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String Quartet: 2 violins, viola, cello
583
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338
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217
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207
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126
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120
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113
2 Cellos (duet)
76
String Trio: violin, viola, cello
76
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71
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69
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61
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51
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48
Double Bass
47
String Quintet: 2 violins, viola, cello, bass
44
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36
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34
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13
Viola, Cello (duet)
12
2 Double basses (duet)
12
Piano Trio: Violin, Viola, Piano
11
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11
String Trio: 3 violins
11
4 Cellos
11
Harp, Flute (duet)
10
String Trio: 3 cellos
9
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9
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7
String Quintet: 2 violins, viola, 2 cellos
5
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5
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5
String quartet: 4 violins
5
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5
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4
String Trio: 2 violins, viola
4
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4
String Trio: 3 violas
3
2 Violins, Piano
3
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3
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3
String Quartet : 4 violas
3
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2
String trio
2
4 Double Basses
2
Viola and Harp
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1
4 Harps
1
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1
Viola, Organ
1
Violin, Organ
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1
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1
Flute, Doublebass (duet)
1
2 Cellos, Piano
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Violin, Bassoon (duet)
1
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1394
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442
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296
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230
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174
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102
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19
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6
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2 Marimbas
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Snare drums
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Piano and Orchestra
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OTHERS
Music Theory
3
Musical course - Solfege
2
You've selected:
Music, Sing On!
Sheetmusic to print
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9976
Music, Sing On!
Choral SATB
SATB choir and Piano with optional Orchestra and Children's Choir (With Optiona…
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SATB choir and Piano with optional Orchestra and Children's Choir (With Optional Orchestra, Children's Choir) - Digital Download Composed by Cynthia Gray. Educational, Concert, Festival. Octavo. 12 pages. Heritage Music Press #15/3087H. Published by Heritage Music Press
ISBN 9781429139526. Orchestrated by Mark T Barnard.<br> <br> Especially effective with combined choirs, this piece celebrates music in a unique way, starting with the silence of the earth before music. The optional orchestration is designed with versatility in mind, as the full instrumentation is not required to be effective.
$2.50
2.27 €
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Choral SATB
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Cynthia Gray
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Music, Sing On!
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Heritage Music Press
#
SheetMusicPlus
Sight-Singing 2
Voice - advanced to difficult - Digital Download SKU: S9.Q19478 A fresh approach…
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Voice - advanced to difficult - Digital Download SKU: S9.Q19478 A fresh approach. This edition: method. Schott Sight-Reading Series. Dieser Band baut auf Vom-Blatt-Singen 1 auf und führt die ersten Aspekte des Vom-Blatt-Singens mittels genauen Erkennens von Rhythmus und Tonhöhe fort. Downloadable, Textbook. Op. 2. Schott Music - Digital #Q19478. Published by Schott Music - Digital (S9.Q19478). English • French • German.This book sets out to build on the initial aspects of singing at sight in reading both the rhythm and pitch accurately, as begun in Sight-Singing 1. Sight-Singing 2 is divided into two parts. Part 1 comprises 95 exercises in either single or 2-part form. These cover methods to secure the line of the pitch, sequences, singing a lower part, ties, awareness of chord structure, canons, chromatic movement, modulations and tone rows. A section of 2-part exercises is also included using treble and bass clefs. Part 2 consists of 16 solo pieces which are presented in the treble clef, and aim to develop the singer’s ability to pitch independently from their accompaniment. These short pieces are based on chords, intervals, the Dorian mode, pentatonic scales, melodic minor scales, chromatic movement and changing time signatures. The aim of this volume is to develop a secure sense of pitch, providing a comprehensive range of styles and challenges which will be of value not just to singers but to all dedicated musicians. The skill of being able to ‘vocalise’ a melody independently and accurately is a valuable asset for all musicians regardless of vocal ability or instrument played. The ability to ‘hear’ a phrase before it is sung or played is especially useful. - 95 solo/2-part exercises - 16 accompanied solos - 1 wide range of challenging styles - valuable both to singers and instrumentalists.
$12.99
11.77 €
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Sight-Singing 2
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Schott Music - Digital
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SheetMusicPlus
Hymn Descants for Ringers and Singers, Vol. II
Handbells
Handbell - Digital Download SKU: JX.00-11528 Lent, Holy Week, & Easter. Arra…
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Handbell - Digital Download SKU: JX.00-11528 Lent, Holy Week, & Easter. Arranged by Anna Laura Page. This edition: Handbell Part. Choral Worship Collection; Performance Music Ensemble; Single Titles. Alfred Handbell Series. Easter; Holy Week; Lent; Sacred; Spring. Part(s). 16 pages. Jubilate Music Group - Digital #00-11528. Published by Jubilate Music Group - Digital (JX.00-11528). English.Hymn Descants for Ringers and Singers is a wonderful worship resource that provides fresh opportunities for programming with handbells, singers, and keyboard. The collection is presented in four volumes focusing on seasonal applications: -Volume I---Advent, Christmas & Epiphany -Volume II---Lent, Holy Week & Easter -Volume III---All Saints', Ascension, Christ the King, Communion, Pentecost, Reformation & Trinity Sunday -Volume IV---Patriotism, Stewardship & Thanksgiving. Each volume contains 10 tunes arranged for 3-octaves handbells. Each tune was selected based upon its appropriateness to both festal days and special events in the church year as well as to its common usage in most major denominational hymnals. The handbell arrangements may serve as hymn introductions, interludes, postludes, or accompaniments. The rich harmonizations are based upon the standard harmonic structures of each hymn, enhancing them without straying too far afield. Thus, they may be used to accompany hymn singing, inspiring rather than frightening the average congregant! These arrangements may also be performed as separate handbell pieces without singing.
$4.95
4.49 €
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Handbells
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Performance Music Ensemble
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Hymn Descants for Ringers and Singers, Vol. II
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Jubilate Music Group - Digital
#
SheetMusicPlus
Exercises for Developing Jazz Improvisation Vol II C Version
Musical course - Solfege
Composed by Mat Sibley. Jazz, Method, Etudes and Exercises, General Instructional, T…
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Composed by Mat Sibley. Jazz, Method, Etudes and Exercises, General Instructional, Technique Training. Individual Part, Lead Sheet, Sheet Music Single, Solo Part. 18 pages. Published by Mat Sibley
Exercises for Developing Jazz Improvisation Volume II<br> <br> This method book covers a further 2 techniques to help the developing jazz player expand their jazz skills. These can also be purchased individually:<br> <br> Examining Diminished Scales<br> <br> This section looks at Whole/Half and Half/Whole step diminished scales. It includes ascending/descending broken chord exercises plus scale patterns for both Whole/Half and Half/Whole step diminished scales. There are also 2 written sample solos with audio demonstration and backing tracks to accompany the exercises.<br> <br> Triad Pairs and Hexatonic Scales<br> <br> This section focuses on 4 common triad pairs and their related hexatonic scales - 2 major triads a whole step apart, 2 major triads a tritone apart, major/augmented triads a whole step apart and 2 minor triads a whole step apart. There are exercises and patterns for each triad pair/hexatonic scale plus suggested chord applications for each. There are also 2 written sample solos with audio demonstration and backing tracks to accompany the practice exercises and sample solos.<br> <br> Although originally created for sax students, all books have now been adapted for C, Bb, Eb and Bass Clef instruments.
$14.99
13.58 €
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Musical course - Solfege
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Mat Sibley
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Exercises for Developing Jazz Improvisation Vol II C Version
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Mat Sibley
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SheetMusicPlus
Blessings Abound (Easy Piano Duets for 1 Piano, 4 Hands)
1 Piano, 4 hands
Piano Duet - Easy/Beginner - Digital Download Composed by Various. Arranged by Sharon W…
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Piano Duet - Easy/Beginner - Digital Download Composed by Various. Arranged by Sharon Wilson. Christian, Repertoire, Easter, Thanksgiving, Children's Music. Sheet Music Single. 51 pages. Published by Sharon Wilson
This is BOOK 1 in the "Blessings Abound" collections of Easy Piano Duets. The 12 songs in this collection of easy piano duets (1 piano, 4-hands) are arranged for a beginning student to play the PRIMO while the teacher or an intermediate student plays the SECONDO. All notes in the PRIMO are played singly with the hands in one position centered around middle C and then played one octave higher. The PRIMO and SECONDO parts are on separate pages (combined scores with PRIMO and SECONDO on each page are only available when purchased individually, not in this collection). The PRIMO part can also be played as a solo when played as written, centered around middle C. These fun-to-learn arrangements are a welcome addition to the piano repertoire for beginning students and suitable for a first performance in a church setting. Selections in this first collection include a mixture of holiday themes (Christmas, Easter, Thanksgiving, and Birthday), familiar hymns and choruses, non-seasonal favorites and several originals. Lyrics are included on the PRIMO part. All the songs in this collection are also available separately and include preview pages and audio samples. Song titles included in this collection: All Things Bright and Beautiful Always Cheerful Amazing Grace Birthday Blessing Christ the Lord Is Risen Today Christmas Is Count Your Blessings God Loves You Jesus Is Coming Soon Let It Shine Medley Trust in the Lord Worthy Are You Medley
$15.00
13.59 €
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1 Piano, 4 hands
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Various
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Blessings Abound
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Sharon Wilson
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SheetMusicPlus
Music Theory Colouring Booklet lesson 2 - the 5 note scale (whole staff)
Music Theory
Composed by Jessica Erlendson. Arranged by Jessica Erlendson. Method, Etudes and Exe…
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Composed by Jessica Erlendson. Arranged by Jessica Erlendson. Method, Etudes and Exercises, Classroom, General Instructional, Activities and Games. Individual Part, Sheet Music Single. 6 pages. Published by Bob & Jessica Erlendson
is colouring booklet covers the 5 note scale in C major in both treble and bass clef with all notes on the staff covered..<br> Ideal for those needing a little extra help learning music theory. <br> Perfect for new music students, or those that have tried to read music and given up.<br> Designed for students with learning challenges by an independent music instructor with 20 years experience teaching.<br> Use as a supportive exercise book with any standing Piano method book.<br> www.musicandyoga.online.
$2.99
2.71 €
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Music Theory
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Jessica Erlendson
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Jessica Erlendson
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Music Theory Colouring Booklet lesson 2 - the 5 note scale
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Bob & Jessica Erlendson
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.74 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Hark! The Herald Angels Sing, for Trumpet Duet and Organ
Organ, Trumpet (duet)
Organ, Trumpet, Brass Duet, Brass Trio - Advanced - Digital Download Composed by Feli…
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Organ, Trumpet, Brass Duet, Brass Trio - Advanced - Digital Download Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Nigel Williams. European, Christmas, Recital. Score, Set of Parts, Sheet Music Single. 10 pages. Published by Nigel Williams
An arrangement of this popular Christmas Carol melody for trumpet duet and organ, the melodic Organ Pedal part provides a third melody line which helps create a brass trio texture. The two trumpet parts are more advanced as they require the players to confidently play up to High Concert C. The organ writing is on two staves and is no more than intermediate in difficulty level. This arrangement would be an ideal Postlude for Christmas services, and is also splendid duet repertoire for advance College trumpet players. The full score downloads with individual parts attached. Enjoy browsing my extensive selection of trumpet and organ and trumpet duet and organ arrangements available for download on SMP.
$8.99
8.15 €
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Organ, Trumpet (duet)
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Felix Bartholdy Mendelssohn
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Hark! The Herald Angels Sing, for Trumpet Duet and Organ
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Nigel Williams
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SheetMusicPlus
Make Your Own Kind Of Music
Choral SSAA
Choir, SSAA (TLbB) - Early Intermediate - Digital Download By Mama Cass Elliot / Paloma …
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Choir, SSAA (TLbB) - Early Intermediate - Digital Download By Mama Cass Elliot / Paloma Faith. Arranged by LABBS Music Category. Sheet Music Single. 6 pages. Published by LABBS - Ladies Association of British Barbershop Singers (
An uplifting song arranged by members of the LABBS Music Judging Category in 4 part close harmony for women's voicings, in the barbershop style (internal melody). Sticking fairly close to the original, the arrangement features solos of each voicepart on the melody, and rousing homophonic choruses. The standard tag builds to a satisfying climax, with an optional extended tag that sends it through the roof! The arrangement is suitable for most female barbershop choruses and quartets as a fun, fairly quick learn for performance repertoire. Each voicepart is well within the standard barbershop ranges of most arrangements (Basses: low E, one low D has an alternate note offered). Note: if you are unfamiliar with the scoring of female barbershop music, be aware the bass clef should be sung an octave higher than written, as designated by the 8 above the clef. This arrangement is not suitable for use in barbershop contests. This song and arrangement would also be a great choice for other genres of female choirs and a cappella quartets or ensembles, including high school / college / secondary school choirs wanting to try the barbershop style. It is a fun and modern song containing a strong and poignant message about not bending to peer pressure and being your own person and remaining true to yourself. Learning tracks available separately from www.hbteachtracks.co.uk www.labbs.org.uk https://www.facebook.com/SingLABBS/
$2.49
2.26 €
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Choral SSAA
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Mama Cass Elliot / Paloma Faith
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Make Your Own Kind Of Music
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LABBS - Ladies Association of British Barbershop Singers
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SheetMusicPlus
Sing with Spirit - 2-part choir and/or piano
Choral 2-part
Choral Choir (2-Part) - Level 3 - Digital Download SKU: A0.1264280 By Bradley Sowas…
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Choral Choir (2-Part) - Level 3 - Digital Download SKU: A0.1264280 By Bradley Sowash. By Bradley Sowash. Arranged by Bradley Sowash. Jazz,Spiritual. Octavo. 14 pages. Bradley Sowash #857100. Published by Bradley Sowash (A0.1264280). Uplifting and versatileDrawing inspiration from the American Gospel idiom, this lively composition presents a rousing musical experience. Flexible partsWhat sets Sing with Spirit apart is its adaptability, allowing it to be performed by unison singers, a two-part choir, mixed chorus, or even as an uplifting solo piano piece. Secular or Sacred While embodying the spirit of American Gospel music, the lyrics intentionally avoid specific religious references. This makes it a suitable choice for secular events such as educational community choirs, while also finding its place in sacred settings such as worship services and church camps. The piece's versatility ensures that it complements diverse programming considerations.Solo piano too! Moreover, Sing with Spirit offers the added bonus of a solo piano arrangement. The independently rich and full accompaniment lends itself well to modification for solo piano performance. With a separate piano part included, pianists have the flexibility to omit the vocal parts, allowing them to showcase their skills and explore the piece's musical depth on their own.Additional musiciansA lead sheet with just melody and chords is included to enable additional musicians such as bass, drums, guitar, melody instruments…Whether preparing for a choir performance or seeking a dazzling solo piano piece, this sheet music is certain to inspire and captivate listeners.BTW, The idea for this piece was sparked by an adult student sharing a 5-note run to which I added some chords on the fly. The result put caused the whole class to smile so I decided to flesh it out. You can see that here: https://youtu.be/6bN_VgrHiEM
$1.99
1.8 €
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Choral 2-part
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Bradley Sowash
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Sing with Spirit - 2-part choir and/or piano
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Bradley Sowash
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SheetMusicPlus
Masters In This Hall (Nowell, Sing We Clear)
Piano solo
Piano Solo - Advanced - Digital Download Composed by Public Domain, as performed and …
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Piano Solo - Advanced - Digital Download Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "Masters In This Hall"<br> - taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)<br> <br> Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
$5.99
5.43 €
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Piano solo
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Public Domain, as performed and recorded by Isadar
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Masters In This Hall
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Mainya Music Publishing
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SheetMusicPlus
Life is Beautiful
Easy Piano
Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century,…
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Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century, New Age. Sheet Music Single. 4 pages. Published by Landon Creative, Inc.
Healing Hearts 3<br> Louis Landon<br> 2016 / Landon Creative, Inc.<br> 63 minutes<br> Review by Kathy Parsons<br> Louis Landon’s Healing Hearts 3 is the third in a series of solo piano albums that are comprised of improvisations that were created while clients were in session at his Healing Piano of Sedona (AZ). These sixty-minute healing and music sessions consist of forty minutes of mentoring and twenty minutes of music that includes personalized music for the client’s own use. Landon created Healing Piano of Sedona several years ago to help people live life joyously, passionately, and stress- and disease-free. Landon is a Steinway Artist who has been a life-long musician. Healing Hearts 3 is his twenty-first album and fourteenth solo piano collection. Each of the thirteen pieces on the album was inspired by a different “soul journey,” so the music is quite varied although it maintains a very calming and peaceful vibe throughout.<br> <br> It is interesting to note that Healing Hearts 3 has the closest to the ideal sound Landon has been looking for on his recordings. He attributes that achievement to the mastering and editing expertise of Joe Bongiorno of Piano Haven Studio, also in Sedona. Landon has been trying to get the sound of a classical concert hall in his Peace Palace studio recordings and this album definitely has that sound, which is exceptionally beautiful - clear, warm and resonant.<br> <br> Healing Hearts 3 begins with “Standing In the Light,” a softly flowing piece with a poignant melody that gently soothes the heart - a favorite. “Heart Song” is hushed, intimate and obviously very personal. “Triumph of the Soul” starts out in the deep bass of the piano - very dark and lost. As the piece evolves, it gradually lightens as it moves up the piano keyboard, ending in a very positive place. I’ve often said that the piano is the best instrument to express the sound and feeling of rain and “Night Rain” proves that point again. More energetic than most of the other tracks, the notes flow freely: sometimes smoothly and evenly, sometimes more percussive like big fat raindrops - love it! “Tears” is heartbreak set to music, although tears are so often a big part of the healing process. Such deep emotion is expressed in this piece! Landon wisely follows sadness with “Happy Man,” a lively slice of pianistic sunshine. “Phoenix Rising” begins in the deep bass of the piano, obviously signifying a very dark place or crisis. Over the course of the composition, there is turmoil and pain, but then Landon gradually moves the piece into the upper end of the piano to a much lighter and more peaceful place - a stunning piece! “Healing Time” is gently uplifting and so soothing and serene that I can actually feel it melting away tension - another favorite. “Music Runs Through Me” flows quickly like a stream with sparkles of sunlight dancing happily on its surface. “Balance” returns to a calm stillness that comes when things/life are in balance. Slow, lyrical and very peaceful, it’s the perfect closing for another great album from Louis Landon!<br> <br> I have thoroughly enjoyed all three Healing Hearts albums, but I think #3 is my favorite. It is available from LouisLandon.com, Amazon, iTunes and CD Baby. Very highly recommended!<br> November 4, 2016<br> <br> Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.<br> <br> Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ<br> <br> <br> <br> Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers”; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat”.<br> <br> Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.<br> <br> For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.<br> <br> Louis Landon mission:<br> <br> To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.<br> <br> Reviews:<br> <br> “While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.” Michaeldiamondmusic.com<br> <br> "He has a gift for composition that is second to none." Zone Music Reporter<br> <br> "… indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and… a diverse range of influences is more than apparent.” Keyboard Magazine<br> <br> Recognition:<br> <br> Louis Landon's music has had over 140 million streams on Pandora radio!<br> <br> Louis Landon's music has had over 34 million streams on Spotify!<br> <br> Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.<br> <br> Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.<br> <br> Healing Hearts 2 - Solo Piano won 2016 “Contemporary and Modern” Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.<br> <br> Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.<br> <br> Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.<br> <br> Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.<br> <br> Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.<br> <br> unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.<br> <br> Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.
$5.25
4.76 €
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Easy Piano
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Louis Landon
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Life is Beautiful
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Landon Creative, Inc.
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SheetMusicPlus
Sing, Sing, Sing (With a Swing) (Intermediate Level, Solo Accordion)
Accordion
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Accordion
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Louis Prima
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Tomplay
Sing, Sing, Sing (With a Swing) (Intermediate Level, Free Bass Accordion with Orchestra)
Accordion
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Accordion
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Louis Prima
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Tomplay
Sing, Sing, Sing (With a Swing) (Very Easy Level, Solo Accordion)
Accordion
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Accordion
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Louis Prima
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Tomplay
Sing, Sing, Sing (With a Swing) (Intermediate Level, Solo Free Bass Accordion)
Accordion
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Accordion
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Louis Prima
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Tomplay
Sing, Sing, Sing (With a Swing) (Easy Level, Solo Accordion)
Accordion
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
#
Accordion
#
Louis Prima
#
Tomplay
Sing, Sing, Sing (With a Swing) (Easy Level, Free Bass Accordion with Orchestra)
Accordion
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
#
Accordion
#
Louis Prima
#
Tomplay
Sing, Sing, Sing (With a Swing) (Easy Level, Solo Free Bass Accordion)
Accordion
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Accordion
#
Louis Prima
#
Tomplay
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