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Liszt - Liebestraum No.3(With Note name)
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Moonlight Sonata - 2nd Movement - original version with note names.
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1164323 Composed by Ludwig van Beet…
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Piano Solo - Level 3 - Digital Download SKU: A0.1164323 Composed by Ludwig van Beethoven. Arranged by Anne L Christopherson GRSM ARCM. Classical,Contest,Festival,Holiday,Standards,Wedding. Score. 3 pages. Music-Scores.com #764671. Published by Music-Scores.com (A0.1164323). Moonlight Sonata Op. 27, no. 2 - Allegretto 2nd movement for piano solo. This is a cheerful Minuet and Trio in Db major with several offbeat sforzandos to make for a lively feel. Liszt apparently called this movement a flower between two chasms.Duration: just under 2 minutes, with repeats.Edited by Anne Christopherson GRSM ARCM at www.music-scores.com.
$4.95
4.55 €
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Piano solo
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Ludwig van Beethoven
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Moonlight Sonata - 2nd Movement - original version with note names.
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Music-Scores.com
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SheetMusicPlus
Saint-Saens: The Swan for Soprano Sax & Piano
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Cam…
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.26 €
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Soprano Saxophone and Piano
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Camille Saint-Saëns
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Saint-Saens: The Swan for Soprano Sax & Piano
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jmsgu3
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SheetMusicPlus
Czerny's 110 Easy and Progressive Exercises Opus 453, Ex. 1-22. KlavarScore notation (Letter/A4)
Piano solo
Piano Solo - Level 1 - Digital Download SKU: A0.988442 Composed by Carl Czerny (179…
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Piano Solo - Level 1 - Digital Download SKU: A0.988442 Composed by Carl Czerny (1791-1857). Arranged by KlavarScore. Instructional,Romantic Period. Score. 31 pages. KlavarScore #6667881. Published by KlavarScore (A0.988442). Book 1, containing the exercises 1-22 from Carl Czerny's 110 Easy and Progressive Exercices as an addition to the free Klavarscore Beyer Piano Course (See https://www.klavarscore.org). This book is in Letter/A4 format, suitable for printing, and is also available in A5 (Half Letter) format for sight-reading from a tablet or e-bookreader. In this book you will find links for free download of the audio files and KlavarScore Scrolling files, so you can play these pieces (with an appropriate app) from your cellphone, tablet or desktop PC. Perhaps not only for exercising, but also because it is such nice music to play and hear..... The Video example shown on this site is exercise No.16, the audio example is exercise No.22 Books 2, 3 and 4, each also containing 22 exercises are also available. Book 5, also containing 22 exercises will be coming soon. By practicing the exercises found in this and the remaining 4 books of this series, the student will quickly discover how Czerny must have intended these to be much more than simple exercises. As exercises, Czerny would of course want them to be meticulously practiced, revisited and improved upon, but in doing so, students will find them to be very pleasurable pieces of music to play, even for the enjoyment of an audience. These books contain instructions in Czerny's own words. Translations of Czerny's words are included in the Prefaces or in some cases as footnotes after the exercises, regarding choosing a proper tempo, the proper playing of ornaments, etc., mostly taken from Czerny's Piano School, Opus 500. In this way, Czerny himself becomes the teacher to students in need of one. Carl Czerny (1791-1857) was an Austrian composer, teacher, and pianist of Czech origin whose vast musical production amounted to over a thousand works. His books of studies for the piano are still widely used in piano teaching. He was one of Beethoven's numerous pupils, Franz Liszt was his most famous pupil. Source: Wikipedia. For more information about KlavarScore see: https://www.klavarscore.org.
$1.99
1.83 €
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Piano solo
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practicing the exercises found in this and the remaining 4 books of this series, the student will quickly discover how Czerny must have intended these to be much more than simple exercises
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Carl Czerny
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Czerny's 110 Easy and Progressive Exercises Opus 453, Ex. 1-22. KlavarScore notation
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KlavarScore
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SheetMusicPlus
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