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You've selected:
Made For Workin'
Sheetmusic to print
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Made For Workin'
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841731 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841731 Composed by Andrew Mc Donald. Children,Contemporary,Musical/Show,Rock. Score. 5 pages. Andrew Mc Donald (Macka Records) #3473889. Published by Andrew Mc Donald (Macka Records) (A0.841731). Made For Workin' is a song about gumboots and working real hard in the dirt. This song is written for my production called Such is Life based on Ned Kelly. .
$4.99
4.56 €
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Piano, Voice
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Andrew Mc Donald
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Made For Workin'
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Andrew Mc Donald
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SheetMusicPlus
Germaine Tailleferre: Trois Études for two pianos
2 Pianos, 4 hands
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
30.12 €
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2 Pianos, 4 hands
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achieving the physical decline of the French, the
Nazis hope that spiritual collapse will ensue
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Germaine Tailleferre
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Germaine Tailleferre: Trois Études for two pianos
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone and Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
32 €
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Trombone and Piano
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Cherry Classics Music
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
What Was I Made For?
Choral SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1268113 By Billie E…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1268113 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Trần. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. 7 pages. Dylan Trần #860672. Published by Dylan Trần (A0.1268113). Accesible yet moving, this arrangement of What Was I Made For? from the blockbuster movie, Barbie, is fit for professional choir, college choir, community choir, highschool choir, a capella groups, vocal pop groups, and more. Renowned composer Dylan Trần uses idiomatic, yet evocative voicings that will immediately reward on first reading as well as in polished performance. Learn more at www.dylantranmusic.comHere's why your choir should embrace Billie Eilish's captivating music— (professional choir, large ensemble, small ensemble, community choir, college choir, highschool choir, pop a capella choir, etc.)Contemporary Relevance: Billie Eilish's music is a cultural phenomenon, deeply resonating with today's generation. By incorporating her songs into your repertoire, your choir can connect with younger audiences, enhancing its relevance and expanding its fan base.Empowering Lyrics: Billie Eilish's lyrics tackle meaningful and often profound subjects, from mental health to self-discovery and social issues. Singing her songs empowers your choir to explore important themes, fostering empathy and emotional depth in their performances.Dynamic Vocal Range: Billie Eilish's music offers a diverse range of vocal styles, from hauntingly soft whispers to powerful belting. Your choir members can showcase their versatility and vocal prowess, honing their skills and challenging their vocal boundaries.Artistic Expression: Embrace the opportunity for creative expression! Billie Eilish's music encourages innovative interpretations, allowing your choir to infuse each performance with its unique artistic flair and captivate audiences with fresh renditions.Fusion of Genres: With elements of pop, alternative, and electronic music, Billie Eilish's songs provide an exciting fusion of genres. Your choir can explore new musical horizons, enriching its repertoire and broadening its musical diversity.Emotional Resonance: Billie Eilish's music evokes a wide range of emotions, from introspection to empowerment. Singing her songs allows your choir to tap into these emotions, forging a deep connection with audiences and leaving a lasting impact.Collaborative Learning: Billie Eilish's intricate compositions present an excellent opportunity for collaborative learning within your choir. By working together to master the nuances of her music, your choir members can strengthen their bonds and elevate their collective musicality.Pushing Boundaries: Billie Eilish's music is known for its boundary-pushing and innovative soundscapes. Embracing her songs encourages your choir to explore new musical territories, pushing the boundaries of traditional choral performances.Embrace the audacious spirit of Billie Eilish's music and witness your choir's performances soar to unprecedented heights of creativity and artistry. Unleash the power of her captivating melodies and thought-provoking lyrics, leaving audiences awestruck and craving more of your choir's extraordinary renditions.
$6.00
5.49 €
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Choral SATB
#
Billie Eilish
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What Was I Made For?
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Dylan Trần
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SheetMusicPlus
What Was I Made For?
Choral SSAA
Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1280004 By Billie E…
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Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1280004 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Tran. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. 7 pages. Dylan Trần #871424. Published by Dylan Trần (A0.1280004). Accesible yet moving, this arrangement of What Was I Made For? from the blockbuster movie, Barbie, is fit for professional choir, college choir, community choir, highschool choir, a capella groups, vocal pop groups, and more. Renowned composer Dylan Trần uses idiomatic, yet evocative voicings that will immediately reward on first reading as well as in polished performance. Learn more at www.dylantranmusic.comHere's why your choir should embrace Billie Eilish's captivating music— (professional choir, large ensemble, small ensemble, community choir, college choir, highschool choir, pop a capella choir, etc.)Contemporary Relevance: Billie Eilish's music is a cultural phenomenon, deeply resonating with today's generation. By incorporating her songs into your repertoire, your choir can connect with younger audiences, enhancing its relevance and expanding its fan base.Empowering Lyrics: Billie Eilish's lyrics tackle meaningful and often profound subjects, from mental health to self-discovery and social issues. Singing her songs empowers your choir to explore important themes, fostering empathy and emotional depth in their performances.Dynamic Vocal Range: Billie Eilish's music offers a diverse range of vocal styles, from hauntingly soft whispers to powerful belting. Your choir members can showcase their versatility and vocal prowess, honing their skills and challenging their vocal boundaries.Artistic Expression: Embrace the opportunity for creative expression! Billie Eilish's music encourages innovative interpretations, allowing your choir to infuse each performance with its unique artistic flair and captivate audiences with fresh renditions.Fusion of Genres: With elements of pop, alternative, and electronic music, Billie Eilish's songs provide an exciting fusion of genres. Your choir can explore new musical horizons, enriching its repertoire and broadening its musical diversity.Emotional Resonance: Billie Eilish's music evokes a wide range of emotions, from introspection to empowerment. Singing her songs allows your choir to tap into these emotions, forging a deep connection with audiences and leaving a lasting impact.Collaborative Learning: Billie Eilish's intricate compositions present an excellent opportunity for collaborative learning within your choir. By working together to master the nuances of her music, your choir members can strengthen their bonds and elevate their collective musicality.Pushing Boundaries: Billie Eilish's music is known for its boundary-pushing and innovative soundscapes. Embracing her songs encourages your choir to explore new musical territories, pushing the boundaries of traditional choral performances.Embrace the audacious spirit of Billie Eilish's music and witness your choir's performances soar to unprecedented heights of creativity and artistry. Unleash the power of her captivating melodies and thought-provoking lyrics, leaving audiences awestruck and craving more of your choir's extraordinary renditions.
$6.00
5.49 €
#
Choral SSAA
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Billie Eilish
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What Was I Made For?
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Dylan Trần
#
SheetMusicPlus
There'll Be Some Changes Made
C Instruments
C Instrument - Digital Download SKU: A0.808148 Composed by Higgins/Overstreet. Arra…
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C Instrument - Digital Download SKU: A0.808148 Composed by Higgins/Overstreet. Arranged by Mark Huxhold. Jazz. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #2343163. Published by Mark Wayne Music, LLC (A0.808148). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com
$1.99
1.82 €
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C Instruments
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Higgins/Overstreet
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There'll Be Some Changes Made
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Mark Wayne Music, LLC
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SheetMusicPlus
I'm Sorry I Made You Cry
C Instruments
C Instrument - Digital Download SKU: A0.808115 Composed by N.J. Clesi. Arranged by …
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C Instrument - Digital Download SKU: A0.808115 Composed by N.J. Clesi. Arranged by Mark Huxhold. Jazz. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #2332227. Published by Mark Wayne Music, LLC (A0.808115). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com
$1.99
1.82 €
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C Instruments
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N
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I'm Sorry I Made You Cry
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Mark Wayne Music, LLC
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SheetMusicPlus
I Cried for You
C Instruments
C Instrument - Digital Download SKU: A0.808456 Composed by Gus Arnheim, Abe Lyman. …
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C Instrument - Digital Download SKU: A0.808456 Composed by Gus Arnheim, Abe Lyman. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #4112123. Published by Mark Wayne Music, LLC (A0.808456). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page.
$1.99
1.82 €
#
C Instruments
#
Gus Arnheim, Abe Lyman
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I Cried for You
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Mark Wayne Music, LLC
#
SheetMusicPlus
Willow Weep For Me
C Instruments
C Instrument - Digital Download SKU: A0.1079369 By Chad & Jeremy. By Ann Ronell. Ar…
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C Instrument - Digital Download SKU: A0.1079369 By Chad & Jeremy. By Ann Ronell. Arranged by Mark W. Huxhold. Jazz,Standards. Lead Sheet / Fake Book. 3 pages. Mark Wayne Music, LLC #683572. Published by Mark Wayne Music, LLC (A0.1079369). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC is ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys are included with each title, each key having its own page.
$4.99
4.56 €
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C Instruments
#
Chad & Jeremy
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Willow Weep For Me
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Mark Wayne Music, LLC
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SheetMusicPlus
World Is Waiting for the Sunrise, The
C Instruments
C Instrument - Digital Download SKU: A0.808167 Composed by Lockhart /Seitz. Arrange…
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C Instrument - Digital Download SKU: A0.808167 Composed by Lockhart /Seitz. Arranged by Mark Huxhold. Jazz. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #2835631. Published by Mark Wayne Music, LLC (A0.808167). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com
$1.99
1.82 €
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C Instruments
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Lockhart /Seitz
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World Is Waiting for the Sunrise, The
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Mark Wayne Music, LLC
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SheetMusicPlus
I'll Be Home For Christmas
C Instruments
C Instrument - Digital Download SKU: A0.808224 By Rascal Flatts. By Kim Gannon and …
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C Instrument - Digital Download SKU: A0.808224 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 5 pages. Mark Wayne Music, LLC #3530285. Published by Mark Wayne Music, LLC (A0.808224). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com
$4.99
4.56 €
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C Instruments
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Rascal Flatts
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I'll Be Home For Christmas
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Mark Wayne Music, LLC
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SheetMusicPlus
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.13 €
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Orchestra
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
Legacy for Chamber Orchestra
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brand…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
36.57 €
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Chamber Orchestra
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Legacy for Clarinet, Violin, Cello, and Piano
Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.755023
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Small Ensemble Cello,Clarinet,Piano,Violin - Level 4 - Digital Download SKU: A0.755023 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 94 pages. Sy Brandon #3244205. Published by Sy Brandon (A0.755023). Legacy is a three movement composition that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor, and later transcribed by the composer for quartet for the chamber music group, enhaké. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming. The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the clarinet brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Legacy has been recorded by enhaké on the Emeritus Recordings CD Legacy.
$14.99
13.7 €
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Sy Brandon
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Legacy for Clarinet, Violin, Cello, and Piano
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Sy Brandon
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SheetMusicPlus
Workin' for a Livin': Electric Bass
Marching band
Marching Band - Digital Download SKU: AX.00-PC-0016510_EB Electric Bass. Com…
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Marching Band - Digital Download SKU: AX.00-PC-0016510_EB Electric Bass. Composed by Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016510_EB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016510_EB). UPC: 038081480381.Get ready to rock the house with this hard-driving Ralph Ford arrangement of a tune made famous by Huey Lewis and The News. It starts off big and bold and just keeps on going through the final chord. This is pure marching band excitement! (1:20).
$3.00
2.74 €
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Marching band
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Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper
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Workin' for a Livin': Electric Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Workin' for a Livin': Baritone T.C.
Marching band
Marching Band - Digital Download SKU: AX.00-PC-0016510_BTC1 Baritone T.C.. C…
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Marching Band - Digital Download SKU: AX.00-PC-0016510_BTC1 Baritone T.C.. Composed by Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016510_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016510_BTC1). UPC: 038081480381.Get ready to rock the house with this hard-driving Ralph Ford arrangement of a tune made famous by Huey Lewis and The News. It starts off big and bold and just keeps on going through the final chord. This is pure marching band excitement! (1:20).
$3.00
2.74 €
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Marching band
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Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper
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Workin' for a Livin': Baritone T.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Workin' for a Livin': Baritone B.C.
Marching band
Marching Band - Digital Download SKU: AX.00-PC-0016510_BBC1 Baritone B.C.. C…
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Marching Band - Digital Download SKU: AX.00-PC-0016510_BBC1 Baritone B.C.. Composed by Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016510_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016510_BBC1). UPC: 038081480381.Get ready to rock the house with this hard-driving Ralph Ford arrangement of a tune made famous by Huey Lewis and The News. It starts off big and bold and just keeps on going through the final chord. This is pure marching band excitement! (1:20).
$3.00
2.74 €
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Marching band
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Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper
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Workin' for a Livin': Baritone B.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Workin' for a Livin': 1st B-flat Clarinet
Marching band
Marching Band - Digital Download SKU: AX.00-PC-0016510_C1 1st B-flat Clarinet
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Marching Band - Digital Download SKU: AX.00-PC-0016510_C1 1st B-flat Clarinet. Composed by Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016510_C1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016510_C1). UPC: 038081480381.Get ready to rock the house with this hard-driving Ralph Ford arrangement of a tune made famous by Huey Lewis and The News. It starts off big and bold and just keeps on going through the final chord. This is pure marching band excitement! (1:20).
$3.00
2.74 €
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Marching band
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Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper
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Workin' for a Livin': 1st B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Workin' for a Livin': Drums
Marching band
Marching Band - Digital Download SKU: AX.00-PC-0016510_D Drums. Composed by …
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Marching Band - Digital Download SKU: AX.00-PC-0016510_D Drums. Composed by Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016510_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016510_D). UPC: 038081480381.Get ready to rock the house with this hard-driving Ralph Ford arrangement of a tune made famous by Huey Lewis and The News. It starts off big and bold and just keeps on going through the final chord. This is pure marching band excitement! (1:20).
$3.00
2.74 €
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Marching band
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Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper
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Workin' for a Livin': Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Workin' for a Livin': Auxiliary Percussion
Marching band
Marching Band - Digital Download SKU: AX.00-PC-0016510_APC Auxiliary Percussion
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Marching Band - Digital Download SKU: AX.00-PC-0016510_APC Auxiliary Percussion. Composed by Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016510_APC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016510_APC). UPC: 038081480381.Get ready to rock the house with this hard-driving Ralph Ford arrangement of a tune made famous by Huey Lewis and The News. It starts off big and bold and just keeps on going through the final chord. This is pure marching band excitement! (1:20).
$3.00
2.74 €
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Marching band
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Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper
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Workin' for a Livin': Auxiliary Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Workin' for a Livin': E-flat Alto Saxophone
Marching band
Marching Band - Digital Download SKU: AX.00-PC-0016510_AX1 E-flat Alto Saxophone…
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Marching Band - Digital Download SKU: AX.00-PC-0016510_AX1 E-flat Alto Saxophone. Composed by Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016510_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016510_AX1). UPC: 038081480381.Get ready to rock the house with this hard-driving Ralph Ford arrangement of a tune made famous by Huey Lewis and The News. It starts off big and bold and just keeps on going through the final chord. This is pure marching band excitement! (1:20).
$3.00
2.74 €
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Marching band
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Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper
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Workin' for a Livin': E-flat Alto Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Workin' for a Livin': Horn in B flat
Marching band
Marching Band - Digital Download SKU: AX.00-PC-0016510_BH1 Horn in B flat. C…
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Marching Band - Digital Download SKU: AX.00-PC-0016510_BH1 Horn in B flat. Composed by Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016510_BH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016510_BH1). UPC: 038081480381.Get ready to rock the house with this hard-driving Ralph Ford arrangement of a tune made famous by Huey Lewis and The News. It starts off big and bold and just keeps on going through the final chord. This is pure marching band excitement! (1:20).
$3.00
2.74 €
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Marching band
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Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper
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Workin' for a Livin': Horn in B flat
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Workin' for a Livin': Tuba
Marching band
Marching Band - Digital Download SKU: AX.00-PC-0016510_TB1 Tuba. Composed by…
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Marching Band - Digital Download SKU: AX.00-PC-0016510_TB1 Tuba. Composed by Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016510_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016510_TB1). UPC: 038081480381.Get ready to rock the house with this hard-driving Ralph Ford arrangement of a tune made famous by Huey Lewis and The News. It starts off big and bold and just keeps on going through the final chord. This is pure marching band excitement! (1:20).
$3.00
2.74 €
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Marching band
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Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper
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Workin' for a Livin': Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Workin' for a Livin': Tonal Bass Drum
Marching band
Marching Band - Digital Download SKU: AX.00-PC-0016510_TBD Tonal Bass Drum. …
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Marching Band - Digital Download SKU: AX.00-PC-0016510_TBD Tonal Bass Drum. Composed by Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016510_TBD. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016510_TBD). UPC: 038081480381.Get ready to rock the house with this hard-driving Ralph Ford arrangement of a tune made famous by Huey Lewis and The News. It starts off big and bold and just keeps on going through the final chord. This is pure marching band excitement! (1:20).
$3.00
2.74 €
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Marching band
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Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper
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Workin' for a Livin': Tonal Bass Drum
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Workin' for a Livin': 1st Trombone
Marching band
Marching Band - Digital Download SKU: AX.00-PC-0016510_TN1 1st Trombone. Com…
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Marching Band - Digital Download SKU: AX.00-PC-0016510_TN1 1st Trombone. Composed by Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016510_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016510_TN1). UPC: 038081480381.Get ready to rock the house with this hard-driving Ralph Ford arrangement of a tune made famous by Huey Lewis and The News. It starts off big and bold and just keeps on going through the final chord. This is pure marching band excitement! (1:20).
$3.00
2.74 €
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Marching band
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Bill Gibson, Chris Hayes, John Colla, Mario Cipollina, and Sean Hopper
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Workin' for a Livin': 1st Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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