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Liz Read
Sheetmusic to print
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Liz Und Ein Blauer Vogel The First Movement "arifureta Hibi"
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bass Saxophone,Contra Al…
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bass Saxophone,Contra Alto Clarinet,Contrabassoon,E-Flat Clarinet,English Horn,Flute,Oboe,Piccolo,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1320238 Composed by Akito Matsuda. Arranged by Ernesto F. Herrera A. Film/TV. 111 pages. T&R Music #908749. Published by T&R Music (A0.1320238). The first out of four movement of the work Liz And The Blue Bird arranged for woodwind ensemble.Liz And The Blue Bird is a four-movement work based on a fictional German fairytale from a movie, both of the same name. Liz is the name of a lonely girl who sells bread at a bakery and socializes with the forest animals. After a big thunderstorm, she finds an unnamed blue-haired girl lying outside. She quickly takes her into her home and, the two become close friends. After a while, Liz started noticing the girl sneaking out at night and coming back before dawn. Liz noticed how the girl would look at the birds freely flying in the sky when they fed the animals. Liz becomes conflicted with her emotions but eventually decides to release her from the cage that is her home. Liz confronts the girl and tells her that she needs to be free and spread her wings. Although distraught by Liz's decision, the girl comes to respect it. The girl then transforms into a blue bird and flies away, spreading her wings.Instrumentation-C Piccolo Flute-C Flute 1&2-Oboe 1&2-F Alto Oboe (English Horn)-Bassoon 1&2-B flat Clarinet 1,2,3-E flat Tenor Clarinet (Alto Clarinet)-B flat Bass Clarinet-E flat Alto Saxophone 1&2-B flat Tenor Saxophone-E flat Baritone Saxophone-Contrabass Woodwind (Contrabassoon/Contrabass Clarinet/Bass Saxophone).
$35.00
31.94 €
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Akito Matsuda
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Liz Und Ein Blauer Vogel The First Movement "arifureta Hibi"
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T&R Music
#
SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.13 €
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Nathan Petitpas - Dots and Beams
#
I encourage you to use both
#
Pitch and Rhythm - Treble Clef, Diatonic
#
Dots and Beams
#
SheetMusicPlus
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsich…
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
9.13 €
#
Nathan Petitpas - Dots and Beams
#
I encourage you to use both
#
Pitch and Rhythm - Bass Clef, Diatonic
#
Dots and Beams
#
SheetMusicPlus
Go Tell It on the Mountain - Pre-reader Finger Number Arrangement
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1126749 Composed by Traditional Chr…
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Easy Piano - Level 1 - Digital Download SKU: A0.1126749 Composed by Traditional Christmas & Folk Tune. Arranged by Elizabeth Essex. 19th Century,20th Century,Children,Folk,Praise & Worship. Score. 4 pages. Elizabeth Essex #727398. Published by Elizabeth Essex (A0.1126749). Go Tell It on the Mountain - Pre-staff Finger Numbers arrangement for the PIANO - for the newest young beginners who know finger numbers and can find correct hand position using the illustration, on the black keys. Best for preschool students used to reading finger numbers and starting to learn key names. Great for Christmas holiday recitals! 2 pages, landscape. Easy for pre-readers and beginners.
$2.50
2.28 €
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Easy Piano
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Traditional Christmas & Folk Tune
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Go Tell It on the Mountain - Pre-reader Finger Number Arrangement
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Elizabeth Essex
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SheetMusicPlus
Feliz Navidad
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 1 - D…
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 1 - Digital Download SKU: A0.569890 By Clay Walker. By Jose Feliciano. Arranged by Sharon Wilson. Children,Christmas,Contemporary,Multicultural,Traditional,World. 44 pages. Sharon Wilson #6626855. Published by Sharon Wilson (A0.569890). NOTE: Beginning musicians (or those new to Handbells and Boomwhackers® ensemble playing) may find the Boomwhackers® part easier since it only contains quarter notes and rest without the syncopation of the Handbells.Here is a fun Christmas medley of the traditional song We Wish You a Merry Christmas combined with the contemporary holiday standard Feliz Navidad by Jose Feliciano. This upbeat and festive arrangement will add joy and sparkle to your holiday programs. This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. To aid in the learning and teaching of this song or for use with other instruments, chord names are included on the Boomwhackers® staff and score. Lyrics are provided on the grand staff for sing along enjoyment. In addition, a complete set of scores for 4 ringers and 4 whackers is provided. Though there are multiple combinations for the number of ringers and whackers needed for any given performance, this extra set of scores is specifically designed for 8 performers. For each ringer and whacker, the 1-staff score shows only the notes they are assigned. This alternate score format may be easier to sight-read since the only notes on the staff are the assigned notes allowing the player to focus on rhythm. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Only filled noteheads are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. All sharps and flats are displayed as well (shown in the key of C); a helpful reminder for beginning musicians. Notes used for each instrument are as follows: Bells ~ C D E F# G A B C* where C* is high C, one octave above middle C Boomwhackers® ~ C C# D D# E F# G A BNote assignment suggestions are provided. Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® * use as part of the music education for children at school* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, home school groupsPermission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations. Boomwhackers® is a registered trademark of Rhythm Band Instruments LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$12.99
11.86 €
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Clay Walker
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Feliz Navidad
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Sharon Wilson
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SheetMusicPlus
The Harvest of the Earth (See How Brown Autumn Spreads the Fields)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1381714 By Stacey Plays Hymn…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1381714 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Historic,Praise & Worship,Religious,Sacred. Score. 5 pages. Anastace #966349. Published by Anastace (A0.1381714). Here is the full piano vocal arrangement of The Harvest of the Earthâ€, as heard on my YouTube channel and requsted by listeners. Originally titled “See How Brown Autumn Spreads the Fieldsâ€, this song is so rare that I couldn’t find any music for it online, and therefore wrote a new melody and accompaniment for it that captures the the solemnity and anguish of the lyrics. It’s one of the songs of harvest off of my album entitled “Hymns of Autumnâ€, but doesn’t talk about harvest in the traditional sense we normally sing about these days.Not many talk about the judgement of God in today’s church, and this hymn will send chills down the spine of the most devout believer as we realize the full spectrum of God's character, including His wrath and power on Judgement Day. I found this in an old hymnal that was so old that the “Sâ€s were still written as “Fâ€s, and I had to squint to read it while learning to sing for this recording. I hope this ancient and powerful hymn finds a place to minister to today's church and believers around the world, perhaps after a sermon on God’s judgement, or for a Lent or Advent service about repentance and turning to God, both individually and as a nation.This version is in B Minor to match the original recording, and includes the full piano accompaniment as played in the recording. Also available, by searching Stacey Plays Hymns and the song title on this site is a lead sheet version for those who prefer to play off a chart.For other formats including large print, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
4.56 €
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Piano, Voice
#
Stacey Plays Hymns
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The Harvest of the Earth
#
Anastace
#
SheetMusicPlus
The Harvest of the Earth (See How Brown Autumn Spreads the Fields) [Lead Sheet Version]
C Instruments
C Instrument - Level 3 - Digital Download SKU: A0.1381727 By Stacey Plays Hymns. By…
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C Instrument - Level 3 - Digital Download SKU: A0.1381727 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Historic,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 4 pages. Anastace #966363. Published by Anastace (A0.1381727). Here is the lead sheet version of the hymn, The Harvest of the Earthâ€, as heard on my YouTube channel and requsted by listeners. Originally titled “See How Brown Autumn Spreads the Fieldsâ€, this song is so rare that I couldn’t find any music for it online, and therefore wrote a new melody and accompaniment for it that captures the the solemnity and even anguish of the lyrics. It’s one of the songs of harvest off of my album entitled “Hymns of Autumnâ€, but doesn’t talk about harvest in the traditional sense we normally sing about these days.Not many talk about the judgement of God in today’s church, and this hymn will send chills down the spine of the most devout believer as we realize the full spectrum of God's character, including His wrath and power on Judgement Day. I found this in an old hymnal that was so old that the “Sâ€s were still written as “Fâ€s, and I had to squint to read it while learning to sing for this recording. I hope this ancient and powerful hymn finds a place to minister to today's church and believers around the world, perhaps after a sermon on God’s judgement, or for a Lent or Advent service about repentance and turning to God, both individually and as a nation.This version is in B Minor to match the original recording, and includes the chords for the whole song including the reharmonized verse with a different melody.Also available, by searching Stacey Plays Hymns and the song title on this site is the full piano vocal arrangement as played in the original recording.For other formats including large print, simplified, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00
3.65 €
#
C Instruments
#
Stacey Plays Hymns
#
The Harvest of the Earth
#
Anastace
#
SheetMusicPlus
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Choral SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.13 €
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Choral SATB
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.13 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Breadth of View
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1105330 By Maryliz Smith. By Maryli…
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Piano Solo - Level 3 - Digital Download SKU: A0.1105330 By Maryliz Smith. By Maryliz Smith. Classical,Contemporary. Score. 3 pages. Maryliz Smith #708578. Published by Maryliz Smith (A0.1105330). A short, intermediate piece for piano solo.
$3.99
3.64 €
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Piano solo
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Maryliz Smith
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Breadth of View
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Maryliz Smith
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SheetMusicPlus
2 Be Loved (am I Ready)
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1184659 By Lizzo. By Anders Svensso…
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Easy Piano - Level 2 - Digital Download SKU: A0.1184659 By Lizzo. By Anders Svensson, Ilya Salmanzadeh, Max Martin, Melissa Jefferson, and Savan Kotecha. Arranged by Jim Lansing. Instructional,Pop,Rock. Score. 4 pages. Jim Lansing #784348. Published by Jim Lansing (A0.1184659). Early Intermediate level arrangement of Lizzo's hit 2 Be Loved.  Arrangment uses melody of verse 2 (since verse 1 is mostly rapped).  Some syncopation is smoothed out for easier reading; once notes are learned the player is encouraged to use their ear to fix the rhythms to match the artist's recording. LH moves between C, Dm, Em & F positions with finger changes on repeated notes.  RH moves between Bm, Dm, G & C positions.  In m.24, RH 2 crosess over the thumb to F# to accomplish a hand shift.
$4.99
4.55 €
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Easy Piano
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Lizzo
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2 Be Loved
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Jim Lansing
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SheetMusicPlus
Feliz Navidad
Saxophone Quartet: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1507033 By Clay Walker. By Jose Feliciano. Arranged by Yap Sin Yee. Christmas,Holiday,Instructional,Jazz,Traditional. 14 pages. Yap Sin Yee #1082420. Published by Yap Sin Yee (A0.1507033). Get ready to jingle your bells and spread some holiday cheer! This saxophone arrangement of Feliz Navidad for four saxophones (AATB) is a festive and joyful masterpiece that will leave you humming along and tapping your feet. With its lively and upbeat tempo, the arrangement showcases the melody and harmonies in a playful and engaging way. Whether you're performing for a Christmas concert, holiday party, or simply want to add some festive flair to your day, this arrangement is sure to delight audiences of all ages. So gather your saxophone ensemble and let's make some noise!Performance time: 2' 00''Instrumentation: 1, 2 Eb Alto Sax, Tenor Sax, Baritone Sax.
$15.00
13.69 €
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Saxophone Quartet: 4 saxophones
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Clay Walker
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Feliz Navidad
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Yap Sin Yee
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SheetMusicPlus
He Spread A Cloud (Psalm 105.39-45 WEB)
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.950763 Composed by Chris Mon…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.950763 Composed by Chris Monteiro. Christian,Sacred,Spiritual. Score. 4 pages. Christopher M. Monteiro #3360777. Published by Christopher M. Monteiro (A0.950763). He spread a cloud for a covering, fire to give light in the night. They asked, and he brought quails, and satisfied them with the bread of the sky. He opened the rock, and waters gushed out. They ran as a river in the dry places. For he remembered his holy word, and Abraham, his servant. He brought his people out with joy, his chosen with singing. He gave them the lands of the nations. They took the labor of the peoples in possession, that they might keep his statutes, and observe his laws. Praise Yah! This lilting song in G Major for Piano, Voice, and Guitar has been fashioned to help you internalize God’s Word. The range of the melody is from D above Middle C to the 2nd E above Middle C. The piano part is not difficult. It has a single note melody in the right hand until the tag at the end. The left hand follows a simple arpeggiated chord pattern. The text of this song is from The World English Bible (WEB), a Public Domain (no copyright) Modern English translation of the Holy Bible based on the American Standard Version of the Holy Bible first published in 1901, the Biblia Hebraica Stutgartensa Old Testament, and the Greek Majority Text New Testament.
$2.99
2.73 €
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Piano, Voice
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Chris Monteiro
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He Spread A Cloud
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Christopher M. Monteiro
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SheetMusicPlus
Fine Thread for Solo Vibraphone and accompaniment
Small Ensemble - Digital Download SKU: A0.995517 Composed by James M. Johnson. Cont…
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Small Ensemble - Digital Download SKU: A0.995517 Composed by James M. Johnson. Contemporary,Jazz. Score and parts. 5 pages. Myles Music James Johnson #5733171. Published by Myles Music James Johnson (A0.995517). Please contact the composer for the Mp3 accompaniment. email: jamesjohnsonfrankie@outlook.com PROGRAM NOTES Fine Thread was composed and recorded on August 18, 2018. The accompaniment track was created in a DAW with many real sampled sounds varying from prepared piano, dozens of gongs, cymbals, (bowed and un-bowed) and other small percussive instruments. Fine Thread represents at least one suggestion on how one might visualize this piece while listening. (And performing) I tried to convey the endangerment that our planet and humanity is (and will be) going through. I fear global warming might reach the tipping point where as the plant will be severely harmed.Please contact the composer for the Mp3 accompaniment. email: jamesjohnsonfrankie@outlook.com
$14.00
12.78 €
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James M
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Fine Thread for Solo Vibraphone and accompaniment
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Myles Music James Johnson
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SheetMusicPlus
Threading the Needle
Harpsichord,Instrumental Solo,Keyboard,Organ - Level 2 - Digital Download SKU: A0.10142…
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Harpsichord,Instrumental Solo,Keyboard,Organ - Level 2 - Digital Download SKU: A0.1014235 Composed by Maryliz Smith. Contemporary. Individual part. 2 pages. Maryliz Smith #6103517. Published by Maryliz Smith (A0.1014235). This is a short, simple piece for any keyboard--piano, organ, harpsichord, electric. It is a contrapuntal composition and one that is easy to keep track of the voices.
$2.99
2.73 €
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Maryliz Smith
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Threading the Needle
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Maryliz Smith
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SheetMusicPlus
...ready For It?
Cello
Cello Solo - Level 1 - Digital Download SKU: A0.900286 By Taylor Swift. By Ali Paya…
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Cello Solo - Level 1 - Digital Download SKU: A0.900286 By Taylor Swift. By Ali Payami, Max Martin, Shellback, and Taylor Swift. Arranged by Liz Lee-Cellomoji. Pop. Individual part. 3 pages. Cellomoji #3535805. Published by Cellomoji (A0.900286). This is the cello transcription for ...Ready for It? by Taylor Swift off of her latest album. It is written in the original key off of the album Reputation. Though there is nothing in the key signature it closely follows e minor/ G Major so these would be good scales to practice. All of it is written in a relatively easy position so even beginners can play this song. I highly recommend playing along with the recording since it is more fun to hear all the parts working together. Get ready to rock out!Instagram: https://www.instagram.com/cellomojiYoutube: https://www.youtube.com/channel/UCS8SDY7dyqUR4P3t3qRPISgQuestions? https://cellomoji.com
$4.99
4.55 €
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Cello
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Taylor Swift
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...ready For It?
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Cellomoji
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SheetMusicPlus
Feliz Navidad
Piano, Voice
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.829248 By Clay Walker. By Jo…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.829248 By Clay Walker. By Jose Feliciano. Arranged by Brianne Lundberg. 20th Century,Christmas,Holiday,Latin,Multicultural,World. Score. 4 pages. Brianne Lundberg #6197655. Published by Brianne Lundberg (A0.829248). Feliz Navidad y Merry Christmas! This is an easy piano arrangement in G major. 3 pages (plus cover), includes repeat and D.S. Best for late beginner pianists and fun for all ages! May be performed as a piano solo or as a vocal accompaniment. If used for vocal accompaniment, the vocalist should read the Treble staff of the piano part. Lyrics indicate which notes to follow. Lower harmonies are meant to be played by the pianist (not sung).See more previews of this sheet music at www.MusicAndTheory.com/feliz-navidad.Brianne Lundberg is a Composer, Arranger, and Piano Instructor. In addition to publishing with Hal Leonard, she has independently published many arrangements and original compositions for piano and a variety of other instruments and ensembles. For more of Brianne's music or to request a custom arrangement, visit www.MusicAndTheory.com.
$4.99
4.55 €
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Piano, Voice
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Clay Walker
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Feliz Navidad
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Brianne Lundberg
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SheetMusicPlus
[Read] Variations on St. Elizabeth
Organ
Organ - Digital Download SKU: A0.952588 Composed by Thomas L. Read. Contemporary,Sa…
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Organ - Digital Download SKU: A0.952588 Composed by Thomas L. Read. Contemporary,Sacred. Score. 15 pages. American Composers Alliance Inc. #4610447. Published by American Composers Alliance Inc. (A0.952588). Variations for organ on an 18th century Silesian melody - PDF download includes score.
$10.95
9.99 €
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Organ
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Thomas L
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[Read] Variations on St. Elizabeth
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American Composers Alliance Inc.
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SheetMusicPlus
Liza (All The Clouds'll Roll Away)
Organ
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.619370 This…
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.619370 This edition: scorch. E-Z Play Today. Broadway,Jazz,Standards. Score. 2 pages. Hal Leonard - Digital #486211. Published by Hal Leonard - Digital (HX.619370). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.73 €
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Organ
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Liza
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Hal Leonard - Digital
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SheetMusicPlus
2 Be Loved (Am I Ready) - Extended Version - Full Score and Parts
Marching band
Marching Band - Level 3 - Digital Download SKU: A0.1205922 By Lyrics and Music by L…
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Marching Band - Level 3 - Digital Download SKU: A0.1205922 By Lyrics and Music by Lizzo. By Lyrics and Music by Lizzo. Arranged by Arranged by Jayden Gaskins. Pop. 64 pages. Jayden Gaskins #803051. Published by Jayden Gaskins (A0.1205922). This famously known song, coming in the top songs of 2022, Lizzo’s “2 Be Loved (Am I Ready)†has made its way to stadiums everywhere for both extended and shorter time periods and is sure to leave your audience breathless.Extended Arrangement Duration: 2:58Short Arrangement Duration: 1:37.
$65.00
59.32 €
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Marching band
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Lyrics and Music by Lizzo
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2 Be Loved
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Jayden Gaskins
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SheetMusicPlus
Lizzy Lass. A Ballad
Piano, Voice
Piano and voice - Digital Download SKU: LV.2964 Composed by John M. White. Couples,…
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Piano and voice - Digital Download SKU: LV.2964 Composed by John M. White. Couples, Windows, Books, Guitars, Courtship, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2964). Lizzy Lass. A Ballad. Words by Allan Grant, Esq. Music Composed by J.M. White. Published 1841 by Henry Prentiss, 33 Court St. in Boston. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Couples, Windows, Books, Guitars, Courtship, Love. First line reads Lizzy lass, Lizzy lass, look but in that keeking glass.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
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Piano, Voice
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John M
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Lizzy Lass. A Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Feliz Navidad
C Instruments
C Instrument - Digital Download SKU: A0.808221 By Clay Walker. By Jose Feliciano. A…
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C Instrument - Digital Download SKU: A0.808221 By Clay Walker. By Jose Feliciano. Arranged by Mark W. Huxhold. Latin. Lead Sheet / Fake Book. 5 pages. Mark Wayne Music, LLC #3530305. Published by Mark Wayne Music, LLC (A0.808221). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com
$4.99
4.55 €
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C Instruments
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Clay Walker
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Feliz Navidad
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Mark Wayne Music, LLC
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SheetMusicPlus
Feliz Navidad
Big Note Piano
Digital Download SKU: HX.447635 Christmas,Holiday,Winter. E-Z Play Today. 3 pages. …
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Digital Download SKU: HX.447635 Christmas,Holiday,Winter. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.447635). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.73 €
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Big Note Piano
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Feliz Navidad
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Hal Leonard - Digital
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SheetMusicPlus
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