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Lyrical Cat Publishing
Sheetmusic to print
172 sheet music found
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151
Three Wondering Waltzes for Piano
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1030285 Composed by Steve Dambrosio…
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Easy Piano - Level 2 - Digital Download SKU: A0.1030285 Composed by Steve Dambrosio. Arranged by Steve Dambrosio. Contemporary,Pop. Score. 10 pages. Lyrical Cat Publishing #6633135. Published by Lyrical Cat Publishing (A0.1030285). Three lovely waltzes for piano that are wondering what fine musician will be playing them! Early intermediate level.
$3.99
3.61 €
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Easy Piano
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Steve Dambrosio
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Three Wondering Waltzes for Piano
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Lyrical Cat Publishing
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SheetMusicPlus
10 Harmonious and Harmless Pieces for Piano
Composed by Steve Dambrosio. Arranged by Chris Piazza, Jon Burr, and Steve Dambrosio. …
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Composed by Steve Dambrosio. Arranged by Chris Piazza, Jon Burr, and Steve Dambrosio. Contemporary. Score. 33 pages. Lyrical Cat Publishing #6235161. Published by Lyrical Cat Publishing
$12.95
11.73 €
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Steve Dambrosio
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10 Harmonious and Harmless Pieces for Piano
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Lyrical Cat Publishing
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SheetMusicPlus
Celebrate with Joy
Handbells
Handbells handbell choir (3-6 octaves) - Level 3 - Digital Download SKU: H1.2515DP …
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Handbells handbell choir (3-6 octaves) - Level 3 - Digital Download SKU: H1.2515DP Composed by Cynthia Dobrinski. Original, Festival, General Worship, Devotion. Handbell score. 8 pages. Hope Publishing - Digital #2515DP. Published by Hope Publishing - Digital (H1.2515DP). An original composition Cynthia Dobrinski's original composition with its jaunty theme and interspersed lyrical lines captures a joyfully celebrative and mildly contemporary mood, which will be welcomed by both youth and adult choirs alike. There are hardly any bell changes but a sprinkling of staccato techniques, shakes, and echoes giving players the right amount of challenge. Your B6-C7 ringer won't fall asleep playing this piece.
$6.25
5.66 €
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Handbells
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Cynthia Dobrinski
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Celebrate with Joy
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Hope Publishing - Digital
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SheetMusicPlus
Joyful Reflections
Handbells
Handbells handbell choir (3-6 octaves) - Level 2 - Digital Download SKU: H1.2433DP …
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Handbells handbell choir (3-6 octaves) - Level 2 - Digital Download SKU: H1.2433DP Composed by Cynthia Dobrinski. Original, Education, General Worship. Handbell score. 8 pages. Hope Publishing - Digital #2433DP. Published by Hope Publishing - Digital (H1.2433DP). An original composition This lyrical original from Cynthia Dobrinski sets a happy, peaceful mood. The more lively middle section with its sprinkling of techniques adds color and contrast. Easy to learn, this piece is a welcome addition to both church and concert repertoire.
$6.25
5.66 €
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Handbells
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Cynthia Dobrinski
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Joyful Reflections
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Hope Publishing - Digital
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SheetMusicPlus
Let All Mortal Flesh Keep Silence (Downloadable)
Violin, cello, piano - Moderately Difficult - Digital Download SKU: MQ.20-626-E Com…
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Violin, cello, piano - Moderately Difficult - Digital Download SKU: MQ.20-626-E Composed by Duane Funderburk. Advent, Ash Wednesday, Christmas. Instrument part. 9 pages. MorningStar Music Publishers - Digital Sheet Music #20-626-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-626-E). A lyrical and haunting setting of this mysterious tune for violin, cello, and piano. Range, intonation, sensitivity, and a few flourish passages will require very capable string players. The piano part is not difficult. Part of the “Duane Funderburk Sacred Chamber Music Series.â€These piano trios are dedicated to the many musicians I have the honor of working with every week at Lake Avenue Church in Pasadena, California. They motivate me to write music that challenges both the musician and those listening, to worship our God in different ways using chamber music that captures the skill and creativity of the instrumentalists. These musical colleagues have been an inspiration to me personally for many years, and it is to all of them that I dedicate these pieces.
$11.00
9.96 €
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Duane Funderburk
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Let All Mortal Flesh Keep Silence
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Fantasy No. 2 in C Minor
Handbells
Handbells handbell choir (3-5 octaves) - Grade 4 - Digital Download SKU: H1.1981DP …
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Handbells handbell choir (3-5 octaves) - Grade 4 - Digital Download SKU: H1.1981DP Composed by Arnold B. Sherman. Education, General Worship. Handbell score. 12 pages. Hope Publishing - Digital #1981DP. Published by Hope Publishing - Digital (H1.1981DP). An original composition Energy, rhythmic interest, fluctuating major/minor harmonies and lots of techniques characterize this new fantasy from Arnold Sherman. With sections of sound melody (not a linear melody, but one of harmonic progressions) and passages of lyrically, dolce melody this flurry of excitement should present an interesting and intriguing challenge for level 4 ringers.
$6.50
5.89 €
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Handbells
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Arnold B
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Fantasy No. 2 in C Minor
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Hope Publishing - Digital
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SheetMusicPlus
Divertimento
Organ, Flute or optional Violin - Difficult - Digital Download SKU: MQ.20-769-E Com…
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Organ, Flute or optional Violin - Difficult - Digital Download SKU: MQ.20-769-E Composed by Charles E. Callahan Jr. St. Louis Cathedral Choral Series. Sacred. Instrument parts. MorningStar Music Publishers - Digital Sheet Music #20-769-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-769-E). Part of the St. Louis Cathedral Series, this is a sprightly showcase for a fine soloist and organist. A lyrical middle section provides contrast. A substantial composition, suitable for concert or recital use. A challenge but with charming results. Instrumental parts included.
$16.00
14.49 €
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Charles E
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Divertimento
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Carson Cooman: Nine Preludes for piano
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.533554 Composed by Carson Cooman. C…
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Piano Solo - Level 4 - Digital Download SKU: A0.533554 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 37 pages. Musik Fabrik Music Publishing #3018601. Published by Musik Fabrik Music Publishing (A0.533554). I. (Flowing)II. (Fast, nimble)III. (Funereal) (in memoriam Donald Martino)IV. (Dancing)V. (Distant, echoing) (for Richard and Dee Wilson)VI. (Moderate, singing, with humor) (for Michael Finnissy)VII. (Slow, very lyrical)VIII. (March)IX. (Envoi: Very slow, from afar)Nine Preludes (2007) for piano was written for and is dedicated to pianist Marilyn Nonken; it was commissioned byRichard Mason.Although the work is composed as a set of discrete movements, the preludes are very much interconnected, as motivicand developmental ideas run throughout the entire set. The basic musical material (founded upon collections of minorand major thirds) is shared among all nine movements. An elegiac quality runs throughout the work.The first prelude (Flowing) is inspired by the piano music of Johannes Brahms, whose contributions to the instrument’sliterature have been a significant and ongoing influence on my work.The second prelude is fast and bright. Consistent staccato textures are maintained as the two hands intertwine.The third prelude (Funereal) is dedicated to the memory of American composer Donald Martino (1931–2005). The musicrefers very obliquely to Martino’s setting of Robert Herrick’s poems of death and eternity in The White Island (1985).The fourth prelude (Dancing) is light and buoyant. After a melodic middle section, the opening music reverses itself to theend.The fifth prelude (Distant, echoing) is dedicated to Richard and Dee Wilson. Through large blocks of sustained sound (bothquiet and loud), the movement explores certain harmonic colors of the piano.The sixth prelude (Moderate, singing, with humor) is dedicated to English composer Michael Finnissy. The opening ismarked “like an ‘off-kilter’ folk song,†and this original melody is subjected to a variety of transformations and textures.The rhythmic patterns are constantly in flux.The seventh prelude (Slow, very lyrical) is melodic and passionate, with a nocturnal character. The middle builds to anintense climax before dying away.The eighth prelude (March) is spiky and crisp. In the trio, the march theme is turned first into a tonal ballad beforegradually transforming back into the language of the march. A faster reprise of the opening music follows.The ninth prelude (Envoi: Very slow, from afar) is an elegaic “farewell.†Romantic gestures and harmonies try to assertthemselves before the music dies away.Performance Note: Although it is preferred that the entire set of nine preludes be played in concert, individual preludes (or smallerassembled groupings) may be performed when necessary for programming needs. If the entire set is played, however, the order of thepreludes should not be changed. The movements should be listed in the program in the format shown at the top of this page.Recorded by Donna Amato on Carson Cooman: Piano works ALTARUS AIR-CD-9015
$25.95
23.5 €
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Piano solo
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Carson Cooman
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Carson Cooman: Nine Preludes for piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Morning Has Broken
Traditional Gaelic Melody Drawing on the traditional Gaelic melody, BUNESSAN, Arnold Sherm…
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Traditional Gaelic Melody Drawing on the traditional Gaelic melody, BUNESSAN, Arnold Sherman has transcribed this Celtic hymn tune originally arranged for piano by Larry Shackley. With a smattering of delicate grace notes, the character of the piece takes on a charming quality that lilts and sparkles throughout. This is an opportunity for your bell choir to experience a more transparent, lyrical setting of a familiar hymn
Song List: Single
$6.25
5.66 €
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Morning Has Broken
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SheetMusicPlus
Benedictus and Agnus Dei from Missa Aedis Christi (Downloadable)
Choral SATB
SATB choir divisi and organ - Moderately Difficult - Digital Download SKU: MQ.56-0076-E…
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SATB choir divisi and organ - Moderately Difficult - Digital Download SKU: MQ.56-0076-E Composed by Howard Goodall. Instrument parts. 27 pages. Duration 7 minutes, 33 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0076-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0076-E). Latin.This mass setting was commissioned by the Friends of Christ Church Cathedral, Oxford and first performed on Ascension Sunday, 1994. Suitable for both church and concert use, the music is both lyrical and dramatic. The “Benedictus†is for SATB divisi and begins with a short 6/8 declamation, then moves into a section where the rhythmic idea is set in a sort of off-the-beat fashion, with all parts divisi playing against each other. A unison section with the off-the-beat motif follows. A majestic “Hosanna†follows. The “Agnus Dei†is set in a rubato triple meter in a homophonic style with close chords (also divisi.) At the “miserere,†the choir 1/choir 2 call and response motif from the “Gloria†returns. That same motif continues into the “dona nobis pacem,†as the movement (and the entire Mass) ends with a long decrescendo into a quiet call, “Pacem.†Duration 7:33.
$3.75
3.4 €
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Choral SATB
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Howard Goodall
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Benedictus and Agnus Dei from Missa Aedis Christi
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Gloria from Missa Aedis Christi (Downloadable)
Choral SATB
SATB choir divisi and organ - Difficult - Digital Download SKU: MQ.56-0073-E Compos…
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SATB choir divisi and organ - Difficult - Digital Download SKU: MQ.56-0073-E Composed by Howard Goodall. Instrument parts. 22 pages. Duration 5 minutes, 30 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0073-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0073-E). Latin.This mass setting was commissioned by the Friends of Christ Church Cathedral, Oxford and first performed on Ascension Sunday, 1994. Suitable for both church and concert use, the music is both lyrical and dramatic. The “Gloria†is set for SATB divisi (all parts divide) in a quick and rhythmic mixed meter. The movement begins with a sort of call and response where Choir 1 states a motif and Choir 2 responds with the same motif (sometimes at a different pitch level.) A soloist begins the middle section, Piu Allegro (“Qui tollisâ€) and the first material returns, but in unison this time, at “Jesu Christe.†Duration 5:30.
$3.70
3.35 €
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Choral SATB
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Howard Goodall
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Gloria from Missa Aedis Christi
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Credo from Missa Aedis Christi (Downloadable)
Choral SATB
SATB choir divisi and organ - Moderately Difficult - Digital Download SKU: MQ.56-0074-E…
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SATB choir divisi and organ - Moderately Difficult - Digital Download SKU: MQ.56-0074-E Composed by Howard Goodall. Instrument parts. 24 pages. Duration 7 minutes, 16 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0074-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0074-E). Latin.This mass setting was commissioned by the Friends of Christ Church Cathedral, Oxford and first performed on Ascension Sunday, 1994. Suitable for both church and concert use, the music is both lyrical and dramatic. The mood of the text is faithfully represented in the setting, yet with a lot of originality. The setting is sometimes declamatory, sometimes mysterious, with a “Crucifixus†which is hushed and reverent. Material from the “Kyrie†returns at “Et resurrexit.†Sections of this movement are in eight parts. Duration 7:16.
$3.70
3.35 €
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Choral SATB
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Howard Goodall
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Credo from Missa Aedis Christi
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Kyrie from Missa Aedis Christi (Downloadable)
Choral SATB
SATB choir divisi and organ - Moderately Difficult - Digital Download SKU: MQ.56-0072-E…
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SATB choir divisi and organ - Moderately Difficult - Digital Download SKU: MQ.56-0072-E Composed by Howard Goodall. 4 pages. Duration 1 minute, 47 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0072-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0072-E). Latin.This mass setting was commissioned by the Friends of Christ Church Cathedral, Oxford and first performed on Ascension Sunday, 1994. Suitable for both church and concert use, the music is both lyrical and dramatic. The “Kyrie†is for SATB (altos divisi throughout) and is 31 measures of a slow but lilting 6/8 meter in which the basses have a very prominent role. Duration 1:47.
$2.65
2.4 €
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Choral SATB
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Howard Goodall
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Kyrie from Missa Aedis Christi
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Sanctus from Missa Aedis Christi (Downloadable)
Choral SATB
SATB choir divisi and organ - Moderately Difficult - Digital Download SKU: MQ.56-0075-E…
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SATB choir divisi and organ - Moderately Difficult - Digital Download SKU: MQ.56-0075-E Composed by Howard Goodall. 8 pages. Duration 3 minutes, 55 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0075-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0075-E). Latin.This mass setting was commissioned by the Friends of Christ Church Cathedral, Oxford and first performed on Ascension Sunday, 1994. Suitable for both church and concert use, the music is both lyrical and dramatic. The “Sanctus†begins quietly, with divided sopranos trading off on a major second in a mysterious and meditative way. Parts add and build until the basses enter with a cantus firmus of sorts. The major second continues to figure prominently in the ensuing material. The movement ends with a simple melody repeated in unison (“Hosanna in excelsisâ€) fading away into the distance. Duration 3:55.
$2.75
2.49 €
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Choral SATB
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Howard Goodall
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Sanctus from Missa Aedis Christi
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
When You Pass Through the Waters (Downloadable)
Choral Unison
Unison voices or 2-part treble voices or 2-part mixed voices, piano - Moderately Easy - Di…
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Unison voices or 2-part treble voices or 2-part mixed voices, piano - Moderately Easy - Digital Download SKU: MQ.50-0501-E Composed by Paul D. Weber. Baptism of Our Lord, Lent. Instrument part. 11 pages. MorningStar Music Publishers - Digital Sheet Music #50-0501-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-0501-E). Written for the 2009 Montreat Conference, this anthem is a lyrical setting of Isaiah 43 for unison or two part choir which may also be sung by an assembly with piano and/or guitar accompaniment. Its comforting text makes this song especially appropriate for a baptism, funeral, or memorial service, as well as for general use. The anthem memorializes a long-time church musician and educator, Herbert Nuechterlein, who compassionately and joyfully led his singers and students. Includes a reproducible page for congregation.
$2.65
2.4 €
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Choral Unison
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Paul D
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When You Pass Through the Waters
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Christ Is Made the Sure Foundation (Downloadable Choral Score)
Choral SATB
SATB choir, congregation, organ, brass quartet - Medium - Digital Download SKU: MQ.60-9…
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SATB choir, congregation, organ, brass quartet - Medium - Digital Download SKU: MQ.60-9017-E Composed by John Ferguson. Christ the King, Easter Season, Building Dedication, Church Anniversary, Ordination/Installation, Organ Dedication. Instrument part. 14 pages. MorningStar Music Publishers - Digital Sheet Music #60-9017-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-9017-E). Festive brass fanfares contrast with sturdy Purcell tune WESTMINSTER ABBEY and lyrical choral writing. Appropriate for Christ the King, dedications, ordinations/installations, anniversaries. Usable as hymn anthem without congregation and brass. Reproducible hymn sheet included and downloadable.
$2.85
2.58 €
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Choral SATB
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John Ferguson
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Christ Is Made the Sure Foundation
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
O How Amiable Are Thy Dwellings
Choral 3-part
SAB choir, organ - Easy - Digital Download SKU: MQ.50-6204-E Composed by Carl Schal…
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SAB choir, organ - Easy - Digital Download SKU: MQ.50-6204-E Composed by Carl Schalk. Building Dedication, Church Anniversary. 4 pages. MorningStar Music Publishers - Digital Sheet Music #50-6204-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-6204-E). This lyrical anthem based on Psalm 84:1-3 is suitable for anniversaries or church dedications. It may also be used as a choral alternative for the appointed psalmody.
$2.25
2.04 €
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Choral 3-part
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Carl Schalk
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O How Amiable Are Thy Dwellings
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Suite for Oboe and Piano (Downloadable)
Oboe, Piano (duet)
Oboe & piano - Moderately Difficult - Digital Download SKU: MQ.0788-E Composed by W…
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Oboe & piano - Moderately Difficult - Digital Download SKU: MQ.0788-E Composed by Walter Piston. 18 pages. E. C. Schirmer Music Company - Digital #0788-E. Published by E. C. Schirmer Music Company - Digital (MQ.0788-E). This 1931 suite was first performed by a principal player of the Boston Symphony Orchestra, Ferdinand Gillet, with Jesus Sanromá as pianist. It is dedicated to Dr. Augusts Thorndike, an amateur oboist who was the father of one of Piston's friends. Commentators on the music suspect that Piston might have been writing it to suite Thorndike's tastes and skills, for it is unusually brilliantly written for the instrument, but is uncommonly Debussian and Ravelian in its style, which abounds in use of the whole-tone scale and chords of the ninth. It even quotes Debussy's Clair de lune and Roussel's Suite in F. The movements of the suite have titles that would not be out of place in the music of any of these composers, such as Nocturne, Sarabande, Prelude, and Minuetto. While the piece is very lyrical, it is almost excessively pretty and hence is pretty atypical for Piston. -Joseph Stevenson, AllMusic.com.
$12.85
11.64 €
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Oboe, Piano (duet)
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Walter Piston
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Suite for Oboe and Piano
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Refections for Trumpet and Piano
Trumpet, Piano
Piano,Trumpet - Level 4 - Digital Download SKU: A0.986064 Composed by David E. Harr…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.986064 Composed by David E. Harris. Contemporary,Instructional,Standards. Score and part. 24 pages. LLB Music Publishing (ASCAP) #4729199. Published by LLB Music Publishing (ASCAP) (A0.986064). This is an exciting piece for high school or college level trumpet players, great for recitals, competitions or auditions. It has a modal character with Eastern influences and demonstrates both the thrilling as well as lyrical qualities of the trumpet.Parts for Trumpet in C and Bb included with full Piano scoreMovements:I. Toccata II. Aria III. MarchDuration: 7:20Level: 4/5 (Colg→Univ)A 5-7 second pause between movements is recommended. David E. Harris is a composer in the Nashville, Tennessee area who holds a Bachelor of Music degree in Trumpet Performance from Furman University. Further education at the University of Memphis, includes a Master of Music degree in Music Theory and a Doctor of Musical Arts in Composition. Dr. Harris is a past member of the trumpet sections of the Greenville (S.C.) and Memphis Symphony Orchestras and a current member of the Brentwood Baptist Church Orchestra where he plays trumpet and keyboard. Facebook page: https://www.facebook.com/LLB-Music-Publishing-2584616388232407More music listening available at https://soundcloud.com/user-985960936
$7.99
7.24 €
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Trumpet, Piano
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David E
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II. Aria
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Refections for Trumpet and Piano
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LLB Music Publishing
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SheetMusicPlus
Nocturne Op. 9, Nº 1.
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1467884 Composed by Frederic Chopin…
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Piano Solo - Level 4 - Digital Download SKU: A0.1467884 Composed by Frederic Chopin. Arranged by SMW Publishing. 19th Century,Classical,Historic,Instructional,Romantic Period. Score. 14 pages. SMW Publishing #1046187. Published by SMW Publishing (A0.1467884). Frédéric Chopin's Nocturne Op. 9, No. 1 in B-flat minor is a stunning piece that epitomizes the lyrical and emotional depth characteristic of his nocturnes. Composed in 1830-1831 and published in 1832, this piece is the first of three nocturnes in Op. 9, dedicated to Madame Camille Pleyel. The Nocturne Op. 9, No. 1 opens with a slow and contemplative melody, which seamlessly flows into intricate and expressive passages, showcasing Chopin's masterful use of ornamentation and rubato. The overall atmosphere of the piece is melancholic yet richly textured, drawing listeners into a profound and intimate musical experience.
$4.99
4.52 €
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Piano solo
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Frederic Chopin
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Nocturne Op. 9, Nº 1.
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SMW Publishing
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SheetMusicPlus
Carson Cooman - Sun Songs (2008) for trumpet and violin
Instrumental Duet Instrumental Duet,Trumpet,Violin - Level 4 - Digital Download SKU: A0…
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Instrumental Duet Instrumental Duet,Trumpet,Violin - Level 4 - Digital Download SKU: A0.775969 Composed by Carson Cooman. Contemporary. Score and parts. 9 pages. Musik Fabrik Music Publishing #2034853. Published by Musik Fabrik Music Publishing (A0.775969). Sun Songs (2008) for trumpet and violin was written for and is dedicated to Wesley and Shannon Nance. The opening movement, Toccata, bubbles with energy. The second movement, Canto, is lyrical and meditative. The final movement, March and Hymn, begins as a march, but a hymn-like idea gradually asserts itself, eventually ending the movement in tranquility.
$12.95
11.73 €
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Carson Cooman
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Carson Cooman - Sun Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy: Sérénade for violin and piano
Violin and Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy…
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Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95
11.73 €
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Violin and Piano
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Chamber Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.35 €
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Chamber Orchestra
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Ancient Airs (2004) for solo flute
Flute
Flute Solo - Level 5 - Digital Download SKU: A0.533595 Composed by Carson Cooman. C…
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Flute Solo - Level 5 - Digital Download SKU: A0.533595 Composed by Carson Cooman. Concert,Contemporary,Folk,Standards. Individual part. 7 pages. Musik Fabrik Music Publishing #3030249. Published by Musik Fabrik Music Publishing (A0.533595). Ancient Airs (2004) for solo flute was written for and is dedicated to flutist Sandra Ragusa.It is in two movements, each with a spirit of ancient airs re-imagined in a modern context.The ancestry of the modern flute as a folk instrument is the inspiration for the work's concept.They should always be played with a lyrical, singing approach.Beyond the Mountain uses as its basic musical material a simple transformation of a modalmelody in D minor. Gradually tones are added borrowed from other modalities. The openingsection is slow and lyrical. The middle section is more active -- contrasting the D minorchord tones with the added diminished tones of the first section. The final section recalls thematerial of the opening with a wider transformation.Forgotten Incantation uses a wider modal language than the first movement. Although stillgenerally slow and song-like, it is more energetic. Energetic gestures interrupt and drive thesong narrative forwards.
$11.95
10.82 €
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Flute
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Carson Cooman
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Carson Cooman: Ancient Airs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Ancient Airs (2004) for solo soprano saxophone
Saxophone (band part)
Soprano Saxophone Solo - Level 5 - Digital Download SKU: A0.533596 Composed by Cars…
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Soprano Saxophone Solo - Level 5 - Digital Download SKU: A0.533596 Composed by Carson Cooman. Concert,Contemporary,Folk,Standards. Individual part. 7 pages. Musik Fabrik Music Publishing #3030251. Published by Musik Fabrik Music Publishing (A0.533596). Ancient Airs (2004) for solo soprano saxophone was written for and is dedicated tosaxophonist Paul Wehage. It is in two movements, each with a spirit of ancient airsre-imagined in a modern context. The ancestry of most woodwind instruments as folkinstruments is the inspiration for the work's concept. The piece should always beplayed with a lyrical, singing approach.Beyond the Mountain uses as its basic musical material a simple transformation of amodal melody in D minor. Gradually tones are added borrowed from othermodalities. The opening section is slow and lyrical. The middle section is moreactive -- contrasting the D minor chord tones with the added diminished tones of thefirst section. The final section recalls the material of the opening with a widertransformation.Forgotten Incantation uses a wider modal language than the first movement.Although still generally slow and song-like, it is more energetic. Energetic gesturesinterrupt and drive the song narrative forwards.
$11.95
10.82 €
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Saxophone (band part)
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Carson Cooman
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Carson Cooman: Ancient Airs
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Musik Fabrik Music Publishing
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SheetMusicPlus
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