Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
88
Digital
Sheet Music
131
Sheet Music
Books
87
Music
Equipment
0
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
PDF/Flash
Not classified
25
PIANO & KEYBOARDS
Piano, Voice
31
Piano solo
11
Easy Piano
3
C Instruments
2
Piano, Vocal and Guitar
1
Piano Trio: piano, violin, cello
1
Instrumentations suivantes
Retracter
GUITARS
VOICE
Choral 3-part
3
Choral SATB
2
Choral SSAA
1
Choral 2-part
1
Choral Unison
1
WOODWIND
Saxophone Quartet: 4 saxophones
5
Clarinet Quartet: 4 clarinets
3
Flute, harp and violin
1
Clarinet, Cello (duet)
1
Flute, Oboe, Clarinet, Bassoon
1
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
1
STRINGS
Harp
19
Harp, Voice
3
String Quartet: 2 violins, viola, cello
2
Violin, Clarinet, Piano (trio)
1
PERCUSSION & ORCHESTRA
Orchestra
6
String Orchestra
2
Percussion Ensemble
1
Jazz combo
1
Concert band
1
OTHERS
You've selected:
Love Story for harp
PDF
Sheetmusic to print
131 sheet music found
<
1
26
51
....
126
Love Story for harp
Harp
Harp - Intermediate - Digital Download By Taylor Swift. Arranged by Lauren Scott. 4 p…
(+)
Harp - Intermediate - Digital Download By Taylor Swift. Arranged by Lauren Scott. 4 pages. Published by Astute Music
For Intermediate standard pedal harpists, complete with pedalling. This arrangement can also easily be played on lever harp.<br> <br> This version has been expertly arranged for pedal harp by harpist Lauren Scott, and is a useful addition to the harp repertoire for playing at private events, weddings, parties and also as extra repertoire for teaching.<br> <br> Sign up for new music notifications from Lauren Scott http://eepurl.com/dCTo1P
$4.99
4.59 €
#
Harp
#
Taylor Swift
#
Love Story for harp
#
Astute Music
#
SheetMusicPlus
Love Story - Taylor Swift (for solo harp)
Harp
Harp - Intermediate - Digital Download By Taylor Swift. Arranged by Kirsten Agresta Cope…
(+)
Harp - Intermediate - Digital Download By Taylor Swift. Arranged by Kirsten Agresta Copely. Solo Part. 5 pages. Published by Kirsten Agresta Copely
This arrangement has been expertly arranged by harpist Kirsten Agresta Copely. Perfect for wedding ceremonies, receptions, and all background gigs.
$9.99
9.2 €
#
Harp
#
Taylor Swift
#
Love Story - Taylor Swift
#
Kirsten Agresta Copely
#
SheetMusicPlus
Four pieces from LA TRAVIATA - Solo Lever Harp
Harp
Lever Harp - Level 4 - Digital Download SKU: A0.1405402 Composed by Giuseppe Verdi.…
(+)
Lever Harp - Level 4 - Digital Download SKU: A0.1405402 Composed by Giuseppe Verdi. Arranged by Alessandro Palazzani. 19th Century,Classical,Opera,Romantic Period,Wedding. Score. 29 pages. A work by Alessandro Palazzani #988458. Published by A work by Alessandro Palazzani (A0.1405402). Four Pieces fromGiuseppe Verdi’s LA TRAVIATAarranged for lever harp by Alessandro PalazzaniCONTENTS:Addio del passato    aria from act 3 (Violetta)Un dì, felice, eterea    duetto from act 1 (Violetta & Alfredo)Di Provenza il mar, il suol  aria from act 2 (Germont)Prelude and Finale    prelude from act 1 and last measures of act 3Discover the timeless elegance of Giuseppe Verdi's beloved opera 'La Traviata' in a whole new light with Alessandro Palazzani's enchanting arrangement for lever harp. In this captivating collection, Palazzani brings to life four exquisite pieces from the opera, allowing the delicate yet powerful melodies to soar through the strings of the harp with grace and emotion. Dive into the world of Violetta, Alfredo, and the tragic love story that has captured hearts for generations, as each note transports you to the heart of 19th-century Paris. Whether you're a experienced harpist or simply a lover of classical music, this collection promises to enchant and inspire with its unique interpretation of Verdi's timeless masterpiece.For fully levered 34/36 strings harp, E flat tuningLevel: late intermediate/advanced
$25.00
23.02 €
#
Harp
#
Giuseppe Verdi
#
Four pieces from LA TRAVIATA - Solo Lever Harp
#
A work by Alessandro Palazzani
#
SheetMusicPlus
"Di Provenza il mar, il suol" from LA TRAVIATA - solo lever harp
Harp
Lever Harp - Level 4 - Digital Download SKU: A0.1405426 Composed by Giuseppe Verdi.…
(+)
Lever Harp - Level 4 - Digital Download SKU: A0.1405426 Composed by Giuseppe Verdi. Arranged by Alessandro Palazzani. 19th Century,Classical,Opera,Romantic Period,Wedding. Score. 14 pages. A work by Alessandro Palazzani #988481. Published by A work by Alessandro Palazzani (A0.1405426). Di Provenza il mar, il suol fromGiuseppe Verdi’s LA TRAVIATAarranged for lever harp by Alessandro PalazzaniDiscover the timeless elegance of Giuseppe Verdi's beloved opera 'La Traviata' in a whole new light with Alessandro Palazzani's enchanting arrangement for lever harp. Dive into the world of Violetta, Alfredo, and the tragic love story that has captured hearts for generations, as each note transports you to the heart of 19th-century Paris. Whether you're a experienced harpist or simply a lover of classical music, this collection promises to enchant and inspire with its unique interpretation of Verdi's timeless masterpiece.For fully levered 34/36 strings harp, E flat tuningLevel: late intermediate/advanced
$7.00
6.45 €
#
Harp
#
Giuseppe Verdi
#
"Di Provenza il mar, il suol" from LA TRAVIATA - solo lever harp
#
A work by Alessandro Palazzani
#
SheetMusicPlus
"Addio del Passato" from LA TRAVIATA - solo lever harp
Harp
Lever Harp - Level 4 - Digital Download SKU: A0.1405416 Composed by Giuseppe Verdi.…
(+)
Lever Harp - Level 4 - Digital Download SKU: A0.1405416 Composed by Giuseppe Verdi. Arranged by Alessandro Palazzani. 19th Century,Classical,Opera,Romantic Period,Wedding. Score. 12 pages. A work by Alessandro Palazzani #988471. Published by A work by Alessandro Palazzani (A0.1405416). Addio del Passato fromGiuseppe Verdi’s LA TRAVIATAarranged for lever harp by Alessandro PalazzaniDiscover the timeless elegance of Giuseppe Verdi's beloved opera 'La Traviata' in a whole new light with Alessandro Palazzani's enchanting arrangement for lever harp. Dive into the world of Violetta, Alfredo, and the tragic love story that has captured hearts for generations, as each note transports you to the heart of 19th-century Paris. Whether you're a experienced harpist or simply a lover of classical music, this collection promises to enchant and inspire with its unique interpretation of Verdi's timeless masterpiece.For fully levered 34/36 strings harp, E flat tuningLevel: late intermediate/advanced
$7.00
6.45 €
#
Harp
#
Giuseppe Verdi
#
"Addio del Passato" from LA TRAVIATA - solo lever harp
#
A work by Alessandro Palazzani
#
SheetMusicPlus
"Un dì, felice, eterea" from LA TRAVIATA - solo lever harp
Harp
Pedal Harp - Level 4 - Digital Download SKU: A0.1405423 Composed by Giuseppe Verdi.…
(+)
Pedal Harp - Level 4 - Digital Download SKU: A0.1405423 Composed by Giuseppe Verdi. Arranged by Alessandro Palazzani. 19th Century,Classical,Opera,Romantic Period,Wedding. Score. 15 pages. A work by Alessandro Palazzani #988478. Published by A work by Alessandro Palazzani (A0.1405423). Un dì, felice, eterea fromGiuseppe Verdiâ??s LA TRAVIATAarranged for lever harp by Alessandro PalazzaniDiscover the timeless elegance of Giuseppe Verdi's beloved opera 'La Traviata' in a whole new light with Alessandro Palazzani's enchanting arrangement for lever harp. Dive into the world of Violetta, Alfredo, and the tragic love story that has captured hearts for generations, as each note transports you to the heart of 19th-century Paris. Whether you're a experienced harpist or simply a lover of classical music, this collection promises to enchant and inspire with its unique interpretation of Verdi's timeless masterpiece.For fully levered 34/36 strings harp, E flat tuningLevel: late intermediate/advanced
$7.00
6.45 €
#
Harp
#
Giuseppe Verdi
#
"Un dì, felice, eterea" from LA TRAVIATA - solo lever harp
#
A work by Alessandro Palazzani
#
SheetMusicPlus
"Prelude and Finale" from LA TRAVIATA - solo lever harp
Harp
Lever Harp - Level 4 - Digital Download SKU: A0.1405430 Composed by Giuseppe Verdi.…
(+)
Lever Harp - Level 4 - Digital Download SKU: A0.1405430 Composed by Giuseppe Verdi. Arranged by Alessandro Palazzani. 19th Century,Classical,Opera,Romantic Period,Wedding. Score. 15 pages. A work by Alessandro Palazzani #988485. Published by A work by Alessandro Palazzani (A0.1405430). Prelude and Finale fromGiuseppe Verdi’s LA TRAVIATAarranged for lever harp by Alessandro PalazzaniDiscover the timeless elegance of Giuseppe Verdi's beloved opera 'La Traviata' in a whole new light with Alessandro Palazzani's enchanting arrangement for lever harp. Dive into the world of Violetta, Alfredo, and the tragic love story that has captured hearts for generations, as each note transports you to the heart of 19th-century Paris. Whether you're a experienced harpist or simply a lover of classical music, this collection promises to enchant and inspire with its unique interpretation of Verdi's timeless masterpiece.For fully levered 34/36 strings harp, E flat tuningLevel: late intermediate/advanced
$7.00
6.45 €
#
Harp
#
Giuseppe Verdi
#
"Prelude and Finale" from LA TRAVIATA - solo lever harp
#
A work by Alessandro Palazzani
#
SheetMusicPlus
"The Love Song" Chamber Ensemble - from DREAMS - the love within
Flute, harp and violin
Small Ensemble Cello,Flute,Harp,Violin - Level 3 - Digital Download SKU: A0.883440 …
(+)
Small Ensemble Cello,Flute,Harp,Violin - Level 3 - Digital Download SKU: A0.883440 Composed by Amy Camie. 20th Century,Contemporary,New Age,Sacred,Wedding. Score and parts. 8 pages. Amy Camie - Universal Light Publishing #3532673. Published by Amy Camie - Universal Light Publishing (A0.883440). The 5 movements of DREAMS - the love within reflect the soundtrack to the myth Nanna and Ningal and include: The DanceThe DreamThe UnionThe Love SongThe CommitmentEach movement can be played independently of the others and are appropriate for background music, healing therapies, weddings, memorials, and meditations.These beautiful melodies were inspired by the ancient Mesopotamian myth, Nanna and Ningal, a symbolic story representing the process of bringing our subconscious dreams and desires to conscious awareness, then lovingly embracing them within ourselves to manifest them in our world..This Chamber Ensemble arrangement of The Love Song includes a Score and individual parts for Harp, Violin, Flute & Cello. May we all manifest our dreams in the light of love, AmyWebsite: www.AmyCamie.com Facebook: https://www.facebook.com/AmyCamieHarpist Twitter: https://twitter.com/AmyCamieHarp LinkedIn: https://www.linkedin.com/in/amycamie/ YouTube: BlueStarVideo: https://www.youtube.com/channel/UChZxHAHP_NVMn5ZJZ8g4UXA Performing Rights Organization: ASCAP Publishing Company: Universal Light Publishing (ASCAP)
$11.99
11.04 €
#
Flute, harp and violin
#
Amy Camie
#
Cello
#
"The Love Song" Chamber Ensemble - from DREAMS - the love within
#
Amy Camie - Universal Light Publishing
#
SheetMusicPlus
Where Do I Begin (Theme from Love Story) for lever harp
Harp
Harp - Early Intermediate - Digital Download By Andy Williams. Arranged by Kim Kirkma…
(+)
Harp - Early Intermediate - Digital Download By Andy Williams. Arranged by Kim Kirkman. Score. 2 pages. Published by Kim Kirkman
In G minor. Will need Bb, Eb and F# levers.<br> Has four lever changes in the piece (with plenty of time in left hand to change).<br> Beautiful song. <br> Easy arrangement, very accessible.
$4.99
4.59 €
#
Harp
#
Andy Williams
#
Where Do I Begin
#
Kim Kirkman
#
SheetMusicPlus
Farewell by the River - Double Strung Harp Solo
Harp
Harp - Intermediate - Digital Download Composed by Tracie Lin. Celtic. Individual Par…
(+)
Harp - Intermediate - Digital Download Composed by Tracie Lin. Celtic. Individual Part, Sheet Music Single, Solo Part. 2 pages. Published by Tracie Lin
This is an original composition for the double strung harp. The imaginary is that of a mother saying goodbye to her son by the river. The story takes place in the ancient days when people travel by boats to faraway lands and it would probably be years before seeing loved ones again. The mother silently watches the flowing river take away her son until he is no longer in sight . . . <br> <br> The song is in aeolian mode in the key of G. The range is low A (1.5 octave below middle C) to E (2 octaves above middle C). It requires one mid song D# lever change on the right.
$2.99
2.75 €
#
Harp
#
Tracie Lin
#
Farewell by the River - Double Strung Harp Solo
#
Tracie Lin
#
SheetMusicPlus
Love Story
Harp
Lever Harp - Level 2 - Digital Download SKU: A0.1299280 By Taylor Swift. By Taylor …
(+)
Lever Harp - Level 2 - Digital Download SKU: A0.1299280 By Taylor Swift. By Taylor Swift. Arranged by Kim Kirkman. 21st Century,Pop,Wedding. Score. 3 pages. Kim Kirkman #889142. Published by Kim Kirkman (A0.1299280). Taylor Swift's Love StoryArranged for lever harp - no levers required (in key of C). I have taken the key change out.I have reduced the piece to three pages. Great for weddings (no page turns).
$4.99
4.59 €
#
Harp
#
Taylor Swift
#
Love Story
#
Kim Kirkman
#
SheetMusicPlus
Ellen Aureen. A New Song for the Piano Forte or Harp
Harp
Piano and voice; harp - Digital Download SKU: LV.1112 Composed by J. Monro. Fathers…
(+)
Piano and voice; harp - Digital Download SKU: LV.1112 Composed by J. Monro. Fathers & children, Love, Nursing, Accidents. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1112). Ellen Aureen. A New Song for the Piano Forte or Harp. Written by the Author of The Captive to his Bird. Composed by J. Monro. Published [n.d.] by J. Siegling at his Musical Warehouse, 69 Broad St. in Charleston. Composition of strophic with chorus with piano and voice; harp instrumentation. Subject headings for this piece include Fathers & children, Love, Nursing, Accidents. First line reads O cold was the climate and cheerless the moore, where Ellen had bloom'd till sixteen.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
#
Harp
#
J
#
Ellen Aureen. A New Song for the Piano Forte or Harp
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Wilt Thou Meet Me There Love
Harp
Piano and voice; harp - Digital Download SKU: LV.2087 Composed by B. Hime. Courtshi…
(+)
Piano and voice; harp - Digital Download SKU: LV.2087 Composed by B. Hime. Courtship, Love, Night, Birds. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2087). Wilt Thou Meet Me There Love. Composed and Arranged for the Piano Forte or Harp by B. Hime. Published [n.d.] by Geo. Willig, 171 Chesnut St. in Philadelphia. Composition of strophic with chorus with piano and voice; harp instrumentation. Subject headings for this piece include Courtship, Love, Night, Birds. First line reads Where, as dewy twilight lingers o'er the balmy air, love.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
#
Harp
#
B
#
Wilt Thou Meet Me There Love
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
A Hymn A Day Volume 5
Harp, Voice
Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. C…
(+)
Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Easter, Lent. 114 pages. Published by Afghan Press Music for the Harp
The fifth of a series of five volumes that are geared toward smaller lever harps with a bass range that goes to the G which is one and ½ octaves below middle C. Volume five includes songs for Lent, Easter and Pentecost. These tunes have the added benefit of being arranged in keys that are accessible to most vocal ranges, which is especially helpful when playing along with congregational singing. Lever changes are indicated with diamond shaped notes. Some tunes have no lever changes, some have a lot. The left hand in a few of the tunes is quite active. 75 tunes, in all.<br> Table of Contents:<br> In the Hour of Trial, We Give Immortal Praise, Soldiers of Christ, Arise, How Firm a Foundation, Must Jesus Bear the Cross Alone, Lord Jesus Christ, My Life, My Light, Near to the Heart of God, Jesus, I My Cross Have Taken, Out of the Depths I Cry to Thee, Lenten Hymn, Break Thou the Bread of Life, O Love, How Deep, How Broad, How High, Here, O My Lord, I See Thee Face to Face, Tell Me the Story of Jesus, Forty Days and Forty Nights, Hail, Thou Once Despised Jesus, O Day of Rest and Gladness, Sing Praise to God Who Reigns Above, Wake, Awake, for Night Is Flying, The Lord Jehovah Reigns, Come, Thou Almighty King, Day by Day and with Each Passing Moment, I'll Praise My Maker While I've Breath, Ah, Holy Jesus, According to Thy Gracious Word, All Hail the Power of Jesus' Name, Jesus, Priceless Treasure, Before Jehovah's Awful Throne, There Is a Balm in Gilead, O Love That Will Not Let Me Go, Bread of Heaven, on Thee We Feed, Awake, My Soul, and With the Sun, The Heavens Declare Thy Glory, Lord, O the Deep, Deep Love of Jesus, Come, Christians, Join to Sing, A Wonderful Savior Is Jesus My Lord, I Am Thine, O Lord, I Am His, and He Is Mine, Turn Your Eyes Upon Jesus, Amazing Grace!, Jesus, Keep Me Near the Cross, Jesus Paid It All, There Is a Green Hill Far Away, Were You There?, Behold the Savior of Mankind, At Calvary, Come, Ye Faithful, Raise the Strain, The Old Rugged Cross, In the Cross of Christ I Glory, All Glory, Laud and Honor, O Sacred Head, Now Wounded, And Can It Be That I Should Gain?, The Day of Resurrection, Go To Dark Gethsemane, Hosanna, Loud Hosanna, Jesus Lives, and So Shall I, Christ, the Lord Is Risen Today, Bread of the World, in Mercy Broken, When I Survey the Wondrous Cross, Cross of Jesus, Cross of Sorrow, The Head That Once Was Crowned, My Savior's Love, The Strife Is O'er, The Battle Done, Christ Arose!, Never Further than Thy Cross, Beneath the Cross of Jesus, Let Us Break Bread Together, Alas! and Did My Savior Bleed?, Christ Jesus Lay in Death's Strong Bands, What Wondrous Love Is This?, Jesus Christ Is Risen Today, Loved With Everlasting Love, Low in the Grave He Lay, O Sons and Daughters, Let Us Sing, Welcome, Happy Morning
$25.00
23.02 €
#
Harp, Voice
#
A Hymn A Day Volume 5
#
Afghan Press Music for the Harp
#
SheetMusicPlus
Celtiberian Landscape For Harp And Orquestra
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
(+)
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
23.01 €
#
Orchestra
#
Luis Anjos Teixeira
#
Celtiberian Landscape For Harp And Orquestra
#
Luis Anjos Teixeira
#
SheetMusicPlus
A Hymn A Day Volume 2
Harp, Voice
Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. C…
(+)
Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship. 110 pages. Published by Afghan Press Music for the Harp
This valuable collection of hymns is the second in a series of five! Selections are geared toward smaller lever harps with a bass range to the G one and ½ octaves below middle C. Lever changes are indicated with diamond shaped notes.<br> Table of Contents:O Worship the King, God the Omnipotent, O God of Earth and Altar, God is Love, I Will Sing the Wondrous Story, Arise, My Soul, Arise, Sweet Hour of Prayer, Jesus, My Lord, My God, My All, He Giveth More Grace, Rock of Ages, Cleft for Me, All My Hope on God Is Founded, There’s a Wilderness in God’s Mercy, Jesus, Lover of My Soul, O Thou in All Thy Might So Far, I Know Whom I Have Believed, Jesus, What a Friend for Sinners, Ye Servants of God, My Hope Is Built on Nothing Less, Jesus, Thy Blood and Righteousness, God, Be Merciful to Me, Stand Up and Bless the Lord, Jesus, the Name, High Over All, Jesus, the Very Thought of Thee, We Praise Thee, O God, Praise to the Lord, the Almighty, Of the Father’s Love Begotten, Lord of All Being, Throned Afar, When Morning Gilds the Skies, Joyful, Joyful, We Adore Thee, Lo! He Comes With Clouds Descending, O Love Divine, That Stooped to Share, Before Thy Throne, O God, We Kneel, Grace! ‘Tis a Charming Sound, Day Is Dying in the West, Happy the Home When God Is There, All Praise to Our Redeeming Lord, Where Cross the Crowded Ways of Life, O Word of God Incarnate, Almighty God, Thy Word Is Cast, Jesus, Thy Boundless Love to Me, I Love Thy Kingdom, Lord, Blest Be the Dear Uniting Love, The Church’s One Foundation, Blest Be the Tie That Binds, Love Divine, All Loves Excelling, O to Be Like Thee!, We Give Thee But Thine Own, Lord, It Belongs Not to My Care, Come, Ye Sinners, Poor and Needy, Christ Is Made the Sure Foundation, Breathe on Me, Breath of God, O for a Heart to Praise My God, Art Thou Weary, Art Thou Languid, More about Jesus, Holy Bible, Book Divine, We Gather Together, My Jesus, I Love Thee, Come, Ye Disconsolate, Children of the Heavenly King, The Wise May Bring Their Learning, Fight the Good Fight, Speak, Lord, in the Stillness, I’ve Found a Friend, O Such a Friend, Approach, My Soul, the Mercy Seat, Now the Day Is Over, A Hymn of Glory, Let us Sing, I Sing the Mighty Power of God, Hail the Day That Sees Him Rise, Alleluia! Sing to Jesus, ‘Tis So Sweet to Trust in Jesus, Peace, Perfect Peace, Lord, Speak to Me
$25.00
23.02 €
#
Harp, Voice
#
A Hymn A Day Volume 2
#
SheetMusicPlus
Wilt Thou Meet Me There Love
Harp
Piano and voice; harp - Digital Download SKU: LV.2089 Composed by B. Hime. Courtshi…
(+)
Piano and voice; harp - Digital Download SKU: LV.2089 Composed by B. Hime. Courtship, Love, Night, Birds. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2089). Wilt Thou Meet Me There Love. Composed by B. Hime. Published [n.d.] by E. Riely, 29 Chatham St. in New York. Composition of strophic with chorus with piano and voice; harp instrumentation. Subject headings for this piece include Courtship, Love, Night, Birds. First line reads Where, as dewy twilight lingers o'er the balmy air, love.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
#
Harp
#
B
#
Wilt Thou Meet Me There Love
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
The Volcano`s Lake
Harp
Harp - Level 2 - Digital Download SKU: A0.889438 Composed by Luis Anjos Teixeira. C…
(+)
Harp - Level 2 - Digital Download SKU: A0.889438 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Standards. Score. 6 pages. Luis Anjos Teixeira #4758665. Published by Luis Anjos Teixeira (A0.889438). The piece is thou very simple and easy to perform. It is appropriate for the harp and it sounds great on any kind of harp. When using a little lap harp, one can easily transpose the bass voice an octave higher. It is a flexible piece, you can play it slower or a little faster and even the arpeggio in the end that becomes quite easy after some practice could be replaced by a simple glissando. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Your Soul. It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira „Now comes the Little Story The Volcano`s Lake was composed on a volcano called Pico that stands out about 2000 meters above see level right in the middle of the Atlantic ocean. From the bottom of the ocean to its pick it is higher than mount Everest. I like to know that there are an enormous amount of different species of whales that live in this area and many others that go there strictly for romance. I went there to perform with the harp but was at the same time deeply morning the death of my Dear Cat Mary Jane that tragically passed away the day before the flight. In this isle I was having at night strange dreams of epic battles and fights between flying Angels and Demons. In one of these dreams „Time and Matter were a byproduct of „Music itself. The wind was blowing, the volcano was dancing and the water on the lake was whispering enchanting melodies. As soon as I woke up I wrote some notes before they vanished away, just a fragment of an idea of what I was listening in the dream. I named it „The Volcano`s Lake, because the „Lake was comforting me with its melodies, I realized that my tears were also becoming the lake itself and in this lake I was becoming one with Mary Jane and all the rest of the Universe. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design. Special Thanks to Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Mary Jane, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score.
$6.79
6.25 €
#
Harp
#
Luis Anjos Teixeira
#
The Volcano`s Lake
#
Luis Anjos Teixeira
#
SheetMusicPlus
Rest Now, My Love (Trio for Violin, Cello and Celesta)
Piano Trio: piano, violin, cello
Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.949389 Composed …
(+)
Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.949389 Composed by Adam Lenhart. Contemporary,Standards. 15 pages. Adam Lenhart #6702903. Published by Adam Lenhart (A0.949389). Solemn, yet warm and comforting, Rest Now, My Love is a unique take on the classical piano trio, substituting in the sweet and resonant celesta. The name celesta comes from the French word for heavenly, and this feature of the instrument is utilized thoroughly throughout the piece, with long arpeggiated chords as well as soloistic cadenzas. The violin and cello provide a warm foundation for the bell-like timbre of the celesta to rest on. Rest Now, My Love celebrates a life lived, and the relief of pain and sorrow as said loved one receives their heavenly reward.Duration: 5:30This PDF score includes a full score as well as individual parts.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$9.99
9.2 €
#
Piano Trio: piano, violin, cello
#
Adam Lenhart
#
Rest Now, My Love
#
Adam Lenhart
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.61 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.61 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.61 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Saxophone Quartet: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.61 €
#
Saxophone Quartet: 4 saxophones
#
Johann Sebastian Bach
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Violin, Clarinet, Piano (trio)
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed …
(+)
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
13.8 €
#
Violin, Clarinet, Piano (trio)
#
Adam Lenhart
#
Two Scenes from The Rubáiyát of Omar Khayyám
#
Adam Lenhart
#
SheetMusicPlus
Celtic Folk Songs and Hymn Tunes
Harp
Harp - Intermediate - Digital Download Arranged by Hugh Callison. Christian, General …
(+)
Harp - Intermediate - Digital Download Arranged by Hugh Callison. Christian, General Worship, Celtic, St. Patrick's Day. 47 pages. Published by Afghan Press Music for the Harp
Everyone enjoys Celtic Folk Songs and Folk Hymns but not all realize that often they can be one and the same. A hymn text has often found its home in a folk song and a secular text sometimes finds a home in a hymn tune. This collection has a little of both. All but one of the tunes in this collection are of Celtic origin. The exception, “Amazing Grace,” is a folk hymn of unknown origin that has all the markings of a Celtic Tune, including a pentatonic harmonic foundation.<br> For the harpists who also like to understand the history of a tune or even sing along, a variety of texts along with information about the tune and the lyrics can be found in the back of this book in the “Notes on the Tunes.”<br> <br> Titles: Ad Hyd y nos, Annie Laurie, Auld Lang Syne, Bunessan, Brother James' Air, Down By the Salley Gardens, Greensleeves, Iona Boat Song, Rorate (Rorate Coeli Desuper), Londonderry Air, New Britain, O Waly Waly, Slane, Scots W' Hae, The Ash Grove, Royal Oak, The Twenty-Ninth of May, St. Denio, Skye Boat Song, The Bard of Armagh, The Streets of Laredo, The Caledonian Hunt's Delight, St. Columba, The Road and the Miles to Dundee, The Rowan Tree, Ye Banks and Braes O' Bonnie Doon<br> <br> One of the nicest things about this book is that each song has a short but lovely introduction!
$19.95
18.37 €
#
Harp
#
Celtic Folk Songs and Hymn Tunes
#
Afghan Press Music for the Harp
#
SheetMusicPlus
<
1
26
51
....
126
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
