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Move It On Over
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Move It On Over
Jazz Ensemble
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1028435 By Buddy A…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1028435 By Buddy Alan. By Hank Williams. Arranged by Joseph Lowry. Contemporary. Score and parts. 44 pages. Joseph Lowry #6561329. Published by Joseph Lowry (A0.1028435). Get your school audiences on their feet with this uptempo Hank Williams classic! Move It On Over can be a great concert opener for your intermediate or advanced high school jazz ensemble! This chart can be used to teach improvisation fundamentals, twelve-bar blues, ensemble playing, or just to have that unexpected performance element. Estimated performance time is 2:16 with plenty of flexibility in the solo section to extend it!
$49.99
46.08 €
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Jazz Ensemble
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Buddy Alan
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Move It On Over
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Joseph Lowry
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SheetMusicPlus
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. …
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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
46.08 €
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Concert band
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A
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"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Stephen Davies
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SheetMusicPlus
Roll it on Down the Highway (Ahio & Cast) from "The Kings - ACT 2:Song 3
Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784829 Composed by McCor…
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Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.784829 Composed by McCorkle, Dennis F. Broadway,Christian,Gospel,Musical/Show,Rock. 23 pages. DF McCorkle Music and eBook Publications #11749. Published by DF McCorkle Music and eBook Publications (A0.784829). ACT TWO: Song 3. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Chronicles 13:1-3 - And David consulted with the captains of thousands and of hundreds, even with every leader. 2 And David said unto all the assembly of Israel: ‘If it seem good to you, and if it be of Yahweh our God, let us send abroad everywhere unto our brethren that are left in all the land of Israel, and with them to the priests and Levites that are in their cities that have open land about them, that they may gather themselves unto us; 3 and let us bring back the ark of our God to us; for we sought not unto it in the days of Saul.’] [1 Chronicles 13:7-10 - And they set the ark of God upon a new cart, and brought it out of the house of Abinadab; and Uzza and Ahio drove the cart. 8 And David and all Israel played before God with all their might; even with songs, and with harps, and with psalteries, and with timbrels, and with cymbals, and with trumpets. 9 And when they came unto the threshing-floor of Chidon, Uzza put forth his hand to hold the ark; for the oxen stumbled. 10 And the anger of Yahweh was kindled against Uzza, and He smote him, because he put forth his hand to the ark; and there he died before God.] Realizing the need for a central capital from which to govern, DAVID and the united clans capture the fortress of Zion in Jerusalem. Concerned about the people and solidifying the position, DAVID assembles the commanders and leaders of the people to discuss the possibility of relocating the Ark of the Covenant from the house of Abinadab in Kiriath-jearim, where it had been stored for seventy years, to Jerusalem. DAVID orders a new cart be made for its transport, disregarding the directives from God that only permitted the Levites to move the Ark and only carried with the poles on their shoulders [Role it on Down the Highway – Ahio and David’s Troops]. When the Ark reaches the threshing-floor at Nacon, the oxen stumble and Uzzah puts his hand out to steady it and is instantly killed. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.76 €
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McCorkle, Dennis F
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Roll it on Down the Highway
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 4)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.752422 Composed by Wolfgang Amadeus…
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Piano Solo - Level 4 - Digital Download SKU: A0.752422 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 7 pages. RBMusic #6014617. Published by RBMusic (A0.752422). Famously used in the 1967 film Elvira Madigan, hence the nickname, the Elvira Madigan concerto, Mozart's Piano Concerto No. 21 was completed soon after his 20th in 1785. There are 5 different arrangements for solo piano, each getting progressively harder and trying not to compromise on sound where possible: Level 1: Just over a minute long, this is the easiest version. Both hands are very simple and are very close together, making it easier to see what all the fingers are doing at the same time. No jumps greater than a fifth and no large chords, making it perfect for smaller hands. Level 2: Two version provided: the first just over a minute long; the second the complete length of the movement, minus the orchestra introduction. Again, the melody has been simplified, though harder than level 1, with an increased coverage of the piano. The accompaniment is either static chords (now triads as standard) or broken arpeggios. It now has jumps in the right hand of just over an octave, with the left hand moving relatively little between chords/arpeggios. Level 3: This version has an optional cut, otherwise is the complete second movement, minus the orchestral introduction. Similar to level 2, only one hand tends to be changing pitches/rhythms at any one time, but the right hand is now almost the same as Mozart’s original (with some ornamentation removed or written out in full). The left hand now has the familiar broken-chord pattern (see opening bars) but in simple rather than compound time. On the whole, the left hand moves relatively little between chords, although there are now some larger jumps when the right hand is static. Level 4: Like level 3, but with the broken chord in compound time throughout. Some of the orchestral accompaniment has been integrated into the music, though simplified. Level 5: The hardest version, more difficult than the original solo piano part. Still no orchestral introduction. Includes more of the orchestral accompaniment than level 4. This, in essence, is a piano transcription of the full orchestration for piano and orchestral. Here is a recording on YouTube of Alicia De Larrocha playing the solo with Sir Colin Davis conducting the English Chamber Orchestra: https://www.youtube.com/watch?v=df-eLzao63I.
$9.50
8.76 €
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Piano solo
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Wolfgang Amadeus Mozart, Mozart
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Andante
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RBMusic
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SheetMusicPlus
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 2)
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.752421 Composed by Wolfgang Amadeus…
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Piano Solo - Level 2 - Digital Download SKU: A0.752421 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 6 pages. RBMusic #6014595. Published by RBMusic (A0.752421). Famously used in the 1967 film Elvira Madigan, hence the nickname, the Elvira Madigan concerto, Mozart's Piano Concerto No. 21 was completed soon after his 20th in 1785. There are 5 different arrangements for solo piano, each getting progressively harder and trying not to compromise on sound where possible: Level 1: Just over a minute long, this is the easiest version. Both hands are very simple and are very close together, making it easier to see what all the fingers are doing at the same time. No jumps greater than a fifth and no large chords, making it perfect for smaller hands. Level 2: Two version provided: the first just over a minute long; the second the complete length of the movement, minus the orchestra introduction. Again, the melody has been simplified, though harder than level 1, with an increased coverage of the piano. The accompaniment is either static chords (now triads as standard) or broken arpeggios. It now has jumps in the right hand of just over an octave, with the left hand moving relatively little between chords/arpeggios. Level 3: This version has an optional cut, otherwise is the complete second movement, minus the orchestral introduction. Similar to level 2, only one hand tends to be changing pitches/rhythms at any one time, but the right hand is now almost the same as Mozart’s original (with some ornamentation removed or written out in full). The left hand now has the familiar broken-chord pattern (see opening bars) but in simple rather than compound time. On the whole, the left hand moves relatively little between chords, although there are now some larger jumps when the right hand is static. Level 4: Like level 3, but with the broken chord in compound time throughout. Some of the orchestral accompaniment has been integrated into the music, though simplified. Level 5: The hardest version, more difficult than the original solo piano part. Still no orchestral introduction. Includes more of the orchestral accompaniment than level 4. This, in essence, is a piano transcription of the full orchestration for piano and orchestral. Here is a recording on YouTube of Alicia De Larrocha playing the solo with Sir Colin Davis conducting the English Chamber Orchestra: https://www.youtube.com/watch?v=df-eLzao63I.
$5.75
5.3 €
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Piano solo
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Wolfgang Amadeus Mozart, Mozart
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Andante
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RBMusic
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SheetMusicPlus
Move It On Over
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.846080 By Buddy Alan.…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.846080 By Buddy Alan. By Hank Williams. Arranged by David M Fagnant. Contemporary. Score. 2 pages. David M Fagnant #4978827. Published by David M Fagnant (A0.846080). Fakebook style chord chart to help quickly learn and play popular songs. Lyric sheet included which follows the song arrangement. Distinctive intro's, lines and endings written, where appropriate, which help to identify and perform the song.
$4.99
4.6 €
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Piano, Vocal and Guitar
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Buddy Alan
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Move It On Over
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David M Fagnant
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SheetMusicPlus
Move It On Over
Melody line, (Lyrics) and Chords
Digital Download SKU: HX.403259 Country. Guitar Lead Sheet. 2 pages. Published by H…
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Digital Download SKU: HX.403259 Country. Guitar Lead Sheet. 2 pages. Published by Hal Leonard - Digital (HX.403259).
$2.99
2.76 €
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Melody line, (Lyrics) and Chords
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Move It On Over
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Hal Leonard - Digital
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SheetMusicPlus
Move It On Over
Melody line, (Lyrics) and Chords
C Instrument,Voice - Digital Download SKU: HX.754747 By Buddy Alan and Travis Tritt…
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C Instrument,Voice - Digital Download SKU: HX.754747 By Buddy Alan and Travis Tritt with George Thorogood. This edition: scorch. Blues,Country. Real Book - Melody/Chords/Lyrics. 1 pages. Hal Leonard - Digital #563990. Published by Hal Leonard - Digital (HX.754747).
$1.99
1.83 €
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Melody line, (Lyrics) and Chords
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Buddy Alan and Travis Tritt with George Thorogood
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Move It On Over
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Hal Leonard - Digital
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SheetMusicPlus
Move It On Over
ChordBuddy Ukulele - Digital Download SKU: HX.503328 By Buddy Alan, George Thorogoo…
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ChordBuddy Ukulele - Digital Download SKU: HX.503328 By Buddy Alan, George Thorogood, Hank Williams, Hank Williams Jr., Travis Tritt, and Willie Nelson. This edition: scorch. Country. Score. 2 pages. Published by Hal Leonard - Digital (HX.503328).
$2.99
2.76 €
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Buddy Alan, George Thorogood, Hank Williams, Hank Williams Jr
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Move It On Over
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Hal Leonard - Digital
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SheetMusicPlus
Move It On Over
Guitar notes and tablatures
Digital Download SKU: HX.451849 Blues,Country,Pop. Guitar TAB. 8 pages. Published b…
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Digital Download SKU: HX.451849 Blues,Country,Pop. Guitar TAB. 8 pages. Published by Hal Leonard - Digital (HX.451849).
$4.99
4.6 €
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Guitar notes and tablatures
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Move It On Over
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Hal Leonard - Digital
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SheetMusicPlus
Move It On Over
Easy Piano
Digital Download SKU: HX.409739 Country,Standards. Super Easy Piano. 1 pages. Durat…
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Digital Download SKU: HX.409739 Country,Standards. Super Easy Piano. 1 pages. Duration 165. Published by Hal Leonard - Digital (HX.409739).
$3.99
3.68 €
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Easy Piano
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Move It On Over
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Hal Leonard - Digital
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SheetMusicPlus
Move It On Over
Dulcimer
By Travis Tritt With George Thorogood. By Hank Williams. Arranged by Larry Conger. C…
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By Travis Tritt With George Thorogood. By Hank Williams. Arranged by Larry Conger. Country. Individual part. 4 pages. Larry Conger/Dulcimerican Music #331204. Published by Larry Conger/Dulcimerican Music
$4.99
4.6 €
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Dulcimer
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Travis Tritt With George Thorogood
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Move It On Over
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Larry Conger/Dulcimerican Music
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SheetMusicPlus
Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
$99.99
92.17 €
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Orchestra
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Claude Debussy
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Four Impressions on Debussy
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OlivePress Music
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SheetMusicPlus
On The Trail
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.937290 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.937290 Composed by Ferde Grofé. Arranged by Hugh Levey. 20th Century,Contemporary,Film/TV,Patriotic. 59 pages. Woodwindly.com #6518987. Published by woodwindly.com (A0.937290). Wind Quintet (Flute, Oboe, Clarinet, Horn, Bassoon) On the Trail is the third movement from Ferde Grofé’s Grand Canyon Suite, written between 1929 and 1931; published in 1932. It has since become one of the most popular American musical works of the twentieth century, with On the Trail being the most well-known movement. It portrays a cowboy and his burro (donkey) sauntering through the Grand Canyon, coming across an oasis and a lonely cabin where they hear a music box playing, before continuing their journey. All this is portrayed in the music, including the braying sound of the donkey, its clip-clopping along and the cowboy singing a relaxed Western style song.This lovely and fun arrangement for wind quintet remains faithful to the original; retaining its structure, key and, where possible, its instrumentation. The only section omitted is the violin cadenza. The original orchestral work includes clarinets in Bb. This arrangement is also written for Bb clarinet but an alternative clarinet in A part is included, which is more suited to the key of the work.This is an ideal recital piece for either formal or informal concert settings. It is also suitable for any American or Western themed celebration or event.Duration - just over 6 minutesScore - 33 pages, Parts - 23 pages, Cover and programme notes - 3 pages.
$16.00
14.75 €
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Ferde Grofé
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published in 1932
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On The Trail
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woodwindly.com
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SheetMusicPlus
Partita on Jesu, meine Freude
Organ
Organ - Medium - Digital Download SKU: MQ.10-381-E Composed by David M. Cherwien. L…
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Organ - Medium - Digital Download SKU: MQ.10-381-E Composed by David M. Cherwien. Lent. Instrument part. 20 pages. MorningStar Music Publishers - Digital Sheet Music #10-381-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-381-E). A five-movement partita on Johann Cruger’s well-known tune. The piece begins with a setting of the chorale, followed by a peaceful aria. The third movement is a delightful trio, followed by a very creative duo that is based on the fourth stanza of the hymn. The piece ends in a fiery fugue. Even though the piece has challenges, it is not overly difficult, and the movements will work well separately. Useful for worship services as well as for recitals.
$14.00
12.91 €
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Organ
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David M
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Partita on Jesu, meine Freude
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze…
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Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pages. Musica Nova USA #6078853. Published by Musica Nova USA (A0.917410). Sinfonietta (alternate title SinfonÃa de Vino y Aceite de Magallon) is a composition for concert band that can be played by any band whether it has 100 players or 30 players. It is at grade 3 level of difficulty and has several substitute parts for ensembles that may not have complete instrumentation. Although the scoring includes piccolo, oboes, bassoons, and French horns, these instruments are not needed to command a good performance.Sinfonietta adheres to classical forms of symphonies by composers such as Mozart, Haydn and Beethoven. The forms are very clear so the players of the band can learn this important history. The first movement is in standard Sonata Allegro form.The second movement is in A B A form and features a solo trumpet. The third movementis in a Rondo form (A B A C A) with three distinct themes. The work was commissioned in 2017 by the town of Magallón, Spain in celebration of the town’s industries of wine and olive oil. The mayor of the town of 1,000 inhabitants, Victor Manuel Chueca Rodriguez, was specific in his request for a composition at grade 3 level of difficulty. He also suggested the title as Symphony. Since it a three-movement composition instead of a four-movement composition (the normal Minuet and Trio movement is not included in this piece), the title of Sinfonietta instead of Symphony is used.Gregory Fritzeis a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositionsfor orchestra, band, chamber ensemblesand soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d'Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria, and others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$75.00
69.14 €
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Concert band
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Gregory Fritze
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Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
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Musica Nova USA
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SheetMusicPlus
Beethoven's Symphony No.5 in C minor (1st movement)
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1244980 Composed by Ludwig van Beet…
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Piano Solo - Level 4 - Digital Download SKU: A0.1244980 Composed by Ludwig van Beethoven. Arranged by Ernst Pauer and Samuel Sequeira. 19th Century,Classical,Historic,Romantic Period. Score. 15 pages. Samuel Sequeira #839901. Published by Samuel Sequeira (A0.1244980). Symphony No.5 in C minor (1st movement) - Ludwig van Beethoven  - PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you an adaptation for piano of the first movement of Beethoven's famous Fifth Symphony.In this adaptation, the piano takes on the challenge of depicting the grandeur and intensity of the original orchestral work. Through careful arrangement, the piano seeks to capture the emotional essence and key themes of the symphony.At the beginning of the piece, the piano introduces the iconic melody with the distinctive four-note motif. With powerful chords and appropriate execution techniques, the piano conveys the energy and tension present in the original composition.Throughout the movement, the piano explores the different voices and orchestral textures, bringing to life the melodic and contrapuntal elements of Beethoven's work. Through arpeggios, virtuosic passages, and subtle dynamic variations, the piano seeks to convey the expressiveness and drama of the symphony.The piano adaptation of Beethoven's Fifth Symphony offers pianists the opportunity to delve into the nuances and complexity of this masterpiece through the possibilities of the instrument. By performing this version, pianists can challenge themselves to reproduce the emotional intensity and majesty of the symphony in a solo setting.This piano adaptation allows lovers of classical music to experience the richness and depth of Beethoven's Fifth Symphony in a more intimate and personal way, through the unique colors and expressiveness of the piano.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$9.99
9.21 €
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Piano solo
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performing this version, pianists can challenge themselves to reproduce the emotional intensity and majesty of the symphony in a solo setting
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Ludwig van Beethoven
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Beethoven's Symphony No.5 in C minor
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Samuel Sequeira
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SheetMusicPlus
Gregory Sullivan Isaacs: Elegy on the Quilt for tenor voice and piano
Tenor voice
Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534586 Composed by Greg…
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Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534586 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. 12 pages. Musik Fabrik Music Publishing #4729123. Published by Musik Fabrik Music Publishing (A0.534586). Part of the AIDS memorial songbook, this melody for tenor voice and piano has an orginal text by the composer: It was still dark.The dawn had not yet arrived.He stood quietly, looking out over the field.,soon to be filled with patches of grief.Monuments to great men,grey against the pre-dawn sky,reminded him of the Great Dream:We are all equal under Law, it promised.We are all equal under Law.He smiled wryly at the thought.The keepers of that Dream still keep it for themselves,only- releasing what little part what group or anothercan wrest away.The unfolding began.Each patch holds the grief of dozens:friends, family.Amercia's children left to die alone.Amercia's children left to diebecause of who they were, who they had to be.Fully open now.Small groups wander here and there.searching, looking,Afraid that the edges wait for them.Afraid that the edges wait for them.Some already gathering scraps of cloth.Finally, he moves at last.Finally with enough courage to go look.His thoughts warmly dwell on him who made it.The one whose devotion was unquestioned.whose love was always present.Having seen it, he was cotent to move on towhatever was to come.His patch was there.
$10.35
9.54 €
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Tenor voice
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Elegy on the Quilt for tenor voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Take It On Faith
Piano solo
Piano - Level 3 - Digital Download SKU: A0.1233280 By Bradley Sowash. By Bradley So…
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Piano - Level 3 - Digital Download SKU: A0.1233280 By Bradley Sowash. By Bradley Sowash. Contemporary,Jazz,New Age,Sacred. Full Performance. Duration 252. Bradley Sowash #828900. Published by Bradley Sowash (A0.1233280). From Bradley Sowash’s “Bittersweet†solo piano recorded album and associated sheet music (also available here).Crossover spiritualitySometimes you just have to make the leap. This tune moves back and forth between western and eastern musical scales. To me, it seemed an apt metaphor for the cross-cultural east/west spiritual learning that we are currently experiencing.Learn more about this artist at https://bradleysowash.com/.
$1.99
1.83 €
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Piano solo
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Bradley Sowash
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Take It On Faith
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Bradley Sowash
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SheetMusicPlus
Swing Low, Sweet Chariot/Go Tell It on the Mountain
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.918264 Arranged by Dillon's Music G…
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Piano Solo - Level 3 - Digital Download SKU: A0.918264 Arranged by Dillon's Music Group. African. Score. 3 pages. Dillon's Music Group #6013057. Published by Dillon's Music Group (A0.918264). Swing Low, Sweet Chariot refers to the Biblical story of the Prophet Elijah's being taken to Heaven by a chariot. The lyrics also contain a veiled reference to the Underground Railroad. Spirituals were often sung as call and response: Swing low, sweet chariot (Coming for to carry me home), Swing low, sweet chariot (Coming for to carry me home.) I looked over Jordan and what did I see? (Coming for to carry me home), A band of angels coming after me (Coming for to carry me home.) (Included in Brenda Dillon's African American Collection)About the arranger: Brenda Dillon is best known for her contributions to the Recreational Music Making movement. She served on the RMM Committee that designed the RMM Track for MTNA's Pedagogy Saturday. She also presented group piano and RMM sessions throughout the U.S. In addition to serving as a teacher trainer, she has written extensive articles on both group piano and RMM teaching. She has publications with Hal Leonard and Alfred listed on her website (www.brendadillon.com).
$3.00
2.77 €
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Piano solo
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Swing Low, Sweet Chariot/Go Tell It on the Mountain
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Dillon's Music Group
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SheetMusicPlus
Flex on the Move-Tuba Edition
Tuba
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…
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Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.
$16.95
15.63 €
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Tuba
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Eric Bolvin
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Flex on the Move-Tuba Edition
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Faded Duck Music
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SheetMusicPlus
It's Not Over Yet
Choral SATB
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1380687 Comp…
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1380687 Composed by Ben Glover, Joel Smallbone, Kyle Rictor, Luke Smallbone, and Tedd Tjornhom. Arranged by Matthew Udland. 21st Century,A Cappella,Christian,Contemporary,Praise & Worship. 7 pages. Midwest A Cappella #965468. Published by Midwest A Cappella (A0.1380687). Made popular by for King + COUNTRY SSAATBB plus duet Arrangement by Matthew Udland This song has a great message and with a fast tempo, it makes a great set closer or opener!*Though scored for an ensemble of 10 voices, more could easily double lines and the harmonies on the S2 line could be removed.*The Vocal Percussion line is optional and intended for the performer to expand upon as appropriate. *This arrangement intentionally shortened the song to 1 minute and 45 seconds to make it more manageable for an ensemble to put together. The original second verse fit nicely with the harmonies and a repeat could be added by the performing group to include the removed section.*All recordings were produced via Sibelius and Synthezier V AI tools.
$2.99
2.76 €
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Choral SATB
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Ben Glover, Joel Smallbone, Kyle Rictor, Luke Smallbone, and Tedd Tjornhom
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It's Not Over Yet
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Midwest A Cappella
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooma…
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Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95
59.87 €
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
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