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Music from Enchanted - Violin 2
Sheetmusic to print
192 sheet music found
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176
That's How You Know (from Enchanted)
2 Saxophones (duet)
Alto Saxophone Duet Alto Saxophone - Interactive Download This edition: Interactive …
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Alto Saxophone Duet Alto Saxophone - Interactive Download This edition: Interactive Download,scorch. Disney, Film/TV. 2 scores. 2 pages. Hal Leonard #129208. Published by Hal Leonard
$2.99
2.75 €
#
2 Saxophones (duet)
#
That's How You Know
#
SheetMusicPlus
That's How You Know (from Enchanted)
2 Clarinets (duet)
This edition: Interactive Download,scorch. Disney, Film/TV. 2 scores. 2 pages. Hal L…
(+)
This edition: Interactive Download,scorch. Disney, Film/TV. 2 scores. 2 pages. Hal Leonard #129208. Published by Hal Leonard
$2.99
2.75 €
#
2 Clarinets (duet)
#
That's How You Know
#
SheetMusicPlus
That's How You Know (from Enchanted)
2 Flutes (duet)
This edition: Interactive Download,scorch. Disney, Film/TV. Score. 2 pages. Hal Leon…
(+)
This edition: Interactive Download,scorch. Disney, Film/TV. Score. 2 pages. Hal Leonard #129208. Published by Hal Leonard
$2.99
2.75 €
#
2 Flutes (duet)
#
That's How You Know
#
Hal Leonard
#
SheetMusicPlus
That's How You Know (from Enchanted)
2 Cellos (duet)
This edition: Interactive Download,scorch. Disney, Film/TV. Score. 2 pages. Hal Leon…
(+)
This edition: Interactive Download,scorch. Disney, Film/TV. Score. 2 pages. Hal Leonard #129208. Published by Hal Leonard
$2.99
2.75 €
#
2 Cellos (duet)
#
That's How You Know
#
Hal Leonard
#
SheetMusicPlus
That's How You Know (from Enchanted)
2 Trombones (duet)
This edition: Interactive Download,scorch. Disney, Film/TV. Score. 2 pages. Hal Leon…
(+)
This edition: Interactive Download,scorch. Disney, Film/TV. Score. 2 pages. Hal Leonard #129208. Published by Hal Leonard
$2.99
2.75 €
#
2 Trombones (duet)
#
That's How You Know
#
Hal Leonard
#
SheetMusicPlus
Sussex Carol from Enchanted Carols (Downloadable)
SS choir divisi and organ or piano - Moderately Easy - Digital Download SKU: MQ.56-0093…
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SS choir divisi and organ or piano - Moderately Easy - Digital Download SKU: MQ.56-0093-E Composed by Howard Goodall. Christmas. 7 pages. Duration 2 minutes, 48 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0093-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0093-E). English.Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 2:48.
$2.75
2.53 €
#
Howard Goodall
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Sussex Carol from Enchanted Carols
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MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
In dulci jubilo from Enchanted Carols (Downloadable Choral Score)
SS choir divisi and organ or piano, with optional cello - Moderately Easy - Digital Downlo…
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SS choir divisi and organ or piano, with optional cello - Moderately Easy - Digital Download SKU: MQ.56-0091-E Composed by Howard Goodall. Christmas, Lessons and Carols. 7 pages. Duration 2 minutes, 57 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0091-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0091-E). Latin.Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 2:57.
$2.75
2.53 €
#
Howard Goodall
#
In dulci jubilo from Enchanted Carols
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Gaudete! from Enchanted Carols (Downloadable)
SS and organ or piano - Moderately Easy - Digital Download SKU: MQ.56-0090-E Compos…
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SS and organ or piano - Moderately Easy - Digital Download SKU: MQ.56-0090-E Composed by Howard Goodall. Christmas, Lessons and Carols. 7 pages. Duration 2 minutes, 23 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0090-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0090-E). Latin.Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 2:23.
$2.75
2.53 €
#
Howard Goodall
#
Gaudete! from Enchanted Carols
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
O Little Town of Bethlehem from Enchanted Carols (Downloadable Choral Score)
SA choir and organ or piano, with optional cello - Easy - Digital Download SKU: MQ.56-0…
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SA choir and organ or piano, with optional cello - Easy - Digital Download SKU: MQ.56-0089-E Composed by Howard Goodall. Christmas, Lessons and Carols. 6 pages. Duration 2 minutes, 56 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0089-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0089-E). English.Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 2:56.
$2.75
2.53 €
#
Howard Goodall
#
O Little Town of Bethlehem from Enchanted Carols
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Some Enchanted Evening
2 Clarinets (duet)
Clarinet Duet Clarinet - Digital Download SKU: A0.985497 Composed by Richard Rodger…
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Clarinet Duet Clarinet - Digital Download SKU: A0.985497 Composed by Richard Rodgers. Arranged by Louise Braithwaite. Contemporary. 2 scores. 3 pages. Louise Braithwaite #6302193. Published by Louise Braithwaite (A0.985497). Arranged by a UK professional performer and Woodwind tutor, this much loved number from the Rodgers and Hammerstein musical South Pacific will be a valued addition to your popular repertoire. Developed for use in reminiscence work for seniors and tested by professional performers, this duo arrangement shows off both instruments with the conversational melody line appearing in both parts. Suited to a wide range of educational, family and community performances, I hope you and your audience will enjoy this music.
$6.50
5.97 €
#
2 Clarinets (duet)
#
Richard Rodgers
#
Some Enchanted Evening
#
Louise Braithwaite
#
SheetMusicPlus
Verbum caro factum est from Enchanted Carols (Downloadable Choral Score)
Choral SATB
SATB choir, organ or piano, percussion, and string quartet - Medium - Digital Download …
(+)
SATB choir, organ or piano, percussion, and string quartet - Medium - Digital Download SKU: MQ.56-0101-E Composed by Howard Goodall. Advent, Annunciation, Lessons and Carols. 12 pages. Duration 4 minutes, 31 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0101-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0101-E). Latin. John 1:14.Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 4:31Instrumental Parts include: Percussion (2/3 players: glockenspiel/handbells/crotales), Organ (or Piano), Strings (1-1-1-1).
$3.15
2.89 €
#
Choral SATB
#
Howard Goodall
#
Verbum caro factum est from Enchanted Carols
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Stella quam viderant Magi from Enchanted Carols (Downloadable Choral Score)
Treble voices, SSATB choir, and piano, with optional cello - Medium - Digital Download …
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Treble voices, SSATB choir, and piano, with optional cello - Medium - Digital Download SKU: MQ.56-0097-E Composed by Howard Goodall. Epiphany, Lessons and Carols. 10 pages. Duration 4 minutes, 6 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0097-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0097-E). Latin.Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 4:06Instrumental Parts include: Percussion (2/3 players: glockenspiel/handbells/crotales), Organ (or Piano), Strings (1-1-1-1).
$3.15
2.89 €
#
Howard Goodall
#
Stella quam viderant Magi from Enchanted Carols
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Some Enchanted Evening
2 Flutes (duet)
Flute Duet Flute - Digital Download SKU: A0.985494 Composed by Richard Rodgers. Arr…
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Flute Duet Flute - Digital Download SKU: A0.985494 Composed by Richard Rodgers. Arranged by Louise Braithwaite. Contemporary. Score. 4 pages. Louise Braithwaite #6302181. Published by Louise Braithwaite (A0.985494). Arranged by a UK professional performer and Woodwind tutor, this much loved number from the Rodgers and Hammerstein musical South Pacific will be a valued addition to your popular repertoire. Developed for use in reminiscence work for seniors and tested by professional performers, this duo arrangement shows off both instruments with the conversational melody line appearing in both parts. Suited to a wide range of educational, family and community performances, I hope you and your audience will enjoy this music.
$6.50
5.97 €
#
2 Flutes (duet)
#
Richard Rodgers
#
Some Enchanted Evening
#
Louise Braithwaite
#
SheetMusicPlus
Some Enchanted Evening
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SK…
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1196162 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Nathaniel Lawton. Broadway,Musical/Show. Score and parts. 15 pages. Nathaniel Lawton #795318. Published by Nathaniel Lawton (A0.1196162). One of the many famous songs from the 1949 musical (and 1958 film) 'South Pacific' arranged for Brass Quintet (Trumpets, Horn, Trombone, Tuba).
$12.99
11.94 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Various Artists
#
Some Enchanted Evening
#
Nathaniel Lawton
#
SheetMusicPlus
Intermezzo from Cavalleria Rusticana by Mascagni for Brass Quintet
Brass Quintet: 2 trumpets, horn, trombone, tuba
Brass Quintet - Level 2 - Digital Download SKU: A0.1302675 Composed by Pietro Masca…
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Brass Quintet - Level 2 - Digital Download SKU: A0.1302675 Composed by Pietro Mascagni. Arranged by Ander. 19th Century,Opera,Romantic Period,Wedding. 7 pages. Woods Only, Arrangements #892301. Published by Woods Only, Arrangements (A0.1302675). In this arrangement, you will play the Intermezzo from the Opera Cavalleria Rusticana by Pietro Mascagni for Brass Quintet, one of the most beautiful and exciting works of classical music. You will preserve all the fidelity and expressiveness of the original score, adapting it to a smaller ensemble. You will be enchanted by the beauty and delicacy of this piece, which represents a moment of calm and reflection in the opera. This arrangement is ideal for performance events or didactic material, as well as for weddings, concerts or public presentations. It is an accessible and rewarding piece, that will make you feel like a true artist. Do not miss this opportunity to acquire this exclusive and wonderful arrangement of the Intermezzo from the opera Cavalleria Rusticana by Pietro Mascagni for Quintet!
$9.99
9.18 €
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
Pietro Mascagni
#
Intermezzo from Cavalleria Rusticana by Mascagni for Brass Quintet
#
Woods Only, Arrangements
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.43 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.43 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.43 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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Jon McLaughlin
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Hal Leonard - Digital
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