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1777
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747
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85
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75
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38
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35
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706
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698
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658
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637
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565
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504
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458
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401
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379
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189
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177
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72
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59
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23
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20
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19
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19
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18
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18
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17
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14
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11
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10
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9
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8
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6
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787
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471
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397
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359
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310
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302
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273
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238
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215
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171
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168
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162
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102
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94
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64
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57
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55
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53
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42
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33
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31
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30
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30
String Quintet: 2 violins, viola, 2 cellos
24
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22
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16
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15
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13
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12
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9
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5
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4 Harps
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195
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93
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81
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53
Jazz combo
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44
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40
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37
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22
2 Xylophones
19
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
17
Vibraphone
16
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Woodwind Quintet
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Musical course - Solfege
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9976
La Formation Musicale Tout Simplement Volume 3
Musical course - Solfege
Composed by Christian Champeil. Contemporary Classical, Method, Etudes and Exercises…
(+)
Composed by Christian Champeil. Contemporary Classical, Method, Etudes and Exercises, European, Children's Musicals. Individual Part. 42 pages. Published by MCM Editions Musicales
This methodis for third Year students Musical.<br> <br> <br> It coversthe bulk of the acquisitions requested for<br> third year of Formation and will make them discover all the language<br> Musical they need to play theirinstrument.<br> <br> <br> Each lessonincludes:<br> <br> <br> - Horizontal and vertical readingnotes<br> - Reading by the directory<br> - Reading rhythm<br> - Rhythm struck hands together one voice and two voice<br> - Rhythm struck and read by the directory<br> - Singing<br> - Theory<br> - Melodic dictation<br> - Rhythmic Dictation
$19.00
17.5 €
#
Musical course - Solfege
#
Christian Champeil
#
La Formation Musicale Tout Simplement Volume 3
#
MCM Editions Musicales
#
SheetMusicPlus
La Formation Musicale Tout Simplement Volume 4
Musical course - Solfege
Composed by Christian Champeil. Contemporary Classical, Method, Etudes and Exercises…
(+)
Composed by Christian Champeil. Contemporary Classical, Method, Etudes and Exercises, European. Individual Part. 42 pages. Published by MCM Editions Musicales France
This methodis for fourth Year students Musical.<br> <br> <br> It coversthe bulk of the acquisitions requested for<br> fourth year of Formation and will make them discover all the language<br> Musical they need to play theirinstrument.<br> <br> <br> Each lessonincludes:<br> <br> <br> - Readingnotes horizontal and vertical<br> - Reading rhythm by the directory<br> - Rhythm struck hands together one voice two voice<br> - Singing<br> - Theory<br> - Melodic dictation<br> - Rhythmic Dictation
$19.00
17.5 €
#
Musical course - Solfege
#
Christian Champeil
#
La Formation Musicale Tout Simplement Volume 4
#
MCM Editions Musicales France
#
SheetMusicPlus
📄 Storia della Musica (Dalle origini al XX secolo)
Melody line, (Lyrics) and Chords
C Instrument - Level 3 - Digital Download SKU: A0.1105055 By Andrea Balzani. By And…
(+)
C Instrument - Level 3 - Digital Download SKU: A0.1105055 By Andrea Balzani. By Andrea Balzani. Classical,Early Music,Historic,Medieval,Opera. Lead Sheet / Fake Book. 183 pages. Andrea Balzani #708300. Published by Andrea Balzani (A0.1105055). 👉  Dispensa di Storia della Musica (dispensa didattica)Language: ITALIAN 🇮🇹 ➡ï¸â€ŠLinktree: https://linktr.ee/AndreaBalzani Contenuti:- TESI n. 1 ◾  Origini monogenetiche della musica ed Etnomusicologia- TESI n. 2 ◾  Le Musiche dei popoli antichi e la musica ebraica - TESI n. 3 ◾  L'Antica musica Greca- TESI n. 4 ◾  Il Canto Cristiano e il Gregoriano - TESI n. 5 ◾  La Polifonia medioevale e l'Ars Antiqua- TESI n. 6 ◾  La Notazione musicale  - TESI n. 7 ◾  Guido d'Arezzo e la Teoria Medioevale - TESI n. 8 ◾  Canti sacri e profani, Trovatori, Trovieri e Minnesangers - TESI n. 9 ◾  Il Trecento: L'Ars Nova- TESI n. 10 ◾  Le Scuole fiamminghe del Quattrocento  - TESI n. 11 ◾  La Musica nel Rinascimento e la Polifonia sacra - TESI n. 12 ◾  Le Forme musicali dal XIII sec. al XVI sec.  - TESI n. 13 ◾  I Trattatisti e gli strumenti nel Rinascimento - TESI n. 14 ◾  La Nascita dell'Opera e la Camerata Bardi - TESI n. 15 ◾  L'Oratorio e la Musica sacra- TESI n. 16 ◾  L'Opera Italiana nel Seicento a Roma e Venezia - TESI n. 17 ◾  L'Opera Italiana nel Settecento in Italia e in Europa . - TESI n. 18 ◾  L'Opera seria e l'Opera buffa- TESI n. 19 ◾  Le riforme dell'Opera italiana : Gluck e Calzabigi - TESI n. 20 â—¾  L'Opera in Francia, Germania, Austria ed Inghilterra - TESI n. 21 ◾  L'Opera Italiana in Europa nel Seicento e Settecento- TESI n. 22 ◾  L'Opera nell'Ottocento: Rossini, Donizetti, Bellini, Verdi - TESI n. 23 ◾  Wagner : vita, opere e pensiero  - TESI n. 24 ◾  Musica, forme e strumenti del primo barocco - TESI n. 25 ◾  Il Barocco di mezzo : la Suite, la Sonata, Corelli  - TESI n. 26 ◾  Il Concerto, Vivaldi e Scarlatti   - TESI n. 27 ◾  J.S.Bach, Haendel, le scuole organistiche tedesche- TESI n. 28 ◾  Il Rococò e lÂ’Età Classica: Haydn, Mozart, Beethoven- TESI n. 29 ◾  Il Romanticismo: le forme ed i musicisti romantici   - TESI n. 30 ◾  La musica strumentale nella seconda Ottocento    - TESI n. 31 ◾  Le Scuole Nazionali      - TESI n. 32 ◾  Il Novecento, la Dodecafonia e la Musica elettronica  ✉ï¸â€Šâ€ŠContact: andreabalzani.workinprogress@gmail.com
$4.99
4.59 €
#
Melody line, (Lyrics) and Chords
#
Andrea Balzani
#
📄 Storia della Musica
#
Andrea Balzani
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SheetMusicPlus
Game Of Thrones
Melodica
Melodica - Early Intermediate - Digital Download By Ramin Djawadi. Arranged by Andr&e…
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Melodica - Early Intermediate - Digital Download By Ramin Djawadi. Arranged by André Sant'Anna. Score. 5 pages. Published by Firenze Editions
Arrangement for two alto melodicas with 32 or 37 keys. The first melodica can be played by an early intermediate while the second can be played by an intermediate one. The first melodica can also be replaced by an alto baroque flute (just play the higher notes when they are harmonized).<br> It's appropriatte for school and students.<br> 1'48''.
$4.99
4.59 €
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Melodica
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Ramin Djawadi
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Sant'
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Game Of Thrones
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Firenze Editions
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SheetMusicPlus
36 Melodious and Easy Studies
Viola
Viola - intermediate - Digital Download Composed by Charles Dancla (1817-1907). This …
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Viola - intermediate - Digital Download Composed by Charles Dancla (1817-1907). This edition: Sheet music. Etudes, Studies, Study works. Essential Exercises. Downloadable. Op. 84. Schott Music - Digital #Q22681. Published by Schott Music - Digital
Charles Dancla (1817-1907) is considered to be the last great representative of the French Violin School. He was a composer, solo violinist at the Paris Opera and professor at the Paris Conservatoire and wrote numerous educational works for violin, including his well-known three-volume work Little School of Melody'. He knew, in a unique way, how to implement the principle 'no music without technique, no technique without music' in his teaching material. This is the case in his easy melodic studies Op. 84 which are available here in an arrangement for viola for the first time. These studies are perfectly suited for young beginners after the second year, but also for adult players, false beginners or those switching instruments. Most of them can be effectively used as little performance pieces, providing an excellent foundation for every advanced etude or concert piece.<br> Each study is preceded by new or revised exercises which either deal with specific problems relating to the playing technique, like change of string, spiccato, martele, chromaticism, change of position, octaves, or double stops, or present the tonal material of the respective study in a condensed, playful form.<br> Those who prefer Dancla's somewhat easier original preliminary exercises will find them in the appendix.<br> A little dictionary of the musical and technical terms in this volume shall make their meaning accessible to young players in particular.
$16.99
15.64 €
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Viola
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Charles Dancla (1817-1907)
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36 Melodious and Easy Studies
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Schott Music - Digital
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SheetMusicPlus
Melodies
Orchestra
Orchestra - Digital Download Composed by Gyorgy Ligeti (1923-2006). This edition: stu…
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Orchestra - Digital Download Composed by Gyorgy Ligeti (1923-2006). This edition: study score. Music Of Our Time. Downloadable. Duration 12 minutes. Schott Music - Digital #Q23904. Published by Schott Music - Digital
I composed the orchestral piece Melodien in 1971. I tried to loosen up the dense micropolyphony of my musical language, to make it more transparent. Basically, I stayed true to my earlier style: the musical form unfolds like a stretched fabric in the continuously flowing time, but the individual voices no longer merge (as in my earlier music), rather they can be heard individually in their overlapping and interweaving . The voices become individual melodies, with their own style, their own tempo, rhythm and interval structure. If you listen to the work for the first time, it appears as a chaos of discrepant melodies - but if you know the music better, the internal connections become tangible, the hidden harmonic skeleton of the form becomes tangible. (Gyorgy Ligeti)<br> <br> This facsimile edition offers an impressive access to the composer's work. A study score in modern notation is also available.
$22.99
21.17 €
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Orchestra
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Gyorgy Ligeti (1923-2006)
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Melodies
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Schott Music - Digital
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.09 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
36 Melodious and Easy Studies
Violin
Violin - intermediate - Digital Download Composed by Charles Dancla (1817-1907). This…
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Violin - intermediate - Digital Download Composed by Charles Dancla (1817-1907). This edition: Sheet music. Essential Exercises. Downloadable. Op. 84. Schott Music - Digital #Q11448. Published by Schott Music - Digital
Charles Dancla (1817-1907) is considered to be the last great representative of the French Violin School. He was a composer, solo violinist at the Paris Opera and professor at the Paris Conservatoire and wrote numerous educational works for violin, including his well-known three-volume work Little School of Melody'. He knew, in a unique way, how to implement the principle 'no music without technique, no technique without music' in his teaching material. This is the case in his easy melodic studies Op. 84 which are available here in an arrangement for viola for the first time. These studies are perfectly suited for young beginners after the second year, but also for adult players, false beginners or those switching instruments. Most of them can be effectively used as little performance pieces, providing an excellent foundation for every advanced etude or concert piece.<br> Each study is preceded by new or revised exercises which either deal with specific problems relating to the playing technique, like change of string, spiccato, martele, chromaticism, change of position, octaves, or double stops, or present the tonal material of the respective study in a condensed, playful form. Those who prefer Dancla's somewhat easier original preliminary exercises will find them in the appendix.
$16.99
15.64 €
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Violin
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Charles Dancla (1817-1907)
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36 Melodious and Easy Studies
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Schott Music - Digital
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SheetMusicPlus
Voice Motion Melodic Movement Within Three-Part Harmony
Musical course - Solfege
Theory. Jazz. Ebook and online audio. 316 pages. Mel Bay Publications - Digital Sheet …
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Theory. Jazz. Ebook and online audio. 316 pages. Mel Bay Publications - Digital Sheet Music #30903MEB. Published by Mel Bay Publications - Digital Sheet Music
$34.99
32.22 €
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Musical course - Solfege
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Voice Motion Melodic Movement Within Three-Part Harmony
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Very Easy Melodious Exercises
Violin and Piano
Violin and piano - very easy to easy - Digital Download Composed by Edward Elgar (185…
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Violin and piano - very easy to easy - Digital Download Composed by Edward Elgar (1857-1934). This edition: score and part. Schott Student Edition - Repertoire. Downloadable. Op. 22. Schott Music - Digital #Q45282. Published by Schott Music - Digital
German - English - French.<br> <br> <br> Mostly remembered for his great compositions, during his life Edward Elgar was also a violin teacher.<br> <br> These six short studies, presented in a progressive order of didactic difficulty, are, despite their simplicity, very musical. They can be played in the first position, but require the knowledge of all fingering patterns. The compositions are set in C major, A minor and G major with occasional modulations.<br> <br> They are ideal practice-pieces to encourage confident reading and playing in various (and often neglected) fingering patterns. At the same time, they promote the understanding of different metres and characters.<br> <br> This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:<br> <br> In print or electronic format<br> Available as printed editions or PDF download<br> <br> Practising - efficiently and with pleasure:<br> Accompanying tracks of the pieces available as downloads.
$9.99
9.2 €
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Violin and Piano
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Edward Elgar (1857-1934)
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Very Easy Melodious Exercises
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Schott Music - Digital
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SheetMusicPlus
Melodie de Gluck
Piano solo
Piano - intermediate to difficult - Digital Download Composed by Giovanni Sgambati (1…
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Piano - intermediate to difficult - Digital Download Composed by Giovanni Sgambati (1841-1914). Edited by Robert Schafer and Wilhelm Ohmen. Arranged by Giovanni Sgambati. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 5 pages. Schott Music - Digital #Q53319. Published by Schott Music - Digital
The Italian Giovanni Sgambati received music tuition from an early age and gave his first public concert performances as a child. When Liszt came to Rome in 1861, Sgambati became his student. At the opening of the Sala Dante in 1966 he conducted Liszt's Dante Symphony and later travelled with him to Munich, where he also became acquainted with Richard Wagner's music. Sgambati's first song album was published by Schott in 1870, followed by many piano works, chamber works, symphonies and church music compositions. The transcription 'Melodie de Gluck', published in 1881 (plate number 23209), is dedicated to the 'Dance of the Blessed Spirits', a ballet in the second act of the opera 'Orfeo ed Euridice', and is still a popular encore piece by pianists including Evgeny Kissin and Yuja Wang.
$3.99
3.67 €
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Piano solo
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Giovanni Sgambati (1841-1914)
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Co
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Melodie de Gluck
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Schott Music - Digital
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SheetMusicPlus
Suite melodique
Guitar
Guitar - intermediate - Digital Download 7 Progressive Pieces for Guitar. Composed by…
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Guitar - intermediate - Digital Download 7 Progressive Pieces for Guitar. Composed by Laurent Meneret. This edition: Sheet music. Downloadable. Schott Music - Digital #Q18947. Published by Schott Music - Digital
'Suite melodique' for solo guitar by Laurent Meneret (*1963) consists of seven short compositions altogether which focus on various aspects of modern guitar playing in a progressive order of difficulty. The great variety of the pieces ranging from romantic, Creole, Celtic and atonal music to waltz and mambo allows the guitarist to devote himself playfully and intensively to his instrument.
$12.99
11.96 €
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Guitar
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Laurent Meneret
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Suite melodique
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Schott Music - Digital
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SheetMusicPlus
Joy of Music - Discoveries from the Schott Archives
Cello, Piano
Cello and piano - intermediate to advanced - Digital Download Virtuoso and Entertaini…
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Cello and piano - intermediate to advanced - Digital Download Virtuoso and Entertaining Pieces for Cello and Piano. Composed by Various. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. Virtuoso instrumental music, Violoncello, Cello, Anthology. Copyright 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 161 pages. Schott Music - Digital #Q53332. Published by Schott Music - Digital
English - German.<br> <br> To mark .the 250th anniversary of Schott Music, these treasures have been uncovered from the archives, reedited and presented in these beautiful editions. .This anthology is aimed at intermediate to advanced cellists looking for some .interesting new discoveries .away from the .standard repertoire. Containing works largely from the Romantic era, these are virtuoso pieces de resistance and encores, expressive character pieces, gems of salon music .and elaborate arrangements of well-known melodies and themes. Many of the original compositions and arrangements were written by major instrumentalists of the 19th century.
$23.99
22.09 €
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Cello, Piano
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Various
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Co
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Joy of Music - Discoveries from the Schott Archives
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Schott Music - Digital
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SheetMusicPlus
Joy of Music - Discoveries from the Schott Archives
Clarinet and Piano
Clarinet and piano - intermediate to advanced - Digital Download Virtuoso and Enterta…
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Clarinet and piano - intermediate to advanced - Digital Download Virtuoso and Entertaining Pieces for Clarinet and Piano. Composed by Various. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. Virtuoso instrumental music, Clarinet, Anthology. Copyright 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 176 pages. Schott Music - Digital #Q53330. Published by Schott Music - Digital
German - Danish.<br> <br> To mark .the 250th anniversary of Schott Music, these treasures have been uncovered from the archives, reedited and presented in these beautiful editions. .This anthology is aimed at intermediate to advanced clarinetists looking for some .interesting new discoveries .away from the .standard repertoire. Containing works largely from the Romantic era, these are virtuoso pieces de resistance and encores, expressive character pieces, gems of salon music .and elaborate arrangements of well-known melodies and themes. Many of the original compositions and arrangements were written by major instrumentalists of the 19th century.
$23.99
22.09 €
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Clarinet and Piano
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Various
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Co
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Joy of Music - Discoveries from the Schott Archives
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Schott Music - Digital
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SheetMusicPlus
12 Brilliant and Melodious Studies
Piano solo
Piano - intermediate to advanced - Digital Download SKU: S9.Q1323 Composed by Fried…
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Piano - intermediate to advanced - Digital Download SKU: S9.Q1323 Composed by Friedrich Burgmueller. This edition: Sheet music. Etudes - piano - romanticism. Schott Piano Classics. Downloadable. Op. 105. Schott Music - Digital #Q1323. Published by Schott Music - Digital (S9.Q1323). Die 12 brillanten und melodischen Etüden op. 105 nehmen durch ihren melodischen und klanglichen Reiz den Spieler unmittelbar für sich ein. Burgmüller gelingt es hier, technische Probleme mit einem ansprechenden musikalischen Einfall zu verknüpfen. Die Fantasie des Spielers wird durch die Titelgebung und durch den musikalischen Anreiz, den jedes einzelne Stück bietet, angeregt.
$12.99
11.96 €
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Piano solo
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Friedrich Burgmueller
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12 Brilliant and Melodious Studies
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Schott Music - Digital
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SheetMusicPlus
FLORESTAS MUSICAIS
Drums,Piano - Digital Download SKU: A0.1069565 Composed by Heraldo Melo dos Santos.…
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Drums,Piano - Digital Download SKU: A0.1069565 Composed by Heraldo Melo dos Santos. Arranged by Heraldo. Pop,World. Full Performance. Duration 204. Heraldo Melo dos Santos #3060659. Published by Heraldo Melo dos Santos (A0.1069565). FLORESTAS MUSICAIS.
$4.00
3.68 €
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Heraldo Melo dos Santos
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FLORESTAS MUSICAIS
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Heraldo Melo dos Santos
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SheetMusicPlus
Elements of Indian Music
Piano solo
Piano and keyboard - Intermediate-Advanced - Digital Download SKU: M0.30603MEB T…
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Piano and keyboard - Intermediate-Advanced - Digital Download SKU: M0.30603MEB The Melakarta System. Composed by Radhika Iyer. Theory and Reference. E-book and online audio. 101 pages. Mel Bay Publications - Digital Sheet Music #30603MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30603MEB). ISBN 9781619118232. 8.75x11.75 inches.Elements of Indian Music introduces the Indian melodic system in an accessible manner within the realm of Western music theory. It demonstrates a new archetype in music composition for composers of any genre, as well as composition teachers and anyone interested in ethnomusicology. This book contains a set of 12 etudes for piano and transcriptions for classical guitar. Each etude is about one minute in length and utilizes notes from a particular Indian scale. An intermediate to advanced skill level is required to perform each etude. Practicing and performing these studies is an excellent way to expand one’s musical perspective beyond traditional diatonic scales. Indian music has intrigued the West for a long time, but hasn’t always been accessible because of the absence of a systematic approach to theory and repertoire. Just as the Western harmonic system is well developed, the Indian melodic system is very advanced and equally established. The intermingling of these two worlds can inspire new, exceptional sonic landscapes. Useful literature on the evolution of the Indian melodic system is also included, with notes on how it can be used as a modus operandi by Western musicians who wish to apply Indian scales in Western compositions and improvisations. Includes access to online audio
$19.99
18.41 €
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Piano solo
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Radhika Iyer
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Elements of Indian Music
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Melodic Exercises
Flute
Flute - intermediate to advanced - Digital Download SKU: S9.Q16161 Composed by Walt…
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Flute - intermediate to advanced - Digital Download SKU: S9.Q16161 Composed by Walter Zachert. This edition: Sheet music. Flute - study works - exercises. Il Flauto traverso. Die Melodischen �bungen, die aus der Praxis für die Praxis geschaffen sind, können neben jeder Flötenschule verwendet werden. Sie beginnen mit mittelschweren Etüden, die der Schüler etwa nach einem halben Jahr Unterricht spielen kann. Downloadable. Schott Music - Digital #Q16161. Published by Schott Music - Digital (S9.Q16161). Die Melodischen �bungen, die aus der Praxis für die Praxis geschaffen sind, können neben jeder Flötenschule verwendet werden. Sie beginnen mit mittelschweren Etüden, die der Schüler etwa nach einem halben Jahr Unterricht spielen kann. In progressiv geordneter Folge enthalten sie die verschiedenartigsten Studien, wie Skalen, Intervalle, Sprünge, Tonbildung, Rhythmik, Verzierungen, Chromatik u. a. Da bekanntlich rein technische Studien die Aufmerksamkeit des Schülers bald erlahmen lassen, wurden alle �bungen melodisch gestaltet. Um einen wirklichen Fortschritt zu erzielen, ist es unbedingt erforderlich, bereits gespielte �bungen, besonders die Grundübungen, ständig zu wiederholen.
$16.99
15.64 €
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Flute
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Walter Zachert
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Melodic Exercises
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Schott Music - Digital
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SheetMusicPlus
Hundertmelodienbuch
Recorder solo or other Melodieinstruments (flute, oboe, clarinet) - easy to intermediate -…
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Recorder solo or other Melodieinstruments (flute, oboe, clarinet) - easy to intermediate - Digital Download SKU: S9.Q16361 Composed by Barbara Heller. This edition: Sheet music. Die Ausgabe enthält tagebuchartig entstandene Stücke, die zum Teil alternativ auf der Alt- oder Sopranblockflöte gespielt werden können. Downloadable. Duration 100' 0. Schott Music - Digital #Q16361. Published by Schott Music - Digital (S9.Q16361). The pieces were written in the manner of diary entries, some can be played either on treble or descant recorder. “The recorder was my first instrument as a child and I learnt to play all manner of songs and melodies on it. Subsequently, I was rather less keen on the instrument: its timbre seemed too coarse and monotonous. Even later – when it was promoted to a ‘high art’ instrument in new music – I hated it. Nevertheless, in the early 90s, in an attempt to comply with the wishes of some recorder players, I composed a few pieces in the required manner, i. e. employing new playing techniques, but to this day they remain alien to me as they are terribly contrived. Subsequently, I couldn’t stop thinking about the recorder. I started spontaneously to jot down melodies that came to me in moments of leisure […] which is how, by and by, I learned to love the recorder again.†(Barbara Heller).
$21.99
20.25 €
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Barbara Heller
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Hundertmelodienbuch
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Schott Music - Digital
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SheetMusicPlus
Camelot (High Voice)
Melody line, (Lyrics) and Chords
Digital Download SKU: HX.470581 Broadway,Musical/Show. Real Book - Melody/Chords/Ly…
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Digital Download SKU: HX.470581 Broadway,Musical/Show. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.470581).
$1.99
1.83 €
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Melody line, (Lyrics) and Chords
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Camelot
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Hal Leonard - Digital
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SheetMusicPlus
Music
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1400043 Composed by J…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1400043 Composed by John Miles. Arranged by Paul Lorenz. Broadway,Musical/Show,Pop,Rock. Score. 8 pages. Paul Lorenz #983273. Published by Paul Lorenz (A0.1400043). Unleash the Symphony of Passion with Music Was My First Love Sheet Music by John Miles Paul Lorenz Music, a beacon of innovation and quality in the classical music landscape, proudly presents John Miles Music Was My First Love Sheet Music, a testament to our dedication to reviving classical music's allure for all audiences. As champions of quality, innovation, and connection, we're excited to bring this iconic piece closer to musicians, ensembles, orchestras, choirs, and creatives who share our vision of a future where classical music is celebrated across generations. A Melodic Journey for Every Musician Embark on a musical voyage with John Miles Music Sheet Music. Whether you're a solo pianist looking for Music Was My First Love Piano Sheet PDF or an ensemble searching for Music Was My First Love Orchestra arrangements, our meticulously crafted scores are your gateway to mastering this beloved composition. Harmonies That Speak to the Soul Dive deep into the heart of music with our Music Was My First Love Choir and Orchestra arrangements. Experience the joy of playing John Miles Music Sheet PDF with arrangements that capture the essence of the original composition, ensuring a performance that resonates with audiences of all ages. Chords and Lyrics That Echo Through Time For those who seek to immerse themselves in the poetic beauty of this piece, our Music Was My First Love Chords and Lyrics offering is unparalleled. Explore the depths of emotion with our John Miles Music Is My First Love Sheet Music, a beacon for those passionate about bringing stories to life through melody. The Pinnacle of Musical Expression Paul Lorenz Music sets the standard with Music Was My First Love Piano PDF and Piano Sheet PDF offerings, ensuring musicians access to the highest quality sheet music. Our commitment to excellence, collaboration with renowned musicians, and production in world-class studios like Abbey Road highlight our unique position in the classical music industry. Deutsche Beschreibung: Unsere exklusive Sammlung von Music Was My First Love Noten PDF repräsentiert nicht nur unsere Hingabe an musikalische Exzellenz, sondern auch unser Bestreben, zeitlose Melodien für alle zugänglich zu machen. Die Quintessenz der Musikalität: Noten von John Miles Music Was My First Love, komponiert von John Miles, ist mehr als nur ein Lied â?? es ist eine Hymne für alle, die Musik in ihr Herz geschlossen haben. Paul Lorenz Music ist stolz darauf, eine sorgfältig kuratierte Auswahl an Noten für dieses Meisterwerk anzubieten, darunter Noten Music John Miles, speziell arrangiert für Klavier, Chor und Orchester. Für jede Stimme und jeden Klang: Klaviernoten und mehr Unsere Kollektion umfasst Klaviernoten Music John Miles, Music John Miles Klaviernoten, Music Was My First Love Klaviernoten, die perfekt für Solopianisten oder Begleitung sind. Darüber hinaus bieten wir Music Was My First Love Chor Noten und Music Was My First Love Orchester Noten, ideal für Ensembles, die die Kraft und Emotion dieses Stücks voll zum Ausdruck bringen möchten. Eine Symphonie der Gefühle: Erleben Sie Music Was My First Love Paul Lorenz Music verpflichtet sich, Ihnen Noten von unübertroffener Qualität zu bieten. Unser Angebot an Music Was My First Love Noten zeugt von unserem Engagement für musikalische Brillanz und unsere Zusammenarbeit mit renommierten Musikern wie dem London Symphonic Orchestra.
$4.99
4.59 €
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Piano, Vocal and Guitar
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John Miles
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Music
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Paul Lorenz
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SheetMusicPlus
Melodious Preludes, No. 2
Piano solo
Piano - Intermediate - Digital Download SKU: LX.KK169 20 Melodic Piano Preludes …
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Piano - Intermediate - Digital Download SKU: LX.KK169 20 Melodic Piano Preludes for Church and Home. Composed by Seldon N. Heaps. General. Church Piano. 52 pages. Lorenz Publishing - Digital Sheet Music #eKK169. Published by Lorenz Publishing - Digital Sheet Music (LX.KK169). UPC: 000308021547.This item is for Digital Download.
$16.95
15.61 €
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Piano solo
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Seldon N
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Melodious Preludes, No. 2
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Musica Dei
Choral 2-part
2-part choir - Digital Download SKU: LX.15-1299H Composed by Jerry Estes. New Horiz…
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2-part choir - Digital Download SKU: LX.15-1299H Composed by Jerry Estes. New Horizons Series. Educational. Octavo. 8 pages. Heritage Music Press #e15/1299H. Published by Heritage Music Press (LX.15-1299H). UPC: 000308036718.A joyous, original work with a traditional Latin text that glorifies music. The work features soaring melodic lines with independent parts and echo passages, along with ample unison singing.
$2.40
2.21 €
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Choral 2-part
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Jerry Estes
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Musica Dei
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Heritage Music Press
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SheetMusicPlus
Melodien
1 (auch Picc.) · 1 (auch Ob. d’amore) · 1· 1 – 2 · 1 · 1 ·…
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1 (auch Picc.) · 1 (auch Ob. d’amore) · 1· 1 – 2 · 1 · 1 · 1 – S. (Pk. · Xyl. · Vibr. · Glspl. · Crot.) (1 Spieler) – Klav. (auch Cel.) – Str. (8 · 6 · 6 · 4 · 3; auch solistische Streicherbesetzung 1 · 1 · 1 · 1 · 1 möglich) orchestra - Digital Download SKU: S9.Q41785 For orchestra. Composed by Gyorgy Ligeti. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 13 minutes. Schott Music - Digital #Q41785. Published by Schott Music - Digital (S9.Q41785). Das Orchesterstück Melodien habe ich 1971 komponiert. Ich versuchte, die dichte Mikropolyphonie meiner Musiksprache aufzulockern, transparenter zu machen. Im Grunde genommen blieb ich treu zu meinem früheren Stil: die musikalische Form entfaltet sich wie ein ausgespanntes Gewebe in der kontinuierlich weiterfliessenden Zeit, doch verschmelzen die Einzelstimmen nicht mehr (wie in meiner früheren Musik), vielmehr sind sie in ihrer Überlagerung und Verflechtung einzeln durchhörbar. Die Stimmen werden zu individuellen Melodien, mit eigenem Duktus, eigenem Tempo, Rhythmus und intervallischer Struktur. Hört man das Werk zum ersten Male, erscheint es als ein Chaos diskrepanter Melodien - kennt man aber die Musik besser,werden die internen Zusammenhänge, wird das verborgene harmonische Skelett der Form erfassbar. (György Ligeti) In dieser Studienpartitur wird das Werk erstmals in modernem Notensatz verfügbar gemacht. Eine Faksimile-Ausgabe ist weiterhin erhältlich.
$35.99
33.14 €
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Gyorgy Ligeti
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Melodien
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Schott Music - Digital
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SheetMusicPlus
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