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Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.57 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
The Lonely Goatherd from the Sound of Music
Choral 2-part
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.782609 Composed by Richard R…
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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.782609 Composed by Richard Rodgers. Arranged by Ashlee T Busch. Broadway,Film/TV. Octavo. 5 pages. Ashlee T Busch #3542659. Published by Ashlee T Busch (A0.782609). Remember the scene in The Sound of Music where all the kids are gathered around the giant puppet show theater? Here's the song! Presented here in an abridged version, enjoy the bouncy Lonely Goatherd! This song is a challenge for the intermediate performer due to its fast pace. Feel free to go as quickly as you'd like! Lyrics are included so you can yodel along!
$4.99
4.49 €
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Choral 2-part
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Richard Rodgers
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The Lonely Goatherd from the Sound of Music
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Ashlee T Busch
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SheetMusicPlus
The Lonely Goatherd from the Sound of Music (for flute choir)
Flute ensemble
Flute, Woodwind Choir or Ensemble, Flute Choir (Piccolo, Flute 1, 2, and 3, Alto, Ba…
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Flute, Woodwind Choir or Ensemble, Flute Choir (Piccolo, Flute 1, 2, and 3, Alto, Bass, and Contrabass) - Advanced Intermediate - Digital Download By Rodgers & Hammerstein. Arranged by Ralph Raymond Hays. Score, Set of Parts. 20 pages. Published by Ralph Raymond Hays
This spritely and delightful tune from Rodger's and Hammerstein's beloved THE SOUND OF MUSIC is masterfully and lovingly adapted for flute choir by an arranger who once portrayed Friedrich von Trapp in a theatrical production.
$12.99
11.68 €
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Flute ensemble
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Rodgers & Hammerstein
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Hammerstein
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The Lonely Goatherd from the Sound of Music
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Ralph Raymond Hays
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SheetMusicPlus
The Lonely Goatherd
Piano solo
Piano Solo - Level 2 - Digital Download SKU: A0.954772 Composed by Richard Rodgers.…
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Piano Solo - Level 2 - Digital Download SKU: A0.954772 Composed by Richard Rodgers. Arranged by Brent Olstad, ASCAP. Broadway,Contemporary,Film/TV,Musical/Show. Score. 4 pages. Brent Olstad #6306607. Published by Brent Olstad (A0.954772). This arrangement is easily accessible to the intermediate pianist or the advance beginner, and features fresh harmonies and rhythms to the classic song from The Sound of Music. It is the perfect arrangement for recitals or just for your own enjoyment.Brent Olstad is a member of ASCAP and you can find him at www.brentolstadmusic.com. Look for Brent Olstad Music on Facebook, Instagram,YouTube and Twitter.
$4.99
4.49 €
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Piano solo
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Richard Rodgers
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The Lonely Goatherd
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Brent Olstad
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SheetMusicPlus
The Sound Of Silence
Piano solo
Piano Solo - Level 1 - Digital Download SKU: A0.809406 By Simon And Garfunkel. By P…
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Piano Solo - Level 1 - Digital Download SKU: A0.809406 By Simon And Garfunkel. By Paul Simon. Arranged by Academia Unimusica. Pop,Rock. Score. 1 pages. Unimusic Academy (Academia Unimusica) #6251769. Published by Unimusic Academy (Academia Unimusica) (A0.809406). The Sound of Silence, originally The Sounds of Silence, is a song by the American music duo Simon & Garfunkel. The song was written by Paul Simon over several months in 1963 and 1964. A studio audition led to the duo signing a record deal with Columbia Records, and the original 'acoustic' version of the song was recorded in March 1964 at Columbia Studios in New York City and included on their debut album, Wednesday Morning, 3 A.M.. Released on October 19, 1964,[2] the album was a commercial failure and led to the duo disbanding; Simon returned to England, and Art Garfunkel to his studies at Columbia University. In 1965, the song began to attract airplay at radio stations in Boston, Massachusetts, and throughout Florida. The growing airplay led Tom Wilson, the song's producer, to remix the track, overdubbing electric instruments and drums. This remixed version was released as a single in September 1965. Simon & Garfunkel were not informed of the song's remix until after its release. The song hit No. 1 on the Billboard Hot 100 for the week ending January 1, 1966, leading the duo to reunite and hastily record their second album, which Columbia titled Sounds of Silence in an attempt to capitalize on the song's success. The remixed single version of the song was included on this follow-up album. It was featured in the 1967 film The Graduate and was included on the film's soundtrack album. It was additionally released on the Mrs. Robinson 'EP' in 1968, along with three other songs from the film: Mrs. Robinson, April Come She Will and Scarborough Fair/Canticle. The song was a top-ten hit in multiple countries worldwide, among them Australia, Austria, West Germany, Japan and the Netherlands. Generally considered a classic folk rock song, the song was added to the National Recording Registry in the Library of Congress for being culturally, historically, or aesthetically important in 2012, along with the rest of the Sounds of Silence album. Originally titled The Sounds of Silence on the album Wednesday Morning, 3 A.M., the song was shortened for later compilations, beginning with the 1972 compilation album Simon and Garfunkel's Greatest Hits.[3]
$8.00
7.19 €
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Piano solo
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Simon And Garfunkel
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Garfunkel
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The Sound Of Silence
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Unimusic Academy
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SheetMusicPlus
En Face Du Miroir (Facing The Mirror)
Piano solo
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.39 €
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Piano solo
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Climb Ev'ry Mountain (from The Sound of Music) (ABRSM Violin Exams from 2024, Grade 2, B:1)
Violin
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
4.99 €
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Violin
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Rodgers and Hammerstein,arr. N
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Tomplay
Maria from "The Sound of Music" (for flute choir)
Flute ensemble
Flute Choir (Piccolo, Flute 1, 2, and 3, Alto, Bass, and Contrabass) - Intermediate - D…
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Flute Choir (Piccolo, Flute 1, 2, and 3, Alto, Bass, and Contrabass) - Intermediate - Digital Download By Rodgers and Hammerstein. Arranged by Ralph Raymond Hays. Score, Set of Parts. 11 pages. Published by Ralph Raymond Hays
This lively and enchanting work -- lovingly crafted by an arranger who once played Friedrich von Trapp in a theatrical production -- can stand alone or can be combined with Prof. Hays' other arrangements to create a SOUND OF MUSIC SUITE. All members of the ensemble are featured in this arrangement which includes both the introductory and wedding versions of the endearing tune.
$12.99
11.68 €
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Flute ensemble
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Rodgers and Hammerstein
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Maria from "The Sound of Music"
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Ralph Raymond Hays
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SheetMusicPlus
Music from The Sound Of Music (arr. Vinson) - Pt.3 - F Horn
Concert band
Concert Band - Level 2 - Digital Download SKU: HX.1395565 Composed by Oscar Hammers…
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Concert Band - Level 2 - Digital Download SKU: HX.1395565 Composed by Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein. Arranged by Johnnie Vinson. This edition: scorch. Broadway,Film/TV,Musical/Show. 2 pages. Duration 185. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1395565).
$6.00
5.4 €
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Concert band
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Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein
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Music from The Sound Of Music
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Hal Leonard - Digital
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SheetMusicPlus
Music from The Sound Of Music (arr. Vinson) - Percussion 1
Concert band
Concert Band - Level 2 - Digital Download SKU: HX.1395578 Composed by Oscar Hammers…
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Concert Band - Level 2 - Digital Download SKU: HX.1395578 Composed by Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein. Arranged by Johnnie Vinson. This edition: scorch. Broadway,Film/TV,Musical/Show. 2 pages. Duration 185. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1395578).
$6.00
5.4 €
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Concert band
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Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein
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Music from The Sound Of Music
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Hal Leonard - Digital
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SheetMusicPlus
Music from The Sound Of Music (arr. Vinson) - Pt.4 - Cello
Concert band
Concert Band - Level 2 - Digital Download SKU: HX.1395571 Composed by Oscar Hammers…
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Concert Band - Level 2 - Digital Download SKU: HX.1395571 Composed by Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein. Arranged by Johnnie Vinson. This edition: scorch. Broadway,Film/TV,Musical/Show. 2 pages. Duration 185. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1395571).
$6.00
5.4 €
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Concert band
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Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein
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Music from The Sound Of Music
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Hal Leonard - Digital
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SheetMusicPlus
Music from The Sound Of Music (arr. Vinson) - Timpani
Concert band
Concert Band - Level 2 - Digital Download SKU: HX.1395581 Composed by Oscar Hammers…
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Concert Band - Level 2 - Digital Download SKU: HX.1395581 Composed by Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein. Arranged by Johnnie Vinson. This edition: scorch. Broadway,Film/TV,Musical/Show. 1 pages. Duration 185. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1395581).
$6.00
5.4 €
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Concert band
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Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein
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Music from The Sound Of Music
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Hal Leonard - Digital
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SheetMusicPlus
Music from The Sound Of Music (arr. Vinson) - Pt.5 - Tuba
Concert band
Concert Band - Level 2 - Digital Download SKU: HX.1395576 Composed by Oscar Hammers…
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Concert Band - Level 2 - Digital Download SKU: HX.1395576 Composed by Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein. Arranged by Johnnie Vinson. This edition: scorch. Broadway,Film/TV,Musical/Show. 2 pages. Duration 185. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1395576).
$6.00
5.4 €
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Concert band
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Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein
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Music from The Sound Of Music
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Hal Leonard - Digital
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SheetMusicPlus
Music from The Sound Of Music (arr. Vinson) - Pt.3 - Bb Tenor Saxophone
Concert band
Concert Band - Level 2 - Digital Download SKU: HX.1395563 Composed by Oscar Hammers…
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Concert Band - Level 2 - Digital Download SKU: HX.1395563 Composed by Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein. Arranged by Johnnie Vinson. This edition: scorch. Broadway,Film/TV,Musical/Show. 2 pages. Duration 185. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1395563).
$6.00
5.4 €
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Concert band
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Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein
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Music from The Sound Of Music
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Hal Leonard - Digital
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SheetMusicPlus
Music from The Sound Of Music (arr. Vinson) - Pt.5 - Eb Baritone Saxophone
Concert band
Concert Band - Level 2 - Digital Download SKU: HX.1395575 Composed by Oscar Hammers…
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Concert Band - Level 2 - Digital Download SKU: HX.1395575 Composed by Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein. Arranged by Johnnie Vinson. This edition: scorch. Broadway,Film/TV,Musical/Show. 2 pages. Duration 185. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1395575).
$6.00
5.4 €
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Concert band
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Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein
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Music from The Sound Of Music
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Hal Leonard - Digital
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SheetMusicPlus
Music from The Sound Of Music (arr. Vinson) - Pt.1 - Flute
Concert band
Concert Band - Level 2 - Digital Download SKU: HX.1395555 Composed by Oscar Hammers…
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Concert Band - Level 2 - Digital Download SKU: HX.1395555 Composed by Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein. Arranged by Johnnie Vinson. This edition: scorch. Broadway,Film/TV,Musical/Show. 2 pages. Duration 185. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1395555).
$6.00
5.4 €
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Concert band
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Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein
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Music from The Sound Of Music
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Hal Leonard - Digital
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SheetMusicPlus
Music from The Sound Of Music (arr. Vinson) - Percussion 2
Concert band
Concert Band - Level 2 - Digital Download SKU: HX.1395579 Composed by Oscar Hammers…
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Concert Band - Level 2 - Digital Download SKU: HX.1395579 Composed by Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein. Arranged by Johnnie Vinson. This edition: scorch. Broadway,Film/TV,Musical/Show. 1 pages. Duration 185. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1395579).
$6.00
5.4 €
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Concert band
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Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein
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Music from The Sound Of Music
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Hal Leonard - Digital
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SheetMusicPlus
Music from The Sound Of Music (arr. Vinson) - Conductor Score (Full Score)
Concert band
Concert Band - Level 2 - Digital Download SKU: HX.1395554 Composed by Oscar Hammers…
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Concert Band - Level 2 - Digital Download SKU: HX.1395554 Composed by Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein. Arranged by Johnnie Vinson. This edition: scorch. Broadway,Film/TV,Musical/Show. 16 pages. Duration 185. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1395554).
$10.00
8.99 €
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Concert band
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Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein
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Music from The Sound Of Music
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Hal Leonard - Digital
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SheetMusicPlus
Music from The Sound Of Music (arr. Vinson) - Mallet Percussion
Concert band
Concert Band - Level 2 - Digital Download SKU: HX.1395580 Composed by Oscar Hammers…
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Concert Band - Level 2 - Digital Download SKU: HX.1395580 Composed by Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein. Arranged by Johnnie Vinson. This edition: scorch. Broadway,Film/TV,Musical/Show. 1 pages. Duration 185. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1395580).
$6.00
5.4 €
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Concert band
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Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein
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Music from The Sound Of Music
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Hal Leonard - Digital
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SheetMusicPlus
Music from The Sound Of Music (arr. Vinson) - Pt.2 - Bb Clarinet/Bb Trumpet
Concert band
Concert Band - Level 2 - Digital Download SKU: HX.1395559 Composed by Oscar Hammers…
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Concert Band - Level 2 - Digital Download SKU: HX.1395559 Composed by Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein. Arranged by Johnnie Vinson. This edition: scorch. Broadway,Film/TV,Musical/Show. 2 pages. Duration 185. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1395559).
$6.00
5.4 €
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Concert band
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Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein
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Music from The Sound Of Music
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Hal Leonard - Digital
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SheetMusicPlus
Music from The Sound Of Music (arr. Vinson) - Pt.4 - Trombone/Bar. B.C./Bsn.
Concert band
Concert Band - Level 2 - Digital Download SKU: HX.1395570 Composed by Oscar Hammers…
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Concert Band - Level 2 - Digital Download SKU: HX.1395570 Composed by Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein. Arranged by Johnnie Vinson. This edition: scorch. Broadway,Film/TV,Musical/Show. 2 pages. Duration 185. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1395570).
$6.00
5.4 €
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Concert band
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Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein
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Music from The Sound Of Music
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Hal Leonard - Digital
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SheetMusicPlus
Music from The Sound Of Music (arr. Vinson) - Pt.2 - Eb Alto Saxophone
Concert band
Concert Band - Level 2 - Digital Download SKU: HX.1395560 Composed by Oscar Hammers…
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Concert Band - Level 2 - Digital Download SKU: HX.1395560 Composed by Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein. Arranged by Johnnie Vinson. This edition: scorch. Broadway,Film/TV,Musical/Show. 2 pages. Duration 185. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1395560).
$6.00
5.4 €
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Concert band
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Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein
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Music from The Sound Of Music
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Hal Leonard - Digital
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SheetMusicPlus
Music from The Sound Of Music (arr. Vinson) - Pt.5 - Baritone T.C.
Concert band
Concert Band - Level 2 - Digital Download SKU: HX.1395574 Composed by Oscar Hammers…
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Concert Band - Level 2 - Digital Download SKU: HX.1395574 Composed by Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein. Arranged by Johnnie Vinson. This edition: scorch. Broadway,Film/TV,Musical/Show. 2 pages. Duration 185. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1395574).
$6.00
5.4 €
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Concert band
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Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein
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Music from The Sound Of Music
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Hal Leonard - Digital
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SheetMusicPlus
Music from The Sound Of Music (arr. Vinson) - Pt.5 - Bb Bass Clarinet
Concert band
Concert Band - Level 2 - Digital Download SKU: HX.1395572 Composed by Oscar Hammers…
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Concert Band - Level 2 - Digital Download SKU: HX.1395572 Composed by Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein. Arranged by Johnnie Vinson. This edition: scorch. Broadway,Film/TV,Musical/Show. 2 pages. Duration 185. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1395572).
$6.00
5.4 €
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Concert band
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Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein
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Music from The Sound Of Music
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Hal Leonard - Digital
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SheetMusicPlus
Music from The Sound Of Music (arr. Vinson) - Pt.5 - Trombone/Bar. B.C./Bsn.
Concert band
Concert Band - Level 2 - Digital Download SKU: HX.1395573 Composed by Oscar Hammers…
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Concert Band - Level 2 - Digital Download SKU: HX.1395573 Composed by Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein. Arranged by Johnnie Vinson. This edition: scorch. Broadway,Film/TV,Musical/Show. 2 pages. Duration 185. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.1395573).
$6.00
5.4 €
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Concert band
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Oscar Hammerstein, Richard Rodgers, and Rodgers & Hammerstein
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Music from The Sound Of Music
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Hal Leonard - Digital
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SheetMusicPlus
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