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Little Fugue: Piano Accompaniment
Sheetmusic to print
5 sheet music found
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1
Concerto Grosso for Three Trombones with Piano accompaniment
Piano Accompaniment
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792572 Composed by Lyn…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792572 Composed by Lyndol Mitchell. Arranged by Jeremy Kempton. 20th Century,Contemporary,Romantic Period. Score and parts. 34 pages. Gordon Cherry #5008613. Published by Gordon Cherry (A0.792572). The Concerto Grosso for Three Trombones with Piano accompaniment by Lindol Mitchell is a realization for Piano of the original orchestral score by Jeremy Niles Kempton. The original orchestral work was composed in 1961 as part of Mitchell’s Doctoral dissertation at the Eastman School of Music and was first performed in 1963 at a memorial concert for the composer after his untimely death. The solo performers were nine students of Emory Remington, including Ralph Sauer and Donald King. The work is is subtitled in stile Barocco and is in three movements. Movement I begins with an somber introductory Adagio followed by an Allegro in the style of a Bach Fugue led by the three soloists. Movement II is a slow and serious Larghetto in C minor. Movement III is a Presto in D minor in a Toccata style and is full of many mixed meter bars that add little little rhythmic surprises along the way. The 13-minute work is appropriate for advanced performers. The hand copied score and parts Concerto Grosso were rediscovered in the Sibley Library at the Eastman School of Music by Jeremy Kempton who then engraved and proofed them. He performed the work in 2011 with colleagues for the first time since its premier in 1963.
$37.50
34 €
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Piano Accompaniment
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Lyndol Mitchell
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Concerto Grosso for Three Trombones with Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
Little Suite for Orchestra
Large Ensemble Tuba - Level 4 - Digital Download SKU: A0.889873 Composed by Gary Fr…
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Large Ensemble Tuba - Level 4 - Digital Download SKU: A0.889873 Composed by Gary Friedman. Baroque,Contemporary,Romantic Period. Score and parts. 101 pages. Gary Friedman #10627. Published by Gary Friedman (A0.889873). There are 3 movements. Sarabande, March, and Fugue, ranging from 3 to 5 minutes in duration. The Sarabande is serious and melodic, the March is cute, and the Fugue is an orchestrated version of my Fugue for Four Winds. You can get some idea of the sound of Sarabande and March by listening to the sound clips of the versions of them in my Seven Easy Melodies for Oboe with Piano Accompaniment, either in SheetMusicPlus or on my website, www.garyfriedmanmusic.net. The original Fugue for Four Winds may also be heard in these two places. Suitable for chamber orchestra. The Sarabande instruments are 2 each of flute, oboe, clarinet in A, bassoon, and horn, plus strings. In the March a trumpet (which has a nice short solo) and snare drum and triangle are added. In the Fugue, oboe 2 becomes English horn and a second trumpet is added. There are also optional parts in the Fugue for trombone, tuba, which can be covered by the bassoons, and for bells. Year: 2000.
$40.00
36.27 €
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Gary Friedman
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Little Suite for Orchestra
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Gary Friedman
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SheetMusicPlus
Little Fugue: Piano Accompaniment
Piano Accompaniment
By George Frideric Handel (1685-1759). Arranged by Edmund J. Siennicki. For String Orchest…
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By George Frideric Handel (1685-1759). Arranged by Edmund J. Siennicki. For String Orchestra. Classical. Part. 2 pages. Published by Alfred Music. Digital Sheet Music
$5.99
5.43 €
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Piano Accompaniment
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George Frideric Handel
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Little Fugue: Piano Accompaniment
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Alfred Music. Digital Sheet Music
#
SheetMusicPlus
Five French Masters
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1475437 Composed by Chris North. Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1052989. Published by Danetre Music (A0.1475437). A Suite for British Style Brass Band. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required. A super work to add to your repertoire as a concert or contest item. This title has already been played by a number of bands in various competitions, and was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK.
$59.99
54.39 €
#
Chris North
#
Five French Masters
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Danetre Music
#
SheetMusicPlus
Five French Masters
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
(+)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1467794 Composed by Chris North. Contemporary,Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1046092. Published by Danetre Music (A0.1467794). A Suite for British Style Brass Band which was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required.
$59.99
54.39 €
#
Chris North
#
Five French Masters
#
Danetre Music
#
SheetMusicPlus
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