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1
Vocalise-Étude ( en forme d'Habanera ) by Ravel for Flute Solo and flute ensemble / choir
Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Voice - Level 4 - Digital Downl…
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Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Voice - Level 4 - Digital Download SKU: A0.874260 Composed by Maurice Ravel. Arranged by a do Ray me flute studio production, Ray-Michael Kauffman. 20th Century,Concert,Contemporary,Instructional,Standards. Score and parts. 25 pages. As do Ray meflute studio production #5203415. Published by as do Ray meflute studio production (A0.874260). Vocalise-Étude ( en forme d'Habanera ) by Ravel for Flute Solo and flute ensemble / choirThe famous Vocalise Etude by M Ravel, arranged scored smartly for Flute Solo and flute ensemble/ choir. This piece will give you advanced adult student, college /high student, professional a real solo with flute choir to let them shine . This piece is beautiful in texture , color, and expression. Playing this solo flute part would be any flutists dream to show case their talents.Looking for a great piece, a challenging technique in the solo part, but easier and adaptable for the ensemble?? This is it!!This will surely be a great part of your flute choir /ensemble collection, or even a treasured classic of you own private collection.This piece is scored where as can be played with a small (one per part backign) or even larger ensemble.You be just as excited about this arrangement as I am and all my flutist friends are.And I did want to dedicate this arrangement to my really good friend, who's like fmaily to me, and an incredible music and flutist ; Dorothea Dot Lippart.-- also, check my website out @ doRaymeflute.comhttps://youtu.be/Y-r8Hsfep6E
$15.99
14.36 €
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Maurice Ravel
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Dorothea Dot Lippart
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Vocalise-Étude
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as do Ray meflute studio production
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SheetMusicPlus
Le jardin des papillons - Intermediate Impressionist Piano Piece for Ravel Preparation
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.799620 Composed by Nicole Elyse DiP…
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Piano Solo - Level 3 - Digital Download SKU: A0.799620 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791445. Published by Nicole Elyse DiPaolo (A0.799620). From my in-progress collection of intermediate and late-intermediate piano compositions in Impressionist styles, this is an homage to Maurice Ravel's piano writing as shown in pieces including the Sonatine, Le tombeau de Couperin, and others.It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), whole tone sonorities, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music. All of these can be disorienting to students encountering Ravel's music for the first time, so students will benefit from Ravel-preparatory repertoire, like this piece, that introduces these techniques.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the student piano literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's compositions.On a more personal level, this piece was also inspired by my main non-music hobby: raising and releasing butterflies. An upcoming relocation will allow me to build my own butterfly garden in my new home, and I can't wait to create my own butterfly-friendly outdoor paradise filled with native plants and wildflowers. I hope my garden will have as many butterflies flitting through it as are depicted in the 32nd-note passages in this piece!
$2.49
2.24 €
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Piano solo
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Nicole Elyse DiPaolo
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Le jardin des papillons - Intermediate Impressionist Piano Piece for Ravel Preparation
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Nicole Elyse DiPaolo
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SheetMusicPlus
Who's Afraid Of Little Old Me?
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1438320 By Taylor Swift. By Taylor …
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Easy Piano - Level 1 - Digital Download SKU: A0.1438320 By Taylor Swift. By Taylor Swift. Arranged by RIS. Contemporary,Country,Folk,Pop,Singer/Songwriter. Score. 4 pages. RISsounds #1018336. Published by RISsounds (A0.1438320). 🎹 Calling all piano enthusiasts! 🎶 Get ready to master Taylor Swift's captivating tune, Who's Afraid of Little Old Me, with our exclusive lead sheet music! 🌟Designed with both beginners and advanced players in mind, our lead sheet provides a unique learning experience. 🎵 The melody is beautifully notated on the staff for the right hand, guiding beginners through each note with clarity and precision. 🎼 Meanwhile, the left hand offers the perfect opportunity for improvisation, allowing more experienced pianists to add their own flair and creativity to the piece. 💫With our lead sheet music, you'll unravel the song's charm effortlessly, whether you're just starting your musical journey or seeking to refine your skills. 🎹 Don't miss this chance to explore the magic of Who's Afraid of Little Old Me - download our lead sheet music today and let the music take you on a delightful adventure! 🎶✨.
$4.99
4.48 €
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Easy Piano
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Taylor Swift
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Who's Afraid Of Little Old Me?
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RISsounds
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SheetMusicPlus
Variations sur un thème original
Piano solo
Piano - intermediate to advanced - Digital Download SKU: S9.Q6759 Composed by Charl…
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Piano - intermediate to advanced - Digital Download SKU: S9.Q6759 Composed by Charles Marie Widor. This edition: Sheet music. Downloadable. Op. 1 und 29. Schott Music - Digital #Q6759. Published by Schott Music - Digital (S9.Q6759). Key: E minor.Whereas the organ works by Widor have secured a solid position in the repertoire, his no less elaborate and artistic piano works are known to only a small circle of pianists, probably because the piano works by Debussy and Ravel outdid him in this field. 'Variations de Concert sur un thème original' carried by profound melancholy were published in 1867 for the first time and have remained his non-verifiable opus 1 to this day. They show that the young composer takes the tonal language of J. S. Bach as a starting point, yet gives his cycle of variations, which is reminiscent of the 'Goldberg Variations', its own romantic expression. In 1876 he revised the variations and published them under the slightly modified title of 'Variations sur un Thème original pour piano' Op. 29. Our carefully edited new edition contains both versions (Op. 1 and Op. 29) about which one may say without exaggeration that they should be in the possession of every concert pianist.
$16.99
15.26 €
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Piano solo
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Charles Marie Widor
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Variations sur un thème original
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Schott Music - Digital
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
34.98 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
34.98 €
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Piano solo
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Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Cello Chords, Rhythms and Backups for Fiddle Tunes
Cello
Cello - Intermediate - Advanced - Digital Download Composed by Renata Bratt. Fiddle T…
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Cello - Intermediate - Advanced - Digital Download Composed by Renata Bratt. Fiddle Tunes. E-book and online audio. 52 pages. Mel Bay Publications - Digital Sheet Music #30783MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619119987.<br> <br> Eclectic cellist, Renata Bratt, has written the ultimate book for the fiddling cellist, this time from the perspective of an accompanist. Herein, youll find the theoretical and technical foundation for everything you need to creatively back up the lead players in a fiddle jam session, not to mention playing the lead yourself. This progressive method includes detailed fingerings and bowings for traditional fiddle tunes like: Salt Creek, Jenny Dang the Weaver, The Water Is Wide, The Girl I left Behind Me, The Road to California, Masons Apron, and Green Grows the Laurel plus three jigs and a slip-jig. Accompaniment elements include single chord-tone backup, bluegrass bass style, 2 and 3-note chords and arpeggios in the common fiddling keys, one and two-measure rhythmic bowing patterns, the Charleston rhythm, the traveling beat, and many variations of the ever-popular chop bowing technique. With the knowledge and experience conveyed by this book, a cellist can become a valuable asset to any musical group no matter the style! Includes access to 100 online audio tracks expertly played by the author.
$14.99
13.46 €
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Cello
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Renata Bratt
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Cello Chords, Rhythms and Backups for Fiddle Tunes
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Introspection 1
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.987080 Composed by Eric Paul Nolte.…
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Piano Solo - Level 4 - Digital Download SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte (A0.987080). This piece is one of an album of my contemporary classical compositions. Yes, I too wince at offering you something saddled with this oxymoron--contemporary classical--but this phrase is now an irresistible, commercially recognized category defying any principled protest from the ranks of wounded musicological curmudgeons like me. The style here employs a tonal palette that celebrates the more or less common practice of composers from J. S. Bach to Ravel, Prokofiev, and the 20th century American songbook. You will see that I reject Arnold Schoenberg's assertion that by 1910 tonality had exhausted itself, and needed to be reinvented according to an aesthetics that dismiss our scales and harmonies as purely arbitrary human conventions with no basis in nature. On the contrary, I believe that we are endowed by our nature to respond emotionally to our traditional materials of music in the same way as nature equips us to respond to the taste of food and drink. We differ in our taste for savory, sweet, and sour, but it is wrong to say that our very capacity to taste is a merely cultural convention. There is biology, and then physics too! By the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats. The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony. Moreover, some passages are written in a spiky harmony that might be analyzed as bitonal, as at the meno mosso section, beginning at measure 112, where the mood I wanted to set inspired me to write the theme in C minor while the left hand climbs up from the bottom of the keyboard in a widely spaced, D-flat 13 arpeggio. I have composed these pieces with the skills of intermediate to early-advanced pianists in mind. This piece demands the ability to play some counterpoint between two voices in one hand. There is a section that requires one to play moderately fast octaves, but nothing as difficult as the G minor Prelude of Chopin (to say nothing of his harrowing octave Etude from Opus 25!) While there are many polyrhythmic passages, none is more complicated than two-against-three notes. All said, there is nothing here to make your hands (or, I dare say, your ears) bleed. The performing time is around nine minutes and a breath or three. I have a number of videos posted on YouTube.com, I have a website under construction, ericpaulnolte.com, and, since 2011, an occasional blog of my ravings on life, love, and the cosmos, at ericpaulnolte.blogspot.com. You may write me at nolte0125@gmail.com.
$3.99
3.58 €
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Piano solo
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the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats
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Eric Paul Nolte
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Introspection 1
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Eric Paul Nolte
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SheetMusicPlus
Fantasia
Violin
Violin solo - advanced - Digital Download SKU: S9.Q11337 On a painting by Edvard…
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Violin solo - advanced - Digital Download SKU: S9.Q11337 On a painting by Edvard Munch (Young people on the beach). Composed by Naji Hakim. This edition: Sheet music. Violin Library. Downloadable. Duration 4 minutes. Schott Music - Digital #Q11337. Published by Schott Music - Digital (S9.Q11337). Lebanon-born composer Naji Hakim, one of the most important organ composers of today, wrote this piece for solo violin under the spell of a painting. 'Edvard Munch's painting Unge mennesker på stranden (Young people on the beach) depicts a peaceful melancholy evening with pensive young people on the beach. A redhead wearing a white dress and a jolly red hat sits near a pram in the center of the picture; to the left, the calm sea in cold bluish colors and to the right, green and lively colours. The atmosphere of this picture inspired me to write a nostalgic fantasy for the violin.' (Hakim) 'The melodic development with its contrasted characters reveals allusions to the Danish and Norwegian folk melodies Det var en lørdag aften and Per spelmann. The closing bars quote Maurice Ravel’s ostinato motif from Prélude à la Nuit.
$9.99
8.97 €
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Violin
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Naji Hakim
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Fantasia
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Schott Music - Digital
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SheetMusicPlus
Three Pieces for Piano
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.933374 Composed by Michael S. Bryso…
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Piano Solo - Level 5 - Digital Download SKU: A0.933374 Composed by Michael S. Bryson. 20th Century,Contemporary,Standards. Score. 13 pages. Bryson Music #495011. Published by Bryson Music (A0.933374). An exciting advanced piano solo. Duration: approx. 8 min. 1. Marche Humoresque - an energetic march that includes LH tone clusters. Inspired by the finale of Ravel's Piano Concerto for the LH. People often comment that this movement reminds them of a parade of cartoon characters. 2. Nocturne - begins as a gentle lullaby that builds to a majestic climax before fading away into mysterious chords. The return of the tender opening melody will bring tears to your listeners' eyes. 3. Presto - blurring and frantically playful with a bombastic conclusion to the set. Michael S. Bryson (ASCAP) www.michaelsbryson.com Contact me with any questions: michaelsbryson@gmail.com.
$6.95
6.24 €
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Piano solo
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Michael S
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Three Pieces for Piano
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Bryson Music
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SheetMusicPlus
THE GREAT WALL CONCERTO Arranged For 2 Pianos, 4 Hands
Piano solo
Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano - Level 5 - Digital Download S…
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Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano - Level 5 - Digital Download SKU: A0.1316925 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 33 pages. White Piano International Publishing #905605. Published by White Piano International Publishing (A0.1316925). THE GREAT WALL CONCERTO for 2 Pianos, 4 Hands 33 Pages(Piano I Original Piano Score)           &(Piano II Orchestra Adaptation)Advanced Approx. Duration 13 minutes; 30 secondsBy ROBERT VAN HORNE Composing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto, capturing the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression of seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.â€After many years of offering the original Conductor’s Piano & Orchestra Score of the concerto with instrumental parts (currently available at Sheet Music Plus and Sheet Music Direct), the Duo Piano Score of THE GREAT WALL CONCERTO for 2 Pianos, 4 Hands is now also available at those two websites.Both Piano I and Piano II parts are clearly notated with phrasing, dynamics, accents, suggested fingerings and musical word descriptions for 2 Pianos, 4 Hands performances. THE GREAT WALL CONCERTO for 2 Pianos, 4 Hands makes a wonderful and memorable performance piece for two piano recitals as well as a score for practicing with an orchestra, since Piano I is the original piano part.A 2 Pianos, 4 Hands recording or video of THE GREAT WALL CONCERTO is not available at this time, however, a 2006 recorded version with Piano & Orchestra is available for demo purposes only. Except for the piano, all other instruments included are digital samples. A YouTube video can be viewed at: http://www.youtube.com/watch?v=S_Zr10XMnJc In conclusion, THE GREAT WALL CONCERTO For Piano and Orchestra is not only a tribute to the Great Wall of China, but also to the power of music in expressing the inexpressible.Published by White Piano International Publishing Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$15.99
14.36 €
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Piano solo
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ROBERT VAN HORNE
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THE GREAT WALL CONCERTO Arranged For 2 Pianos, 4 Hands
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White Piano International Publishing
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SheetMusicPlus
THE GREAT WALL CONCERTO For Piano & Orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1316174 By ROBERT VAN HORNE. By…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 175 pages. White Piano International Publishing #904561. Published by White Piano International Publishing (A0.1316174). THE GREAT WALL CONCERTO for Piano & Orchestra by ROBERT VAN HORNE175 PagesPiano & Full Orchestra – AdvancedConductor Score & All Instrumental Parts IncludedApprox. Duration 13 minutes; 30 secondsComposing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto that captures the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.â€After many years of offering the score directly to Music Directors around the world, I am now publishing THE GREAT WALL CONCERTO with Sheet Music Plus and Sheet Music Direct.THE GREAT WALL CONCERTO is an ideal work for professional, semi-professional, pops, college and university orchestras as well as community orchestras. It can be added to any concert program featuring a guest piano soloist, and a violinist or erhu soloist.The Conductor’s Score and all Instrumental Parts are legibly notated with phrasing, dynamics, accents, and musical word descriptions. All the individual instrument parts have easy page turns with large readable scores.This 2006 recording of THE GREAT WALL CONCERTO is for demo purposes only. Except for the piano, all other instruments are digital samples. This recording does not include all the instrumental parts being heard. THE GREAT WALL CONCERTO arrangement for Two Pianos, Four Hands is also available and published by White Piano International Publishing. Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$59.99
53.88 €
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Orchestra
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ROBERT VAN HORNE
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THE GREAT WALL CONCERTO For Piano & Orchestra
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White Piano International Publishing
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SheetMusicPlus
A Whitman Triptych: III. Facing West (Downloadable)
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digi…
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65
2.38 €
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David Conte
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A Whitman Triptych: III. Facing West
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tears from My Eyes: Onward and Upward (for String Orchestra and Violin solo)
Violin
Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070248 Composed by Tito …
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Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070248 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 227. Visionary Quest Records #4784007. Published by Visionary Quest Records (A0.1070248). STRING ORCHESTRA - Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 43 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInsta.
$2.99
2.69 €
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Violin
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Tito Abeleda
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Violin 1, 2, 3
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Tears from My Eyes: Onward and Upward
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Visionary Quest Records
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SheetMusicPlus
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary …
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String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99
40.4 €
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String Orchestra
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Visionary Quest Records
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Violin Solo
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Tears from My Eyes: Onward and Upward
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Visionary Quest Records
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SheetMusicPlus
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
String Orchestra
Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito …
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Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99
2.69 €
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String Orchestra
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Tito Abeleda
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Violin Solo
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Tears from My Eyes: Onward and Upward
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Visionary Quest Records
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SheetMusicPlus
Cordolium (Cut Version)
String Orchestra
String Orchestra - Level 5 - Digital Download SKU: A0.1408288 Composed by Ashlyn Gr…
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String Orchestra - Level 5 - Digital Download SKU: A0.1408288 Composed by Ashlyn Graham. 21st Century,Chamber,Classical,Contemporary,Instructional. 17 pages. Ashlyn Graham #990872. Published by Ashlyn Graham (A0.1408288). This is a shortened version of my original piece Cordolium. The original description is as follows: Cordolium, meaning heartfelt grief; sorrow of the heart, heartache. I wrote this piece with one of my favorite pieces in mind: Barber's Adagio for Strings. I wanted to challenge myself to convey emotion like Barber did, and to write a piece with a lot of emotional potential. Cordolium travels through the stages of grief, allowing the musicans to express denial, agitation, and depression, before it concludes with a dejected acceptance of all the sorrow that came before. I realized the original is too long especially for advanced HS groups so I decided to create this cut version to accomodate. This shortened version forced me to cut some transitions and some beautiful sections out, but it still contains the main motifs and allows all the expression in a shorter time. It also includes more bowing and a few more dynamics to help give student groups more directions. The original work can be found here: Cordolium
$45.00
40.41 €
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String Orchestra
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Ashlyn Graham
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Cordolium
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Ashlyn Graham
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SheetMusicPlus
Can't Help Falling In Love
Bass guitar
Bass Guitar - Level 5 - Digital Download SKU: A0.923665 By Elvis Presley. By George…
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Bass Guitar - Level 5 - Digital Download SKU: A0.923665 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Josh Cohen. Rock. Score. 8 pages. Josh Cohen #5982139. Published by Josh Cohen (A0.923665). Arrangement of the classic Can't Help Falling in Love for solo six-string electric bass. The arrangement uses advanced tapping and percussive techniques that create the sound of a small ensemble all on an atypical instrument for polyphonic performance, the electric bass. This would be a great choice of repertoire for a college level bass recital or for professional or serious hobbyists looking to expand their technical abilities. To hear what this arrangement sounds like and to see me perform it, click the YouTube link below. About the arranger:Josh Cohen is a multi-award winning six-string bassist, composer, session musician, and music educator (1st place winner of the NAMM 2020 PJB Solo Bass Competition, 2018 Madison Magazine Honoree for Innovation in the Arts, 2015 No Treble's Number 1 Bass Video of the year), who travels frequently throughout North America to perform and teach clinics/workshops including; Bass Boot Camp 2016 and 2019, Gruv Gear’s Clinic Series at Steve’s Music Toronto, Bass Break Live 2017 and 2020, the 2019 Waupaca Bach Festival, Solo Bass Night VI and VII and more. Josh’s solo six-string electric bass performances, which can be heard on his debut 2014 album Out of the Bassment, use extended techniques to create the sound of an entire band with only one instrument, and without the aid of loop pedals. When listeners hear Josh playing for the first time, they are often surprised to find out that everything they are hearing is being created by one person in real-time.Instagram: @themusicofjoshcohenFacebook: facebook.com/themusicofjoshcohenWebsite: https://www.themusicofjoshcohen.com/
$5.99
5.38 €
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Bass guitar
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Elvis Presley
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Can't Help Falling In Love
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Josh Cohen
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SheetMusicPlus
Drivin'!
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1206657 By Kathleen Ryan. By Kathle…
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Piano Solo - Level 5 - Digital Download SKU: A0.1206657 By Kathleen Ryan. By Kathleen Ryan. Blues,Classical,Contemporary,Pop. Score. 11 pages. Indigo Mesa Music LLC #804835. Published by Indigo Mesa Music LLC (A0.1206657). Piano solo as composed and performed by Kathleen Ryan on her CD Drivin‘!Kathleen’s notes: “This is a piece written by my car (my first car, the little red Toyota Tercel that considered itself to be a sports car). Back in the day, when my solo performing career was just getting off the ground, I hit the first composing dry spell of my entire life. As I am certainly not prone to exaggeration or wild mood swings, I naturally knew that never again would I compose another piece of music; and, needless to say, I found that a bit depressing.“While driving home from a gig, through the Iowa vastness, I was brooding over the loss of my fledgling career as a musician, when I noticed that my car’s odometer read 22122. I have always loved symmetric numbers! And I quickly realized that 22122 can be notes of the scale, say D-D-C-D-D. I listened to that, then saw that the odometer had turned over to 22123: D-D-C-D-E. The rest, as they say, is history. Oh, the total stops (rests) near the beginning are stop signs; you’ll find several in every midwestern town you are wishing you could speed through! I should also say (because my first car would like me to): whenever in this piece I was a bit stuck for music, all I had to do was get out on the open road and drive a bit and more music would come. Which is the other reason I say the piece was written by my car.“The music travels through a landscape that is totally unexpected, before having a mellow time in the big city that night. (Again, true to life on the road in my first car.)â€Advanced. Must be able to handle syncopation, large reaches, leaps—and perform with attitude.
$5.25
4.71 €
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Piano solo
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Kathleen Ryan
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Drivin'!
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Indigo Mesa Music LLC
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SheetMusicPlus
Cool Drowsy Walks
Small Ensemble Acoustic Guitar,Banjo,Bass Guitar,Fiddle,Flute,Tambourine - Level 5 - Digit…
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Small Ensemble Acoustic Guitar,Banjo,Bass Guitar,Fiddle,Flute,Tambourine - Level 5 - Digital Download SKU: A0.972993 Composed by Traditional Irish Public Domain. Arranged by Steve Martin, Rainy Night Music. Celtic,Folk,Holiday,Traditional. Score and parts. 17 pages. Steve Martin, Rainy Night Music #3575347. Published by Steve Martin, Rainy Night Music (A0.972993). A blistering blended medley of 3 traditional Irish Tunes.They say folk music isn't written down, but that doesn't mean it shouldn't be. This is a full folk band arrangement of a blend of Cooley's Reel, The Gravel Walks (to Grandma's), and Drowsy Maggie. It isn't a standard medley - the tunes are blended throughout. Advanced players only on this - the banjo player, fiddle/ violinist, and Flautist particularly. It comes with notation and Tab for the banjo, guitar and bass. This piece would absolutely bring the house down, every time - no doubt about it.To be the first to receive notification of future releases please email rainynightmusic@hotmail.com stating that you wish to receive this information. Alternatively, follow me on Facebook and receive updates on all my musical releases at www.facebook.com/rainynightmusic. Thank you for your purchase and I hope you enjoy the music.
$7.50
6.74 €
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Traditional Irish Public Domain
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Cool Drowsy Walks
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Steve Martin, Rainy Night Music
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SheetMusicPlus
Artizarra
Organ
Organ - advanced - Digital Download SKU: S9.Q49256 Fantaisie sur un chant popula…
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Organ - advanced - Digital Download SKU: S9.Q49256 Fantaisie sur un chant populaire basque. Composed by Daniel Roth. This edition: Sheet music. Downloadable. Schott Music - Digital #Q49256. Published by Schott Music - Digital (S9.Q49256). “The pretty Basque song “Iru erégeâ€, which tells of the three wise men from the Orient travelling to Bethlehem to worship the baby Jesus, gave me the idea for a musical interpretation of this astonishing event (Gospel according to Matthew II, 1-12). In registering the work for the wonderful organ in Santa Maria del Coro I wished to pay homage to the great organ-builder Aristide Cavaillé-Coll, who died a century ago. The performer should aim to reproduce the wonderful sound qualities of that organ as closely as possible on the instrument available to them, or else find their own solutions in the spirit of this piece.†Daniel Roth.
$16.99
15.26 €
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Organ
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Daniel Roth
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Artizarra
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Schott Music - Digital
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SheetMusicPlus
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