borrows influences from the Marsh cover to make it recognisable to Bridgerton fans, whilst remaining true to the original song. It has been transposed up a semitone from the original to make it more string-player friendly.- Other Bridgerton season 3 arrangements by Alison Gillies:- abcdefu (Gayle)- Cheap Thrills (Sia)- Dynamite (BTS)- Give Me Everything (Pitbull feat. Neyo-Yo & Afrojack) - Happier Than Ever (Billie Eilish)- Jealous (Nick Jonas)- Lights (Ellie Goulding)- pov (Ariana Grande)- Snow On The Beach (Taylor Swift feat. Lana Del Rey) - Thunder (Imagine Dragons)- Yellow (Coldplay)- You Belong With Me (Taylor Swift)- Bridgerton Theme (Kris Bowers)See more arrangements by Alison Gillies at quartetpad.comInstagramFacebookTikTok
$16.99
15.66 €
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String Quartet: 2 violins, viola, cello
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Demi Lovato
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Confident
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quartetpad.com
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SheetMusicPlus
Come To My Garden
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1242100 Composed by Lucy Simon and Marsha Norman. Arranged by Lisa Ochoco. 20th Century,Broadway,Musical/Show. 29 pages. Lisa L Ochoco #837457. Published by Lisa L Ochoco (A0.1242100). The Secret Garden is a musical based on the novel by Frances Hodgson Burnett. Â The musical premiered on Broadway in 1991. Â It is the story about a 10 year old girl, Mary, who loses her parents to cholera. Â She is forced to move from India to England to live with relatives who are strangers to her. Â At her new home, she finds a garden that once was cared for by her late aunt and wants to bring it back to life.This beautiful song can be performed for any occasion. It is scored for 4 altos, 2 basses, and contrabass flutes. Â Optional parts are contra alto in G and double string bass. Â Altos 1 and 2 have divisis in the second half of the song.Duration: 5.5 minutes.
$16.00
14.75 €
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Flute ensemble
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Lucy Simon and Marsha Norman
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Come To My Garden
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Lisa L Ochoco
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SheetMusicPlus
Pitt Street Bridge - for Concert Band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.778226 Composed by John McAlliste…
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Concert Band - Level 2 - Digital Download SKU: A0.778226 Composed by John McAllister. Contemporary,Folk,Instructional,Standards. Score and parts. 52 pages. John McAllister #6665567. Published by John McAllister (A0.778226). Pitt Street Bridge was commissioned by the Moultrie Middle School Band to be premiered at the 2020 SCMEA Conference. The remains of the Pitt Street Bridge lie in the Intercoastal Waterway and in what is now called Pickett Bridge Recreation Area. It is within walking distance from the middle school, and it is an integral part of Mt. Pleasant’s history. Originally designed as a trolley bridge that connected Sullivan’s Island and Mount Pleasant, Pitt Street Bridge is now a haven for recreation and relaxation. The lively melodies throughout the piece depict the festive activities that take place on Pitt Street Bridge. The piece opens as though one is standing on the Pitt Street Bridge, gazing out at the immensely beautiful surroundings. Slow and serene as the sun blankets the harbor and the marsh. The bridge has a tremendous history, dating back to the revolutionary war, which is where the melody begins. Deconstructed from part of Sir Peter Parker, a song about the Battle of Sullivan’s Island. A distant memory, this melody will find itself in many ways throughout (three notes rising diatonically followed by a falling 3rd). The woodwinds pattern in the opening (which also appears throughout), represents the ripples in the water, flowing gently back and forth. The military past of the bridge is hinted at in two ways. The snare in the opening, reminiscent of the rudimental style and several harmonies throughout that hint at an Americana style. As the piece picks up tempo, the hustle and bustle of 1920s Charleston comes to life. Harmonically, everything is still built off of the foundation of the original tune, but now we’re in bright and joyous times and people are transported to and from the island in the Roarin’ 20s. The optimism abounds until the climax of the piece as the bridge (musically speaking), fades into the past. At the finale, one is standing on the bridge with the distant melody still played on the flute.
$40.00
36.88 €
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Concert band
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John McAllister
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Pitt Street Bridge - for Concert Band
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John McAllister
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SheetMusicPlus
The Six Seasons of Kakadu
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.755176 Composed by Sy Brandon. 20…
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Concert Band - Level 4 - Digital Download SKU: A0.755176 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 132 pages. Sy Brandon #3409931. Published by Sy Brandon (A0.755176). This composition won Franklin and Marshall College’s wind Ensemble Composition Contest in 2001. Kakadu, Australia's ancient wilderness, comprises 8,000 square miles of the Northern Territory and boasts the longest continuous surviving human cultures in the world. Aborigines have been living in this region for at least 40,000 years. The region also contains abundant wild life. It is a land of varied extremes that creates a constant cycle of destruction and renewal. The composition is loosely programmatic. It does not depict the six seasons sequentially nor does it depict the six seasons with specific thematic material. The composition does attempt to capture both the primitiveness and beauty of this ancient wilderness and the cycles of its seasons, each with its own uniqueness and its challenge for the sustaining of life. The score prints on legal size paper and the parts on letter.
$39.99
36.87 €
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Concert band
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Sy Brandon
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The Six Seasons of Kakadu
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Sy Brandon
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SheetMusicPlus
Jacques Leguerney: De L'Abîme Profond for soprano, baritone and piano
Vocal duet, Piano
Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.534403 Composed b…
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Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.534403 Composed by Jacques Leguerney. 20th Century,Christian,Concert,Sacred,Standards. 15 pages. Musik Fabrik Music Publishing #3457407. Published by Musik Fabrik Music Publishing (A0.534403). This is one of two duets that Leguerney wrote for Geneviève Touraine and her brother, the famous French baritone Gérard Souzay. It was completed on 21 January 1950. The first performance, with Souzay and Touraine, was 21 June 1950 in the Parisian Salle Gaveau with Jacqueline Robin (Bonneau) at the piano. Previously unpublished, De l’abîme profond, was first recorded by soprano Danielle Borst and baritone Philippe Huttenlocher with Mary Dibbern at the piano. This was for the CD 50-9618, 28 Mélodies issued by Claves Records-Radio Suisse Romande: Espace 2 in 1996. The recording was recognized with the Grand Prix du Disque de l’Académie Charles Cros. The US premiere performance was by soprano Jill Pearon and baritone David Pittman-Jennings, accompanied by Mary Dibbern, during a recital at the Crane School of Music, SUNY-Potsdam, New York, 23 October 2007. The vocal range for the soprano line is C1-G#2 and for the baritone line is B-F1. The text’s poet, Jean de La Céppède (1550-1622), was born in Marseille and spent most of his life working as a lawyer and magistrate in Aix–en–Provence. His principal work, Théorèmes, consists of 515 sonnets dealing with the life of Jesus Christ and the “sacred mysteries of our redemption.†La Céppède’s poem is a translation of a psalm by David from the Old Testament of the Bible. Leguerney also set a psalm of David for medium voice and chamber orchestra, which was premiered by Gérard Souzay in 1954. This orchestral Psaume LXII de David is also published by Musik Fabrik. The French author Jean Roy, reviewing this duet in Le Monde de la Musique (January, 1997), wrote: “There is a grandeur and a dramatic sentiment that surpasses [a] work that one might dismiss as minor.†For a detailed discussion of the music and both a word-by-word English translation and International Phonetic Alphabet transcription of the French text, see The Songs of Jacques Leguerney: A Guide for Study and Performance by Mary Dibbern, Carol Kimball and Patrick Choukroun. Series VOX MUSICAE: The Voice, Vocal Pedagogy, and Song. General Editor : Kathleen L. Wilson. New York: Pendragon Press, 2001. 
$12.95
11.94 €
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Vocal duet, Piano
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Jacques Leguerney
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Jacques Leguerney: De L'Abîme Profond for soprano, baritone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Animal Sketches, Volume I, Op. 3
Small Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.954534…
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Small Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.954534 Composed by Johnathan Couch, Op. 3. 20th Century,Children,Contemporary. Score and parts. 29 pages. Johnathan Couch #3448263. Published by Johnathan Couch (A0.954534). One of the most unique works of Johnathan Couch's Opus 3, Animal Sketches, Volume I combines musical depictions of four diverse organisms into one entertaining program piece for piano quintet.1.) Blue Whale - Hear the yearning song of the earth's largest animal, portrayed beautifully by the cello, as the upper strings and piano provide a soft, leisurely, ocean-like background.2.) Penguins - Everyone loves penguins. This cute and cheerful movement captures the playful fun side of penguins which we all know and love. Beginning with a good-natured swing and transitioning into a marshal little march, audiences will go crazy for this happy little piece. 3.) Venus Fly Trap (and an Unfortunate Insect) - The title says it all! With Violin I representing the doomed insect, the rest of the instruments take on the role of Venus Fly Trap, creating a calm, peaceful atmosphere which lures the bug into the plants life-ending jaws. The final seconds of this movement are a climactic escalation of harmony and rhythm which depict the last fleeting moments of the insect's life as the Venus Fly Trap consumes it.4.) Spiders - Not just one spider: lots of them! The music of this movement (composed in a somewhat-classical style) is sure to leave the audience with the sensation of thousands of little spiders crawling all over! This is a great movement, using lots of chromatic themes and spider-sounding trills.
$6.99
6.44 €
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Johnathan Couch, Op
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Animal Sketches, Volume I, Op. 3
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Johnathan Couch
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SheetMusicPlus
Haydn Finale from Sonata #1 in Eb for Clarinet Quartet
Clarinet Quartet: 4 clarinets
Clarinet Solo - Level 5 - Digital Download SKU: A0.913611 Composed by Franz Joseph …
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Clarinet Solo - Level 5 - Digital Download SKU: A0.913611 Composed by Franz Joseph Haydn. Arranged by James Marshall Music. Classical,Standards. Individual part. 36 pages. James Marshall Music #3424989. Published by James Marshall Music (A0.913611). This Finale movement from the Hydan Piano Sonata #1 in Eb lends itself to realization in the rich sonorities of the clarinet quartet. Haydn's chordal spacing, articulation (fz, fp, staccatos), pungent dissonant half steps, and melismatic passages come to life in the inherent versatility of the clarinet family. This is not a piano transcription. Clarinet style figurations are chosen from the piano ones. The range is up to high G in the first Clarinet and Bass Clarinet range is form low E (C also if possible) to high G on the first space above the treble clef. Scored for 3 Bb Clarinets and Bass Clarinet.
$7.99
7.37 €
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Clarinet Quartet: 4 clarinets
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Franz Joseph Haydn
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ones
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Haydn Finale from Sonata #1 in Eb for Clarinet Quartet
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James Marshall Music
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SheetMusicPlus
Ange Flégier: Le Cor for baritone voice and piano
Low voice, Piano
Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533413 Composed by Ange F…
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Low Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533413 Composed by Ange Flégier. Concert,Romantic Period,Standards. 11 pages. Musik Fabrik Music Publishing #2913381. Published by Musik Fabrik Music Publishing (A0.533413). A setting of a poem by Alfred de Vigny. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In D major Duration: aprox. 5 minutes 30 secondsThe original orchestration of this song is available on rental from the puboisher (2(pic)222/4231/timp/3perc/hp/strings)Ange Flégier (1846–1925) was born in Marseilles and also died there. Hestudied composition with Ambroise Thomas at the Conservatoire in Paris and then became a well-known composer with more than 350 works in his catalogue. Most of his works are concert songs and chamber music pieces. He also worked as a music critic and, later in life, as a painter.J'aime le son du Cor, le soir, au fond des bois,Soit qu'il chante les pleurs de la biche aux abois,Ou l'adieu du chasseur que l'écho faible accueille,Et que le vent du nord porte de feuille en feuille.Que de fois, seul, dans l'ombre à minuit demeuré,J'ai souri de l'entendre, et plus souvent pleuré !Car je croyais ouïr de ces bruits prophétiquesQui précédaient la mort des Paladins antiques.Âmes des Chevaliers, revenez-vous encor?Est-ce vous qui parlez avec la voix du Cor ?Roncevaux ! Roncevaux ! Dans ta sombre valléeL'ombre du grand Roland n'est donc pas consolée !
$9.10
8.39 €
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Low voice, Piano
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Ange Flégier
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Ange Flégier: Le Cor for baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30.38 €
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2 Pianos, 4 hands
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achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
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Germaine Tailleferre
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Germaine Tailleferre: Trois Études for two pianos
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Musik Fabrik Music Publishing
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SheetMusicPlus
Children's Christmas Eve
Piano solo
Piano - easy to intermediate - Digital Download SKU: S9.Q49691 Little Piano Piec…
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Piano - easy to intermediate - Digital Download SKU: S9.Q49691 Little Piano Pieces. Composed by Niels Wilhelm Gade. This edition: Sheet music. Piano Journal. Downloadable. Volume op. 36, Op Heft 15. Schott Music - Digital #Q49691. Published by Schott Music - Digital (S9.Q49691). Niels Gade (1817-1890), who was born in Copenhagen and spent most of his life there, went to Leipzig in 1843 for further training on a royal scholarship. There he became friends with Robert Schumann and found an eager patron in Felix Mendelssohn Bartholdy. He is regarded as the most important figure of the Danish musical scene in the 19th century. His charming cycle 'Der Kinder Christabend' was published in 1859 with titles and texts in Danish. Although the first German edition was published in Leipzig in 1860, the English edition was not published in London until 1880. With his five mood pictures 'Weihnachts-Glocken' - 'Weihnachtsbaum-Einzugs-Marsch' - 'Ringeltanz der Knaben' - 'Tanz der kleinen Mädchen' - 'Gute Nacht', Gade portrays the typical atmosphere of a middle-class Christmas evening in the 19th century.
$11.99
11.05 €
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Piano solo
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Niels Wilhelm Gade
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Children's Christmas Eve
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Schott Music - Digital
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SheetMusicPlus
Perry The Platypus Theme
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1034486 Composed by Dan Povenmire and Jeff Swampy Marsh. Arranged by Ryan Beard. Children,Film/TV,Instructional. 16 pages. Ryan Beard Music #639844. Published by Ryan Beard Music (A0.1034486). This fun arrangement for your woodwind quintet is sure to please all the fans of Phineas & Ferb from the Disney Channel. This high-energy spy-rock tune is the theme song of Perry the Platypus who, unbeknownst to his owners, lives a double life as a secret agent! While the horn carries the melody for most of the piece, you can feature one player who can create the best imitation of a platypus with a multiphonic or other special technique on their instrument. This is a wonderful and entertaining choice for demonstration concerts.
$24.99
23.04 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Dan Povenmire and Jeff Swampy Marsh
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Perry The Platypus Theme
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Ryan Beard Music
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SheetMusicPlus
Open Your Heart
Choral SATB
SATB chorus - Digital Download SKU: C7.CGA948 Composed by Jane M Marshall. General.…
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SATB chorus - Digital Download SKU: C7.CGA948 Composed by Jane M Marshall. General. Mixed Voices. With Piano. Sacred Anthem. Octavo. 4 pages. Chorister's Guild - Digital #CGA948. Published by Chorister's Guild - Digital (C7.CGA948). UPC: 749193007822.The Magnificat and Nunc Dimmitis come to life in two memorable Biblical scenes: (1) Young Mary, visiting her older cousin, Elizabeth, sings of her great joy to be the mother of the Christ Child. (2) Mary and Joseph taking the infant Jesus to the temple where the wise, aging Simeon declared that God's promise to him was fulfilled. These settings can be sung as general anthems or as integral parts of Vespers or Evensongs. The flute ostinato and the introductory choral measures are motifs from Magnificat by J. S. Bach. Magnificat text based on Luke 1:46-47. Nunc Dimmitis text based on Luke 2:29-31. Lectionary use: Luke 1: 46-47 - Visitation ABC; Advent 3 AB; Advent 4 BC; Luke 2: 29-31 - Christmas 1 B.
$1.85
1.71 €
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Choral SATB
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Jane M Marshall
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Advent 3 AB
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Open Your Heart
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Chorister's Guild - Digital
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SheetMusicPlus
Aaliis 99.2
Small Ensemble Cello,Harp,Trombone - Level 5 - Interactive Download SKU: A0.1152566…
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Small Ensemble Cello,Harp,Trombone - Level 5 - Interactive Download SKU: A0.1152566 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Classical,Film/TV. Score and parts. 6 pages. Duration 50. Father Ambrose Press #VuOrQCcy8rN5epAcJNFyP. Published by Father Ambrose Press (A0.1152566). Key: C major.Encore, on the cusp of jazz... a confection for small chamber ensemble... with the regret that I could not find a way to invite trombonist and life-long friend Tim Beck to appear on the Arts t Holy Trinity scene...
$18.00
16.59 €
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Celebrity Chamber Players
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Aaliis 99.2
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Father Ambrose Press
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SheetMusicPlus
Grandfathers Clock
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1403965 Composed by Danny Marsden S. Widdicombe. Arranged by Geo. Doughty (arranger) & Peet du Toit (orchestrator). Folk,Pop. 73 pages. Peet du Toit #987145. Published by Peet du Toit (A0.1403965). Grandfather's Clock (popularly known as My Grandfather's Clock) is a song written in 1876 by Henry Clay Work, the author of Marching Through Georgia. It is a standard of British brass bands and colliery bands, and is also popular in bluegrass music. The Oxford English Dictionary says the song was the origin of the term grandfather clock for a longcase clock. In 1905, the earliest known recording of this song was performed by Harry Macdonough and the Haydn Quartet (known then as the Edison Quartet).The song, told from a grandchild's point of view, is about his grandfather's clock.The clock is purchased on the morning of the grandfather's birth and works perfectly for 90 years, requiring only that it be wound at the end of each week.The clock seems to know the good and bad events in the grandfather's life; it rings 24 chimes when the grandfather brings his new wife into his home, and near his death it rings an alarm, which the family recognizes to mean that the elderly gentleman is near death and gathers by his bed. After the grandpa dies, the clock suddenly stops, and never works again.This famous Euphonium solo, with brass quintet, but also with Sam Harrill's percussive magic. Enjoy!
$25.00
23.05 €
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Danny Marsden S
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Grandfathers Clock
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Peet du Toit
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SheetMusicPlus
Hail! La Fayett
Piano, Voice
Piano and voice - Digital Download SKU: LV.21303 Arranged by F. Fest. Portraits, Na…
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Piano and voice - Digital Download SKU: LV.21303 Arranged by F. Fest. Portraits, National Emblems, Eagles, Cannons, Drums, Patriotism, Campaigns & battles, Heroes. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21303). Hail! La Fayett. Written by Major J.N. Barker. A tribute of respect to that illustrious friend of Liberty on his arrival in the United States. Adapted to Genl. La Fayette's March, the Marsellois Hymn. The Music Arranged for a full Military Band at the request of the Committee of Arrangement by F. Fest. Published 1824 by G.E. Blake, No.13 South Fifth Street in Philadelphia. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, National Emblems, Eagles, Cannons, Drums, Patriotism, Campaigns & battles, Heroes. First line reads When Freedom roud'd our Sires to glory, and bade them strike for life and land.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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Hail! La Fayett
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Ange Flégier: Au crépuscule for baritone voice and piano
Baritone voice, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533410 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533410 Composed by Ange Flégier. Concert,Romantic Period,Standards. 9 pages. Musik Fabrik Music Publishing #2913373. Published by Musik Fabrik Music Publishing (A0.533410). A setting of a poem by Jean Richepin. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Baritone Voice and Piano.Toccata Classics, 2016. In e minor. Duration: aprox. 4 minutesAnge Flégier (1846–1925) was born in Marseilles and also died there. Hestudied composition with Ambroise Thomas at the Conservatoire in Paris and then became a well-known composer with more than 350 works in his catalogue. Most of his works are concert songs and chamber music pieces. He also worked as a music critic and, later in life, as a painter.Dans le silenceLe bateau dortEt bord sur bordIl se balance.Seul à l’avantUn petit mousseD’une voix douceSiffle le vent.Au couchant pâleEt violetFlotte un refletDernier d’opale.Les flots déteintsOnt sous la briseLa couleur griseDes vieux étains.Alors la veuveAux noirs cheveuxSe dit: «Je veuxFaire l’épreuveDe mes écrinsDans cette glace.»Et la Nuit placeParmi ses crins,Sous ses longs voilesAux plis dormants,Les diamantsDe ses étoiles.
$9.10
8.39 €
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Baritone voice, Piano
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Ange Flégier
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Ange Flégier: Au crépuscule for baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Extinction Events - Clarinet Quartet - Mvt 2 - Cuckoos
Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.581935 Compose…
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Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.581935 Composed by John Gibson. Contemporary. 11 pages. JB Linear #3456847. Published by JB Linear (A0.581935). Extinction Events (2nd movement - It Isn't Easy Being a Cuckoo by John Gibson was written as a submission to the International Clarinet Association's 2018 Composition Competition. Written for 3 Bb clarinets and 1 bass clarinet, it is a four movement work for very advanced players, although the 2nd movement is easier. This is the second movement only...the others may be purchased separately: Buzzy Delights, Walrus Jump, and Yaguarete Surprise (Argentine Jaguar). The entire set of 4 movements may also be purchased. Simply type extinction events Gibson in the search bar at the top.Each movement imagines a different animal or insect living in its habitat as it gradually deteriorates. One might think this would be sad, violent music, but each earthly creature is shown in its musical habitat where it happily does what it does best....bees buzzing around flowers, cuckoos gently calling in the forest, Walruses jumping not so gracefully onto sea ice, Jaguars quietly stalking their prey. The habitat changes are depicted by gradual use of unstable scales, and the sometimes hidden ancient tune of the Dies Irae, the Day of Wrath.The point I wish to make is how humans must be watchful of wildlife habitats because we are all in this limited world together. Where wild creatures go, so do we. It was best said by Jane Goodall: Only if we understand can we care. Only if we care will we help. Only if we help shall they be saved. Cuckoos are quiet reminders of spring when they first appear at the Marsden, United Kingdom area where they have a Cuckoo fair every year. Their habitat is shrinking at an alarming rate as their numbers slowly decrease. In the music, the cuckoos in the 3rd clarinet part get progressively sad sounding and simply disappear. Special fingerings are provided for the 3rd clarinet player.You may watch a video on YouTube: https://youtu.be/MOCTanOBIyk
$14.00
12.91 €
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John Gibson
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Extinction Events - Clarinet Quartet - Mvt 2 - Cuckoos
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JB Linear
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SheetMusicPlus
Entrance March from "The Gypsy Baron" for Brass Quartet
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.527788
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.527788 Composed by Johann Strauss Jr. Arranged by Diego Marani. Classical,Holiday,Instructional,Romantic Period,Standards. Score and parts. 16 pages. Diego Marani #3463083. Published by Diego Marani (A0.527788). The Gypsy Baron (Der Zigeunerbaron) is an operetta in three acts by Johann Strauss Junior which premiered at the Theater an der Wien on 24 October 1885. During the composer's lifetime, the operetta enjoyed great success, second only to the popularity of Die Fledermaus.In this arrangement for brass quartet (Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba) we have the famous and brilliant entry march (Einzugsmarsch) of act III.
$12.99
11.98 €
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Brass quartet : 2 trumpets, trombone, tuba
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Johann Strauss Jr
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Entrance March from "The Gypsy Baron" for Brass Quartet
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Diego Marani
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SheetMusicPlus
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