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Meditation No. 2
Sheetmusic to print
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Meditation No. 2 for Organ in C Minor
Organ
Organ - Digital Download SKU: A0.1061999 Composed by James Michael Stevens. Arrange…
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Organ - Digital Download SKU: A0.1061999 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred. Full Performance. Duration 168. James M Stevens Music ASCAP #5042065. Published by James M Stevens Music ASCAP (A0.1061999). This is the demonstration recording of Stevens' Meditation No. 2 for Organ in C Minor.
$1.99
1.83 €
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Organ
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James Michael Stevens
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Meditation No. 2 for Organ in C Minor
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James M Stevens Music ASCAP
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SheetMusicPlus
Meditation No. 2
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.915749 Composed by Jonathan Tausche…
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Piano Solo - Level 4 - Digital Download SKU: A0.915749 Composed by Jonathan Tauscheck. 20th Century. Score. 8 pages. Jonathan Tauscheck #2348275. Published by Jonathan Tauscheck (A0.915749). Meditation No. 2.
$1.99
1.83 €
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Piano solo
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Jonathan Tauscheck
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Meditation No. 2
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Jonathan Tauscheck
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SheetMusicPlus
Meditation No. 2
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1027795 Composed by Nicholas Walke…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1027795 Composed by Nicholas Walker. 20th Century,Contemporary. Individual part. 4 pages. Nicholas Walker #3022655. Published by Nicholas Walker (A0.1027795). A companion piece to Meditation No. 1. This original composition features a sustained arpeggio style that invokes the harp. Video on youtube.https://youtu.be/5KY_VuzptT8
$2.99
2.74 €
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Guitar
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Nicholas Walker
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Meditation No. 2
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Nicholas Walker
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SheetMusicPlus
Korean Simple Suite No.2 (For String Quartet)
String Quartet: 2 violins, viola, cello
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.511720 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.511720 Composed by Han-Ki Kim. 20th Century,Contemporary,Instructional,Multicultural,Standards,World. 68 pages. Han-Ki Kim #4830787. Published by Han-Ki Kim (A0.511720). This Korean Simple Suite No.2 is consist of 5 movements. 1. Prologue-–Ungki Dungki. 2. Sound of Piri. 3. Cheerful Semachi. 4. Meditation. 5. Finale-Perpetuum-Mobile.  All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is express Delight feeling, the term “Ungki Dungki“ is a kind of slow Dance. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express Korean flute sound. and for 3rd movement, adapted Korean Traditional Semachi rhythm. 4th movement is composed for Meditation feeling, it is generally carm. For Finale, Perpetuum Mobile form is used, this movement is characterised by simple short theme and very fast tempo. Attached music file is played by String Orchestra, 1st, 2nd, 3rd and just begining of 4th movement.Â
$18.99
17.42 €
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String Quartet: 2 violins, viola, cello
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Han-Ki Kim
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Korean Simple Suite No.2
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Han-Ki Kim
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SheetMusicPlus
Peace for Evans (Meditation no. 2 for Solo Piano)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.693007 Composed by Ben Dockery. 20t…
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Piano Solo - Level 3 - Digital Download SKU: A0.693007 Composed by Ben Dockery. 20th Century,Contemporary,Jazz,Standards. Score. 2 pages. Ben Dockery #3228813. Published by Ben Dockery (A0.693007). This contemplative piece for piano (app. 2 min. 30 sec) was loosely inspired by jazz pianist Bill Evan's Peace Piece. Unlike Evan's composition, this meditation moves through various key centers, exploring contrasting iterations of the simple rhythmic motif that underlies the entire work.The performer should use pedal throughout. The section located at the key change can be played a bit faster than the opening passage. Rubato should be used especially at the ends of phrases.Follow my work at www.BenDockery.com There, you can sign up for my email list and get updates on new releases and tons of free music! .
$3.99
3.66 €
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Piano solo
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Ben Dockery
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Peace for Evans
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Ben Dockery
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SheetMusicPlus
Peace for Evans (Meditation No. 2)
Piano solo
Piano - Digital Download SKU: A0.1069578 Composed by Ben Dockery. 20th Century,Cont…
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Piano - Digital Download SKU: A0.1069578 Composed by Ben Dockery. 20th Century,Contemporary,Jazz. Full Performance. Duration 147. Ben Dockery #6029233. Published by Ben Dockery (A0.1069578). This is the second piano meditation from the album entitled Remembrance.
$1.99
1.83 €
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Piano solo
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Ben Dockery
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Peace for Evans
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Ben Dockery
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SheetMusicPlus
Meditation No. 2, Op. 91 - Score Only
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1335211 Composed by Joseph Jone…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1335211 Composed by Joseph Jones. 21st Century,Classical. 28 pages. Joseph Jones #921059. Published by Joseph Jones (A0.1335211). This is a second meditation based, like the first, on Caspar David Friedrich's 'Wanderer above the Sea of Fog.'.
$50.00
45.86 €
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Orchestra
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Joseph Jones
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Meditation No. 2, Op. 91 - Score Only
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Joseph Jones
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SheetMusicPlus
Vespers No. 2 - Meditation in C minor - Organ Solo
Organ
Organ - Digital Download SKU: A0.1061154 Composed by James Michael Stevens. Arrange…
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Organ - Digital Download SKU: A0.1061154 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred,Wedding. Full Performance. Duration 172. James M Stevens Music ASCAP #3626409. Published by James M Stevens Music ASCAP (A0.1061154). This is the organ performance of Stevens' Vespers No. 2, Meditation in C minor.
$1.99
1.83 €
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Organ
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James Michael Stevens
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Vespers No. 2 - Meditation in C minor - Organ Solo
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James M Stevens Music ASCAP
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SheetMusicPlus
Korean Simple Suite No.2 (For Clarinet and Piano)
Clarinet and Piano
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1218986 Composed by Trad…
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.1218986 Composed by Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Standards,Traditional. Score and part. 33 pages. Han-Ki Kim #815402. Published by Han-Ki Kim (A0.1218986). “Korean Simple Suite†No.2 For Clarinet and Piano Op.272 As far as the melodic line is concerned, The traditional five notes “Do.Re.Mi.Sol.La.†of Korea were mainly used, And, It consists of five movements as follows. 1. Prologue - Ungki Dungki 2. Sound of Piri 3. Cheerful Semachi 4. Meditation 5. Finale - Perpetuum Mobil1. Prologue - “Ungki Dungkiâ€: In D major in 6/4 time, it is a short song with a bright atmosphere. The meaning of “Ungki Dungki†refers to the body movements that show Koreans' excitement during fun.2. Sound of Piri: In G major in 4/4 time, the natural harmonics of string instruments are partially used to describe the sound of oriental flutes.3. Cheerful Semachi : In D major in 9/8 time, we tried to express Korean excitement using our traditional semachi rhythm.4. Meditation : In G minor in 4/4 time, I tried to express sadness.5. Finale - Perpetuum Mobil: In D major in 4/4 time, it is played at a very high speed with 16th notes and forms the melody line of small fragments of Do,Re,Mi,So,La.
$15.90
14.58 €
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Clarinet and Piano
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Traditional
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Korean Simple Suite No.2
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Han-Ki Kim
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SheetMusicPlus
Korean Simple Suite No.2 (For Viola and Piano)
Viola, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.511727 Composed by Han-Ki Kim. 20t…
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Piano,Viola - Level 3 - Digital Download SKU: A0.511727 Composed by Han-Ki Kim. 20th Century,Contemporary,Multicultural,Standards,World. Score and part. 33 pages. Han-Ki Kim #5207895. Published by Han-Ki Kim (A0.511727). This Korean Simple Suite No.2 is consist of 5 movements. 1. Prologue-–Ungki Dungki. 2. Sound of Piri. 3. Cheerful Semachi. 4. Meditation. 5. Finale-Perpetuum-Mobile.All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is express Delight feeling, the term “Ungki Dungki“ is a kind of slow Dance. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express Korean flute sound. and for 3rd movement, adapted Korean Traditional Semachi rhythm. 4th movement is composed for Meditation feeling, it is generally carm. For Finale, Perpetuum Mobile form is used, this movement is characterised by simple short theme and very fast tempo. Attached music file is only 1st movement just for a reference.
$15.99
14.67 €
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Viola, Piano
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Han-Ki Kim
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Korean Simple Suite No.2
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Han-Ki Kim
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SheetMusicPlus
Korean Simple Suite No.2 (For Flute and Piano)
Flute and Piano
Piano,Soprano Flute - Level 5 - Digital Download SKU: A0.1206204 By Han-Ki Kim. By …
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Piano,Soprano Flute - Level 5 - Digital Download SKU: A0.1206204 By Han-Ki Kim. By Traditional. Arranged by Han-Ki Kim. Classical,Instructional,Romantic Period,Standards,Traditional. Score and part. 33 pages. Han-Ki Kim #804401. Published by Han-Ki Kim (A0.1206204). This Korean Simple Suite No.2 is consist of 5 movements.1. Prologue-–Ungki Dungki.2. Sound of Piri. 3. Cheerful Semachi.4. Meditation.5. Finale-Perpetuum-Mobile. All piece's main theme is generally based on Korean(Oriental) pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is express Delight feeling, the term “Ungki Dungki“ is a kind of slow Dance. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express Korean flute sound. and for 3rd movement, adapted Korean Traditional Semachi rhythm. 4th movement is composed for Meditation feeling, it is generally carm.  For Finale, Perpetuum Mobile form is used, this movement is characterised by simple short theme and very fast tempo.
$15.99
14.67 €
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Flute and Piano
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Han-Ki Kim
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Korean Simple Suite No.2
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Han-Ki Kim
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SheetMusicPlus
Korean Simple Suite No.2 (For Violin, Cello and Piano)
Piano Trio: piano, violin, cello
Piano Trio - Level 4 - Digital Download SKU: A0.511799 Composed by Han-Ki Kim. 20th…
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Piano Trio - Level 4 - Digital Download SKU: A0.511799 Composed by Han-Ki Kim. 20th Century,Contemporary,Instructional,Multicultural,Standards,World. 48 pages. Han-Ki Kim #6266419. Published by Han-Ki Kim (A0.511799). This Korean Simple Suite No.2 is consist of 5 movements.1. Prologue-–Ungki Dungki.2. Sound of Piri. 3. Cheerful Semachi.4. Meditation.5. Finale-Perpetuum-Mobile.All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is express Delight feeling, the term “Ungki Dungki“ is a kind of slow Dance. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express Korean flute sound. and for 3rd movement, adapted Korean Traditional Semachi rhythm. 4th movement is composed for Meditation feeling, it is generally carm. For Finale, Perpetuum Mobile form is used, this movement is characterised by simple short theme and very fast tempo. Attached Music file is 1st movement, it's just for a reference.
$15.90
14.58 €
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Piano Trio: piano, violin, cello
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Han-Ki Kim
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Korean Simple Suite No.2
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Han-Ki Kim
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SheetMusicPlus
Korean Simple Suite No.2 (For Violin and Piano)
Violin and Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.511718 Composed by Han-Ki Kim. Co…
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Piano,Violin - Level 4 - Digital Download SKU: A0.511718 Composed by Han-Ki Kim. Contemporary,Multicultural,Standards,World. 33 pages. Han-Ki Kim #4804791. Published by Han-Ki Kim (A0.511718). This Korean Simple Suite No.2 is consist of 5 movements. 1. Prologue-–Ungki Dungki. 2. Sound of Piri. 3. Cheerful Semachi. 4. Meditation. 5. Finale-Perpetuum-Mobile. All piece's main theme is generally based on Korean(Oriental) pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is express Delight feeling, the term “Ungki Dungki“ is a kind of slow Dance. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express Korean flute sound. and for 3rd movement, adapted Korean Traditional Semachi rhythm. 4th movement is composed for Meditation feeling, it is generally carm. For Finale, Perpetuum Mobile form is used, this movement is characterised by simple short theme and very fast tempo.
$15.99
14.67 €
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Violin and Piano
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Han-Ki Kim
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3
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Korean Simple Suite No.2
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Han-Ki Kim
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SheetMusicPlus
Korean Simple Suite No.2 (For String Orchestra)
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.511721 Composed by Han-Ki Kim…
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String Orchestra - Level 4 - Digital Download SKU: A0.511721 Composed by Han-Ki Kim. 20th Century,Contemporary,Folk,Multicultural,Standards,World. Score and Parts. 76 pages. Han-Ki Kim #4830791. Published by Han-Ki Kim (A0.511721). This Korean Simple Suite No.2 is consist of 5 movements. 1. Prologue-–Ungki Dungki. 2. Sound of Piri. 3. Cheerful Semachi. 4. Meditation. 5. Finale-Perpetuum-Mobile.  All piece's main theme is generally based on Oriental pentatonic tone(Do, Re, Mi, Sol, La). 1st movement is express Delight feeling, the term “Ungki Dungki“ is a kind of slow Dance. And for 2nd movement, there is especially natural harmonics is used for special tone effect, to express Korean flute sound. and for 3rd movement, adapted Korean Traditional Semachi rhythm. 4th movement is composed for Meditation feeling, it is generally carm. For Finale, Perpetuum Mobile form is used, this movement is characterised by simple short theme and very fast tempo. Attached music file is, 1st, 2nd, 3rd movement and just begining of 4th mov.
$32.00
29.35 €
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String Orchestra
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Han-Ki Kim
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Korean Simple Suite No.2
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Han-Ki Kim
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SheetMusicPlus
Meditation No. 1
Handbells
Handbell - Level 2 - Digital Download SKU: A0.862112 Composed by Lauran Delancy. Co…
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Handbell - Level 2 - Digital Download SKU: A0.862112 Composed by Lauran Delancy. Concert,Contemporary,Easter. Score. 11 pages. Headless Mallets #6266123. Published by Headless Mallets (A0.862112). Meditation No. 1 is an original composition for handbell duet with piano accompaniment. Set in a minor key, this piece gives each ringer a turn at the melody before combining to compliment and mirror each other alternately. Suitable for a time of reflection, this piece is based on a longer work for Flute, Viola and Piano. For 3 octave handbell duet and piano. Permission is granted to the original purchaser of this music to make sufficient copies for their musicians. May not be duplicated for multiple groups. Headless Mallets Publishing HM040.
$7.00
6.42 €
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Handbells
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Lauran Delancy
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Meditation No. 1
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Headless Mallets
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SheetMusicPlus
O The Deep, Deep Love of Jesus / Waltz in A minor, Op. 34. No. 2 (Solo Piano)
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1236331 By Peggy Duquesnel. By Trad…
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Piano Solo - Level 3 - Digital Download SKU: A0.1236331 By Peggy Duquesnel. By Traditional. Arranged by Peggy Duquesnel. Advent,Christian,Classical,Lent,New Age. Score. 5 pages. Duquesnel Music Publishing #831843. Published by Duquesnel Music Publishing (A0.1236331). This arrangement reharmonizes the traditional hymn and interlaces the hymn melody with themes from the Chopin Waltz in A Minor, Op. 34 No. 2 creating a peaceful and reflective piece of music. It is suitable for church preludes, communion, baptisms, Lent, Advent and meditation music. It is on Peggy Duquesnel's Piano for My Soul album available on www.PianoOrchestrations.com.
$4.99
4.58 €
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Piano solo
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Peggy Duquesnel
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O The Deep, Deep Love of Jesus / Waltz in A minor, Op. 34. No. 2
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Duquesnel Music Publishing
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
Trumpet, Piano
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexan…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.3 €
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Trumpet, Piano
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
English horn, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexande…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.3 €
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English horn, Piano
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.3 €
#
Euphonium, Piano (duet)
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duet)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.3 €
#
Euphonium, Piano (duet)
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Bass Clarinet, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.3 €
#
Bass Clarinet, Piano
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano
Bassoon, Piano (duet)
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.549477 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3499857. Published by jmsgu3 (A0.549477). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.3 €
#
Bassoon, Piano (duet)
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Alexander Scriabin
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Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano
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jmsgu3
#
SheetMusicPlus
Vision! for String Orchestra, Op. 11, No. 2
String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1505968 Composed by Oreste Ra…
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String Orchestra - Level 3 - Digital Download SKU: A0.1505968 Composed by Oreste Ravanello. 19th Century,20th Century,Classical,Contest,Festival,Romantic Period. 13 pages. RēsFacta Editions #1081349. Published by RēsFacta Editions (A0.1505968). Vision!, Op. 11, No. 2 is a composition for string orchestra by Italian composer Oreste Ravanello, a notable figure in late 19th and early 20th-century Italian music. Known primarily for his contributions to organ music and sacred works, Ravanello’s Vision! stands out as a piece that captures a sense of atmospheric lyricism and expressive emotional depth. The work reflects Ravanello’s rich harmonic language, with lush string textures and a romantic, meditative character, emblematic of his style. Score and parts. Duration: approx. 3'06
$28.00
25.68 €
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String Orchestra
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Oreste Ravanello
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Vision! for String Orchestra, Op. 11, No. 2
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RēsFacta Editions
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SheetMusicPlus
Meditation No. 2 for Organ in C Minor
Organ
Organ - Level 3 - Digital Download SKU: A0.573240 Composed by James Michael Stevens…
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Organ - Level 3 - Digital Download SKU: A0.573240 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred. Score. 4 pages. James M Stevens Music ASCAP #5042073. Published by James M Stevens Music ASCAP (A0.573240). Written January 16, 2020, this is an original composition for organ in a contemplative style in the key of C minor. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$4.99
4.58 €
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Organ
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James Michael Stevens
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Meditation No. 2 for Organ in C Minor
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James M Stevens Music ASCAP
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SheetMusicPlus
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