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Long-Awaited One
Sheetmusic to print
35 sheet music found
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26
Sonata for Alto Saxophone and Piano
Alto Saxophone and Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1452043 By Diana Mascari.…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1452043 By Diana Mascari. By Diana Mascari. Arranged by Diana Mascari. 20th Century,21st Century,Chamber,Classical,Jazz. Score and part. 78 pages. Diana Mascari Music #1031355. Published by Diana Mascari Music (A0.1452043). Diana Mascari's Sonata for Alto Saxophone and Piano is a long-awaited composition from her catalog.It is the first piece which features the alto sax and with piano accompaniment that she has written (completed in January 2024. The movements are: I. Swing, II. Introspection, III. Beguine and the total duration is approximately 11'40.In addition to the jazz influence so characteristic of Ms. Mascari's work, this sonata is the reflects the love she has for classical works for this instrument. In addition to four saxophone quartets (one with pipe organ), a piece for Tenor Saxophone and pipe organ, Diana composed a concerto for Alto Saxophone and Orchestra which was premiered in Switzerland in the late 1990s. For questions about Diana Mascari's compositions and/or composition lessons please visit: www.dianamascari.com.
$19.95
18.36 €
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Alto Saxophone and Piano
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Diana Mascari
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Sonata for Alto Saxophone and Piano
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Diana Mascari Music
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SheetMusicPlus
Long Awaited
String Quintet: 2 violins, viola, cello, bass
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download…
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.1073901 By David G. Boney. By David G. Boney. 20th Century,Jazz. Score and parts. 79 pages. St. Hildegard Foundation #678158. Published by St. Hildegard Foundation (A0.1073901). Contemporary chromatic and modal composition for string quintet.
$10.00
9.2 €
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String Quintet: 2 violins, viola, cello, bass
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David G
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Long Awaited
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St. Hildegard Foundation
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SheetMusicPlus
Long-Awaited One
Choral 3-part
Choral Choir, Choral, Voice (SAB) - Digital Download Arranged by Douglas Nolan. This …
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Choral Choir, Choral, Voice (SAB) - Digital Download Arranged by Douglas Nolan. This edition: scorch. Choral. Advent, Sacred. Octavo. 11 pages. Hal Leonard - Digital #271418. Published by Hal Leonard - Digital
$2.35
2.16 €
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Choral 3-part
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Long-Awaited One
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Hal Leonard - Digital
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SheetMusicPlus
The Songcord
Saxophone ensemble
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,T…
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1169670 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 20 pages. Lisa L Ochoco #770032. Published by Lisa L Ochoco (A0.1169670). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009. The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.  The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end. A songcord is a mnemonic device used by the Na’vi that assists them in storytelling. In this song, Neytiri is thanking Eywa – the Great Mother - for her family. This arrangement is scored for saxophone choir – 2 sopranos, 3 altos, 2 tenors, and baritone.  There is an optional bass saxophone part. One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€. You can also use wind chimes, a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure. Always keep the melody prominent.  Play this slowly and freely, with a lot of rubato.  Duration: 3.75 minutes.
$16.00
14.72 €
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Saxophone ensemble
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Simon Franglen
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The Songcord
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Lisa L Ochoco
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SheetMusicPlus
From Darkness To Light
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - Digital Download SKU: A0.1165816 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 19 pages. Lisa L Ochoco #766187. Published by Lisa L Ochoco (A0.1165816). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009.  The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.  From Darkness to Light is a beautiful instrumental piece in the movie that shows off the beauty of the water.  On paper, the music seems a little too simple, but the chord progressions together with the moving parts make for quite a beautiful and memorable piece.  This arrangement is scored for flute choir – piccolo with 4 C, alto, bass, and contrabass flutes.  There is an optional cello part that doubles the contrabass that can be played by any bass clef C instrument in a similar range.  One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  With that in mind, this is how the “Shimmer†part can be played:  Hang a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€.  Be creative with this percussive part!  You can use whistle tones, a little xylophone, wind chimes, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure.  Duration: 3.75 minutes.
$16.00
14.72 €
#
Flute ensemble
#
Simon Franglen
#
From Darkness To Light
#
Lisa L Ochoco
#
SheetMusicPlus
From Darkness To Light
Clarinet Ensemble
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downloa…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1169298 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 18 pages. Lisa L Ochoco #769652. Published by Lisa L Ochoco (A0.1169298). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009.  The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.  From Darkness to Light is a beautiful instrumental piece in the movie that shows off the beauty of the water.  On paper, the music seems a little too simple, but the chord progressions together with the moving parts make for quite a beautiful and memorable piece.  This arrangement is scored for clarinet choir - Eb, 4 Bb, alto, bass and contrabass.  One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  With that in mind, this is how the “Shimmer†part can be played:  Hang a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€.  Be creative with this percussive part!  You can use whistle tones, a little xylophone, wind chimes, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure.  Duration: 3.75 minutes.
$16.00
14.72 €
#
Clarinet Ensemble
#
Simon Franglen
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From Darkness To Light
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Lisa L Ochoco
#
SheetMusicPlus
Just The Two Of Us
Vocal duet, Piano
Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 3 - Digital Download SKU:…
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Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 3 - Digital Download SKU: A0.1148844 Composed by Kevin Longley. Broadway,Jazz,Musical/Show. 21 pages. Kevin Longley #748983. Published by Kevin Longley (A0.1148844). Duet for soprano and baritone with band accompaniment depicting a long awaited meeting of 2 lovers.
$1.99
1.83 €
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Vocal duet, Piano
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Kevin Longley
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Just The Two Of Us
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Kevin Longley
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SheetMusicPlus
Seven Last Words (Septem Ultima Verba) (Choral Score)
Soprano and baritone soli, SATB choir, and piano or full orchestra or chamber ensemble - M…
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Soprano and baritone soli, SATB choir, and piano or full orchestra or chamber ensemble - Medium - Digital Download SKU: MQ.70-390-E Composed by Michael John Trotta. Lent, Triduum/Three Days. 91 pages. MorningStar Music Publishers - Digital Sheet Music #70-390-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.70-390-E). English, Latin. Luke 23:34, 37, 42-46; John 19:23-28, 30; Matthew 6:10; Matthew 27:40, 46, 51-52, 54; Mark 15:32, 34; Psalms 75; Psalms 76:9.This long-awaited major work is a seven-movement choral journey through the Passion, which delivers a powerful and captivating story encompassing a breathtaking palette of emotion, from intimate tenderness to majestic triumph. A rare gem, powerfully emotive and effective in both liturgical and concert settings. The work may be performed in either English or in Latin. Duration: 40 min. Movements include:1. Father, Forgive Them2. Today, You Will Be with Me3. Behold Your Son4. I Thirst5. My God, Why Have You Abandoned Me?6. Into Your Hands I Surrender My Soul7. It is Finished. The piece may be done with Full Orchestra (Flute, Oboe, 2 Trumpets in C, Horn in F, Timpani, Harp, Strings), or with a Chamber Ensemble (Flute, Oboe, Horn in F, Piano). Preview pack includes a choral score and CD recording.
$9.95
9.16 €
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Michael John Trotta
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John 19:23-28, 30
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Seven Last Words
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.53 €
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Chamber Orchestra
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Harald Weiss
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Requiem
#
Schott Music - Digital
#
SheetMusicPlus
From Darkness To Light
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1176717 Composed by Simon Fra…
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String Orchestra - Level 3 - Digital Download SKU: A0.1176717 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. Score and parts. 19 pages. Lisa L Ochoco #776796. Published by Lisa L Ochoco (A0.1176717). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009.  The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.  From Darkness to Light is a beautiful instrumental piece in the movie that shows off the beauty of the water.  On paper, the music seems a little too simple, but the chord progressions together with the moving parts make for quite a beautiful and memorable piece.  This arrangement is scored for string orchestra - 3 violins, 2 violas, 2 cellos and double bass.One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  The Shimmer part could be played by wind chimes.  Franglen mentioned that they used keys hanging from strings (car keys, house keys, etc) to create this effect among other creative objects-turned-instruments.Duration: 3.75 minutes.
$50.00
46.02 €
#
String Orchestra
#
Simon Franglen
#
From Darkness To Light
#
Lisa L Ochoco
#
SheetMusicPlus
The Songcord
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1163640 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 20 pages. Lisa L Ochoco #763982. Published by Lisa L Ochoco (A0.1163640). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009.  The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end.  A songcord is a mnemonic device used by the Na’vi that assists them in storytelling.  In this song, Neytiri is thanking Eywa – the Great Mother - for her family.This arrangement is scored for flute choir – piccolo with 4 C, alto, bass, and contrabass flutes.  There is an optional cello part that doubles the contrabass that can be played by any bass clef C instrument in a similar range.One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€. You can also use wind chimes, a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure. Always keep the melody prominent.  The piccolo should always be played softly - at the equivalent volume of the group’s piano.  Play this slowly and freely, with a lot of rubato.  Duration: 3.75 minutes.
$16.00
14.72 €
#
Flute ensemble
#
Simon Franglen
#
The Songcord
#
Lisa L Ochoco
#
SheetMusicPlus
The Songcord
Clarinet Ensemble
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downloa…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1163661 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 19 pages. Lisa L Ochoco #764005. Published by Lisa L Ochoco (A0.1163661). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009.  The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end.  A songcord is a mnemonic device used by the Na’vi that assists them in storytelling.  In this song, Neytiri is thanking Eywa – the Great Mother - for her family.This arrangement is scored for clarinet choir – Eb, 4 Bb, alto, bass, and contrabass. One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  With that in mind, “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€.Be creative with this percussive part!  You can use a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure.Always keep the melody prominent.  Play this slowly and freely, with a lot of rubato.  Duration: 3.75 minutes.
$16.00
14.72 €
#
Clarinet Ensemble
#
Simon Franglen
#
The Songcord
#
Lisa L Ochoco
#
SheetMusicPlus
The Songcord
Flute ensemble
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A…
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1169424 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 21 pages. Lisa L Ochoco #769781. Published by Lisa L Ochoco (A0.1169424). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009. The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.  The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end. A songcord is a mnemonic device used by the Na’vi that assists them in storytelling. In this song, Neytiri is thanking Eywa – the Great Mother - for her family. This arrangement is scored for low flute choir – 4 altos, 3 basses, contra alto in G, and contrabass. There is an optional cello part that doubles the contrabass that can be played by any bass clef C instrument in a similar range. One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€. You can also use wind chimes, a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure. Always keep the melody prominent.  Play this slowly and freely, with a lot of rubato.  Duration: 3.75 minutes.
$16.00
14.72 €
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Flute ensemble
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Simon Franglen
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The Songcord
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Lisa L Ochoco
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SheetMusicPlus
Let All Creation Praise His Coming, sacred music for SATB choir
Choral SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1107927 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1107927 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 9 pages. Kevin G. Pace #710541. Published by Kevin G. Pace (A0.1107927). An epic, exciting, sacred composition for SATB choir. Music by Kevin G. Pace. Text by Mary Ann W. Snowball. Text: Let all creation praise His coming, Sending triumph through the sky! When Jesus Christ steps from the Father All the heavens will supply Grand hallelujahs to all list’ning. And those long-awaited sounds Will announce the Second Coming When His glory will abound. So, let the earth burst forth revering; Let the waters cheer with praise. Let the mountains shout for gladness All because our Lord was raised. Let all valleys hear rejoicing And the seas and dry lands bring Grandest strains to all formation Because He is Christ, our King. Let the stars and morning sunbeams Sing together, all as one. Let the woods and trees and meadows Voice their joy because He comes. Then let the animals speak jointly, And the sun and moon share light; Let the whole world join in worship Because He is in our sight. Let his creations call for oneness To declare his name with love, To proclaim the voice of Jesus When He visits from above. Let all creation praise His coming For his light will be our sun; Let us shout with hymns of singing Because Christ, our Savior comes!
$1.99
1.83 €
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Choral SATB
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Kevin G
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Let All Creation Praise His Coming, sacred music for SATB choir
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Kevin G. Pace
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SheetMusicPlus
The DaySpring
Organ
Organ: 3-staff - Intermediate SKU: LO.70-1608S Advent Meditations for Organ.…
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Organ: 3-staff - Intermediate SKU: LO.70-1608S Advent Meditations for Organ. Composed by Gilbert M. Martin. Sacred, Advent. Sacred Music Press #70/1608S. Published by Sacred Music Press (LO.70-1608S). ISBN 9780893288372.For the coming of the Christ-child, whether quietly awaited or fervently desired, expectation is musically gathered in this joyous collection of organ music designed for the Advent season. Familiar carols (and one or two less familiar ones) receive sparkling and contemplative treatments. Registered for all organs and accurately timed.
Song List
: Watchman Tell Us Of The Night Come Thou Long Expected Jesus O Come O Come Emmanuel Savior of the Nations Come Creator Of The Stars Of Night On Jordan's Bank The Baptist's Cry
$25.00
23.01 €
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Organ
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Gilbert M
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The DaySpring
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Sacred Music Press
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SheetMusicPlus
"July" (Serenade) in F major, from Das Jahr - Level 3 piano arrangement
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.902461 Composed by Fanny Mendelssoh…
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Easy Piano - Level 2 - Digital Download SKU: A0.902461 Composed by Fanny Mendelssohn Hensel (1805-1847). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards,World. Score. 1 pages. Cameron E Smith #5996643. Published by Cameron E Smith (A0.902461). Basic Info:Piano Solo Sheet music, digital downloadLevel: Level 3, Early IntermediateDetailed Description:One of 12 pieces in piano suite Das Jahr (The Year), F major, composed by Romantic composer Fanny Mendelssohn Hensel. H. 385. 19th century. German Romantic. Historic Women Composers. Classical Piano Repertoire for the intermediate beginner. Arranged by Cameron Smith.This is an early intermediate level arrangement in the key of C Major and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 16 measures. Right-hand and left-hand use finger crossings and multiple positions. Flats and sharps are mixed. Quarter-notes, half-notes, dotted half-notes and whole notes.Technique:Finger crossings are introduced. Long tied notes. Flats and sharps. Hands are mostly independent.History:This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms and Tchaikovsky. Fanny Mendelssohn Hensel is the older sister of the well-known composer Felix Mendelssohn. Often attributed to be a greater pianist than he, Hensel wrote many works for the piano, as well as some chamber music, cantatas and oratorios. Due to the complications surrounding women composers at the time, much of her music was published under her brother's name.Looking for more easy piano versions of works by historical women composer? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99
1.83 €
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Easy Piano
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Fanny Mendelssohn Hensel
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"July"
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Cameron E Smith
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SheetMusicPlus
Piano Trio in G Minor - Level 2 piano arrangement
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.902466 Composed by Clara Wieck-Schu…
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Easy Piano - Level 1 - Digital Download SKU: A0.902466 Composed by Clara Wieck-Schumann. Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards,World. Score. 1 pages. Cameron E Smith #5996795. Published by Cameron E Smith (A0.902466). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 2, Upper ElementaryDetailed Description:Piano trio for piano, violin and cello in g minor composed by Romantic composer Clara Schumann. First movement, Allegro Moderato. 19th century. German Romantic. Historic Women Composers. Classical Piano Repertoire for the earliest beginner. Arranged by Cameron Smith.This is a primer level arrangement in the key of a minor and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 16 measures. Right-hand is in a 5-finger, middle C position. Left-hand is in a 5-finger position, one note below middle C. Eighth-notes, quarter-notes, dotted quarter-notes, half-notes and whole notes.Technique:Dotted quarter-notes are introduced. 5-finger scales with right-hand fifth finger extension. Tied notes. One accidental.History:This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms and Tchaikovsky. Clara Schumann was one of the best concert pianists of her time, and composed chamber music, choral pieces, and songs in addition to solo piano pieces. She married the composer Robert Schumann and often premiered both his music and the music of Johannes Brahms. After he husband's early death, she became an influential piano educator and continued to tour as a concert pianist.Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99
1.83 €
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Easy Piano
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Clara Wieck-Schumann
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Piano Trio in G Minor - Level 2 piano arrangement
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Cameron E Smith
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SheetMusicPlus
The Songcord
Flute Quartet: 4 flutes
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU:…
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1169321 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 14 pages. Lisa L Ochoco #769675. Published by Lisa L Ochoco (A0.1169321). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009. The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end. A songcord is a mnemonic device used by the Na’vi that assists them in storytelling. In this song, Neytiri is thanking Eywa – the Great Mother - for her family.This arrangement is scored for flute quartet - 2 C, alto, and bass.An optional part of this piece is what helps create the mood, which is the part called “Shimmerâ€. In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes. The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string. Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€. You can also use wind chimes, a little xylophone, bells, etc. The idea is to create a magical mood without overpowering the music. Play this part wherever there is a note in the measure.Duration: 3.75 minutes.
$16.00
14.72 €
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Flute Quartet: 4 flutes
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Simon Franglen
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The Songcord
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Lisa L Ochoco
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SheetMusicPlus
The Songcord
Flute Quartet: 4 flutes
Flute Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1169759 Compos…
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Flute Quartet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1169759 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 15 pages. Lisa L Ochoco #770123. Published by Lisa L Ochoco (A0.1169759). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009. The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie. The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end. A songcord is a mnemonic device used by the Na’vi that assists them in storytelling. In this song, Neytiri is thanking Eywa – the Great Mother - for her family. This arrangement is scored for flute quartet - 4 C or 3 C and alto. An optional part of this piece is what helps create the mood, which is the part called “Shimmerâ€. In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes. The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string. Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€.  You can also use wind chimes, a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure. Duration: 3.75 minutes.
$16.00
14.72 €
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Flute Quartet: 4 flutes
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Simon Franglen
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The Songcord
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Lisa L Ochoco
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SheetMusicPlus
The Craft of Musical Composition
Digital Download SKU: S9.Q780183 Exercises in Three-Part Writing. Book. Op. …
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Digital Download SKU: S9.Q780183 Exercises in Three-Part Writing. Book. Op. 3. Schott Music - Digital #Q780183. Published by Schott Music - Digital (S9.Q780183). English.Originally published in the 1940s, Paul Hindemith's remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that many years later these books should remain essential reading for the student and the professional musician. Parts 1 and 2 of Unterweisung im Tonsatz were already translated into English during Hindemith's lifetime, when he was in exile in America during the Nazi era. The long-awaited translation of Part 3 with exercises for three-part composition completes the English edition The Craft of Musical Composition.Parts 1 and 2 of the Unterweisung im Tonsatz were already translated into English during Hindemith's lifetime, when he was in exile in America. The translation of part 3 with exercises for three-part composition completes the English edition of The Craft of Musical Composition.
$22.99
21.16 €
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The Craft of Musical Composition
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Schott Music - Digital
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SheetMusicPlus
He Is Born, the Divine Christ Child (piano duet)
1 Piano, 4 hands
1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1494816 Composed by…
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1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1494816 Composed by French carol. Arranged by Anne Britt. Celtic,Christian,Christmas,Irish. Score. 18 pages. Anne Britt #1071382. Published by Anne Britt (A0.1494816). The French carol “Il est né, le divin Enfant” celebrates the long-awaited birth of the Savior, foretold by ancient prophets. This intermediate piano duet arrangement starts out sweetly with the melody being played lightly, then starts adding in rolled open-fifth chords and ornamentation to give it a Celtic flair. The energy picks up as it transitions to an lively 6/8 meter, making you want to get up and dance in joyful celebration! The primo part is a bit more advanced than the secondo part. 5 pages each for the secondo and primo parts, or 8 pages for the combined score. The PDF contains both layouts so you can play from the one you prefer. Performance time: approximately 3:00.Also available for late intermediate piano solo.Visit the publisher's website for contact info and some free sheet music downloads: https://annebrittmusic.com/.
$6.99
6.43 €
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1 Piano, 4 hands
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French carol
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He Is Born, the Divine Christ Child
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Anne Britt
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SheetMusicPlus
The River
Alto voice, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859664 Composed by Sydne…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.
$4.95
4.56 €
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Alto voice, Piano
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Sydney Stevens
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The River
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Sydney Stevens, Water Music
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SheetMusicPlus
Notturno in G Minor - Level 3 piano arrangement
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.902464 Composed by Fanny Mendelssoh…
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Easy Piano - Level 2 - Digital Download SKU: A0.902464 Composed by Fanny Mendelssohn Hensel (1805-1847). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards,World. Score. 1 pages. Cameron E Smith #5996729. Published by Cameron E Smith (A0.902464). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 3, Early IntermediateDetailed Description:Nocturne for piano in g minor composed by Romantic composer Fanny Mendelssohn. 19th century. German Romantic. Historic Women Composers. Classical Piano Repertoire for the intermediate beginner. Arranged by Cameron Smith.This is an early intermediate level arrangement in the key of a minor and serves as an introduction to historic women composers of the Romantic period. 3/4 time signature. 17 measures. Right-hand melody, left-hand broken chord accompaniment. Eighth-notes, quarter-notes, dotted quarter-notes, half-notes and dotted half-notes.Technique:Broken chord accompaniment is introduced. Multiple hand positions are used. One accidental. There are also level 1, 2 and 4 arrangements of this piece available.History:This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms and Tchaikovsky. Fanny Mendelssohn Hensel is the older sister of the well-known composer Felix Mendelssohn. Often attributed to be a greater pianist than he, Hensel wrote many works for the piano, as well as some chamber music, cantatas, and oratorios. Due to the complications surrounding women composers at the time, much of her music was published under her brother's name.Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99
1.83 €
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Easy Piano
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Fanny Mendelssohn Hensel
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Notturno in G Minor - Level 3 piano arrangement
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Cameron E Smith
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SheetMusicPlus
Notturno in G Minor - Level 4 piano arrangement
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.902462 Composed by Fanny Mendelssoh…
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Piano Solo - Level 2 - Digital Download SKU: A0.902462 Composed by Fanny Mendelssohn Hensel (1805-1847). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards,World. Score. 1 pages. Cameron E Smith #5996723. Published by Cameron E Smith (A0.902462). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 4, IntermediateDetailed Description:Nocturne for piano in g minor composed by Romantic composer Fanny Mendelssohn Hensel. 19th century. German Romantic. Historic Women Composers. Classical Piano Repertoire for the intermediate beginner. Arranged by Cameron Smith.This is an intermediate level arrangement in the key of g minor and serves as an introduction to historic women composers of the Romantic period. 6/8 time signature. 11 measures. Right-hand is mostly in thirds, left-hand utilizes broken chord accompaniments. Sixteenth-notes, eighth-notes, dotted eighth-notes, quarter-notes, and dotted quarter-notes.Technique:6/8 time signature is introduced. Right-hand finger crossings in thirds. One accidental. There are also level 1, 2 and 3 arrangements of this piece available.History:This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms and Tchaikovsky. Fanny Mendelssohn Hensel is the older sister of the well-known composer Felix Mendelssohn. Often attributed to be a greater pianist than he, Hensel wrote many works for the piano, as well as some chamber music, cantatas and oratorios. Due to the complications surrounding women composers at the time, much of her music was published under her brother's name.Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99
1.83 €
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Piano solo
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Fanny Mendelssohn Hensel
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Notturno in G Minor - Level 4 piano arrangement
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Cameron E Smith
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SheetMusicPlus
Theme from Piano Concerto - Level 1 piano arrangement
Piano solo
Easy Piano - Level 1 - Digital Download SKU: A0.902458 Composed by Amy Beach (1867-…
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Easy Piano - Level 1 - Digital Download SKU: A0.902458 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards. Score. 1 pages. Cameron E Smith #5996573. Published by Cameron E Smith (A0.902458). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 1 Early ElementaryDetailed Description:Piano Concerto for piano and orchestra in c# minor, composed by Romantic composer Amy Beach. Opus 45, first movement, Allegro Moderato. 19th century. American Romantic. Historic Women Composers. Classical Piano Repertoire for the earliest beginner.This is an early elementary level arrangement in the key of C Major and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 14 measures. Right hand is in a 5-finger, middle C position. Left hand is in a 5-finger position, one note below middle C. Eighth-notes, quarter-notes, half-notes and dotted half-notes.Technique: 5th finger stretch in the right hand is introduced. 5-finger scales. No accidentals. There are also level 2-4 arrangements of this piece available.History: This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms or Tchaikovsky. Amy Beach was the best-known woman composer of her time and the first in the United States to become world famous. She was the first American woman to write a symphony and was a well-respected pianist in her time. Beach fought hard throughout her life to change the common perception that women's music would always be lesser than men's. Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99
1.83 €
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Piano solo
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Amy Beach
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Theme from Piano Concerto - Level 1 piano arrangement
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Cameron E Smith
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SheetMusicPlus
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