Download Digital Sheet Music of Mark for Choral SSAATTBB

Mark

Hodie Christus natus est Choral SSAATTBB

Mixed choir (SSAATTBB) a cappella - intermediate - Digital Download SKU: S9.Q47173 …(+)

Mixed choir (SSAATTBB) a cappella - intermediate - Digital Download SKU: S9.Q47173 Antiphon zum Magnificat der Weihnachts-Vesper. Composed by Alwin Michael Schronen. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q47173. Published by Schott Music - Digital (S9.Q47173). Latin.Altes mit Neuem kunstvoll zu verbinden â€“ das zÃ¤hlt zu den Markenzeichen von Alwin M. Schronen. Dass dem vielseitigen Tondichter und TrÃ¤ger zahlreicher Kompositionspreise dieser kÃ¼nstlerische Spagat meisterhaft gelingt, beweist er ein weiteres Mal in seiner geistlichen Chorkomposition Hodie Christus natus est. Diesem lateinischsprachigen Werk fÃ¼r 8-stimmigen gemischten Chor a cappella (SSAATTBB) liegt die Antiphon zum Magnificat der Weihnachts-Vesper zugrunde. Schronen erÃ¶ffnet seinen weihnachtlichen Gesang mit der wÃ¶rtlichen Intonation der althergebrachten gregorianischen Melodie. Nach diesem Beginn im Wechsel von MÃ¤nner- und Frauenstimmen lÃ¤sst der Komponist den gesamten Chor in den Jubel des Dankes fÃ¼r die Geburt Jesu einstimmen. Dabei gelingt es ihm, den HÃ¶rer mit seiner ihm ganz eigenen Tonsprache in andere himmlische Gefilde zu heben. Ein wundervolles, aber zugleich gesanglich anspruchsvolles StÃ¼ck Musik, das sich gleichermaÃŸen fÃ¼r den kirchenmusikalischen wie fÃ¼r den Konzertgebrauch eignet.
$3.99 3.59 € #Choral SSAATTBB #Alwin Michael Schronen #Hodie Christus natus est #Schott Music - Digital #SheetMusicPlus

Misericordias Domini Choral SSAATTBB

Mixed choir (SSAATTBB) - advanced - Digital Download SKU: S9.Q46249 Composed by Kat…(+)

Mixed choir (SSAATTBB) - advanced - Digital Download SKU: S9.Q46249 Composed by Katarzyna Danel. This edition: choral score. Distinguished Choral Music. Downloadable, Choral score. Duration 5:30. Schott Music - Digital #Q46249. Published by Schott Music - Digital (S9.Q46249). Latin.Almost 40 compositions, half of which written for accompanied and unaccompanied choir, can currently be found in the catalogue of works by the young Polish composer Katarzyna Danel (born in 1992). After winning several national composition prizes, she was awarded the 1st prize of the 13th International Composition Competition 'Musica Sacra Nova' 2016 for Misericordias Domini for eight-part mixed a cappella choir. The complex sacred a cappella choral work is based on the eponymous Gregorian chorale (Psalm 89:2). This Latin choral piece is characterized by three main structures: by aleatoric sound clouds in major pentatonic scales which are emphasized by sustained organum-like notes from the Gregorian chorale melody, on the one hand, by Renaissance-style polyphony combined with modern harmony, on the other hand, and finally, by long static chords merging in space and harmony. A wonderfully mystical, spherical composition which, by means of ad libitum passages marked in the musical text, even gives the performer the opportunity to interpret the piece individually.
$5.99 5.38 € #Choral SSAATTBB #Katarzyna Danel #Misericordias Domini #Schott Music - Digital #SheetMusicPlus

Mixed chorus (SSAATTBB) with soloists - intermediate - Digital Download From A Child of Our Time. Composed by Sir Michael Tippett (1905-1998). This edition: choral score. Downloadable. Duration 12 minutes. Schott Music - Digital #Q19288. Published by Schott Music - Digital
English.<br> <br> These five spirituals for unaccompanied chorus, despite the occasional appearance of complexity are basically simple: the harmony, indeed, is of the simplest possible. The apparent complexity arises primarily from the number of parts, which are not however all real parts. These, in fact, seldom comprise more than the traditional four. Lines are frequently doubled at the octave, rather in the manner of organ registration, so that the chorus needs to be thought of as an organ-like body producing a homogeneous sound at many levels of the chords and melodies. Thus, the numbers and even the kinds of voices needed to produce these chords and melodies in the most effective manner must be selected by the conductor from the whole body of the chorus according to the conditions of performance. Great latitude can be taken in this respect, even to the extent of using low female voices for the high registers of written tenor parts, or high male voices for the low registers of written alto parts, etc. The only parts which are strictly differentiated are those marked Leader. These should be an individual voice, standing out from the choir sufficiently to lead the singing, both in the words and in the music. They need not be soloists engaged from outside. If the spirituals are performed in this way the apparent complexity of certain printed pages will disappear. Any reasonably sized chorus with four good leaders can produce the effect required.