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London Wall Bass
Sheetmusic to print
9 sheet music found
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1
London Wall Bass (Grade 4, C12, from the ABRSM Double Bass Syllabus from 2024)
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Double Bass
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INTERMEDIATE/ADVANCED
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Classical
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Natalie Bleicher
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London Wall Bass
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ABRSM
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SheetMusicPlus
Double Bass,String Bass Solo - Level 4 - Digital Download SKU: HX.1312747 Composed by Natalie Bleicher. This edition: scorch. Classical. Individual part....
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Double Bass,String Bass Solo - Level 4 - Digital Download SKU: HX.1312747 Composed by Natalie Bleicher. This edition: scorch. Classical. Individual part. 4 pages. ABRSM (Associated Board of the Royal Schools of Music) #DBEPs_G4_C12. Published by ABRSM (Associated Board of the Royal Schools of Music) (HX.1312747).
$2.99
Oelflecke auf dem Wasser [woodwind quintet]
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Juan MarÃa Solare
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Oelflecke auf dem Wasser [wood
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Juan Maria Solare
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.596552 Composed by Juan MarÃa Solare. Concert,Contemporary,Instructional,World...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.596552 Composed by Juan MarÃa Solare. Concert,Contemporary,Instructional,World. 20 pages. Juan Maria Solare #4598385. Published by Juan Maria Solare (A0.596552). Ölflecke auf dem Wasser ( Oil spots on the water )This is my second Wind Quintet. The first one (Strange preludes and double canon) was written in 1992, this one in 2003 and there are numerous sketches (even complete movements) for a third one.The title Oil spots on the water doesn't have much with ecological issues, but rather with those abstract, colourful, poly-semantic shapes of small oil spots on asphalt, especially when it rains.The Wind Quintet Ölflecke auf dem Wasser was selected in 2003 in a shortlist of 31 among 270 compositions for the project Neue Kammermusik für Musikschulen (New chamber music for music schools) by the Verband deutscher Musikschulen (Association of German Schools of Music) in Bonn, Germany.In October 2004 this piece, together with two other pieces by the same composer, received first prize at the Bremer Komponistenwettweberb organised by the Council of the Music (Landsmusikrat) in Bremen, Germany.Ölflecke auf dem Wasser was first performed on 10th July 2004 at the Castle Sonderhausen in Germany by the Wind Quintet of the Music School Carl Schroeder of Sonderhausen: Eva-Maria Albrecht (flute), Malte Schneegaß (oboe), Antje Eckstein (clarinet) Julia Wallis (bassoon), Manuela Hirsch (horn), Stephan Uhl (conductor); in the cycle Neue Musik in alten Residenzen (New Music in old residencies) of the Council of the Music Thüringen.After the premiere, Stephan Uhl published an article about the piece: Juan MarÃa Solares 'Ölflecke auf dem Wasser' (2003) für Bläserquintett. Anregungen zur Praxisarbeit zwischen Interpretation und Improvisation (Oil spots on the water (2003) by Juan MarÃa Solare: Ideas about rehearsal practice between performance and improvisation). This article was published in November 2004 in the book Ensembleleitung Neue Kammermusik (Dokumentation und Arbeitshilfe des Modellprojekts), edited by the VdM (Verband deutscher Musikschulen - Association of German Music Schools), Bonn, ISBN 3-925574-59-X, pages 82-86.In March 2005 Oil spots on the water was chosen in the shortlist at the Piece of the Year Competition organised by Alan Taylor and the London Chamber Group. In this context it was performed on 10th July 2005 at a venue unknown to the composer.
$4.00
The Nursery Rhyme Suite - Concert Band Score and Parts
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Concert band
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INTERMEDIATE
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Children
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Traditional
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Brendan Elliget
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The Nursery Rhyme Suite - Conc
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.750704 Composed by Traditional. Arranged by Brendan Elliget. Children. Score and parts. 105 pages. BJE ...
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Concert Band - Level 3 - Digital Download SKU: A0.750704 Composed by Traditional. Arranged by Brendan Elliget. Children. Score and parts. 105 pages. BJE Music #3237223. Published by BJE Music (A0.750704). This is a bright medley of 15 traditional children nursery rhymes as one continuous movement - some only briefly quoted. They include: London Bridge Is Falling Down, Mary Had A Little Lamb, Polly Put The Kettle On, Pop! Goes The Weasel, Ding Dong Dell, This Old Man, Baa Baa Black Sheep, Mary Mary Quite Contrary, Here We Go Round The Mulberry Bush, Humpty Dumpty Sat On The Wall, Hey Diddle Diddle The Cat And The Fiddle, Three Blind Mice, Oranges And Lemons, Twinkle Twinkle Little Star and Sing A Song Of Sixpence. Parts for Bass in Bb and Bass in Eb included as well as Eb Horns. This arrangement suitable for a school or community group.Grade = 3 Duration = 4:10 mins The MP3 was recorded with NotePerformer
$30.00
A Sky Full Of Stars
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Concert band
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INTERMEDIATE
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Coldplay
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T
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Simone Orsini
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A Sky Full Of Stars
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Simone Orsini
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1423779 By Coldplay. By Avicii, Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged b...
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Concert Band - Level 3 - Digital Download SKU: A0.1423779 By Coldplay. By Avicii, Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Simone Orsini. 21st Century,Pop. 79 pages. Simone Orsini #1005018. Published by Simone Orsini (A0.1423779). A SKY FULL OF STARS performed by ColdplayFor Concert Band - Performance Time 4:02 - Digital DownloadComposed by T. Bergling, J. Buckland, W. Champion, C. Martin,G. BerrymanArranged by Simone OrsiniInstrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Tuba, El. Bass, Drum Set, Percussion (Tamb., Shaker), El. Guitar, keyboard.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., Bb Bass Trombone T.C., Bb Euphonium T.C., Bb Bass T.C.A Sky Full of Stars is a song by the British rock band Coldplay. It was released in May 2014 as the second single from their sixth album, Ghost Stories (2014). An exclusive digital EP version of it, with the B-sides All Your Friends, Ghost Story and O (Reprise), came out in the following weeks, being considered the band's eleventh extended play.The band co-wrote and co-produced the song with Avicii and received production assistance from Paul Epworth, Daniel Green and Rik Simpson. It was recorded at the Bakery and the Beehive in North London, England. Upon its release, A Sky Full of Stars garnered mostly positive reviews from music critics and charted inside the top 10 in over 16 countries such as Australia, Canada, Ireland, Japan, Mexico, New Zealand, the United Kingdom and United States.A music video for the song was directed by Mat Whitecross and was released on 19 June 2014. The single peaked at number one in Italy, Israel, Luxembourg, Portugal, Lebanon, and the Walloon region of Belgium. It also topped the Billboard Hot Dance Club Songs chart. It was nominated for Best Pop Duo/Group Performance at the 57th Grammy Awards.
$68.00
Moss: The Floral Dance - symphonic wind
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Katie Moss
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Ray Thompson
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fiddle, cello, big bass drum
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Moss: The Floral Dance - symph
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 3 - Digital Download SKU: A0.553788 Composed by Katie Moss. Arranged by Ray Thompson. 20th Century,Contemporary,Standards. Score a...
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Large Ensemble - Level 3 - Digital Download SKU: A0.553788 Composed by Katie Moss. Arranged by Ray Thompson. 20th Century,Contemporary,Standards. Score and parts. 31 pages. RayThompsonMusic #4569517. Published by RayThompsonMusic (A0.553788). The Floral Dance is a popular English song describing the annual Furry Dance in Helston, Cornwall.The music and lyric were written in 1911 by Kate Emily Barkley (Katie) Moss (1881-1947) who was a professional violinist, pianist and concert singer. She was brought up in London and studied at the Royal Academy of Music. The song tells the story of an incident that apparently actually happened to Moss herself on a visit to Helston during the springtime 'Furry Dance' celebrations and the song was reportedly written directly afterwards as she was going home on the train. The songbook cover states that the music was founded on an old Cornish air. Katie introduces the original Furry Dance tune in the piano part just as the singer is describing the sound of the band, with its cornet, clarinet and big trombone; fiddle, cello, big bass drum; bassoon, flute and euphonium. In 1978, Terry Wogan recorded a version which reached #21 in the same chart.[3] Wogan's version was accompanied by the Hanwell Band, and omitted the final verse containing the climax to the story. On Top of the Pops, Wogan sang it live to a backing track.[4] A version of the song was prominently featured near the beginning of the 1996 film, Brassed Off.In 2016, a campaign for Christmas Number One was launched for Terry Wogan's version of The Floral Dance after his death. All proceeds of the downloaded single will be given to Children in Need. It is arranged for double wind quintet and tuba
$14.95
Sonata Hymnica No. 1
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Piano solo
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INTERMEDIATE/ADVANCED
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James Siddons
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James Siddons Music and Writin
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Sonata Hymnica No. 1
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk...
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Piano Solo - Level 4 - Digital Download SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Sonata Hymnica No. 2
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Piano solo
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INTERMEDIATE/ADVANCED
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James Siddons
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James Siddons Music and Writin
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Sonata Hymnica No. 2
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk...
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Piano Solo - Level 4 - Digital Download SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 17 pages. James Siddons Music and Writings #4350577. Published by James Siddons Music and Writings (A0.972646). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu. Durations Sonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Waterloo
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ABBA
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Rob Bushnell
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Waterloo
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RBMusic
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SheetMusicPlus
Euphonium,Instrumental Duet,Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.752410 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Ander...
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Euphonium,Instrumental Duet,Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.752410 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. Contemporary,Contest,Festival,Film/TV,Pop. 2 pages. RBMusic #5777009. Published by RBMusic (A0.752410). On 6 April 1974, the 1974 Eurovision Song Contest took place in Brighton, UK. It should have been held in Luxembourg but, after having won in both 1972 and 1973, they declined to stage the contest in 1974 on the grounds of the expense to host it for a second consecutive year; the BBC agreed to stage it. Drawn 8th, the conductor for the Swedish, Sven-Olof Walldoff, comes on stage dressed as Napoleon. The music starts, and less than 3 minutes later, history was made. This was the year that ABBA won with Waterloo and the victory began their path to worldwide fame. Waterloo is the first single from ABBA's second album, Waterloo, and is the first to be credited to the group performing under the name ABBA. It became a No.1 hit in several countries, including the UK, and went on to sell nearly six million copies, making it one of the best-selling singles in history. At the 50th anniversary celebration of the Eurovision Song Contest in 2005, it was chosen as the best song in the competition's history. It has been recorded in English, Swedish, French, German and Finnish – it was the first winning entry to Eurovision in a language other than that of their home country (with rules concerning language having been relaxed in 1973). Waterloo was released on 1 June 2018 as the second single from the Mamma Mia! Here We Go Again soundtrack, performed by Hugh Skinner and Lily James. Arranged to mark the 65th edition of the Eurovision Song Contest, due to be held in Rotterdam, Netherlands, on 16 May 2020, but cancelled due to the 2019/2020 Coronavirus Pandemic. It is designed for two bass-clef instruments in concert pitch. This version is in C major – part 1 has a range from A2 to C4 and part 2 has a range from E2 to G3. (For other parts/versions, see my other Waterloo titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=Sj_9CiNkkn4. Other searchable terms: Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, Anni-Frid Lyngstad, Sweden, United Kingdom, England, Ring Ring, Melodifestivalen, Janne Schaffer, Rutger Gunnarsson, Ola Brunkert, Claude-Michel Schönberg, Les Misérables, London, Battle of Waterloo, 1815, Hasta Mañana, Wizzard, Cher, The Martian, Matt Damon
$4.99
Waterloo
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ABBA
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Rob Bushnell
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Waterloo
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RBMusic
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.752409 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged b...
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Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.752409 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. Contemporary,Contest,Festival,Film/TV,Pop. Score and parts. 2 pages. RBMusic #5777017. Published by RBMusic (A0.752409). On 6 April 1974, the 1974 Eurovision Song Contest took place in Brighton, UK. It should have been held in Luxembourg but, after having won in both 1972 and 1973, they declined to stage the contest in 1974 on the grounds of the expense to host it for a second consecutive year; the BBC agreed to stage it. Drawn 8th, the conductor for the Swedish, Sven-Olof Walldoff, comes on stage dressed as Napoleon. The music starts, and less than 3 minutes later, history was made. This was the year that ABBA won with Waterloo and the victory began their path to worldwide fame. Waterloo is the first single from ABBA's second album, Waterloo, and is the first to be credited to the group performing under the name ABBA. It became a No.1 hit in several countries, including the UK, and went on to sell nearly six million copies, making it one of the best-selling singles in history. At the 50th anniversary celebration of the Eurovision Song Contest in 2005, it was chosen as the best song in the competition's history. It has been recorded in English, Swedish, French, German and Finnish – it was the first winning entry to Eurovision in a language other than that of their home country (with rules concerning language having been relaxed in 1973). Waterloo was released on 1 June 2018 as the second single from the Mamma Mia! Here We Go Again soundtrack, performed by Hugh Skinner and Lily James. Arranged to mark the 65th edition of the Eurovision Song Contest, due to be held in Rotterdam, Netherlands, on 16 May 2020, but cancelled due to the 2019/2020 Coronavirus Pandemic. It is designed for two bass-clef instruments in concert pitch. This version is in Eb major – part 1 has a range from C3 to Eb4 and part 2 has a range from G2 to Bb3. (For other parts/versions, see my other Waterloo titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=Sj_9CiNkkn4.  Other searchable terms: Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, Anni-Frid Lyngstad, Sweden, United Kingdom, England, Ring Ring, Melodifestivalen, Janne Schaffer, Rutger Gunnarsson, Ola Brunkert, Claude-Michel Schönberg, Les Misérables, London, Battle of Waterloo, 1815, Hasta Mañana, Wizzard, Cher, The Martian, Matt Damon
$4.99
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