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You've selected:
Music from The Shape of Water - Conductor Score
Sheetmusic to print
9 sheet music found
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1
Boppin' At the Laundromat
Jazz Ensemble
Jazz ensemble - Digital Download SKU: IZ.JES171 Composed by Benjamin Van De Water. …
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Jazz ensemble - Digital Download SKU: IZ.JES171 Composed by Benjamin Van De Water. Score and Parts. 63 pages. Imagine Music - Digital #JES171. Published by Imagine Music - Digital (IZ.JES171). 9 x 12 in inches.Boppin' at the Laundromat, a piece for Jazz Ensemble featuring Oboe and Tuba soloists, is a programmatic story. The first idea to come to mind was the dissonant chord (m. 16, m. 24, m. 32, etc.) intended to emulate a dryer buzzer. From there, a story began to take shape.An attractive gentleman (tuba) approaches the counter at his local laundromat (m. 17), looking to have some of his clothes washed. Soon after, an attractive lady (oboe) approaches the counter along with the man (m. 23), and they notice each other. The mutual attraction is palpable, illustrated with arpeggios in triplets in the piano and vibes (m. 33). Their clothes washing questions are resolved, and they take their seats, nearby each other, of course. The small talk begins.Just then, some noisier patrons enter (brass), completing the laundering atmosphere. A high trumpet lick (m. 61) is the ever present obnoxious laughter that always seems to have an outburst at the most inopportune time. The following solo section (m. 66) is a lull in the superficial conversation of the lady and gentleman, where each is left to their own thoughts.Suddenly (m. 78), the conversation begins anew, with a more personal and profound interaction between them. All the while, the other launderers continue their carrying on. At measure 121, the man's dryer finishes, followed soon after by the woman's (m. 122), and the pair go their separate ways. Their story to be completed in the mind of the listener.
$50.00
44.98 €
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Jazz Ensemble
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Benjamin Van De Water
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Boppin' At the Laundromat
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Imagine Music - Digital
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SheetMusicPlus
Robert Longfield: Music from The Shape of Water (COMPLETE) - concert band
Concert band
Instantly printable sheet music by Robert Longfield for concert band of MEDIUM skill level…
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Instantly printable sheet music by Robert Longfield for concert band of MEDIUM skill level. / classical,film/tv,movies
$69.99
62.96 €
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Concert band
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Robert Longfield
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Virtualsheetmusic
Harry Warren: You'll Never Know (from The Shape of Water) - voice, piano or guitar
Piano, Vocal and Guitar
Instantly printable sheet music by Harry Warren for voice, piano or guitar of MEDIUM skill…
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Instantly printable sheet music by Harry Warren for voice, piano or guitar of MEDIUM skill level. / film/tv,pop,movies
$6.97
6.27 €
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Piano, Vocal and Guitar
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Harry Warren
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Virtualsheetmusic
Watercolors of Earth and Sky (violin and harp - or violin and piano)
Orchestra
Instrumental Duet,Piano Harp,Instrumental Duet,Piano,Violin - Level 4 - Digital Download
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Instrumental Duet,Piano Harp,Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.971648 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 38 pages. Musicart Publications #4367732. Published by Musicart Publications (A0.971648). Watercolors of Earth and Sky is a work that celebrates the beauty and opportunity of nature through four musical movements. This work is for violin and harp (or piano). The violin part incorporates special techniques that help shape the sound and overall texture of the work. Each of the four movements presents an aspect of the composer’s experience in parks, plains, and woodlands. The music is also colored by the composer’s work as a performer of both classical and jazz music. As with other compositions by Jeffrey Hoover, there is a series of four paintings by Hoover with the same titles that are visual interpretations of the music. Images of these paintings that can be projected in performance are available directly from Hoover. This work is appropriate for performance for a broad audience.Jeffrey Hoover's works - ranging from music for soloist to symphony orchestra - have received recognition through the prestigious Trieste prize, the Russolo Competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications, fellowships, and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement in composition. One unique aspect of Hoover's work is when he combines his compositions with his own paintings, creating synergetic works. He is the author of The Arts and Society: Making New Worlds (Kendall Hunt Publishing).Born on September 11, 1959, in Anderson, Indiana, Jeffrey Hoover holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included appointments both as a faculty member and an arts administrator. For more information, please visit his website at https://jeffreyhooverart.wixsite.com/mysite
$24.95
22.45 €
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Orchestra
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Jeffrey Hoover
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Watercolors of Earth and Sky
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Musicart Publications
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SheetMusicPlus
Three Chromicons for piano solo
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon For…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.<br> <br> The sound sample is the live performance.<br> <br> The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).<br> <br> Ford explains the significance of these unique scores:<br> <br> "In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."<br> <br> "By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."<br> <br> "Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."<br> <br> "Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."<br> <br> "Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."<br> <br> Video of Chromicon III<br> https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00
10.8 €
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Piano solo
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Joseph Dillon Ford
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Three Chromicons for piano solo
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David Warin Solomons
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SheetMusicPlus
The Boxer by Simon & Garfunkel for Guitar Ensemble
Guitar Ensemble
Guitar Tab, Guitar Ensemble - Intermediate - Digital Download By Simon And Garfunkel.…
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Guitar Tab, Guitar Ensemble - Intermediate - Digital Download By Simon And Garfunkel. Arranged by Dan Jones (www.danjonesguitarist.com). Score, Set of Parts, Tablature. 29 pages. Published by danjonesguitarist.com
The Boxer is an iconic work by Simon and Garfunkel. Here it is arranged in four guitar parts, suitable for both quartet or large guitar ensemble.<br> <br> This arrangement has the following benefits in a single download:<br> <br> (1) A full score is provided showing both the notes and TAB<br> (2) Individual parts are provided in both notes and TAB. These are shown on separate sheets. I am aware that many teachers dislike TAB so the option is given to include or exclude it as the purchaser wishes<br> (3) Each part has melodic interest. The primary vocal lines are played by guitars 1 & 2. Guitar 3 plays accompanying ornamental figures and also the instrumental solos transcribed from the original recording. Guitar 4 plays a finger-style chordal accompaniment throughout using recognisable chord shapes.<br> <br> The arrangement is appropriate for intermediate players but will be suitable as an unusual repertoire item for professional groups as well. It is an outstanding work for music school concerts. A performance will last for approximately five minutes.<br> <br> A film showing 16 guitarists playing remotely from all over the world will be uploaded before the end of July 2020. <br> <br> You can hear and watch a wide range of arrangements for solo guitar and guitar in ensemble suitable for all levels at www.danjonesguitarist.com.<br> <br> The Boxer was released on the Bridge Over Troubled Water album released in 1970 and is one of the best-loved pieces of repertoire from the folk-rock genre. .
$6.95
6.25 €
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Guitar Ensemble
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Simon And Garfunkel
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The Boxer by Simon & Garfunkel for Guitar Ensemble
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danjonesguitarist.com
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SheetMusicPlus
Rhaeadr
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.1033108 Composed by Joanna (née …
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Piano Solo - Level 4 - Digital Download SKU: A0.1033108 Composed by Joanna (née Josephine) Bates. Arranged by N/A. 20th Century,Classical,Contemporary,Romantic Period. Score. 5 pages. Joanna Bates #6080051. Published by Joanna Bates (A0.1033108). Programme Notes - Solo Piano Work In 2006, I was living on the hills which form the border between England and Wales; this is deemed to be an area of special scientific interest where the many wonders of Nature abound. Rhaeadr means 'waterfall' in the Welsh language and my piece is a sound picture of the myriad forms, shapes, stillnesses and polar dynamic forces that waterfalls can evoke; from thundering torrents and sunlit pools to droplets and sprays that spirit into being, white and ghostly mists before our very eyes. The music begins with a ‘trickling’ movement from the top of the waterfall and makes it’s way down, crashing into rocks, swerving around them and almost coming to a halt in a shallow, sunlit pool which lies, temporarily, in a plateau. Then, finding a crevice to squeeze through, the water continues it’s unrelenting descent - finally reaching the bottom of the hill and coming to rest in calm liquidity. My thanks go to the pianist, Marija Vrskova at the FAMES studio in Macedonia where Rhaeadr was recorded under my remote direction and mixed and mastered by Laurent Köpitz and his commendable team. Joanna Bates - June 2020Duration is 3:25 and is suitable for intermediate to advanced pianists.Associations with nature, rivers, flowing, water - anything of this sort, Rhaeadr is a perfect match!
$4.99
4.49 €
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Piano solo
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Joanna
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Rhaeadr
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Joanna Bates
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SheetMusicPlus
Hydra
Piano solo
Piano Solo - Digital Download SKU: A0.507392 Composed by Heather Cattanach. 20th Ce…
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Piano Solo - Digital Download SKU: A0.507392 Composed by Heather Cattanach. 20th Century,Children,Contemporary,Instructional. Score. 5 pages. Published by Heather Cattanach (A0.507392). Hydra is the biggest of the 88 Constellations. Ptolemy, the Greek astronomer catalogued this constellation in the second century. Two Greek legends mention Hydra. The first tells how Heracles (Hercules) fought and killed the nine-headed monstrous predatory snake. The second relates the story of Corvus (the crow) who was commanded to bring water to Apollo, but was distracted, and blamed the water snake for his being late in returning to Apollo with the cup (Crater). In honour of Hydra’s extensive span across the sky, all 88 keys are used. Thus much of the material is chromatic (and also palindromic) but in bars 9, 19 and 29, you can see the approximate shape of the constellation if you join the dots of the noteheads. I have chosen to eschew the use of 8va and 8vb signs, instead opting to show the expanse of all the notes on the keyboard as they appear on the staff. It is easy to play these high and low leger line notes, knowing that they always begin (or end) at the top or bottom of the piano keyboard (i.e. the highest C and the lowest A). From “88 Constellations†a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano). Intermediate Piano Solo. Performance Time 1 1/2 minutes. 4 pages. (General Instructional, Modern, 21st Century, Repertoire, Recital).
$4.99
4.49 €
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Piano solo
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Heather Cattanach
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Hydra
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Heather Cattanach
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SheetMusicPlus
English Autumn
Small Ensemble,Strings Clarinet - Level 5 - Digital Download SKU: A0.913624 Compose…
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Small Ensemble,Strings Clarinet - Level 5 - Digital Download SKU: A0.913624 Composed by James Marshall. Contemporary,Folk. Score and parts. 87 pages. James Marshall Music #6096869. Published by James Marshall Music (A0.913624). English Autumn was composed in Fall/Winter 2018-2019 for Clarinetist Allison Eales commissioned by the Gregynog . Scored for Clarinet in A and String Trio it reflects the collage of Autumn colors: Green, Yellow, Brown shades of first Autumn; Red, Orange of Autumn at its peak. It followed my English Sonatina for young clarinetists premiered by Alison Eales and Anna de Hair in London in January, 2019, and was premiered in London in October, 2019. This piece reflects the heightened emotions of fiery intensity reflected in the changing of the colors of the leaves in Autumn. Reflected as well is the serene beauty before the Autumn arrives, and the resignation of the eternal cycles of nature. The opening section (Andante) evokes the feeling of nostalgia and assurance of the inevitable cycle of nature. We know the life will go from the tress only to return again next season. We feel the joy of the intense colors of the foliage, and the sadness of the loss of life in winter. This section segues into Green (Adagio cantabile) with pastoral music and quotes of The Water is Wide and I pass all the hours in a shady grove of Pelham Humphrey. This leads into Red (Allegro con fuoco/Presto), followed by Orange (Declamando) as well as absence of color when the leaves all fall. I pass all the hours is a song by Pelham Humphrey with words by Charles II: I pass all the hours in a shady grove …When I see the print of her shape in the green…I think there’s no hell like loving too well, The melody is incorporated because it is the same melodic motif of the Scherzando movement of my English Sonatina for young clarinetists which Alison Eales and Anna de Hair premiered. I discovered it after composing that piece in researching English folk songs to refer to in this piece. It is an ideal segue into the Allegro con fuco/Presto music. The final section (Andante cantabile) is my personal melodic sequence from the rising motif of Over the hills and far away.
$19.99
17.98 €
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James Marshall
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English Autumn
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James Marshall Music
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SheetMusicPlus
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