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422
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332
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283
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167
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135
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80
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62
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49
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44
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35
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33
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734
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580
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534
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469
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129
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9
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59
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58
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30
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22
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20
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17
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13
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12
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10
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10
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10
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9
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9
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8
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7
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7
Tuba and Organ
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Trombone, Tuba (duet)
5
Trumpet, Trombone, Piano
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Brass Quartet: 2 trumpets, 2 trombones
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3 Trumpets (trio)
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French horn and Basson (duet)
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3 French horns (trio)
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1
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836
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741
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719
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631
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501
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475
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300
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271
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232
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213
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205
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191
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172
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166
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154
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154
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78
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67
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64
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49
String trio
46
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38
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38
2 Harps (duet)
37
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30
String Trio: 3 violins
29
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28
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23
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23
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22
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18
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16
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14
String quartet: 4 violins
13
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10
String Trio: 3 violas
10
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10
String Quartet : 4 violas
9
Viola and Bassoon
8
Harp, Cello (duet)
8
Cello, Organ
6
2 Violins, Piano
6
String Quintet: 2 violins, 2 violas, cello
6
Harp, Violin, Violoncello
5
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4
3 Harps
3
String Quintet: 2 violins, viola, 2 cellos
3
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3
Viola, Organ
3
Flute, Doublebass (duet)
3
Viola ensemble
2
2 Violas, Piano
2
4 Harps
2
4 Double Basses
2
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75
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70
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10
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10
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8
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Love For Love
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9976
Scarborough Fair arr. for flute, clarinet, bassoon and piano
Level 2 - Digital Download SKU: A0.1444898 Composed by Traditional. Arranged by Col…
(+)
Level 2 - Digital Download SKU: A0.1444898 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,World. 20 pages. Colin Kirkpatrick Publications #1024766. Published by Colin Kirkpatrick Publications (A0.1444898). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. The clarinet part avoids awkward movement around the break. This arrangement would make a splendid encore piece for a recital.
$11.99
10.86 €
#
Traditional
#
Scarborough Fair arr. for flute, clarinet, bassoon and piano
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Scarborough Fair arr. for two violins, cello and piano
Level 2 - Digital Download SKU: A0.1473773 Composed by Traditional. Arranged by Col…
(+)
Level 2 - Digital Download SKU: A0.1473773 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 20 pages. Colin Kirkpatrick Publications #1051492. Published by Colin Kirkpatrick Publications (A0.1473773). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. This arrangement would make a splendid encore piece for a recital.
$11.99
10.86 €
#
Traditional
#
Scarborough Fair arr. for two violins, cello and piano
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Scarborough Fair arr. for violin, cello and piano
Piano Trio - Level 2 - Digital Download SKU: A0.1474945 Composed by Traditional. Ar…
(+)
Piano Trio - Level 2 - Digital Download SKU: A0.1474945 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 17 pages. Colin Kirkpatrick Publications #1052537. Published by Colin Kirkpatrick Publications (A0.1474945). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. The violin top note is E6 (the E above the treble staff) and the cello top note is G4 (the G above the bass staff). This arrangement would make a splendid encore piece for a recital.
$11.99
10.86 €
#
Traditional
#
Scarborough Fair arr. for violin, cello and piano
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Scarborough Fair arr. for oboe, clarinet, bassoon and piano
Level 2 - Digital Download SKU: A0.1452373 Composed by Traditional. Arranged by Col…
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Level 2 - Digital Download SKU: A0.1452373 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Multicultural,World. 20 pages. Colin Kirkpatrick Publications #1031703. Published by Colin Kirkpatrick Publications (A0.1452373). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. It would make an excellent addition to a woodwind recital.
$11.99
10.86 €
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Traditional
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Scarborough Fair arr. for oboe, clarinet, bassoon and piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Scarborough Fair arr. for flute, oboe, bassoon and piano
Woodwind Ensemble Bassoon,Flute,Oboe - Level 2 - Digital Download SKU: A0.1442831 C…
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Woodwind Ensemble Bassoon,Flute,Oboe - Level 2 - Digital Download SKU: A0.1442831 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,Traditional,World. 20 pages. Colin Kirkpatrick Publications #1022767. Published by Colin Kirkpatrick Publications (A0.1442831). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. It would make an excellent addition to a woodwind recital.
$11.99
10.86 €
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Traditional
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Scarborough Fair arr. for flute, oboe, bassoon and piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.13 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Most Importantly, Loves, a song cycle for soprano and piano
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1233352 Composed by Adrienne…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1233352 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Country,Pop. Score. 45 pages. Adrienne Inglis (ASCAP) #828940. Published by Adrienne Inglis (ASCAP) (A0.1233352). Sing one, two, or all six of these expressive and charming songs for soprano and piano!Most Importantly, Loves (2021) by Adrienne Inglis (ASCAP), as a six-song cycle for soprano and pianoText — six letters by Maureen Broy PapovichDuration 25:00Difficulty 4 intermediate/advancedProgram note — Most Importantly, Loves (2021), a song cycle for soprano and piano composed by Adrienne Inglis (ASCAP), was commissioned by Maureen Broy Papovich whose six letters furnish the text. She wrote letters to various close family members with tender messages overflowing with admiration, affection, and hope. The songs look at each beloved relative as seen through the prism of the author’s caring eyes and heart. Rooted in moody Dorian mode, the lyrical melodies of R. J. overlay a more brooding, restless piano part. Lucy sports a bit of a jazzy lilt and sassy attitude. The infectious laugh of Camryn and the remarkable resemblance to her late father underpin this quick syncopated C major number. Brendan reflects his exuberant love of life and devastating self-destructive addiction with radical tonality and tempo changes. Mira has an encouraging message for a young person in D mixolydian with soothing piano texture. Jonah’s long lines soar over lush expansive harmonies grounded in B flat major to form a soft fleece blanket of comforting sound and boundless unconditional parental love. — Adrienne InglisThe impetus for the poems that became the song cycle “Most Importantly Loves†started a decade ago. My brother died suddenly in 2011 at the age of 42. He left all of us behind including his daughters, my nieces, when they were ages six years and six months. My father and mother died a short time later, within months of each other in 2013 and 2014. Finally, in 2017 my 27-year-old nephew died of a drug overdose. This intense period of loss brought and continues to bring about many feelings of regret in addition to so much more. When my nephew died, my son Jonah, developed an intense anxiety about losing us, his parents. I felt compelled to express my feelings, the fear of my own mortality, the anxiety of leaving behind loved ones, combined with words said and unsaid to those lost. “Love letters†is my gift to the six young people I care most about. These songs, exquisitely set to music by my friend and composer Adrienne Inglis, express my deep love for each of my loved ones and also, hopefully, provide them with a piece of writing that they can use as a source of strength when life becomes particularly challenging. —  Maureen Broy PapovichPlaylist of Oct. 22, 2022 performance:https://youtube.com/playlist?list=PLY9Jh0jT7VQsLBdIik5wJRjE6Qhu_5IZD.
$9.99
9.05 €
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Piano, Voice
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Adrienne Inglis
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Most Importantly, Loves, a song cycle for soprano and piano
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Adrienne Inglis
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.8894…
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
9.95 €
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Johann Sebastian Bach
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Lovey Dovey's Valentines (Piano Accompaniment Track)
Choir,Piano,Ukulele,Voice - Digital Download SKU: A0.1065505 Composed by Carol Trou…
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Choir,Piano,Ukulele,Voice - Digital Download SKU: A0.1065505 Composed by Carol Troutman Wiggins. Children,Holiday,Instructional,Love,Standards. Accompaniment. Duration 63. Carol Troutman Wiggins #3444873. Published by Carol Troutman Wiggins (A0.1065505). LOVEY DOVEY'S VALENTINES (Piano Accompaniment Track)Unison w/Piano AccompanimentLovey Dovey loves her family! This easy, cute Valentine's Day song is about a dove that expresses love for Mom, Dad, siblings, aunts, uncles & cousins!Excellent for any age elementary & younger middle school studentsEasy to teach, easy to learnBouncy, lilting tune & accompanimentComfortable singing rangeIntroduces chromatic notesChords included for additional instruments (Ukulele would be great!)
$5.99
5.43 €
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Carol Troutman Wiggins
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Lovey Dovey's Valentines
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Carol Troutman Wiggins
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SheetMusicPlus
Beloved, let us love
Choral SATB
SATB choir and organ or piano - Digital Download SKU: OX.9780193536807 Composed by …
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SATB choir and organ or piano - Digital Download SKU: OX.9780193536807 Composed by Alan Bullard. Sheet music. Octavo. 7 pages. Oxford University Press Digital #9780193536807. Published by Oxford University Press Digital (OX.9780193536807). ISBN 9780193536807.For SATB and organ or piano. Horatius Bonar's well-known hymn Beloved, let us love is a perfect text for wedding services, expressing the belief that it is only through loving others that we can know God's love for us. Bullard's setting is exultant and emotive, with full-choir textures, rich harmonies, and contrasting keyboard accompaniments.
$3.25
2.94 €
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Choral SATB
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Alan Bullard
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Beloved, let us love
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Oxford University Press Digital
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SheetMusicPlus
Butterfly Lovers Concerto
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1452599 Composed by Gang Chen…
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String Orchestra - Level 4 - Digital Download SKU: A0.1452599 Composed by Gang Chen and Zhanhao He. Arranged by Lyris Pat. 20th Century,Multicultural,Romantic Period,World. 17 pages. Lyris Pat #1031690. Published by Lyris Pat (A0.1452599). The Butterfly Lovers Violin Concerto (Liang Zhu 梁祝) is a beloved concerto that features traditional Chinese folk tunes written in the Western orchestral idiom. This rendition has taken the main tune from the first movement and abridged it to fit into a short 5 minute stand alone piece.This arrangement is for 2 advanced solo violinists, optional guzheng, harp, or piano, and an intermediate student string orchestra. The 2 solo violin parts here are symbolic of Zhu Yingtai (祝英臺), the story's protagonist, and of Liang Shanbo (梁山伯), her lover. The first movement describes Zhu’s road to Hangzhou for her studies. As a young woman she is forbidden to attend school so she becomes disguised as a man. She meets Liang for the first time and their passionate journey begins, first as a sweet friendship and then finally as a tragic, forbidden love.
$75.00
67.93 €
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String Orchestra
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Gang Chen and Zhanhao He
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Butterfly Lovers Concerto
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Lyris Pat
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SheetMusicPlus
All for Love of One
Choral 2-part
SA choir and piano - Digital Download SKU: OX.9780193535077 Composed by Bob Chilcot…
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SA choir and piano - Digital Download SKU: OX.9780193535077 Composed by Bob Chilcott. Sheet music. Octavo. 7 pages. Oxford University Press Digital #9780193535077. Published by Oxford University Press Digital (OX.9780193535077). ISBN 9780193535077.For SA and piano. This is a beautiful setting of an anonymous medieval text that follows a broken-hearted lover into the woods. Fluctuating between major and minor keys, Chilcott's melody is full of nostalgia and grows intensely towards the middle of the piece. The parts are supported by a warm and flowing piano accompaniment.
$3.25
2.94 €
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Choral 2-part
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Bob Chilcott
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All for Love of One
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Oxford University Press Digital
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SheetMusicPlus
Lovey Dovey's Valentines
Choral Unison
Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.727291 Composed by Carol…
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Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.727291 Composed by Carol Troutman Wiggins. Children,Comedy,Contemporary,Holiday,Instructional. Octavo. 3 pages. Carol Troutman Wiggins #3444869. Published by Carol Troutman Wiggins (A0.727291). LOVEY DOVEY'S VALENTINESUnison w/Piano AccompanimentLovey Dovey loves her family! This easy, cute Valentine's Day song is about a dove that expresses love for Mom, Dad, siblings, aunts, uncles & cousins!Excellent for any age elementary & younger middle school studentsEasy to teach, easy to learnBouncy, lilting tune & accompanimentComfortable singing rangeIntroduces chromatic notesChords included for additional instruments (Ukulele would be great!)Piano Accompaniment track available on this site!
$2.50
2.26 €
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Choral Unison
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Carol Troutman Wiggins
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Lovey Dovey's Valentines
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Carol Troutman Wiggins
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SheetMusicPlus
Love divine, all loves excelling
Choral SATB
SATB chorus, congregation, and organ - Digital Download Arranged by John Rutter. Shee…
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SATB chorus, congregation, and organ - Digital Download Arranged by John Rutter. Sheet music. The Cambridge Singers Hymn Series. Octavo. 4 pages. Oxford University Press Digital #9780193541931. Published by Oxford University Press Digital
ISBN 9780193541931.<br> <br> For SATB, congregation, and organ. This popular hymn is here set to the tune 'Hyfrydol' and has a splendid last verse descant.
$2.85
2.58 €
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Choral SATB
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Love divine, all loves excelling
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Oxford University Press Digital
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SheetMusicPlus
O The Deep, Deep Love of Jesus for Solo Violin and Piano
Violin and Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.1005690 Composed by Thomas John W…
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Piano,Violin - Level 5 - Digital Download SKU: A0.1005690 Composed by Thomas John Williams, 1890. Arranged by Grace Joy Reid, 2021. Christian,Sacred,Spiritual. 8 pages. Creating Music Joy #6356583. Published by Creating Music Joy (A0.1005690). The text was written in 1875 by Samuel Trevor Francis. A Welsh hymn tune, Ebenezer, composed by Thomas John Williams. Legend has it that as a young man, Samuel Trevor Francis contemplated committing suicide by jumping into the Thames River from the Hungerford Bridge in London. Experiencing the love of Jesus, he wrote these lyrics and went on to write many poems, hymns, and became a preacher, in addition to being a merchant sailor. Hymn Lyrics1 O the deep, deep love of Jesus!Vast, unmeasured, boundless, free,rolling as a mighty oceanin its fullness over me.Underneath me, all around me,is the current of thy love;leading onward, leading homeward,to thy glorious rest above.2 O the deep, deep love of Jesus!Spread his praise from shore to shore;how he loveth, ever loveth,changeth never, nevermore;how he watches o'er his loved ones,died to call them all his own;how for them He intercedeth,watcheth o'er them from the throne.3 O the deep, deep love of Jesus!Love of ev'ry love the best:'tis an ocean vast of blessing,'tis a haven sweet of rest.O the deep, deep love of Jesus!'Tis a heav'n of heav'ns to me;and it lifts me up to glory,for it lifts me up to thee.Source: Trinity Psalter Hymnal #463
$11.95
10.82 €
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Violin and Piano
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Thomas John Williams, 1890
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O The Deep, Deep Love of Jesus for Solo Violin and Piano
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Creating Music Joy
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SheetMusicPlus
God is love
Choral SATB
SATB chorus and organ - Digital Download SKU: OX.9780193705715 Composed by Andrew C…
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SATB chorus and organ - Digital Download SKU: OX.9780193705715 Composed by Andrew Carter. Sheet music. Octavo. 8 pages. Oxford University Press Digital #9780193705715. Published by Oxford University Press Digital (OX.9780193705715). ISBN 9780193705715.For SATB and organ. This beautiful anthem, set to words by Timothy Rees and the composer, celebrates God's all-encompassing love for mankind. The gentle melody introduced in verse 1 by the sopranos prevails throughout and is taken up by all four voices in unison before the piece comes to a triumphant close.
$3.25
2.94 €
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Choral SATB
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Andrew Carter
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God is love
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Oxford University Press Digital
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SheetMusicPlus
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Violin, Clarinet, Piano (trio)
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed …
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B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
13.58 €
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Violin, Clarinet, Piano (trio)
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Adam Lenhart
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Two Scenes from The Rubáiyát of Omar Khayyám
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Adam Lenhart
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SheetMusicPlus
Love Story
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1389729 By Taylor Swi…
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1389729 By Taylor Swift. By Taylor Swift. Arranged by Paul Lorenz. Broadway,Country,Musical/Show,Pop,Rock,Wedding. Score. 7 pages. Paul Lorenz #973325. Published by Paul Lorenz (A0.1389729). Taylor Swift Love Story Sheet Music: A Symphony of Romance and Talent Unleash the Emotion with Every Note Dive into the heart of Taylor Swift's masterpiece with Love Story sheet music piano PDF, meticulously curated by Paul Lorenz Music. Whether you're a pianist or a string enthusiast, our collection of Love Story piano sheet music and Love Story music score offers an unparalleled musical experience. For those who feel the music in their fingertips, the Love Story piano score and Love Story by Taylor Swift piano sheet music are your keys to a profound performance. A Melody That Speaks to Hearts Paul Lorenz Music takes pride in offering Love Story piano sheet music Taylor Swift and Love Story Taylor Swift piano sheet, ensuring every note captures the essence of Swift's iconic song. The Taylor Swift Love Story piano score is more than just notes on a page; it's a gateway to storytelling through music. With our Love Story sheet music Taylor Swift, performers of all levels can find joy in the melody, from Love Story easy piano to more complex arrangements. Versatile Arrangements for Every Musician Our selection caters to every instrument, from Love Story piano notes to Love Story sheet music violin. Violinists will revel in the Love Story Taylor Swift violin sheet music, while those looking for Love Story easy piano sheet music will find arrangements that match their skill level. Additionally, we offer Love Story flute sheet music, Love Story music sheet PDF, and Love Story guitar sheet music, allowing musicians to choose their preferred instrument for this timeless tune. Designed for Musicians, By Musicians At Paul Lorenz Music, we understand the connection between artist and instrument. That's why we offer Love Story Taylor Swift piano notes and more, designed to inspire and enhance your musical journey. Our mission is to make classical music accessible and beloved, and through offerings like these, we invite you to join us in this endeavor. Frequently Asked Questions (FAQs) Who did Taylor Swift write Love Story about? Taylor Swift was inspired by a personal experience that resonated with the theme of a forbidden love, much like the story of Romeo and Juliet, to write Love Story. What was Taylor Swift's first hit song? Taylor Swift's first hit song that garnered national attention was Tim McGraw, released in 2006. How did Taylor Swift get discovered? Taylor Swift was discovered at the age of 14 by music industry executive Scott Borchetta, who saw her perform at a café in Nashville and subsequently signed her to his newly formed record label, Big Machine Records. Did Taylor Swift write Love Story on her own? Yes, Taylor Swift wrote Love Story on her own, showcasing her talent as a songwriter at a young age.
$4.99
4.52 €
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Piano, Vocal and Guitar
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Taylor Swift
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Love Story
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Paul Lorenz
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SheetMusicPlus
The Butterfly Lovers
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1412494 Composed by Zhanhao He. Arr…
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Piano Solo - Level 3 - Digital Download SKU: A0.1412494 Composed by Zhanhao He. Arranged by Cathy Pate. 19th Century,Folk,Multicultural,World. Score. 4 pages. Aiwo Production #994589. Published by Aiwo Production (A0.1412494). The Butterfly Lovers is a Chinese folk legend that has inspired various artistic interpretations, including a famous violin concerto. The story revolves around the forbidden love between Liang Shanbo, a scholar, and Zhu Yingtai, a young woman who disguises herself as a man to pursue an education. The two fall deeply in love but are ultimately separated by societal constraints and tragic circumstances. After Liang's death, Zhu reveals her true identity, and she too dies of a broken heart. Their spirits transform into a pair of butterflies, forever entwined in eternal love. The song captures the poignant beauty and enduring romance of this classic tale.
$8.99
8.14 €
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Piano solo
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Zhanhao He
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The Butterfly Lovers
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Aiwo Production
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SheetMusicPlus
Felix Mendelssohn-Bartholdy: I Would That My Love for voice & piano
Piano, Voice
Instantly downloadable sheet music by Felix Mendelssohn-Bartholdy for voice & piano of…
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Instantly downloadable sheet music by Felix Mendelssohn-Bartholdy for voice & piano of HIGH skill level. / classical
$5.99
5.43 €
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Piano, Voice
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Felix Mendelssohn-Bartholdy
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Virtualsheetmusic
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestra
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.32 €
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Orchestra
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Manuel de Espinosa de los Monteros (1730-1810)
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Julian's Hazelnut for SSAA and B flat clarinet
Choral SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrien…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages. Adrienne Inglis (ASCAP) #778101. Published by Adrienne Inglis (ASCAP) (A0.1178138). Gorgeous sacred piece in Middle English for SSAA and Bb clarinet! Perfect for Holy Week, Easter, Good Friday, Maundy Thursday, environmental, nature, mystical, contemplative concerts! Julian’s Hazelnut (2022) by Adrienne Inglis (ASCAP)SSA treble chorus and B flat clarinetText: The Shewings of Julian of Norwich, Part 1 Lines 148-154 by Julian of Norwich (about 1343 - after 1416)Commissioned by Inversion Ensemble for Da Capo’s Origins concertDuration 3:50 minutesDifficulty 4 (Auditioned Chorus)Language — Middle English (with Original Pronunciation from David Crystal)Original Pronunciationhttp://originalpronunciation.com/GBR/Home The perusal score video will be included on this YouTube playlist soon.https://www.youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:21 Jan 2023 at 7 PM Inversion Ensemble and clarinetist Brendan Fairleigh (world premiere) in Austin, TexasCommissioned by Inversion Ensemble for Da Capo’s January 2023 Origins concert, Julian’s Hazelnut (2022) by Adrienne Inglis sets text by Julian of Norwich for treble voices and B flat clarinet. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. Near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.†The beautiful Medieval English text for this piece is from The Shewings of Julian of Norwich, Part I lines 148-154 in which Julian reflects on the vision she experienced about a hazelnut in the palm of her hand. She comes to understand that God loves even a small, ordinary thing like a hazelnut, such that it will not disintegrate but last forever because of God’s love for it. In Julian’s vision, the hazelnut symbolizes all that is made — all of Creation that God made and loves forever. The music combines Medieval sounds and counterpoint with lush, modern harmonies, woven together with the smooth color and elegant lines of the clarinet. Singers use Original Pronunciation to capture the lyricism of Julian’s words. May this piece inspire the same awe and amazement at God’s beloved Creation that Julian felt centuries ago.http://adrienneinglis.com.
$1.99
1.8 €
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Choral SSAA
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Adrienne Inglis
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Julian's Hazelnut for SSAA and B flat clarinet
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Adrienne Inglis
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.63 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.63 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
The King of love my Shepherd is
Choral SATB
SATB choir and piano or harp - Digital Download The Cambridge Singers Hymn Series. Ar…
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SATB choir and piano or harp - Digital Download The Cambridge Singers Hymn Series. Arranged by John Rutter. Sheet music. The Cambridge Singers Hymn Series. Octavo. 8 pages. Oxford University Press Digital #9780193536999. Published by Oxford University Press Digital
ISBN 9780193536999.<br> <br> For SATB and piano or harp. The King of Love My Shepherd Is sets Psalm 23 to an arrangement of the Irish traditional melody St. Columba. Rutter keeps the first three verses largely in unison, alternating between male and female voices, before allowing the music to bloom into rich and ever-expanding polyphony for the last three verses.
$3.25
2.94 €
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Choral SATB
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The King of love my Shepherd is
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Oxford University Press Digital
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SheetMusicPlus
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