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Modes from sharp to flat
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4 sheet music found
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1
Modes from sharp to flat
Guitar notes and tablatures
Solo Guitar - Level 2 - Digital Download SKU: A0.1220973 By Mark McCarron. By Mark …
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Solo Guitar - Level 2 - Digital Download SKU: A0.1220973 By Mark McCarron. By Mark McCarron. Arranged by Mark McCarron. Jazz,Pop,Rock. Individual part. 2 pages. Great Neck Music #817320. Published by Great Neck Music (A0.1220973). Guitar fingering for learning the modes from the note C. Starting with C Lydian and progressing thru the modes to Locrian. Notation and tab.
$2.99
2.75 €
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Guitar notes and tablatures
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Mark McCarron
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Modes from sharp to flat
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Great Neck Music
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SheetMusicPlus
Enjoy the Modes: How to Identify and Use the Modes in your Music
C Instruments
C Instrument - Level 2 - Digital Download SKU: A0.1101496 By Karen Peterson, CMP. B…
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C Instrument - Level 2 - Digital Download SKU: A0.1101496 By Karen Peterson, CMP. By Karen Peterson, CMP. Arranged by Karen Peterson, CMP. Celtic,Folk,Historic,Instructional,Irish,Traditional. Lead Sheet / Fake Book. 170 pages. Karen Peterson #704871. Published by Karen Peterson (A0.1101496). What makes modes different? When do you use them? How do you use them? Is this song in a mode? This book is for everyone who has heard of modes and doesn’t know what to do next. Take advantage of how harpers use the same hand position for major and minor chords: change your levers or pedals to hear the differences between Lydian, Ionian, Mixolydian, Dorian, Aeolian, and Phrygian on the same strings. * Learn the two or three essential chords at the foundation of each mode. * Understand how to identify the mode or modes a piece is in. * Experiment with exercises for improvising, composing, and arranging in each mode. * Compare 40 color-coded pairs of scores in contrasting modes. * Get lead sheets for 29 modal pieces from over a dozen nations. * Add your own harmonies to 15 additional melodies. * Find key signatures, scales, and chords for all the modes on a fully levered harp tuned in flats. * Use simple graphics to visualize the music theory behind the modes. * Practice segueing between modes and meters. This book contains practical information for all musicians and is written especially for harpers. The scores are in keys from two sharps to three flats. They fall within the range of a 22-string harp starting with the lowest note of G below middle C. 161 pages. Spiral-bound copy available here, as well as the first chapter and example pages: https://www.enjoytheharp.com/publications/enjoy-the-modes-instruction-book-hardcopy
$39.95
36.69 €
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C Instruments
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Karen Peterson, CMP
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Enjoy the Modes: How to Identify and Use the Modes in your Music
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Karen Peterson
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SheetMusicPlus
Bydlo from "Pictures at an Exhibition"
Small Ensemble Euphonium,Tuba - Level 3 - Digital Download SKU: A0.837240 Composed …
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Small Ensemble Euphonium,Tuba - Level 3 - Digital Download SKU: A0.837240 Composed by Modest Mussorgsky (1839-1881). Arranged by Daniel S. Augustine. Romantic Period. Score and parts. 15 pages. Daniel S. Augustine #3558603. Published by Daniel S. Augustine (A0.837240). Modest Mussorgsky (1839-1881) composed his Pictures at an Exhibition -- A Remembrance of Viktor Hartmann in 1874 as a suite of ten pieces (with a recurring Promenade) for piano, representing paintings by Hartmann. The Bydlo section depicted cattle or oxen slowly pulling a cart with enormous wheels. Maurice Ravel orchestrated this section with the high solo given to the French tuba in C (pitched a whole step above the Bb euphonium). The present arrangement gives the melody to the euphoniums, and changes the key from the ungainly G# minor (five sharps) to Bb minor (5 flats). The tempo is very slow, with an eighth-note at 90, at which speed the piece takes about 3 minutes to play. The highest pitches are a high Bb for Euphoniums 1 and 2, and the Bb a step under middle C for Tuba 1. Good high school players should be able to handle this level, which is intermediate (perhaps advanced intermediate). This piece should be a crowd-pleaser, since it showcases the low-brass instruments rarely given solos. Also, it is a piece that welcomes extra players for both euphoniums and tubas. Parts for both treble- and bass-clef euphoniums are provided.
$19.95
18.32 €
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Modest Mussorgsky
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Bydlo from "Pictures at an Exhibition"
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Daniel S. Augustine
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Brass quartet : 2 trumpets, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.71 €
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Brass quartet : 2 trumpets, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
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