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Memory from the East
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Memory from the East
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1359975 By Pei-Ying Pan. By Pei-Yin…
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Piano Solo - Level 3 - Digital Download SKU: A0.1359975 By Pei-Ying Pan. By Pei-Ying Pan. 21st Century,Contemporary,Film/TV,Pop,R & B. Score. 3 pages. Pei-Ying Pan #944465. Published by Pei-Ying Pan (A0.1359975). This piano solo piece is written with Chinese scales and brings back memories from the distance East, a piano solo piece around grade 6-7.
$7.99
7.31 €
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Piano solo
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Pei-Ying Pan
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Memory from the East
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Pei-Ying Pan
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
String Orchestra
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.22 €
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String Orchestra
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trad
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Only from Blood Does Freedom Grow (Full Score and Parts)
Orchestra
Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M H…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
62.19 €
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Orchestra
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
Only from Blood Does Freedom Grow (Piano/Choral Score)
Choral SATB
Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1465704…
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Choral Choir,Choral,SATB Chorus divisi - Level 2 - Digital Download SKU: A0.1465704 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 16 pages. Stanleymhoffman.com #1044314. Published by stanleymhoffman.com (A0.1465704). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30.
$4.00
3.66 €
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Choral SATB
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Stanley M Hoffman
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Only from Blood Does Freedom Grow
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stanleymhoffman.com
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SheetMusicPlus
The Jig of Joy-dedicated to the memory of Cap't. Chris Adams
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1026670 Composed by Dave Anthony S…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1026670 Composed by Dave Anthony Setteducati. Contemporary. Individual part. 2 pages. Anthony David Setteducati #6339353. Published by Anthony David Setteducati (A0.1026670). A happy jig dedicated to the memory of one of my students, killed by terrorists while serving in the military in the middle east. I wanted the piece to be joyful, for that is how I want everyone to remember him. For fingerstyle guitar. Stream the entire piece on Spotify, or download at iTunes.com. From the album My Guitar.
$5.99
5.48 €
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Guitar
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Dave Anthony Setteducati
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The Jig of Joy-dedicated to the memory of Cap't. Chris Adams
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Anthony David Setteducati
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SheetMusicPlus
A Tribute to the Memory of the Late Stephen C. Foster. Oh! Let Him Rest, Ballad and Chorus
Piano, Voice
Piano and voice - Digital Download SKU: LV.19923 Composed by Henry Tucker. Portrait…
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Piano and voice - Digital Download SKU: LV.19923 Composed by Henry Tucker. Portraits, Memorial works. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19923). A Tribute to the Memory of the Late Stephen C. Foster. Oh! Let Him Rest, Ballad and Chorus. Words by James T. Dudley. Music by Henry Tucker. Published 1864 by Wm. A. Pond & Co., 547 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Memorial works. First line reads O let him rest, in the valley's breast, Away from care and pain.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Piano, Voice
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Henry Tucker
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A Tribute to the Memory of the Late Stephen C. Foster. Oh! Let Him Rest, Ballad and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
'Message from Julius Eastman'
Small Ensemble - Level 3 - Digital Download SKU: A0.1004758 Composed by Rocco Di Pi…
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Small Ensemble - Level 3 - Digital Download SKU: A0.1004758 Composed by Rocco Di Pietro. 20th Century,Contemporary. Score and parts. 14 pages. Rocco Di Pietro #4355759. Published by Rocco Di Pietro (A0.1004758). 'Message from Julius Eastman' .For pianist and recitation. This work is a series of musical memories in the form of a dialogue taken from old tape cassette phone conversations and edited bits of memory of my friend Julius Eastman in conversation with me before he died. The work is a memorial. The work was first perfomed by the composer in the short version (less text) at Spectrum in New York,2016 and its first complete performance took place in Berlin 2018 by the composer with the full text, followed by Eastman's 'Hail Mary written for the composer.
$12.00
10.97 €
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Rocco Di Pietro
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'Message from Julius Eastman'
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Rocco Di Pietro
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SheetMusicPlus
Just A Memory Of Love
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.632231 Composed by Fishel Pustilnik…
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Piano Solo - Level 4 - Digital Download SKU: A0.632231 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,R & B. Score. 3 pages. F & N Enterprise #2548763. Published by F & N Enterprise (A0.632231). Piano piece from famous Volume 3 of Jazz & Pop Piano Paradise. The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$1.99
1.82 €
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Piano solo
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Fishel Pustilnik
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Pop Piano Paradise
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Just A Memory Of Love
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F & N Enterprise
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SheetMusicPlus
Jazz Guitar Lines
Guitar (jazz and contemporary) - Intermediate - Digital Download SKU: M0.93721EB Co…
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Guitar (jazz and contemporary) - Intermediate - Digital Download SKU: M0.93721EB Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book. Mel Bay Publications - Digital Sheet Music #93721EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93721EB). ISBN 9781619119710. 8.75x11.75 inches.An interval is the distance between two notes measured in whole and half steps. When we stack intervals one on top of another, we produce chords. If we play the intervals in the chord one after another, we produce an arpeggio. But since all intervals, chords, and arpeggios are generated by scales, it follows that scales are the basis of all music from these scales we will find our JAZZ LINES, which is what this book is about. The following is a list of most of the jazz scales the student will encounter as he becomes involved in the study of improvising. When we improvise, we use as our weapons the scale, harmony and melody. The two dimensions in music are the harmony (vertical) and melody (horizontal). It is highly recommended that every student of improvising, know his scales in all positions and a variety of chords that the scales generate. All scales should be played in at least four positions especially the 1st position forces one to learn the theory. All other position pattern scales must be transposed throughout the guitar. The author has written a few pages in the beginning of the book serving as a prerequisite for the jazz lines to follow. It is essential that the student know the scales, key signatures, intervals, and chord constructions that will be used throughout the book. In order to benefit fully from this approach to jazz, the student must understand the full meaning of the words practice and analysis. Most students confuse practice with playing or reading through the exercise. To really improve and absorb the material, every phase must be practiced. This means the fingering must be committed to memory, slowly at first and then as fast as technique allows. The idea must be so ingrained in the mind that it flows from any part of the fingerboard that the performer desires. This is the way great players approach an idea – from any fret, string or position! If there is no harmonic or melodic analysis of the material being studied, then the learning skill becomes superfluous and there is no comprehension and absorption, and without this proper digestion the performer cannot use it as his taste dictates. All of the great players, have had a great technique and this is the first goal of the young student – “great chops.†As the student matures, musicianship will grow but technique is at the grasp of all who seek it. Start today to acquire it!
$22.99
21.03 €
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Vincent Bredice
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Jazz Guitar Lines
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Hommage an Ursula [piano solo]
Piano solo
Piano Solo - Level 5 - Digital Download SKU: A0.1335536 Composed by Juan MarÃa S…
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Piano Solo - Level 5 - Digital Download SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pages. Juan Maria Solare #921371. Published by Juan Maria Solare (A0.1335536). Hommage to Ursula is a piano piece in memory of Ursula Görsch (1932-2023). The piece is based on the six sounding letters of her last name (GERSCH, where the O is omitted, the R represents RE - the D note in Spanish, Italian, or Turkish - and the S represents the E flat, 'Es' in German), as well as on the remaining six notes of the total chromatic scale (C#, F, F#, Ab, A, B). Both Pitch Class Sets are identical from an intervallic perspective - transposed by a tritone. Such coincidences confirm to me that I am on the right path, at least musically.The reference to Turkey is not coincidental, as Ursula taught in Istanbul for many years.The initial texture of the piece - a kind of toccata with many repeated notes - is a purely musical homage to Ursula: she used this texture in some passages of her compositions. Besides that, this piece contains no direct quotation from Ursula's music.The work Hommage an Ursula is based on a series of 12 notes. The original version (Prime) and the inverted version (Inversed) alternate. From these 24 versions of the series, 24 sections result. I add a final section based on the original series ('Das Ende im Anfange'*); thus, there are 25 sections.To order the 5 motivic elements, I generate a Latin square. The 5 elements do not rotate, but, in each of the 5 main sections, the initial motive is always the same (A), and the order of the other four (BCDE) changes, permutating according to the following Latin square:A BCDEA CEBDA DBECA EDCBA BCDEThis work can then be considered as a derivation of the 'theme and variations' structure, with the peculiarity that there are five sub-themes that are rearranged in each of the variations.This piece lasts about 11 minutes. The premiere, performed by the composer (that is, by myself), took place on November 26, 2023, at the Konzertsaal of the Hochschule für Künste in Bremen, during the concert 'Gedenkkonzert Ursula Görsch und Harald Kruse', as part of the 73rd Hausmusikwoche, organized by the DTKV (German Association of Sound Artists) in cooperation with the ABK (Circle of Composers in Bremen).This is not an easy piece to listen to. It is absolutely consistent but perhaps monotonous. During the premiere, the yawns of someone in the audience prompted me to briefly interrupt the performance to inform them that the end was near. After the concert, one of the organizers suggested to me that the piece was too 'anstrengend' (demanding, exhausting). It is up to the gentle pianists to risk experiencing the same as me.* 'Das Ende im Anfange' reads the legend that can be read in the circle of tonalities reproduced by Johann Friedrich Michael Wiedeburg in his treatise Der sich selbst informirende Clavierspieler (Leipzig and Halle, 1765-1775, Verlag der Buchhandlung des Waisenhauses).Juan MarÃa SolareBremen, September & December 2023.
$4.00
3.66 €
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Piano solo
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Juan MarÃa Solare
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thus, there are 25 sections
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Hommage an Ursula [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Take It To The Limit
C Instrument - Level 3 - Digital Download SKU: A0.1419147 By The Eagles. By Don Hen…
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C Instrument - Level 3 - Digital Download SKU: A0.1419147 By The Eagles. By Don Henley, Glenn Frey, and Randy Meisner. Arranged by Ian Fitze. Country,Folk,Pop,Rock,Standards. Lead Sheet / Fake Book. 2 pages. Ian Fitze #1000577. Published by Ian Fitze (A0.1419147). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.This lead sheet is designed for experienced musicians who are looking for an easy-to-read lead sheet that gives the outline of the song. The melody has been simplified to make the lead sheet more readable. In most cases your vocalist will be performing from memory based on the recording. The original backing vocals are quite involved, so most performances will just inclue one or two improvised parts sung in the spirit of the original track.A NOTE ABOUT THE KEY: in every version of this tune that I could find (except the Miley Cyrus), the guitars play in G. The version given with Randy Meisner singing lead is in B major - guitars playing CAPO 4. Apparently, singing this tune live (with the soaring ad lib vocals at the end) ended up being too taxing for Randy Meisner and legend has it that disagreements about performing it live (at least in part) ended up with him leaving the group.When Glen Frey sang this in the 2000's and 2010's he did it in G as written here.When Vince Gill sang this in the 2020's he did it in A major - guitars playing CAPO 2.I reccomend using G or A major - a female singer might want to do it in C major (like the Miley Cyrus version). https://youtu.be/KI7YNyL-nt8?si=pCAQXZowUYxDTqa9.
$3.99
3.65 €
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The Eagles
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Take It To The Limit
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Ian Fitze
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SheetMusicPlus
Memorial (for Brass Quintet & Percussion)
Brass Quintet: 2 trumpets, horn, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1158398 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1158398 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 18 pages. Https://gildedmusicpress.com/ #758679. Published by https://gildedmusicpress.com/ (A0.1158398). Composed to commemorate the 20th year of the 9-11 terrorist attacks. This somber, gorgeous piece of music draws tears when presented correctly, and is an extraordinarily important contribution to the brass quintet repertoire. The Jewish “feast†(or “appointed timeâ€) of trumpets, as outlined in Leviticus 23:24-25, prescribes the observance: “Speak unto the children of Israel, saying, In the seventh month, in the first day of the month, shall ye have a sabbath, a memorial of blowing of trumpets, an holy convocation. Ye shall do no servile work therein: but ye shall offer an offering made by fire unto the Lord.†According to the Jewish calendar, the feast of trumpets in 2001 coincided exactly with the 9-11 attacks, which could indeed be thought of as “an offering made by fire.†Effectively no servile work was done on that day throughout the attacked nation, and it has indeed become a somber type of “sabbath†to observe every year. It seemed extraordinarily appropriate—perhaps even requisite—that a somber composition with trumpets be composed for the 20th annual observance of the horrific attacks on American soil, as a “Memorial†to those lost that day, and those who since perished in the Global War on Terror. “Where were you when you first heard about the 9-11 attacks?†This common question is posed to those who were of age to comprehend what had happened in 2001. Personally, I had just listened to an emotional rendition of Maurice Ravel’s “Pavane to a Dead Princess.†Elements of that musical memory influenced this present work “Memorial.†Other sources of inspiration—whether intended or subconscious—include Samuel Barber’s heart-wrenching “Adagio for Strings,†Michael Kamen’s “Quintet†for brass, and John Williams’ “Hymn to the Fallen.†The harmonies are thick and often dissonant, including many suspensions. The players get little rest, symbolic of the constant state of alertness of a shocked nation after being so brutally attacked. Perhaps of greatest symbolic import is the fact that there are exactly 911 notes in this composition. Because of this, it is crucial that the percussion part be performed, and that great care be taken by all performers to refrain from altering the notes or rhythms in any way. A comment on the interpretation of notation: all long notes that are tied to a staccato note on the downbeat are to be held to the downbeat and gently released, not held over.
$24.95
22.82 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Dr
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Memorial
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https://gildedmusicpress.com/
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SheetMusicPlus
Piece For Jazz Bassoon And Orchestra
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1287477 Composed by Henry Mancini…
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Concert Band - Level 4 - Digital Download SKU: A0.1287477 Composed by Henry Mancini. Arranged by John Ivor Holland. 20th Century,Blues,Contemporary,Contest,Festival,Jazz. Score and Parts. 140 pages. John Ivor Holland #878499. Published by John Ivor Holland (A0.1287477). Henry Mancini wrote this unusual ‘jazz bassoon concerto’ in 1980 for Hollywood session musician Ray Pizzi (the so-called ‘godfather’ of modern jazz bassoon); he can be heard on the original ‘Star Wars’ (1977) soundtrack, also on ‘Predator 2’ (as the voice of the beast). This whirlwind piece takes us through the whole range of the instrument, starting with skittish jumping octaves, a free improvisation (book-ended by ‘shouts’ from the band), a very sultry slow section (featuring Mancini’s trademark chromatic harmony) a magnificent and dramatic final chorus, closing with an extended cadenza to further show off the instrument in this unusual disguise. This arrangement calls for a small beat quartet of keys, Fender bass and drums to accompany the solo bassoon; a suggested solo has been provided for the first section, but the final cadenza has been left blank for complete artistic creation. For further information about this, please contact the arranger, who can make suggestions, as necessary (johnivorholland@gmail.com). Created in memory of Ray Pizzi (1943-2021).
$69.99
64.01 €
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Concert band
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Henry Mancini
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Piece For Jazz Bassoon And Orchestra
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John Ivor Holland
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SheetMusicPlus
Be Our Guest
Easy Piano
Easy Piano - Level 1 - Digital Download SKU: A0.1413531 Composed by Alan Menken and…
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Easy Piano - Level 1 - Digital Download SKU: A0.1413531 Composed by Alan Menken and Howard Ashman. Arranged by Rebecca Bijkerk. Broadway,Children,Film/TV,Musical/Show,Pop,Traditional. Score. 2 pages. Rebecca Bijkerk #995349. Published by Rebecca Bijkerk (A0.1413531). This is an easy arrangment of Be Our Guest from Beauty and the Beast. I've simplified it enough that is should be playable by anyone who is just starting to read the staff and has a basic understand of rhytymn and keyboard geography. All the notes and finger numbers are writtin in. There are some complex rhytymns like dotted quarter notes. However, that shouldn't be an issue, even if the student haven't learned these yet because they will mostly be playing from memory. This song should be taught by a teacher or someone else who knows piano as there are some hand movements that need to be explained. Besides that, this song is fairly easy and I am sure your students will love it!
$4.99
4.56 €
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Easy Piano
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Alan Menken and Howard Ashman
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Be Our Guest
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Rebecca Bijkerk
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SheetMusicPlus
In Your Hands - Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble - Level 3 - Digital Download SKU: A0.923891 Composed by Paul St-Aman…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.923891 Composed by Paul St-Amand. Christian,Contemporary,Easter,Sacred. Score and parts. 15 pages. BBQ Editions #3385417. Published by BBQ Editions (A0.923891). This chorale for brass quintet is a showcase for the 1st trumpeter, with several solo passages, and a soaring descant in the final passage. The piece is based on a line from Psalm 31, variously translated as Into your hands I commend my spirit or Father, I put my life in Your hands. The central musical theme is extrapolated from a basic melodic idea originally intended to be sung by a cantor. While it may be played year-round, In Your Hands makes an especially fitting selection during the Easter season.In Your Hands was composed by Bedford Brass Quintet trumpeter Paul St-Amand in memory of his father, Gerry. The piece was premiered at Harmony & Hope: A Concert for Cancer Research in 2015.Performance time is approx. 4:30.
$11.99
10.97 €
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Paul St-Amand
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In Your Hands - Brass Quintet
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BBQ Editions
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SheetMusicPlus
Akëda, for piano
Piano solo
Piano Solo - Digital Download SKU: A0.944074 Composed by Ofer Ben-Amots. Contempora…
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Piano Solo - Digital Download SKU: A0.944074 Composed by Ofer Ben-Amots. Contemporary. Score. 12 pages. The Composer's Own Press #4889959. Published by The Composer's Own Press (A0.944074). Akëda is based on the prayer El Maleh Rakhamim which is one of two main Jewish liturgies commemorating the deceased (the other one is the Kaddish.) The music is written in a free, single movement, improvisatory-like form. The traditional eastern-European melody of El Maleh is the main text, which pulls liked a thread throughout the movement. The different musical gestures surrounding and illustrating it, function as commentaries (Midrashim.) Simulating the journey of a prayer, from the abyss upward to the highest height, so does the music in this movement cruise from the lowest range all the way up to the top octaves of the instrument. The Hebrew word Akëda means binding or sacrificial offering as the binding of the sacrifice in the story of Abraham and Isaac: ..., and Abraham built the altar there, and laid the wood in order, and bound Isaac his son, and laid him on the altar, upon the wood. (Genesis, 22,9.) The prayer of El Maleh Rakhamim appears in several different versions. The version used for Akëda is the one specifically chanted during Yom Hashoah in memory of the victims of the Holocaust.
$14.40
13.17 €
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Piano solo
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Ofer Ben-Amots
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Akëda, for piano
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The Composer's Own Press
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SheetMusicPlus
Fanfare for Prof
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.597681 Composed by Richard Mont…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.597681 Composed by Richard Montalto. Contemporary. Score and parts. 25 pages. Maximal Music #6077827. Published by Maximal Music (A0.597681). Composed in memory of Joseph P. Prof Haydel. Prof Haydel was the former director of the East Jefferson High School (Metairie, Louisiana) Miracle Band from Warrior Land. Throughout his long career, he taught and inspired thousands high school and middle school students.
$20.00
18.29 €
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Brass ensemble
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Richard Montalto
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Fanfare for Prof
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Maximal Music
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SheetMusicPlus
Miserere for 5-part Trombone Ensemble
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.792128 Composed by Gre…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.792128 Composed by Gregorio Allegri. Arranged by Sauer, Ralph. Christian,Easter,Renaissance,Sacred. Score and parts. 9 pages. Gordon Cherry #3664917. Published by Gordon Cherry (A0.792128). Miserere mei, Deus (Have Mercy on me, O God) is a setting of Psalm 51 written in the 1630's and most likely sung in the Sistine Chapel during Good Friday of Holy Week. It is a wonderful example of polyphony in five parts.This work, beautifully arranged for 5-part Trombone Choir (Ensemble) by Ralph Sauer, is about 5 minutes in length (with repeat) and is appropriate for moderately advanced performers.There is a story that this work was heard twice by a young 14-year-old Mozart during a special visit to the Vatican with his father in 1770. He transcribed it perfectly from memory creating the first unauthorized copy (the Church wished to preserve its mystery and forbad copies, threatening excommunication). The very next year it was published in England.
$17.50
16.01 €
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Gregorio Allegri
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Miserere for 5-part Trombone Ensemble
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Gordon Cherry
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SheetMusicPlus
Tombeau de Sébastien I for guitar solo
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.958530 Composed by Joseph Dillon F…
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Solo Guitar - Level 2 - Digital Download SKU: A0.958530 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Individual part. 1 pages. David Warin Solomons2 #3925253. Published by David Warin Solomons2 (A0.958530). The title of this solo-Tombeau-literally means tomb, in a musical sense similar to that used by composers from the seventeenth through the twentieth centuries for pieces intended to honor the memory of distinguished personages. From early times, it has been customary for the creators of tombeaux and similar works to make at least some allusion to the styles of those composers they have chosen to commemorate musically. In this case, the baroque style is vividly evoked, with particular reference to the sonatas of J. S. Bach.
$6.00
5.49 €
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Guitar
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Joseph Dillon Ford
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Tombeau de Sébastien I for guitar solo
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David Warin Solomons2
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SheetMusicPlus
Tombeau de Sébastien II for guitar duo
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.958452 Composed by Joseph Dillon F…
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Solo Guitar - Level 3 - Digital Download SKU: A0.958452 Composed by Joseph Dillon Ford. 20th Century. Individual part. 3 pages. David Warin Solomons2 #3689605. Published by David Warin Solomons2 (A0.958452). The title of this solo-Tombeau-literally means tomb, in a musical sense similar to that used by composers from the seventeenth through the twentieth centuries for pieces intended to honor the memory of distinguished personages. From early times, it has been customary for the creators of tombeaux and similar works to make at least some allusion to the styles of those composers they have chosen to commemorate musically. In this case, the baroque style is vividly evoked, with particular reference to the sonatas of J. S. Bach.
$8.00
7.32 €
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Guitar
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Joseph Dillon Ford
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Tombeau de Sébastien II for guitar duo
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David Warin Solomons2
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SheetMusicPlus
Organ Symphony No. 2
Organ
Organ - intermediate to advanced - Digital Download SKU: S9.Q6423 Die Marianisch…
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Organ - intermediate to advanced - Digital Download SKU: S9.Q6423 Die Marianische. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q6423. Published by Schott Music - Digital (S9.Q6423). As a counterpart to the Organ Symphony No. 1 Pater Noster (ED 9937), the Organ Symphony No. 2 offers softer and more mysterious (Marian) sound worlds, sketching stages of Mary's life: an adoring Salve Regina grows from the mystic source, followed by Berceuse pour Marie as a lullaby of the Christmas events. The third movement Mater Dolorosa falls back on the well-known Gregorian sequence Stabat Mater, taking Mary's pain at the cross as its central theme. The finale treats the Ave Maris Stella in a crescendo from pp to ff in a positive and solemn manner, in memory of Mary's assumption. It is advisable to use an organ with at least three manuals.Als Gegenstück zur Orgelsinfonie Nr.1 Pater Noster bietet die 2. Orgelsymphonie weichere und geheimnisvollere (eben marianische) Klangwelten an und skizziert Stationen aus Marias Lebensweg. Als Instrument empfiehlt sich eine Orgel mit mindestens drei Manualen.
$18.99
17.37 €
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Organ
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Enjott Schneider
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Organ Symphony No. 2
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Schott Music - Digital
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SheetMusicPlus
Tiananmen
Small Ensemble Bassoon,English Horn,Flute,Timpani - Level 4 - Digital Download SKU: A0.…
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Small Ensemble Bassoon,English Horn,Flute,Timpani - Level 4 - Digital Download SKU: A0.1031573 Composed by Xiaowei Cao. Arranged by Xiaowei Cao. Contemporary. Score and parts. 16 pages. ShallV #4764939. Published by ShallV (A0.1031573). Notice: The mp3 file is played by midi instruments, not the actual recording of the piece.Tiananmen (2018) is a piece in memory of the Tiananmen Square protests of 1989, which was commonly known as the June Fourth Incident (å…四事件). The protests were students led demonstrations in Beijing, the capital of the People’s Republic of China, and were forcibly suppressed after the government declared martial law. In what became known in West as the Tiananmen Square Massacre, troops with automatic rifles and tanks killed at least several hundred demonstrators trying to block the military’s advance towards Tiananmen Square. The number of civilian deaths has been estimated variously from 180 to 10,454.The piece itself reflects the atmosphere of China chronologically from the day before the incident to the time when protests were completely suppressed. The piece was divided into two movements. The first part of the piece serves as an introduction setting up the depressing tone of the whole piece. The first part of the piece reflects the anxiety of the whole society when the martial law was declared. And the second part of the piece refers to Zhao Ziyang’s (赵紫阳) speech at the Tiananmen Square where he tries to communicate with the students and peacefully resolve the protest. The third part and the fourth part of the piece directly describes the protest on June 4th which show a catastrophic and desperate atmosphere.
$14.99
13.71 €
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Xiaowei Cao
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Tiananmen
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ShallV
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SheetMusicPlus
What Wondrous Love Is This - Traditional Appalachian Hymn - for Solo Trombone and Organ
Trombone, Organ
Instrumental Duet Instrumental Duet,Organ,Trombone - Level 3 - Digital Download SKU: A0…
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Instrumental Duet Instrumental Duet,Organ,Trombone - Level 3 - Digital Download SKU: A0.782101 Composed by Traditional Appalachian Hymn. Arranged by Mike Allsen. Easter,Sacred,Spiritual. Score and parts. 9 pages. Aaron Hettinga #6709691. Published by Aaron Hettinga (A0.782101). The text of this well-known song first appeared in the early 19th century, and it was published as a shape note hymn by William Walker in his 1840 edition of The Southern Harmony. The melody is drawn from an English ballad that was 150 years old by then. This version was sketched in June 1995 and completed in February 1996. It was first played on March 10, 1996 at Glenwood Moravian Community Church (Madison, WI), by organist Richard Benson and me. It was revised slightly in 2022 for this edition. What Wondrous Love Is This is dedicated to the memory of my grandmother, Thelma Allsen.Mike AllsenFebruary 2022
$19.99
18.28 €
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Trombone, Organ
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Traditional Appalachian Hymn
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What Wondrous Love Is This - Traditional Appalachian Hymn - for Solo Trombone and Organ
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Aaron Hettinga
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SheetMusicPlus
Veni Sancte Spiritus - SATB choir
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082626 Composed by Erik S…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082626 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 6 pages. Erik Spangler #686838. Published by Erik Spangler (A0.1082626). Commissioned by Allen Buskirk for the Mount Calvary Choir, Baltimore, MD. While searching for liturgical texts associated with Pentecost, I was immediately drawn to the sequence of Veni Sancte Spiritus as an invocation of all the divine qualities that are recognized across the world’s major religions. I was particularly moved by a recording of the Gregorian chant on this text, in which groups of three phrases alternate between low and high voices. I began my own setting of the sequence by adapting many of the Gregorian chant phrases, from memory and with varying degrees of similarity to the original melody, passing them through different modal colors. I followed a similar pattern of formal alternation between high and low voices, while expanding each phrase of the chant into a two-part texture. Elements of both Late Medieval and Renaissance counterpoint are adopted in combination with more Eastern-influenced heterophony, in which two voices follow the same melodic outline with individual variations and ornamentation. As the piece progresses, overlapping duos expand into three-part and finally four-part texture. I aim to evoke a sense of connection with ancient ritual and musical forms, alongside a more modern harmonic gravity that favors certain dissonances in relationship to unisons, fifths and other “perfect†intervals.
$6.00
5.49 €
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Choral SATB
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Erik Spangler
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Veni Sancte Spiritus - SATB choir
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Erik Spangler
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SheetMusicPlus
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