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Mon mari est parti
Sheetmusic to print
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Anne Sylvestre: Mon mari est parti
Piano, Vocal and Guitar
4.99 €
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Piano, Vocal and Guitar
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Anne Sylvestre: Mon mari est parti
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Mon mari est parti
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Quickpartitions
Amémonos. Vals por: Manuel María Flores y Antonio Tormo
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.958736 Composed by Manuel MarÃa …
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Piano Solo - Level 3 - Digital Download SKU: A0.958736 Composed by Manuel MarÃa Flores y Antonio Tormo. Arranged by Juan Carlos Cortés A. Concert,Holiday,Love,Standards,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6117929. Published by Juan Carlos Cortés Aguirre (A0.958736). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A. Basado en la versión original del compositor Antonio Tormo y su grupo de guitarras. ...Amémonos, una bella poesÃa romántica de este extraordinario creador mexicano (Manuel MarÃa Flores), fue musicalizada por Antonio Tormo en 1948, convirtiéndose en el vals Dos que se Aman, tal vez una de las más bellas piezas del género, con la particularidad que autor y compositor, jamás se conocieron, ya que ni siquiera fueron contemporáneos....La letra de este vals es del compositor mejicano Manuel MarÃa Flores (el mismo autor de Dos que se aman). Antonio Tormo, usando el seudónimo Mburucuyá, registró la música en SADAIC como recopilación y arreglo, porque era una antigua composición mendocina que no estaba registrada. Los versos originales de Amémonos comprenden doce cuartetas, pero Tormo las redujo primero a seis y luego agregó una séptima, que es la versión presentada aquÃ. En SADAIC también está registrada una recopilación de Carlos Montbrun Ocampo y otra de Alfredo Gobbi, ambas con letra de Manuel MarÃa Flores, probablemente con arreglos diferentes.Texto:Amémonos.Vals por: Manuel MarÃa Flores y Antonio TormoIntroducción:Buscaba mi alma, con afán tu alma,buscaba yo, la virgen que mi frente,tocaba con su labio dulcemente,en el febril insomnio del amor.Buscaba yo, la mujer pálida y bella,que en sueños me visita desde niño,para partir, con ella mi cariño,para partir con ella mi dolor.Como en la sacra soledad del templo,sin ver a Dios, se siente su presencia,yo presentà en el mundo tu existencia,y como a Dios, sin verte, te adoré.Interludio:No preguntaba, ni sabÃa tu nombre,¿en dónde iba a encontrarlo? lo ignoraba,pero tu alma cerca de mi alma estaba,mas bién presentimiento que ilusión.Amémonos mi bien que en este mundodonde lágrimas tantas se derraman,las que vierten quizás los que se amantienen un no se qué de bendición.Amar... es empapar... el pensamiento,en la fragancia del Edén perdido,amar, amar es llevar herido,con un dardo celeste el corazón.Es tocar los dinteles de la gloria,es ver tus ojos, es escuchar tu acento,es en el alma llevar el firmamento,y es morir a tus pies... de adoración.
$7.99
7.33 €
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Piano solo
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Manuel MarÃa Flores y Antonio Tormo
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Amémonos. Vals por: Manuel María Flores y Antonio Tormo
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Ave Maria
Choral 3-part
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.877670 Composed by Samuel M…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.877670 Composed by Samuel Micah Hunter. Christian,Christmas,Contemporary,Sacred. Octavo. 7 pages. Samuel Hunter #3417653. Published by Samuel Hunter (A0.877670). Samuel M. Hunter's brand new setting of the biblical Latin text, Ave Maria combines Gabriel's greeting of the Virgin Mary at the Annunciation with Mary's cousin Elizabeth's greeting to Mary: Ave Maria gratia plena, Dominus tecum. Benedicta tu, et benedictus fructus ventris tui, Jesus. A beautiful, varied, and accessible piano accompaniment supports a floating, connected, and expressive vocal line which splits naturally and gracefully into two (and occasionally three) parts, using tasteful modern harmony and interesting counterpoint to color important words in the classic Latin text. A truly beautiful piece, Ave Maria presents many opportunities for exploring creative choral expressivity and an accessible opportunity for young singers to become familiar with the classic Ave Maria text. Also, please note that in addition to the concert hall, this piece is also appropriate in the sacred realm in both Catholic and Protestant contexts, as it adheres strictly to the biblical text of the Latin Vulgate itself. .
$2.40
2.2 €
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Choral 3-part
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Samuel Micah Hunter
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Ave Maria
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Samuel Hunter
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SheetMusicPlus
Parlami D'amore Mariu
Piano solo
Piano - Level 3 - Digital Download SKU: A0.1296146 Composed by Cesare Andrea Bixio …
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Piano - Level 3 - Digital Download SKU: A0.1296146 Composed by Cesare Andrea Bixio and Ennio Neri. Arranged by Piano. 20th Century,Pop,Wedding. Score (Chords/Lyrics). 1 pages. Sérgio Matias da Cunha #886389. Published by Sérgio Matias da Cunha (A0.1296146). Partitura clara, objetiva, concisa e acessÃvel apresentando marcações de cifra, células rÃtmicas envolvendo quartos de tempo, mas predominantemente figuras rÃtmicas maiores que a semicolcheia, linhas de oitava, ornamentos, dinâmica, sinais de intensidade, sinais de expressão e mudança de tonalidade, buscando a maior fidelidade com a versão original através das notas mais marcantes e caracterÃsticas, visando o melhor resultado com harmonia e equilÃbrio, oferecendo as devidas informações para uma livre interpretação através da exposição deste fio melódico, cuidadosamente diagramado e organizado para melhor visualização, entendimento e execução. Presença de sinais de repetição também contribuem para a praticidade e a concisão desta partitura, distribuindo toda a música em uma página. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$4.99
4.58 €
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Piano solo
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Cesare Andrea Bixio and Ennio Neri
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Parlami D'amore Mariu
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Sérgio Matias da Cunha
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SheetMusicPlus
Diffusa est gratia - SATB choir
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082352 Composed by Erik S…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1082352 Composed by Erik Spangler. A Cappella,Classical,Contemporary,Praise & Worship,Sacred. Octavo. 4 pages. Erik Spangler #686504. Published by Erik Spangler (A0.1082352). Commissioned by Allen Buskirk for the Mount Calvary Choir, Baltimore, MD. “Diffusa est gratia / Senex puerum portabatâ€Â combines two liturgical texts associated with the feast of Candlemas. The first, “Diffusa est gratia is from Psalm 44:3 and ascribes to Mary a fullness of grace that is a common theme in Marian feasts. The second, Senex puerum portabat,†is more particularly relevant to the story of the infant Jesus and the ancient holy man Simeon found in today’s gospel. Singing two texts within one piece was common in Medieval music, where the interest lay on the juxtaposition of the texts and the interplay between them. Erik’s setting is influenced by both late Medieval and Renaissance choral styles. Each singer has long flowing lines that combine in duets, trios, and full quartet, yielding a variety of textures. Dissonant intervals are treated freely as was common in the late Medieval period before the tight control of the high Renaissance style. This expanded palette allows for more modern harmony that shifts in and out and resolves into consonant intervals at the end of phrases. Rhythmic syncopation and complexity were highly valued in the late Medieval style as they are again today; here they provide forward momentum. Together, these elements define a sensibility that is both ancient and new, influenced by practices of composers from the 14th and 15th centuries as well as more modern composers such as Moondog and Meredith Monk.
$6.00
5.5 €
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Choral SATB
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Erik Spangler
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Diffusa est gratia - SATB choir
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Erik Spangler
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
20.12 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Chamber Orchestra
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
16.46 €
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Chamber Orchestra
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Guthrie: Amarilli Variations for Solo Cello
Cello (band part)
Cello Solo - Level 3 - Digital Download SKU: A0.549917 Composed by James M. Guthrie…
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Cello Solo - Level 3 - Digital Download SKU: A0.549917 Composed by James M. Guthrie. Instructional,Standards. Individual part. 3 pages. Jmsgu3 #3914671. Published by jmsgu3 (A0.549917). A set of variations for solo cello based upon the madrigal Amarilli mia bella from La Nuove Musiche, 1602, by Giulio Caccini.Amarilli, mia bella is a well-known solo madrigal composed by Giulio Caccini. Included in his collection Le nuove musiche from 1602, It is considered one of the most popular solo madrigals of the 17th century and has remained a prominent piece in vocal pedagogy. Alessandro Guarini wrote the text of the madrigal. The song is distinguished by its leggiadria and dolcezza, and it was one of the first of Caccini's songs to be widely disseminated through Italy and Europe. Amarilli, mia bella is the oldest song in the 24 Italian Songs and Arias. Various composers have reworked it, and it has appeared in vocal anthologies up to the present day.Le nuove musiche is a significant collection of monodies and songs for solo voice and basso continuo by the composer Giulio Caccini, published in Florence in July 1602. It is one of the earliest and most significant examples of music written in the early baroque style of the seconda pratica. The volume contains 12 madrigals and ten arias and is dedicated to Lorenzo Salviati. It is known for its essential introduction, which clearly describes the purpose, intent, and correct performance of monody from the time. The preface also includes musical examples of ornaments and expresses Caccini's disappointment at inappropriate ornamentation by the singers of his day. Le nuove musiche was highly influential and inspired many similar collections in the seventeenth century. It is regularly anthologized in modern collections, and its success changed the course of music history.
$24.95
22.88 €
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Cello (band part)
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James M
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Guthrie: Amarilli Variations for Solo Cello
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jmsgu3
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SheetMusicPlus
Partituras - 50 Melodias com cifra - Livro 2
Acoustic Guitar,Alto Flute,C Instrument,Digital Keyboard,Electric Violin,Instrumental Solo…
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Acoustic Guitar,Alto Flute,C Instrument,Digital Keyboard,Electric Violin,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1150805 By Israel Pessoa. By Diversos. Arranged by Israel Pessoa. 20th Century,Broadway,Film/TV,Folk,Musical/Show,Pop. Score and individual part. 73 pages. Israel Pessoa #750988. Published by Israel Pessoa (A0.1150805). Livro com 50 partituras. Melodias com cifra das principais musicas tocadas nos eventos em geral. Para você que quer começar ou expandir seu repertório. Todas as partituras foram escritas e revisadas com extremo cuidado para que você possar baixar e tocar. 1. A Benção - Gabriel Guedes + Nivea Soares 2. Amanhecer - Melk Villar 3. Amores e Flores - Melim 4. An Englishman In New York - Sting 5. Black - Pearl Jam 6. Catch And Release - Matt Simons 7. Celebration - Kool & Gang 8. Chega Mais - Rita Lee 9. Cigana - Raça Negra 10. Como é Grande o meu Amor - Roberto Carlos 11. Consequence Of Love - Gregory Porter 12. Daqui Pra Frente - Pedro Valença 13. Deus Está Aqui - DR 14. Dinossauros - Mundo Bita 15. Eu Feat Você - Melim 16. Eu sei que vou te amar - Tom Jobim 17. Faço Novas Todas As Coisas - Mensagem 2000 18. Fear Of The Dark - Iron Maiden 19. Fora Da Lei - Ed. Motta 20. Fumaça - Estêvão Marques 21. Hino Nacional Brasileiro 22. How Deep Is Your Love - Bee Gees 23. Is This Love - Whitesnake 24. Lilás - Djavan 25. Maracatu Atômico - Chico Science e Nação Zumbi 26. Meu Pequeno Coração - Mundo Bita 27. Milagre De Amor - Juliana De Paula 28. Na Moral - Jota Quest 29. Nas asas do Senhor - Celina Borges 30. Ninguém Explica Deus - Preto No Branco 31. No Longer Slaves - Tr. CÃcero Audo 32. Nothing Else Matters - Metallica 33. Oceana - Melim 34. Oceans – Hillsong 35. Oh Girl - Paul Young 36. Once Upon A Dream - A Bela Adormecida 37. Pais e filhos - Legião Urbana 38. Perfume - Belo 39. Quero Ser Feliz Também - Natirut 40. Romaria - Renato Teixeira 41. Serei Teu - Missionário Shalom 42. Simplesmente Amar - Walmir Alencar 43. Sossego - Tim Maia 44. The Trooper - Iron Maiden 45. There's Nothing Holding Me Back - Shawn Mendes 46. Wedding Day - Bee Gees 47. What's Up - 4 Non Blondes 48. Yellow Submarine - The Beatles 49. You Are The Reason - Calum Scott 50. Zombie - Creanberrys.
$10.00
9.17 €
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Israel Pessoa
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Partituras - 50 Melodias com cifra - Livro 2
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Israel Pessoa
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SheetMusicPlus
Ave Maria
Choral 3-part
Choral Choir (3-Part Mixed) - Level 1 - Digital Download SKU: A0.1008895 Composed b…
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Choral Choir (3-Part Mixed) - Level 1 - Digital Download SKU: A0.1008895 Composed by Anon. Arranged by Catherine Ing. Contemporary,Sacred. Octavo. 2 pages. Deusa Flauta Music #6068073. Published by Deusa Flauta Music (A0.1008895). This arrangement of the beloved Marian hymn blends the tone of traditional chant with subtle part harmonies for mixed ensemble, offering the best of both worlds. Can be used on its own or in tandem with the instrumental scores available at S0.979689 and S0.979681 . Thank you for your interest! If you’ve enjoyed this arrangement, or have any questions about this or any of our other arrangements, please contact us on Facebook or Twitter @deusaflauta, or at www.wordpress.com/page/deusaflauta.
$1.99
1.82 €
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Choral 3-part
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Anon
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Ave Maria
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Deusa Flauta Music
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SheetMusicPlus
Sancta Maria (SAB Choir & Piano)
Choral 3-part
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1238668 By Paul Barker Musi…
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1238668 By Paul Barker Music. By Paul Barker. 21st Century,Classical,Contemporary,Contest,Festival,Spiritual. Octavo. 16 pages. Paul Barker Music #834107. Published by Paul Barker Music (A0.1238668). Sancta Maria is a captivating contemporary work for SAB Choir that enchants listeners with its reflective, lyrical, and passionate melodic lines. The soaring phrases tug at the heartstrings, while the rich harmonies add depth, stature, and complexity to the music. Also available as part of the three-movement choral suite, Angelus with piano or string orchestra instrumentation. Piano Accompaniment MP3 available hereOrchestral Accompaniment MP3 available hereOrchestral Score and Parts are available herePerformance recording is available hereLevel: Intermediate (UK Grade 5+ and USA 2+)Duration: 3:10Occasion: Main Concerts - Festivals - CompetitionsInstrumentation: SAB Choir & PianoAvailable in the following formats:Choir & Piano: SSA – SAB – SATBChoir & Orchestra: SAB/SATB and String/Full OrchestraOrchestral: Brass Ensemble - String Orchestra - Full Orchestra
$2.25
2.06 €
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Choral 3-part
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Paul Barker Music
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Sancta Maria
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Paul Barker Music
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SheetMusicPlus
Sancta Maria (SSA Choir & Piano)
Choral 3-part
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1238669 By Paul Barker Musi…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1238669 By Paul Barker Music. By Paul Barker. 21st Century,Chamber,Contemporary,Contest,Festival,Spiritual. Octavo. 16 pages. Paul Barker Music #834108. Published by Paul Barker Music (A0.1238669). Sancta Maria is a captivating contemporary work for SSA Choir that enchants listeners with its reflective, lyrical, and passionate melodic lines. The soaring phrases tug at the heartstrings, while the rich harmonies add depth, stature, and complexity to the music. Also available as part of the three-movement choral suite, Angelus.Piano Accompaniment MP3 available hereOrchestral Accompaniment MP3 available herePerformance recording is available hereLevel: Intermediate (UK Grade 5+ and USA 2+)Duration: 3:10Occasion: Main Concerts - Festivals - CompetitionsInstrumentation: SSA Choir & PianoAvailable in the following formats:Choir & Piano: SSA – SAB – SATBChoir & Orchestra: SAB/SATB and String/Full OrchestraOrchestral: Brass Ensemble - String Orchestra - Full Orchestra
$2.25
2.06 €
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Choral 3-part
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Paul Barker Music
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Sancta Maria
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Paul Barker Music
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SheetMusicPlus
Demons
Saxophone (band part)
Small Ensemble Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.770465 By …
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Small Ensemble Tenor Saxophone Solo - Level 2 - Digital Download SKU: A0.770465 By Imagine Dragons. By Alexander Grant, Benjamin McKee, Daniel Reynolds, Daniel Sermon, and Josh Mosser. Arranged by Ivan Marini. Rock. Individual part. 2 pages. Www.dalsegno.eu #5362767. Published by www.dalsegno.eu (A0.770465). Complete transcription of this 2013 word hit by Imagine Dragons, for Bb saxopone (Soprano or Tenor), but also for Clarinet or Brass instruments.Other transpositions or custom settings available at simply request.Duration: ca. 3 mins., 1 page. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$4.99
4.58 €
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Saxophone (band part)
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Imagine Dragons
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Demons
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www.dalsegno.eu
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SheetMusicPlus
Diamonds Are A Girl's Best Friend (arr. Mark Hayes)
Choral 3-part
Choral, Voice (SSA) - Digital Download By Marilyn Monroe. Arranged by Mark Hayes. Thi…
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Choral, Voice (SSA) - Digital Download By Marilyn Monroe. Arranged by Mark Hayes. This edition: scorch. Film/TV. Octavo. 15 pages. Duration 206. Published by Hal Leonard
$2.75
2.52 €
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Choral 3-part
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Marilyn Monroe
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Diamonds Are A Girl's Best Friend
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SheetMusicPlus
Ave Maria
Choral 3-part
Chorus - Digital Download SKU: AX.00-PO-0003578 Ave Maria - SSAA. Composed b…
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Chorus - Digital Download SKU: AX.00-PO-0003578 Ave Maria - SSAA. Composed by Sally K. Albrecht. Secular Choral. 7 pages. Alfred Music - Digital Sheet Music #00-PO-0003578. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003578). UPC: 038081491448.A plaintive opening expands into lush four-part harmony in this compelling a cappella concert selection. Meditative and earnest, Sally's glorious setting of the prayerful text will inspire your finest singers.
$1.90
1.74 €
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Choral 3-part
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Sally K
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Ave Maria
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Infelice! e tuo credevi (Solo Partitura)
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1120615 By Sandro Satanassi. By G…
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Concert Band - Level 2 - Digital Download SKU: A0.1120615 By Sandro Satanassi. By Giuseppe Verdi. Arranged by Sandro Satanassi. 19th Century,Classical. 14 pages. Sandro Satanassi #721861. Published by Sandro Satanassi (A0.1120615). Ernani, opera lirica in quattro atti di Giuseppe Verdi, eÌ€ tratta dal dramma omonimo di Victor Hugo. Il 9 Marzo 1844 eÌ€ stata per la prima volta rappresentata l'opera al Teatro la Fenice di Venezia, su libretto di Francesco Maria Piave riscuotendo un grande successo di pubblico. Questo lavoro propone la struggente â€aria†di Silva “...Infelice! e tuo credevi...â€.
$10.00
9.17 €
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Concert band
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Sandro Satanassi
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Infelice! e tuo credevi
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Sandro Satanassi
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SheetMusicPlus
Mariage D'amour
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1292804 By Clayderman Richard. By P…
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Piano Solo - Level 3 - Digital Download SKU: A0.1292804 By Clayderman Richard. By Paul Marie Andre De Senneville. Arranged by Sérgio Matias da Cunha. 20th Century,Wedding. Score. 1 pages. Sérgio Matias da Cunha #883370. Published by Sérgio Matias da Cunha (A0.1292804). Arranjo objetivo e conciso, apresentando marcação de cifra, mudança de signo de compasso, linhas de oitava e células rÃtmicas envolvendo quartos de tempo, buscando a maior fidelidade com a versão original através das notas mais marcantes e caracterÃsticas, visando o melhor resultado com equilÃbrio e harmonia. Acompanhamento diversificado, valorizando cada parte da melodia através de movimentos e arpejos (estendidos para além de uma oitava) que melhor se integram com os diferentes momentos rÃtmicos e demais intensões. Presença de sinais de repetição e retornelo também contribuem para a praticidade e a concisão deste arranjo, distribuindo toda a música em uma página. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$4.99
4.58 €
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Piano solo
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Clayderman Richard
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Mariage D'amour
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Sérgio Matias da Cunha
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SheetMusicPlus
AVE MARIA - score
Choral 3-part
Choral Choir (SAT) - Level 3 - Digital Download SKU: A0.991419 Composed by Daniel O…
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Choral Choir (SAT) - Level 3 - Digital Download SKU: A0.991419 Composed by Daniel Ouimet. Contemporary,Gospel,Sacred,Spiritual. Octavo. 12 pages. Daniel Ouimet #4368390. Published by Daniel Ouimet (A0.991419). AVE MARIA--Au réveil, le matin, France entend des mots, me les communique et je m'empresse de dessiner musicalement l'harmonie approprié. Superbe pièce pour les chorales puisque je propose la score et toutes les parts. La pièce est ne demande aucune prouesse technique pour la jouer.
$22.00
20.17 €
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Choral 3-part
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Daniel Ouimet
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AVE MARIA - score
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Daniel Ouimet
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SheetMusicPlus
Orchestraining No. 6 [String Orchestra]
String Orchestra
String Orchestra - Level 4 - Digital Download SKU: A0.1432036 By Juan Maria Solare.…
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String Orchestra - Level 4 - Digital Download SKU: A0.1432036 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 8 pages. Juan Maria Solare #1012516. Published by Juan Maria Solare (A0.1432036). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The sixth etude focuses on the difficult subject of harmonics in the strings. In the classical repertorire, harmonics are not so present as other orchestral colors. There fore, it is particularly difficult to find repertory to train them.
$5.00
4.58 €
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String Orchestra
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Juan Maria Solare
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Orchestraining No. 6 [String Orchestra]
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Juan Maria Solare
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SheetMusicPlus
Common Silence
Choral 2-part
Choral Choir,Choral,Voice (2-Part) - Digital Download SKU: HX.1078675 Composed by M…
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Choral Choir,Choral,Voice (2-Part) - Digital Download SKU: HX.1078675 Composed by Marie-Claire Saindon. This edition: scorch. Concert,Festival,Inspirational. Octavo. 6 pages. Hal Leonard - Digital #343289. Published by Hal Leonard - Digital (HX.1078675).
$2.15
1.97 €
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Choral 2-part
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Marie-Claire Saindon
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Common Silence
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Hal Leonard - Digital
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SheetMusicPlus
Compilado general Cuises Partituras 2017
Concert band
Concert Band - Digital Download SKU: A0.1025529 Composed by Alfredo Figueras. Conte…
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Concert Band - Digital Download SKU: A0.1025529 Composed by Alfredo Figueras. Contemporary. Score and parts. 449 pages. Alfredo Mario Figueras #4824065. Published by Alfredo Mario Figueras (A0.1025529). Un compilado General de Cuises Partituras. Hay de solo para Guitarra, Sólo para piano, Piano a 4 manos, Canto y Piano, Populares cantables, Populares para acordeón a Piano, Una SinfonÃa para 10 instrumentos. Han ubicado afuera las partituras del 2018-2019 y algunas atrasadas del 2002
$10.00
9.17 €
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Concert band
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Alfredo Figueras
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Compilado general Cuises Partituras 2017
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Alfredo Mario Figueras
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SheetMusicPlus
One Second to the Future - Guitar Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaill…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
68.76 €
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Brent C Robitaille
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One Second to the Future - Guitar Orchestra
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Brent C Robitaille
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SheetMusicPlus
Requiem
Chamber Orchestra
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.33 €
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Ave Maria (Bach-Gounod) fase2
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1269367 By J.S. Bach / Charles Goun…
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Piano Solo - Level 3 - Digital Download SKU: A0.1269367 By J.S. Bach / Charles Gounod. By J.S. Bach / Charles Gounod. Arranged by Sérgio Matias da Cunha. 19th Century,Christian,Christmas,Easter,Wedding. Score. 2 pages. Sérgio Matias da Cunha #861793. Published by Sérgio Matias da Cunha (A0.1269367). Arranjo claro e objetivo, buscando a maior fidelidade com a obra original através das notas mais marcantes e caracterÃsticas desta maravilhosa obra musical, apresentando o melhor efeito com simplicidade e harmonia. Elaborado para uma interpretação leve e diferenciada, respeitando os aspectos melódico-harmônicos combinados com um acompanhamento minimalista, marcado pela precisão e serenidade através de arpejos que evoluem por colcheias sobre as notas dos acordes, contribuindo para a atmosfera reflexiva e religiosa desta arrebatadora melodia. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$6.99
6.41 €
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Piano solo
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J
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Ave Maria
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Sérgio Matias da Cunha
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SheetMusicPlus
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