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You've selected:
Line For Lyons
Sheetmusic to print
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Line For Lyons
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Trombone,Tr…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Trombone,Trumpet - Digital Download SKU: A0.981488 Composed by Gerry Mulligan. Arranged by Myrick Crampton. Contemporary. Score and parts. 50 pages. MDC Music LLC #6448287. Published by MDC Music LLC (A0.981488). Swinging arrangement of the famous Chet Baker, Gerry Mulligan tune. Solo room for the bari.
$12.99
11.93 €
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Gerry Mulligan
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Line For Lyons
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MDC Music LLC
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SheetMusicPlus
Gerry Mulligan: Line For Lyons - voice & other instruments (in C)
Melody line, (Lyrics) and Chords
Instantly printable sheet music by Gerry Mulligan for voice & other instruments (in C)…
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Instantly printable sheet music by Gerry Mulligan for voice & other instruments (in C) of MEDIUM skill level. / jazz,standards
$2.97
2.73 €
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Melody line, (Lyrics) and Chords
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Gerry Mulligan
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Virtualsheetmusic
Line For Lyons
Piano solo
By Gerry Mulligan. Jazz; Standards. Piano. 4 pages. Published by Hal Leonard - Digital She…
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By Gerry Mulligan. Jazz; Standards. Piano. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.58 €
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Piano solo
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Gerry Mulligan
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Standards
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Line For Lyons
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Line For Lyons
Bass Clef Instruments
By Gerry Mulligan. C Instruments. Jazz; Standards. RBMC. 1 pages. Published by Hal Leonard…
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By Gerry Mulligan. C Instruments. Jazz; Standards. RBMC. 1 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
1.83 €
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Bass Clef Instruments
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Gerry Mulligan
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Standards
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Line For Lyons
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Line For Lyons
Baritone Saxophone Transcription - Interactive Download SKU: HX.404136 By Gerry Mul…
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Baritone Saxophone Transcription - Interactive Download SKU: HX.404136 By Gerry Mulligan. This edition: Interactive Download,scorch. Jazz. Score. 3 pages. Hal Leonard - Digital #479150. Published by Hal Leonard - Digital (HX.404136).
$3.99
3.66 €
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Gerry Mulligan
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Line For Lyons
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Hal Leonard - Digital
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SheetMusicPlus
Line For Lyons
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1281983 By Gerry Mulligan Quartet. …
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Piano Solo - Level 4 - Digital Download SKU: A0.1281983 By Gerry Mulligan Quartet. By Gerry Mulligan. Arranged by Francisco Fernandez. Jazz. Score. 3 pages. Fernandez francisco #873334. Published by fernandez francisco (A0.1281983). Reharmonisation.
$5.00
4.59 €
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Piano solo
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Gerry Mulligan Quartet
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Line For Lyons
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fernandez francisco
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SheetMusicPlus
Line For Lyons [Jazz version] (arr. Brent Edstrom)
Piano solo
By Gerry Mulligan. Arranged by Brent Edstrom. This edition: Interactive Download,scorc…
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By Gerry Mulligan. Arranged by Brent Edstrom. This edition: Interactive Download,scorch. Jazz. Score. 4 pages. Duration 1200. Published by Hal Leonard
$4.99
4.58 €
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Piano solo
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Gerry Mulligan
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Line For Lyons [Jazz version]
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Hal Leonard
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SheetMusicPlus
Line For Lyons
Saxophone Quartet: 4 saxophones
Composed by Gerry Mulligan. Arranged by Tim Downs. Jazz, Standards. 14 pages. Tim Down…
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Composed by Gerry Mulligan. Arranged by Tim Downs. Jazz, Standards. 14 pages. Tim Downs Music #468861. Published by Tim Downs Music
$14.99
13.77 €
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Saxophone Quartet: 4 saxophones
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Gerry Mulligan
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Line For Lyons
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Tim Downs Music
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SheetMusicPlus
Wind Quintet - One Rule
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
32.15 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.72 €
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Brass quartet : 2 trumpets, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
Gerry Mulligan: Line For Lyons [Jazz version] (arr. Brent Edstrom) - piano solo
Piano solo
Instantly printable sheet music by Gerry Mulligan for piano solo of MEDIUM skill level. / …
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Instantly printable sheet music by Gerry Mulligan for piano solo of MEDIUM skill level. / jazz
$5.97
5.48 €
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Piano solo
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Gerry Mulligan
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Virtualsheetmusic
Gerry Mulligan: Line For Lyons - baritone saxophone (transcription)
Instantly printable sheet music by Gerry Mulligan for baritone saxophone (transcription) o…
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Instantly printable sheet music by Gerry Mulligan for baritone saxophone (transcription) of MEDIUM skill level. / jazz
$4.97
4.56 €
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Gerry Mulligan
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Virtualsheetmusic
Gerry Mulligan: Line For Lyons - piano solo
Piano solo
Instantly printable sheet music by Gerry Mulligan for piano solo of MEDIUM skill level. / …
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Instantly printable sheet music by Gerry Mulligan for piano solo of MEDIUM skill level. / jazz,standards
$6.97
6.4 €
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Piano solo
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Gerry Mulligan
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Virtualsheetmusic
Gerry Mulligan: Line For Lyons (arr. Brent Edstrom) - piano solo
Piano solo
Instantly printable sheet music by Gerry Mulligan for piano solo of MEDIUM skill level. / …
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Instantly printable sheet music by Gerry Mulligan for piano solo of MEDIUM skill level. / jazz,standards
$6.97
6.4 €
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Piano solo
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Gerry Mulligan
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Virtualsheetmusic
Flute Trio - Fairy Tales
Flute Trio: 3 flutes
Woodwind Ensemble,Woodwind Trio Flute - Level 5 - Digital Download SKU: A0.767564 C…
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Woodwind Ensemble,Woodwind Trio Flute - Level 5 - Digital Download SKU: A0.767564 Composed by Mike Lyons. 20th Century,Children,Contemporary. 57 pages. Lyons Music Services #6035581. Published by Lyons Music Services (A0.767564). This is a highly programmatic piece for flute trio, loosely based around one of the Grimm Brothers’ Fairy Tales Hansel and Gretel. The first movement depicts the children wandering off into the dark forest, initially surrounded by twittering birds and sunlight, but as the movement progresses, the music becomes darker. As the light fades, the children strew breadcrumbs to guide their way out of the forest when they decide to return to the village. At letter C, the mysterious chords suggest something disturbing, perhaps trees with scare faces or giant spiderwebs. At D, the change to 3/4 time suggests the children are anxious and scurrying through the trees, feeling scared, with the use of flutter tonguing suggesting their shivers of fear. Finally, out of breath, they reach the dark clearing with the Gingerbread house. The second movement describes the witch’s Gingerbread house. The top line shows the house’s roof, the middle line shows the windows and the third line marks out the porch and the front door. The children wonder at the strange building and chatter to each other as they explore it, perhaps nibbling here and there. The motif that describes the shape of the house appears from time to time throughout this section as they explore it from different angles. At letter D, after the G.P., the children begin to sense that they are not alone in the house. The low trill on the third flute is meant to be a breathy whisper (it doesn’t matter if the notes fail in performance for this reason) as the witch mutters under her breath. She attempts to pounce on the children and force them into her oven, but they are too fast for her. They trick her into the oven and slam the door shut (Bar before F.) They run from the clearing, not caring if they are going in the right direction. They glance back - once catching sight of the Gingerbread house which has begun to collapse in on itself - before they finally stop for breath as night begins to fall and they find a safe place to sleep (Lento before G.) The third movement sees our young heroes looking for the trail of breadcrumbs to take them back to the village. They are plodding through the deep forest, accompanied once more by the birds. Occasionally they find a crumb or two, but the birds have eaten most of them. They eventually manage to backtrack to the village (the music reflects this as it’s a retrograde of some of the music from movement 1) and they finally reach the village where they are greeted with a party for having killed the witch and returned safely home. This music is in a ‘pastoral style (6/8) and fades away as …they all lived happily ever after.
$25.00
22.96 €
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Flute Trio: 3 flutes
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Mike Lyons
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Flute Trio - Fairy Tales
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Lyons Music Services
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SheetMusicPlus
Line for Lyons by Gerry Mulligan - Piano Solo
Piano solo
Gerry Mulligan - Line for Lyons Digital Sheetmusic - instantly downloadable sheet music pl…
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Gerry Mulligan - Line for Lyons Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chords, instruments: Piano; 4 pages -- Jazz~~Jazz Standards~~Swing~~Instrumental Jazz
$5.50
5.05 €
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Piano solo
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Piano Solo
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Musicnotes
Monteverdi Madrigals Book 6 - 08. SESTINA
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767277 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767277 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 79 pages. Lyons Music Services #3218695. Published by Lyons Music Services (A0.767277). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The songs starting from no 8 form a set of 6 to which Monteverdi gave a separate title Sestina Within this set of songs Monteverdi creates a little dramatic episode which foreshadows many of the developments that we find in his early operas: Monody/recitative, dialogue between chorus and soloist, a tendency to give the high parts strong melodic lines and a clear division of the roles of the singers. For the time being, until someone asks, I am not going to release the separate songs from Sestina individually as some of them are a little short. A sestina is a complicated verse form of six stanzas each of six lines with rules about repeating the last line of the first stanza. The poetic form is of little use to us as instrumentalists, but the dramatic mourning, cries of anguish and the feelings of loss embodied in the music will come through regardless of the lack of words. As with all things madrigalian, the lyrics are rife with double entendres.
$15.99
14.69 €
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Brass ensemble
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Claudio Monteverdi
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Monteverdi Madrigals Book 6 - 08. SESTINA
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 11. Misero Alceo
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767281 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767281 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 19 pages. Lyons Music Services #3218703. Published by Lyons Music Services (A0.767281). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. There is another set of 6 forming a substantial scena which Monteverdi labelled Sestina. No 11 is a stand-alone song describing a young man, Alceo, unwilling to leave his lover (Lydia) to go on a long journey. This is much more in the character of a solo song for the tenor, with interjections from the 'chorus'. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$4.99
4.58 €
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Brass ensemble
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Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals - 11. Misero Alceo
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals (Complete)
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767268 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons Music Services #3218659. Published by Lyons Music Services (A0.767268). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. A Sestina is a complex poem made up of 6 stanzas each of 6 verses with rules regarding hoe the last line of the first verse is repeated. Obviously, we are not using the lyrics, but we need to be aware of the structure so that when the music reappears we can treat it appropriately. As with all things madrigalian, the lyrics are rife with double entendres, despite the fact that all of the lyrics deal with loss of one kind or another. Monteverdi uses some very close dissonances to describe death and release. Often with wrenching results for the harmony.Please note, there are two extra parts for No.13, which is for 7 voices. Part 6 is an Alto voice (Horn/Alto Sax/Clarinet) and part 7 is a tenor voice (Trombone/Baritone/Tenor Sax/Euphonium).
$115.00
105.62 €
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Brass ensemble
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Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 10. Qui rise Tirsi
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767279 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767279 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 38 pages. Lyons Music Services #3218699. Published by Lyons Music Services (A0.767279). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This song, No 10 starts with the line Here Tirsi laughed and wriggled under the two(twin?) stars of the beautiful Clorinda I think you get the picture! We can see plenty of musical laughing and wriggling in the music with dotted rhythms and semiquaver runs. The top two voices are Clorinda (doing a fair amount of wriggling herself) while the bottom two take the part of Tirsi. There are places where all four voices give vent to an exclamation and where, presumably, the two lovers had to stop for breath! The original incorporates a very basic continuo part, which I have shared between the resting voices. As with all things madrigalian, the lyrics are rife with double entendres.
$4.99
4.58 €
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Brass ensemble
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Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals - 10. Qui rise Tirsi
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 13. Presso un fiume tranquillo
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767282 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767282 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 55 pages. Lyons Music Services #3218713. Published by Lyons Music Services (A0.767282). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). This is the final song in the book and it forms a kind of short scena all by itself. The words are very evocative and descriptive. The title translates as By a tranquil river. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
5.5 €
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Brass ensemble
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a tranquil river
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Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals - 13. Presso un fiume tranquillo
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 06. Una donna fra I' altre
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767275 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767275 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3218689. Published by Lyons Music Services (A0.767275). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Here, the song is describing One woman amongst the others, honest and beautiful. Now, there's flattery for you! There is a subtitle to this song Concertato nel clavicembalo - Conducted from the harpsichord. Obviously, this is not possible in this transcription. The continuo part has been incorporated into the rests of all of the parts, without swamping the leading voices. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
5.5 €
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Brass ensemble
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Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals - 06. Una donna fra I' altre
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 12. Batto qui pianse
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767280 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767280 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 40 pages. Lyons Music Services #3218709. Published by Lyons Music Services (A0.767280). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna and there is a second named group Sestina. This song, No 12, translates as Betty, who cried, was imprisoned by Chloris the shepherd while he hunted a deer. Needless to say, it was for romantic reasons! As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
5.5 €
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Brass ensemble
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Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals - 12. Batto qui pianse
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - Lamento d'Arianna
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767283 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767283 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 80 pages. Lyons Music Services #3218731. Published by Lyons Music Services (A0.767283). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The first song is Lasciatemi morire - Let me die. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$13.00
11.94 €
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Brass ensemble
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Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals - Lamento d'Arianna
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 07. A Dio Florida bella
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.767276 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767276 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3218691. Published by Lyons Music Services (A0.767276). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This song immediately precedes Sestina and is another wooing song to a girl named Florida. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
5.5 €
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Brass ensemble
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Claudio Monteverdi
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Monteverdi - The Sixth Book of Madrigals - 07. A Dio Florida bella
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Lyons Music Services
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SheetMusicPlus
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