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M-I-S-S-I-O-N-A-R-I-E-S
Choral Unison
Choral Voice (Unison) - Level 1 - Interactive Download SKU: A0.482645 Composed by P…
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Choral Voice (Unison) - Level 1 - Interactive Download SKU: A0.482645 Composed by Patty Clark. This edition: Interactive Download. Praise & Worship. Octavo. Duration 58. Patricia Ann Bowman Clark #75FRQqs7zRAOF72L4C9kNh. Published by Patricia Ann Bowman Clark (A0.482645). Key: F major.
$3.99
3.58 €
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Choral Unison
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Patty Clark
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M-I-S-S-I-O-N-A-R-I-E-S
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Patricia Ann Bowman Clark
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SheetMusicPlus
O Morro Nao Tem Vez (favela) (somewhere In The Hills)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1008517 Composed by Antonio Carlos …
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Piano Solo - Level 4 - Digital Download SKU: A0.1008517 Composed by Antonio Carlos Jobim and Vinicius De Moraes. Arranged by Flávio Tiago Solai. Contemporary. Score. 3 pages. Solmus #6383243. Published by Solmus (A0.1008517). Advanced samba song arrangement according to the title of this ad. Includes techniques: Development of a very Brazilian rhythmic swing; 3 voices in the arrangement, being the right hand with the melody and harmony, the left hand in the reproduction of the bass, It is very dynamic with some small alternations between the hands; There is an improvisation section; Harmony very close to jazz; Coherent arrangement; Execution within the capabilities of the hands, that is, nothing that makes the interpreter impossible (as long as he does not have any physical problem). I hope you enjoy! It took 1 day for production, which includes experimentation, approval and finally editing. My channels: https://www.youtube.com/solmusoficial https://www.instagram.com/solmus_oficial/ https://www.facebook.com/solmus.oficial Português Brasileiro: Arranjo avançado de samba da canção conforme o tÃÂtulo deste anúncio. Inclui técnicas: Desenvolvimento do swing rÃÂtmico bem brasileiro; 3 vozes no arranjo, sendo mão direita com as melodia e harmonia, a mão esquerda na reprodução do baixo, Está bem dinâmico com algumas pequenas alternâncias entre as mãos; Tem seção de improviso; Harmonia bem aproximado ao jazz; Arranjo coerente; Execução dentro das capacidades das mãos, ou seja, nada que impossibilite o interprete (desde que não tenha nenhum problema fÃÂsico). Espero que apreciem! Levou 1 dia para produção, que inclui experimentação, aprovação e por fim a edição. Meu canais: https://www.youtube.com/solmusoficial https://www.instagram.com/solmus_oficial/ https://www.facebook.com/solmus.oficial
$4.99
4.48 €
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Piano solo
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Antonio Carlos Jobim and Vinicius De Moraes
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O Morro Nao Tem Vez
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Solmus
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SheetMusicPlus
Lua para o Epilogo de Verão (Août)
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. …
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4088 Composed by Louis Trépanier. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4088. Published by Les Productions d'OZ - Digital (ZZ.DZ-4088). ISBN 9782898522055.August nights can be tinged with a bit of melancholy because the end of the summer approaches. The moon softly glows with nostalgia for a season passing us by. This mood seems to me folded into the Brazilian Bossa Nova, and the Brazilians? term ?saudade?; in this piece I offer up my tribute to one of my favourite composers, Radamés Gnattali (1906-1988), who wrote for every musical situation in his era in Brazil ? from the concert stage to the back alley, and everything in between. Lua para Epilogo de Verão, is dedicated to the Brazilian guitarist Fabio Zanon, who is both a great friend and a tremendous inspiration.This étude tackles solid chords and contrary motion in the left hand, and, like all the études in this collection, voice separation and phrasing. In measure 24 the guitarist must execute a diagonal barré, where the first finger covers position IV at the first string, and position V at the fifth string, hence the V/IV indication after the barré symbol. The practicalities of navigating through the different chord shapes and rhythms in the piece mean that not all notes can be held for their full, written value. Such discrepancies between the text and the playing are common in this style of music.Les nuits du mois d?août peuvent contenir une douce mélancolie, à savoir que la fin de l?été approche. La lune luit alors avec une nostalgie pour la saison qui est déjà en train de passer. Cette saveur me semble parfaitement miroitée dans les couleurs de la bossa nova brésilienne et le terme brésilien « saudade » ; dans cette pièce je vous offre mon hommage au style d?un de mes compositeurs préféré, Radamés Gnattali (1906-1988), qui a su créer des musiques pour tous les différents musiciens de ses années au Brésil, de la salle de concert, jusqu?à la ruelle. Lua para Epilogo de Verão est dédié au guitariste brésilien Fabio Zanon, un bon ami, et une grande inspiration.Cette étude travaille les accords plaqués et divers mouvements contraires à la main gauche, et, comme toutes les études de cette collection, la séparation de voix et le phrasé. À la mesure 24, on doit exécuter un barré en diagonal, où le premier doigt un est à la position IV à la première corde, et à la position V à la cinquième corde, d?où l?indication V/IV suivant le symbole du barré. Pour des raisons pratiques à naviguer les accords et les rythmes de cette pièce, vous verrez qu?il n?est pas toujours possible de tenir toutes les notes pour leur durée complète. Ces différences entre l?écriture et l?exécution sont courantes dans ce style de musique.
$5.95
5.34 €
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Guitar
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Louis Trépanier
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Lua para o Epilogo de Verão
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Les Productions d'OZ - Digital
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SheetMusicPlus
Thérèse Brenet: Sonata for flute and piano
Flute and Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet.…
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Flute,Piano - Level 5 - Digital Download SKU: A0.533397 Composed by Therese Brenet. Concert,Contemporary,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2894443. Published by Musik Fabrik Music Publishing (A0.533397). A sonata in three movements for flute and piano: I. EphémèreII. La lune s'éteignitIII. Miroirs The sonata lasts aproximately 13 minutes. Thérèse BRENET, born 22 October 1935 in Paris, France began her musical studies at a very early age, receiving her first prize in Piano from the Conservatoire de Reims.At the Paris Conservatory, her prinicipal teachers were Jean Rivier, Darius Milhaud, Maurice Duruflé, Noël Gallon and Henri Dutilleux and she obtained First Prizes in Harmony, Counterpoint, and Fugue. She finished her studies in 1965, receiving a First Prize in Orchestration, A First Prize with highest honors in Composition and the First Grand Prix de Rome in musical composition.She also won the Halphen Prize for Composition and the Fugue, a grant from the Coplay Foundation of Chigaco and was named honorable member of the National Academy of History of Reims. In 1971, she received the Stéphane Chapelier-Clergue-Gabriel Marie Prize from the SACEM and in 1973, the Silver Medal from the City of Paris.After her stay at the French Academy at the Villa Médicis in Rome, Thérèse Brenet undertook several post-graduate voyages for study, notably to Poland. Upon her return in Paris in 1970, she was immediately named to the Faculty of the Paris Conservatory (CNSMD de Paris) where she also was frequently part of the juries for music theory and composition, as well as electroacoustical music.Thérèse Brenet receiving her definitive SACEM membership from Georges Auric She retired from the Paris Conservatory in 2000 and has since devoted her time to musical composition. She uses both tonal and atonal musical language, which she uses to suit her personal style. Her works are strongly influenced by literature, by painting and by science (especially astronomy). She believes that a composer should use all technical means at his or her disposal and use them rather than be used by them.Her first commission from the French National Radio, Clamavit, for Narrator, Chorus and Orchestra which was premièred by the Orchestre Lyrique de l'O.R.T.F., under the direction of André Girard, with Michel Bouquet as the Narrator, was selected to represent France in the Composer's Forum of 'U.N.E.S.C.O., and was performed in many countries. Many other works have also been performed outside of France in countries such as Switzerland, England, Germany, Belgium, Ireland, the former Yugoslavia, Italy, Portugal, the Netherlands, Libya, Canada, Uruguay, Japan and the United States etc...
$16.95
15.22 €
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Flute and Piano
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Therese Brenet
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Thérèse Brenet: Sonata for flute and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Gothic Organ
Organ
Organ - Level 3 - Digital Download SKU: A0.1319309 By Nicholas Carroll. By Nicholas…
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Organ - Level 3 - Digital Download SKU: A0.1319309 By Nicholas Carroll. By Nicholas Carroll. Arranged by Nicholas Carroll. Baroque,Contemporary,Halloween,Medieval,Sacred. Score. 50 pages. Nicholas Carroll #907949. Published by Nicholas Carroll (A0.1319309). This evocative collection of 12 original organ pieces showcases the wide variety of sounds the king of instruments is capable of. The album is available as a recording on all digital music stores and streaming sights for registration ideas. Pieces include: 1. Ombre de Moi-meme (Shadow of Myself), 2. Tanz Des Dunkleblaueun Schmetterlings (Dance of the Dark Blue Butterflies), 3. M O O N F I R E, 4. Iron Gate, 5. Unmei no mouretsu kyokuji (A Ferocious Travesty of Fate), 6. Cathedral of Light, 7. Night in Ghost Forest, 8. All Hallow’s Eve, 9. Avenging Angel, 10. Haunted Arcade, 11. Holy Lantern, 12. Isn’t It Easy to Lose Your Way?
$15.99
14.35 €
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Organ
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Nicholas Carroll
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Gothic Organ
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Nicholas Carroll
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitar
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, àla fin du confinement lié au COVID-19. Ã? ce moment-là, ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate àla ville frontalière de Kharkiv et, surtout, àses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare àvide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (àl'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (àl'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (àl'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas àpas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse àvide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes àvide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes àvide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié àKharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales làoù celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.14 €
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Guitar
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Encore!
Organ
Organ SKU: HL.8738391 Composed by Fred Bock. Arranged by Fred Bock. Organ. Fred Boc…
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Organ SKU: HL.8738391 Composed by Fred Bock. Arranged by Fred Bock. Organ. Fred Bock Publications. Classical, General Worship, Sacred. 160 pages. Fred Bock Music Company #BG0773. Published by Fred Bock Music Company (HL.8738391). ISBN 9781934596487. UPC: 073999383911. 9.3x12.0x0.683 inches.50 of Fred Bock's best organ arrangements have been carefully selected for this collection, bringing a wide variety of styles and titles. From the popular El Shaddai, to the more traditional Savior Like a Shepherd Lead Us and Jesus Loves Me (coupled with Debussy's Clair De Lune), these pieces will be played over and over again.
Song List: I'll Fly Away (Albert E Brumley) Because He Lives (Wm & Gloria Gaither) To Be Used of God (Audrey Mieir) El-Shaddai (J Thompson/M Card) Let's Just Praise the Lord (William Gaither) Thou Art Worthy (Pauline Mills) I'll Tell the World That I'm A Christian (Bock) Healer of Broken Hearts (Bock) He Is with Me (Bock) He Touched Me (Bock) I Believe in A Hill Called Mt. Calvary (Bock) Over the Sunset Mountains (Bock) Plenty of Room in the Family (Bock) How Great Thou Art (Stuart K Hine) In This Very Room (Ron and Carol Harris) Jesus Loves Me (Bradbury/Debussy) Happiness Nearer, My God, to Thee (S. Adams) What A Friend We Have in Jesus (C Converse) This Is My Country (Raye/Jacobs) Love Lifted Me (J. Rowe/H. Smith) Savior, Like A Shepherd Lead Us (W. Bradbury) I've Got Peace Like A River Greater Is He That Is in Me (Lanny Wolfe) Day by Day (C Berg/O Ahnfelt) I Am A Promise (Wm. & Gloria Gaither) Joy Comes in the Morning (Wm. & Gloria Gaither) I Cannot Fail the Lord (Doris Akers) He's Everything to Me (R Carmichael) When He Shall Come (A J Pearce) Sweet, Sweet Spirit (Doris Akers) Oh, I Never Shall Forget the Day (R Carmichael) Sweeter As the Years Go by (Mrs. C H Morris) Yesterday, Today and Tomorrow (Don Wyrtzen) My Heart Is Filled with Jesus' Love (D Akers) Heaven Came Down and Glory Filled My Soul (John Peterson) Love At Home (Wm Driggs, Jr.) Thank God for the Promise of Spring (Wm Gaither) God Leads His Dear Children Along (G Young) Even So, Lord Jesus, Come (Wm. Gaither) Jesus Is Coming Again (J Peterson) He'll Never Let You Fall (R Carmichael) Go Tell It On the Mountain Amen Precious Memories LOVE OF GOD, THE (FREDERICK H LEHMAN) BLOOD WILL NEVER LOSE ITS POWER, THE (A. CROUCH) CHURCH TRIUMPHANT, THE (WM GAITHER) UNVEILED CHRIST, THE (N B HERRELL) MIRACLE OF GRACE, THE (R CARMICHAEL)
$24.95
22.4 €
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Organ
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Fred Bock
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Encore!
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Fred Bock Music Company
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SheetMusicPlus
Transfigured Life - Still Life
Violin and Piano
Violin and piano - Advanced - Digital Download SKU: ZY.DO-1525 Composed by David Br…
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Violin and piano - Advanced - Digital Download SKU: ZY.DO-1525 Composed by David Braid. Score and part. 32 pages. Les Editions Doberman-Yppan (digital) #DO 1525. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1525). J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.Conformément àcette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise àattirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce àune ligne de piano simple qui laisse beaucoup d'espace àla partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement àla couleur et au rythme atmosphériques ; c'est àl'auditeur de voir la « nature morte » de son choix dans son esprit.Une note sur les performances :Malgré ma référence àdes lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953Envoyer des commentairesTransfigured Life - Still Life, Op. 165 (violin & piano) - David BraidI am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved & developed. In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.A note on performance: Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953.
$12.95
11.63 €
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Violin and Piano
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David Braid
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Transfigured Life - Still Life
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Les Editions Doberman-Yppan
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SheetMusicPlus
Heloisa quintet
Cello,Clarinet,Fiddle,Piano - Level 4 - Digital Download SKU: A0.1378514 By Anderso…
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Cello,Clarinet,Fiddle,Piano - Level 4 - Digital Download SKU: A0.1378514 By Anderson Alves. By Anderson Alves. Arranged by Anderson Alves. 20th Century,Classical,Contemporary,Film/TV,Jazz. 16 pages. Anderson Alves #963136. Published by Anderson Alves (A0.1378514). Arranjos para clarinete, dois violinos e violoncelo e piano. Composta por Anderson Alves, São Paulo, Brasil. Dedicado àminha filha Heloisa. RaciocÃÂnio inspirador para composição baseada na série pelo nome:A B C D E F G H I J K L M N O P Q R S T U V X Z1 2 3 4 5 6 7 8 9 0 11 12 13 14 15 16 17 18 19 20 21 22mod12H e l o i s a8 5 0 2 9 6 1 Lab fa do re lá fa# reb
$13.00
11.67 €
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Anderson Alves
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Heloisa quintet
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Anderson Alves
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SheetMusicPlus
Habanera (aria)
Bass guitar
Bass Guitar - Level 3 - Digital Download SKU: A0.1025809 Arranged by Tatiana Riabin…
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Bass Guitar - Level 3 - Digital Download SKU: A0.1025809 Arranged by Tatiana Riabinkina. Romantic Period. Score. 2 pages. Tatiana Riabinkina #5222555. Published by Tatiana Riabinkina (A0.1025809). The arrangement is made using different positions on the neck. It fits for students and can be performed in ensembles. The duration is about 3.20 minutes.F A C E B O O K ➜ https://www.facebook.com/tatiana.riab...I N S T A G R A M ➜ https://www.instagram.com/khanka_diV K O N T A K T E ➜ https://vk.com/khanka
$4.99
4.48 €
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Bass guitar
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Habanera
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Tatiana Riabinkina
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SheetMusicPlus
Heloisa
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1378521 By Anderson Alves. By Ander…
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Piano Solo - Level 3 - Digital Download SKU: A0.1378521 By Anderson Alves. By Anderson Alves. Arranged by Anderson Alves. 20th Century,Classical,Contemporary,Film/TV. Score. 2 pages. Anderson Alves #963172. Published by Anderson Alves (A0.1378521). Composed by Anderson Alves, São Paulo, Brazil. Dedicated to my daughter Heloisa. Inspiring reasoning for composition based on the series by name:A B C D E F G H I J K L M N O P Q R S T U V X Z1 2 3 4 5 6 7 8 9 0 11 12 13 14 15 16 17 18 19 20 21 22mod12H e l o i s a8 5 0 2 9 6 1Lab fa do re lá FA# Reb
$8.00
7.18 €
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Piano solo
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Anderson Alves
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Anderson Alves, São Paulo, Brazil
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Heloisa
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Anderson Alves
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SheetMusicPlus
Chopin, Frédéric : Valse Opus 64 n°2 (Collection Anacrouse)
Piano solo
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d 
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces Å“uvres.<br><br>Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>Les Valses de Chopin diffèrent complètement des Valses viennoises écrites par Strauss destinées à être dansées. Celles de Chopin se rapprochent plus d'un poème chanté. Il a confié d'ailleurs : « Je n'ai rien de ce qu'il faut pour les valses viennoises ». Chacune de ses valses révèle des envolées pleines de spontanéité et de lyrisme infini.<br>Chopin a composé dix neuf valses à toutes époques de sa vie dont quatorze sont mondialement connues et répertoriées chez tous les pianistes.<br>L'opus 64 fait partie des huit opus qui ont été publiés du vivant de Chopin. Cet opus se compose de trois valses, toutes très populaires.<br>Dédiée à la baronne Nathaniel de Rothschild, la valse n°2 tangue tout au long du morceau sur différents tempi passagers ou successifs inscrits sur la partition comme le giusto piu mosso (mesure 38), piu lento (mesure 65), piu mosso (mesure 97) tempo I (mesure129), piu mosso (mesure 161). Elle caractérise typiquement le style rubato chez Chopin et donne une impression d'irrégularité du temps.<br>La partie centrale développe une délectable mélodie d'une grande vélocité sur un ton de ré bémol majeur, le tout sur un élan de spontanéité. Cette valse intime et enjouée rappelle l'esprit des salons où jouait habituellement Chopin. L'interprète sera subjugué par le tourbillon fantasque, expressif et enlevé de cette valse. Il s'évadera dans des coins inexplorés de son imaginaire ce qui lui apportera beaucoup de plaisir à l'interprétation. Partition + Biographie + Notes sur l'oeuvre
3.30 €
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Piano solo
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Chopin, Frédéric
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Valse Opus 64 n°2
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Note4Piano
Bailero variations for clarinet and guitar - live performance (mp3)
Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1268797 By András Csáki …
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Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1268797 By András Csáki and Balázs Rumy. By Traditional. Arranged by David Warin Solomons. Contemporary,Folk. Full Performance. Duration 179. David Warin Solomons #861329. Published by David Warin Solomons (A0.1268797). Words of the original song (in Auvergnat)Pastré, dè dèlaï l'aïo a gaïré dé boun tèn, dio lou baïlèro lèro. Lèro lèro lèro lèro baïlèro lô.E n'en ai gaïré è dio tu baïlèro lèro. Lèro lèro lèro lèro baïlèro lô.Pastré lou prat faï flour, li cal gorda toun troupèl, dio lou baïlèro lèro. Lèro lèro lèro lèro baïlèro lô. L'èrb ès pu fin ol prat d'oïci, baïlèro lèro. Lèro lèro lèro lèro baïlèro lô.Pastré, couci foraï en o bal io lou bel rîou, dio lou baïlèro lèro. Lèro lèro lèro lèro baïlèro lô. Espèro mé té baô circa baïlèro lèro. Lèro lèro lèro lèro baïlèro lô.My English singing version:Shepherd, across the water, you stand in wind and rain, sing the bailero lero. Lero lero lero lero bailero lo. I stand in wind and rain and sing bailero lero. Lero lero lero lero bailero lo.Shepherd, see these fair fields, come and feed your flocks, sing the bailero lero. Lero lero lero lero, bailero lo. Here all the grass is greener, sing bailero lero. Le ro lero lero lero bailero lo.Shepherd, the water keeps me from crossing o'er, sing bailero lero. Lero lero lero lero, bailero lo. I shall come down and fetch you o'er, bailero lero. Lero lero lero lero bailero lo.It is performed here byBalázs Rumy clarinetAndrás Csáki guitar.
$4.50
4.04 €
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András Csáki and Balázs Rumy
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Bailero variations for clarinet and guitar - live performance
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David Warin Solomons
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SheetMusicPlus
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